The Archive

Everything currently held at The New Rare, newest first.

  • Marina Abramović, Boat Emptying Stream Entering, Victoria Miro 1989, recto: close-up photograph of red stone wall, artist name in spaced white capitals, dates 13 April to 12 May I Marina Abramović, Boat Emptying Stream Entering, Victoria Miro 1989, verso: blue ground, italic white title text, Victoria Miro 21 Cork Street London W1, vertical crease visible

    MARINA ABRAMOVIĆ — Boat Emptying, Stream Entering, Victoria Miro, London, 1989

    MARINA ABRAMOVIĆ — Boat Emptying, Stream Entering, Victoria Miro, London, 1989

  • Larry Bell in his Marine Street studio, Venice, California, c.1959, photograph by Jerry McMillan; black and white, Bell seated before large mixed-media wall work Larry Bell: From the '60s, Hauser & Wirth New York 2016, invitation verso: exhibition dates 3 February–9 April 2016, private view Wednesday 3 February 6–8pm

    LARRY BELL — From the ’60s, Hauser & Wirth, New York, 2016

    LARRY BELL — From the ’60s, Hauser & Wirth, New York, 2016

  • LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965 LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965

    LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965

    LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965

  • Ian Whittlesea, Trataka, The Everyday Press 2020, front cover: grey ground, white sans-serif title above single white candle on shelf, sealed in clear shrinkwrap Ian Whittlesea, Trataka, The Everyday Press 2020, back cover: grey ground, white all-caps text describing the work and artist; ISBN barcode upper left; shrinkwrap visible

    IAN WHITTLESEA — Trataka, The Everyday Press, 2020

    IAN WHITTLESEA — Trataka, The Everyday Press, 2020

  • Andrew Wilson, ed., Conceptual Art in Britain 1964–1979, Tate Publishing 2016, front cover: white, black title, b&w strip of five Keith Arnatt self-burial photographs across lower half Ed Herring, Proposition, 1970, in Conceptual Art in Britain 1964–1979, Tate 2016 — open metal filing cabinet drawer packed with 400 aged postcards; caption below

    ANDREW WILSON, ED. — Conceptual Art in Britain 1964–1979, Tate Publishing, 2016

    ANDREW WILSON, ED. — Conceptual Art in Britain 1964–1979, Tate Publishing, 2016

  • John Waters, Crackpot: The Obsessions of John Waters, Vintage Books 1987, front cover: yellow, purple and blue, Waters seated at typewriter with mannequin head and bust; Village Voice blurb above John Waters, Crackpot, Vintage Books 1987, back cover: yellow, purple and blue, press quotes from Washington Post, Playboy, William Burroughs; ISBN barcode, cover credits lower left

    JOHN WATERS — Crackpot: The Obsessions of John Waters, Vintage Books, 1987

    JOHN WATERS — Crackpot: The Obsessions of John Waters, Vintage Books, 1987

  • Cindy Sherman, Specimens, Art Random 65, Kyoto Shoin 1991, front cover: black, white serif title, colour close-up of red-orange fleshy form and small dark creature, clear plastic jacket Cindy Sherman, Specimens, Art Random 65, 1991, interior spread: colour — five clear plastic specimen cylinders on wooden surface, small dark insects and creatures inside each, warm daylight

    CINDY SHERMAN — Specimens, Art Random 65, Kyoto Shoin, 1991

    CINDY SHERMAN — Specimens, Art Random 65, Kyoto Shoin, 1991

  • Cindy Sherman, Photographic Work 1975–1995, Schirmer/Mosel 1995, front cover: colour Untitled — Sherman seated in black-and-white striped dress, tousled hair, dark ground; pronounced fading and colour shift from ex-library circulation Cindy Sherman, Photographic Work 1975–1995, Schirmer/Mosel 1995, interior page: Sherman seated in black-and-white striped dress, wild grey wig, smiling, dark ground; faded from ex-library use

    CINDY SHERMAN — Photographic Work 1975–1995, Schirmer/Mosel, Munich, 1995

    CINDY SHERMAN — Photographic Work 1975–1995, Schirmer/Mosel, Munich, 1995

  • Cindy Sherman, The Hasselblad Award 1999, Hasselblad Center 2000, front cover: red boards, white lower-case cindy / sherman, small colour photographic inset centred Cindy Sherman, Hasselblad Award 1999, interior spread: two colour works — Sherman crouching in wet white shirt, teal ground; Sherman curled on floor in white shirt, dark ground I

    CINDY SHERMAN — The Hasselblad Award 1999, Hasselblad Center, Göteborg, 2000

    CINDY SHERMAN — The Hasselblad Award 1999, Hasselblad Center, Göteborg, 2000

  • Cindy Sherman, Staatliche Kunsthalle Baden-Baden / Museum Boijmans Van Beuningen 1997, front cover: b&w Film Still — woman in coat at night, blonde hair, handbag, street light Cindy Sherman, Untitled #30, 1979, b&w Film Still — Sherman seated on brick window sill, low-cut top, cross necklace, heels, gazing left through factory window

    CINDY SHERMAN — Cindy Sherman, Staatliche Kunsthalle Baden-Baden / Museum Boijmans Van Beuningen, 1997

    CINDY SHERMAN — Cindy Sherman, Staatliche Kunsthalle Baden-Baden / Museum Boijmans Van Beuningen, 1997

  • Cindy Sherman, Kunst heute Nr. 14, Kiepenheuer & Witsch 1995, front cover: grey, yellow spaced title, colour photo of Sherman in open white shirt, heavy eye make-up I Cindy Sherman, Kunst heute Nr. 14, 1995, interior spread: b&w Untitled #96, 1981 — figure reclining on tiled floor, checked fabric, caption lower left

    CINDY SHERMAN — Kunst heute Nr. 14, Kiepenheuer & Witsch, 1995

    CINDY SHERMAN — Kunst heute Nr. 14, Kiepenheuer & Witsch, 1995

  • Richard Tuttle, New Mexico Silver / Firenze Gold, Galleria Victoria Miro Florence 1990, announcement: cream card, green ruled frame, dispersed typography, 16 May–12 June Richard Tuttle, New Mexico Silver / Firenze Gold, Galleria Victoria Miro 1990, interior spread: plain cream card stock, blank as issued, light age toning

    RICHARD TUTTLE — New Mexico Silver / Firenze Gold, Galleria Victoria Miro, Florence, 1990

    RICHARD TUTTLE — New Mexico Silver / Firenze Gold, Galleria Victoria Miro, Florence, 1990

  • Taroop & Glabel, Mickey et les dévergondées, Semiose éditions 2006, front cover: pink, red serif title, red-framed cartoon of Mickey Mouse figure with woman, n°2 at foot Taroop & Glabel, Mickey et les dévergondées 2006, interior: Petite bibliographie critique et française — eight critical texts on Disney listed, including Disneyland Babylon and Donald l'imposteur

    TAROOP & GLABEL — Mickey et les dévergondées, Semiose éditions, 2006

    TAROOP & GLABEL — Mickey et les dévergondées, Semiose éditions, 2006

  • Sur Rodney (Sur), Selected Poetry, New York 2010, front cover: b&w photo by Donald Lawrence Herron — muscular figure seated, open jacket, tube at mouth, geometric backdrop Sur Rodney (Sur), Selected Poetry, New York 2010, back cover: cream, poem titles listed — Fascination, Love, Sodomy, Marriage, Fantasy, Seduction; Second Edition, MMX I

    SUR RODNEY (SUR) — Prose and Poetry / Selected Poetry, New York, 2010

    SUR RODNEY (SUR) — Prose and Poetry / Selected Poetry, New York, 2010

  • Michael Steiner and Larry Poons, Skulpturen und Gemälde aus New York, Kunst- und Museumsverein Wuppertal 1978, front cover: Steiner steel sculpture foreground, Poons green painting behind Larry Poons, Ohne Titel (78 B 3), 1978, colour photo of large poured abstract painting, vertical white and green drips on pale ground

    MICHAEL STEINER / LARRY POONS — Skulpturen und Gemälde aus New York, Wuppertal, 1978

    MICHAEL STEINER / LARRY POONS — Skulpturen und Gemälde aus New York, Wuppertal, 1978

  • Daniel Spoerri, Profession Obsession: The Daniel Spoerri Archives, front cover: white, spaced serif title centred, subtitle below Daniel Spoerri, Profession Obsession 1997, interior: b&w photo of The Daniel Spoerri Archives Berne — shelves of books, binders and objects, oval ceiling light

    DANIEL SPOERRI — Profession Obsession: The Daniel Spoerri Archives, Swiss National Library, 1998

    DANIEL SPOERRI — Profession Obsession: The Daniel Spoerri Archives, Swiss National Library, 1998

  • ABCs of Pop Art, Museum of Fine Arts FSU 2000, front cover: grey, Roy Lichtenstein sandwich and cola glass in red and blue, serif title below ABCs of Pop Art 2000, interior: Ian Baxter BC Landscape 1961 colour painting left; David Buchan Modern Fashions — Killing Time 1979 colour photos right

    JEFFREY SPALDING — ABCs of Pop Art: America, Britain, Canada, Museum of Fine Arts FSU, 2000

    JEFFREY SPALDING — ABCs of Pop Art: America, Britain, Canada, Museum of Fine Arts FSU, 2000

  • Roman Signer, Fast Changes / Schnelle Veränderungen, front cover: solid red, white spaced capitals, title in English and German, light creasing Roman Signer, Fast Changes, interior: colour photo of red barrel on wooden crate by window left; German Liste der früheren Aktionen with action descriptions 1981–1985 right

    ROMAN SIGNER — Fast Changes / Schnelle Veränderungen, Künstlerhaus Stuttgart, 1985

    ROMAN SIGNER — Fast Changes / Schnelle Veränderungen, Künstlerhaus Stuttgart, 1985

  • Dash Snow, Selected Works from 2001 to 2009, front cover: white, heavily pixelated b&w portrait of Dash Snow, bold sans-serif title below, creased wrappers Dash Snow, Selected Works from 2001 to 2009, back cover: grid of 45 b&w Polaroid-style photographs, scenes of parties and figures; bookseller price label EUR 6.00

    DASH SNOW — Selected Works from 2001 to 2009, Nieves, 2014

    DASH SNOW — Selected Works from 2001 to 2009, Nieves, 2014

  • Kiki Smith, The Israel Museum Jerusalem 1994, front cover: colour photo of Mother's Coat, blue felt figure with dried flowers, white title type Kiki Smith 1994, interior: colour sculptures left — standing figures, curled torso; b&w process photos right — Smith arranging body fragments on floor

    KIKI SMITH — The Israel Museum, Jerusalem, 1994

    KIKI SMITH — The Israel Museum, Jerusalem, 1994

  • David Shrigley, How Are You Feeling?, Cornerhouse Manchester 2012, front cover: white, hand-lettered title and exhibition details, CORNERHOUSE logo David Shrigley, How Are You Feeling?, 2012, unfolded interior: gallery guide — RELAX drawing, work descriptions, Gong image, participation and events text

    DAVID SHRIGLEY — How Are You Feeling?, Cornerhouse Manchester, 2012

    DAVID SHRIGLEY — How Are You Feeling?, Cornerhouse Manchester, 2012

  • Dorothée Selz, Les Mondes sucrés, Centre Culturel Jacques Prévert 1980, front cover: colour photo of large sugar tower, crowd below Dorothée Selz 1980, interior: Les Mondes sucrés — four b&w sugar landscape details left; colour photo of sugar table sculpture on balcony, canal below right

    DOROTHÉE SELZ — Les Mondes sucrés, Centre Culturel Jacques Prévert, Villeparisis, 1980

    DOROTHÉE SELZ — Les Mondes sucrés, Centre Culturel Jacques Prévert, Villeparisis, 1980

  • Guadalupe Ruiz, Ausgestopfte Tiere, Turbo Magazine No. 47, 2013, front cover: purple, b&w ruff bird specimen, bold title Guadalupe Ruiz, Ausgestopfte Tiere, 2013, interior: four small birds and kiwi left; full-page tawny owl specimen right

    GUADALUPE RUIZ — Ausgestopfte Tiere, Turbo Magazine No. 47, 2013

    GUADALUPE RUIZ — Ausgestopfte Tiere, Turbo Magazine No. 47, 2013

  • Dieter Roth, Art Is Life / Life Is Art, Univ. of Iowa Museum of Art 1999, front cover: yellow, wheeled shelving unit, bold type I Dieter Roth 1999, interior: Fig. 13, drawing from Blumenstücke & Tischmatten 1997, cat. no. 10 — gestural bouquet in ink, spiral binding visible

    DIETER ROTH — Art Is Life / Life Is Art: The Graphic Work of Dieter Roth, University of Iowa Museum of Art, 1999

    DIETER ROTH — Art Is Life / Life Is Art: The Graphic Work of Dieter Roth, University of Iowa Museum of Art, 1999

  • Ariana Reines, Tiffany's Poems, The Song Cave 2015, front cover: plain sky-blue, title and author in small serif type Ariana Reines, Tiffany's Poems, 2015, interior: poem "sic." — Roses are red / Pirates are booty / Your name is Tiffany / Malakooty, dated 31 July 2014

    ARIANA REINES — Tiffany's Poems, The Song Cave, 2015

    ARIANA REINES — Tiffany's Poems, The Song Cave, 2015

  • David Reed, Two Bedrooms in San Francisco, front cover: b&w dashboard view, hotel facade, teal title type below David Reed, Two Bedrooms in San Francisco, interior: b&w film still, man in hat silhouette, Kim Novak in doorway

    DAVID REED — Two Bedrooms in San Francisco, Walter/McBean Gallery, 1992

    DAVID REED — Two Bedrooms in San Francisco, Walter/McBean Gallery, 1992

  • Robert Rauschenberg, Bilder Zeichnungen Lithos, Amerika Haus Berlin 1965, front cover: dark ground, purple serif type Rauschenberg 1965, interior: Magnet Zeichnung 62 left; title page with biography and studio photograph right, German text

    ROBERT RAUSCHENBERG — Bilder. Zeichnungen. Lithos, Amerika-Haus Berlin, 1965

    ROBERT RAUSCHENBERG — Bilder. Zeichnungen. Lithos, Amerika-Haus Berlin, 1965

  • Richard Prince, Barbara Gladstone Gallery 1988, front cover: blurred Easyriders magazine cover, b&w landscape right Richard Prince, Barbara Gladstone Gallery 1988, back cover: blurred magazine face, pink ground, smiling woman

    RICHARD PRINCE — Richard Prince, Barbara Gladstone Gallery, New York, 1988

    RICHARD PRINCE — Richard Prince, Barbara Gladstone Gallery, New York, 1988

  • Richard Prince / Howard Johnson, The Pope's Butler, Fulton Ryder 2012, front cover: grid of religious DVD spine labels Richard Prince / Howard Johnson, The Pope's Butler, 2012, interior: patched cloth left; title page 'by Howard Johnson / Fulton Ryder' right I

    RICHARD PRINCE / HOWARD JOHNSON — The Pope’s Butler, Fulton Ryder, New York, 2012

    RICHARD PRINCE / HOWARD JOHNSON — The Pope’s Butler, Fulton Ryder, New York, 2012

  • Richard Prince, New Paintings, Jablonka Galerie Köln 1996, front cover: solid pink, RICHARD PRINCE in white centre Richard Prince, New Paintings, 1996, interior: two jokes in black type on cream ground, no images, faint toning

    RICHARD PRINCE — New Paintings, Jablonka Galerie, Köln, 1996

    RICHARD PRINCE — New Paintings, Jablonka Galerie, Köln, 1996

  • Richard Prince, Joan Katz, Black Bra, Karma 2016, front cover: TIME Photo Dept envelope, BLACK BRA stamped in red, purple paint strokes I Richard Prince, Joan Katz, Black Bra, 2016, interior: jokes, book titles and text fragments over photographic image of stacked books

    RICHARD PRINCE & JOAN KATZ — Black Bra, Karma, New York, 2016

    RICHARD PRINCE & JOAN KATZ — Black Bra, Karma, New York, 2016

  • Charlotte Posenenske catalogue, MMK Frankfurt 1990, front cover: cream ground, artist name in black lower right Charlotte Posenenske catalogue pp.30–31: Vierkantrohre Serie D, Offenbach 1967 left; Frankfurt Airport 1967 right, b&w

    CHARLOTTE POSENENSKE — Museum für Moderne Kunst Frankfurt am Main, 1990

    CHARLOTTE POSENENSKE — Museum für Moderne Kunst Frankfurt am Main, 1990

  • Robert Gober, Féminimasculin: Le Sexe de l'Art, Centre Pompidou 1995, front cover: torso photograph, title in red and white type Andy Warhol, Féminimasculin 1995, interior pp.2–3: Identités et mascarades; Man Ray, Pierre Molinier, Claude Cahun, Andy Warhol

    ANDY WARHOL — Féminin–Masculin: Le sexe de l'art, Centre Pompidou, 1995

    ANDY WARHOL — Féminin–Masculin: Le sexe de l'art, Centre Pompidou, 1995

  • Anne & Patrick Poirier, Dangerzone, 2004, front cover: red ground, glass vessel with flower, DANGERZONE title in pink Anne & Patrick Poirier, Dangerzone, 2004, interior: archival photo, masked figures and man in suit, full bleed I

    ANNE & PATRICK POIRIER — Dangerzone, Centre d’Art Passerelle, 2004

    ANNE & PATRICK POIRIER — Dangerzone, Centre d’Art Passerelle, 2004

  • Stefano Pilati, Random Identities, Jordan Hemingway, zine front cover, cream with dark grey horizontal block, 2019 Stefano Pilati, Random Identities, Jordan Hemingway, zine: contact sheet, 18 frames, figure in black coat dancing

    STEFANO PILATI / RANDOM IDENTITIES — Jordan Hemingway Zine, 2019

    STEFANO PILATI / RANDOM IDENTITIES — Jordan Hemingway Zine, 2019

  • Catalogue spread: Picabia, Jeune fille, 1920, circular cut-out, JEUNE FILLE text arched above, spine visible left atalogue page: Picabia, Composition mécanique, Papa/Maman, 1919, ink and crayon drawing, p.12 Im

    FRANCIS PICABIA — Galerie 1900-2000 Exhibition Catalogue, 2011

    FRANCIS PICABIA — Galerie 1900-2000 Exhibition Catalogue, 2011