The Archive

Everything currently held at The New Rare, newest first.

  • Comme des Garçons — Universe of Fashion, France Grand, 1998, front cover Comme des Garçons — Universe of Fashion, 1998, interior spread, eau de parfum ad and runway photograph

    REI KAWAKUBO / COMME DES GARÇONS — Universe of Fashion, France Grand, Universe Publishing, New York, 1998

    REI KAWAKUBO / COMME DES GARÇONS — Universe of Fashion, France Grand, Universe Publishing, New York, 1998

  • Anthony Caro — Hayward Gallery exhibition catalogue, 1969, front cover I Anthony Caro — Hayward Gallery, 1969, interior spread, Carriage and Span, 1969

    ANTHONY CARO — Hayward Gallery, Arts Council of Great Britain, London, 1969

    ANTHONY CARO — Hayward Gallery, Arts Council of Great Britain, London, 1969

  • Andrea Bowers, Sam Durant, Bob & Roberta Smith, Georgina Starr et al. — Couldn't Get Ahead, 1995, front cover, IAS Georgina Starr — Couldn't Get Ahead, 1995, interior spread, yellow page "Lost: Desire to Participate / Compromise"

    ANDREA BOWERS, SAM DURANT, BOB & ROBERTA SMITH, GEORGINA STARR ET AL. — Couldn’t Get Ahead, Independent Art Space, London, 1995

    ANDREA BOWERS, SAM DURANT, BOB & ROBERTA SMITH, GEORGINA STARR ET AL. — Couldn’t Get Ahead, Independent Art Space, London, 1995

  • Monica Bonvicini, Platz machen, 1994, softcover, aerial photograph of city grid, "monica bonvicini platz machen" title label Monica Bonvicini — Platz machen, 1994, interior spread pp.26–27, Marlboro installation views

    MONICA BONVICINI — Platz machen, Goldrausch Frauennetzwerk, Berlin, 1994

    MONICA BONVICINI — Platz machen, Goldrausch Frauennetzwerk, Berlin, 1994

  • Balthus, Balthus / Cantini, Musée Cantini Marseille 1973, square catalogue, washed blue illustrated wrappers Balthus catalogue interior, cat. 29 colour plate of reclining figure with standing child, Musée Cantini 1973

    BALTHUS — Balthus / Cantini, Musée Cantini, Marseille, 1973

    BALTHUS — Balthus / Cantini, Musée Cantini, Marseille, 1973

  • Hans Bellmer, Andy Warhol, Allen Jones — Die Puppe catalogue recto, 1971, off-white boards, black cloth spine Hans Bellmer, Andy Warhol, Allen Jones — Die Puppe interior, Berges Three Beauties 1969 beside ad source and silhouettes

    HANS BELLMER, ANDY WARHOL, ALLEN JONES et al. — Die Puppe: Aspekte zum Bild der Frau, Haus am Waldsee / Schloss Morsbroich / Frankfurter Kunstverein, 1971

    HANS BELLMER, ANDY WARHOL, ALLEN JONES et al. — Die Puppe: Aspekte zum Bild der Frau, Haus am Waldsee / Schloss Morsbroich / Frankfurter Kunstverein, 1971

  • Irène Jacob, Exposition Galerie Furstenberg 1959; folded invitation cover, black spaced typography on cream card Irène Jacob, Exposition Galerie Furstenberg 1959; interior checklist of 21 works with poetic titles in French, cream paper

    IRÈNE JACOB — Exposition, Galerie Furstenberg, Paris, 1959

    IRÈNE JACOB — Exposition, Galerie Furstenberg, Paris, 1959

  • Vanessa Beecroft, VBLV Alphabet Concept; nude figures arranged into LV letterform, colour photograph, Espace Louis Vuitton 2006 Vanessa Beecroft, VBLV invitation verso; avant-première Espace Louis Vuitton Paris, bold black typography on white, 2006

    VANESSA BEECROFT — VBLV / Alphabet Concept, Espace Louis Vuitton, Paris, 2006

    VANESSA BEECROFT — VBLV / Alphabet Concept, Espace Louis Vuitton, Paris, 2006

  • Mona Hatoum, Twelve Windows 2012–13; single Palestinian embroidery panel on clothes pegs, steel cables crossing white gallery wall Mona Hatoum, Twelve Windows invitation verso; Alexander and Bonin New York, September–October 2014, exhibition details

    MONA HATOUM — Twelve Windows, Alexander and Bonin, New York, 2014

    MONA HATOUM — Twelve Windows, Alexander and Bonin, New York, 2014

  • Nicola Gunnarsson, Stuart McKenzie; two-day presentations programme card, Matthew Peers, 47 Bedford Street London 2024–25 Nicola Gunnarsson, Stuart McKenzie; programme card verso, plain white stock, Bedford Street London 2024–25

    NICOLA GUNNARSSON, STUART MCKENZIE & MATTHEW PEERS — A Series of Two-Day Presentations, London, 2024–25

    NICOLA GUNNARSSON, STUART MCKENZIE & MATTHEW PEERS — A Series of Two-Day Presentations, London, 2024–25

  • George Grosz, His Visual and Theatrical Politics 2005; red interior panel left, black-and-white Grosz caricature right, Moeller Fine Art George Grosz, His Visual and Theatrical Politics; sun-faded sage-green cover, red and white type, Moeller Fine Art 2005

    GEORGE GROSZ — His Visual and Theatrical Politics, Moeller Fine Art, New York, 2005

    GEORGE GROSZ — His Visual and Theatrical Politics, Moeller Fine Art, New York, 2005

  • Gilbert & George, Bed-Wetting 2019 and Bone 2022; invitation unfolded showing both works side by side, 2023 Gilbert & George at the gates of the Gilbert & George Centre, Heneage Street; invitation text panel, 2023

    GILBERT & GEORGE — The Paradisical Pictures / The Corpsing Pictures, Gilbert & George Centre / White Cube, London, 2023

    GILBERT & GEORGE — The Paradisical Pictures / The Corpsing Pictures, Gilbert & George Centre / White Cube, London, 2023

  • CHARLES GAINES — Rétrospective, 1979–1991, Lavignes-Bastille, Paris, 1991 CHARLES GAINES — Rétrospective, 1979–1991, Lavignes-Bastille, Paris, 1991

    CHARLES GAINES — Rétrospective, 1979–1991, Lavignes-Bastille, Paris, 1991

    CHARLES GAINES — Rétrospective, 1979–1991, Lavignes-Bastille, Paris, 1991

  • KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998 KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998

    KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998

    KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998

  • MAX ERNST — Estampes, Livres Illustrés, Bibliothèque Nationale, Paris, 1975 MAX ERNST — Estampes, Livres Illustrés, Bibliothèque Nationale, Paris, 1975

    MAX ERNST — Estampes, Livres Illustrés, Bibliothèque Nationale, Paris, 1975

    MAX ERNST — Estampes, Livres Illustrés, Bibliothèque Nationale, Paris, 1975

  • Max Ernst, Rencontres d'Art 79 invitation recto; grey typography on textured cream stock, Musée Ingres Montauban 1979 Max Ernst, Rencontres d'Art 79 invitation verso; blank textured cream card stock

    MAX ERNST — Rencontres d'Art 79: Hommage à Max Ernst, Musée Ingres, Montauban, 1979

    MAX ERNST — Rencontres d'Art 79: Hommage à Max Ernst, Musée Ingres, Montauban, 1979

  • Marcel Duchamp, L.H.O.O.Q. 1964 re-edition; colour reproduction of Mona Lisa with moustache and goatee, invitation recto Marcel Duchamp, Please Touch exhibition invitation verso; Thaddaeus Ropac London 2021, typography on white stock

    MARCEL DUCHAMP — Please Touch: Marcel Duchamp and the Fetish, Thaddaeus Ropac, London, 2021

    MARCEL DUCHAMP — Please Touch: Marcel Duchamp and the Fetish, Thaddaeus Ropac, London, 2021

  • Marcel Duchamp centennial programme cover, Philadelphia Museum of Art, 1987; profile portrait with red moustache, translucent stock Marcel Duchamp, centennial programme interior, Philadelphia Museum of Art 1987; profile photo left, event listings right

    MARCEL DUCHAMP — Philadelphia Museum of Art — Apropos of Marcel Duchamp 1887/1987,

    MARCEL DUCHAMP — Philadelphia Museum of Art — Apropos of Marcel Duchamp 1887/1987,

  • Pol Bury invitation card, Librairie Tschann, Paris, 1988; centred serif text with reclining figure illustration, cream stock Pol Bury invitation card verso, Librairie Tschann 1988; blank cream card stock

    POL BURY — Librairie Tschann, Paris, 1988

    POL BURY — Librairie Tschann, Paris, 1988

  • Salvador Dalí, Ma révolution culturelle, Les Livres de Nulle Part c.1990, both eyes across open spread, grainy b&w Salvador Dalí, Ma révolution culturelle, Les Livres de Nulle Part c.1990, right eye extreme close-up, back cover

    SALVADOR DALÍ / RAYMOND ROUSSEL — Ma révolution culturelle suivi de Dalí à Paris: hallucination partielle, six apparitions en vitrines, c. 1990–93

    SALVADOR DALÍ / RAYMOND ROUSSEL — Ma révolution culturelle suivi de Dalí à Paris: hallucination partielle, six apparitions en vitrines, c. 1990–93

  • Édouard Boubat, Boubat par Boubat, ARC Musée d'Art moderne Paris 1980, figure turned away before floral folding screen Édouard Boubat, Boubat par Boubat, ARC Musée d'Art moderne Paris 1980, invitation verso, typewriter typography, cream card

    ÉDOUARD BOUBAT — Boubat par Boubat, ARC, Musée d’Art moderne de la Ville de Paris, 1980

    ÉDOUARD BOUBAT — Boubat par Boubat, ARC, Musée d’Art moderne de la Ville de Paris, 1980

  • Hans Bellmer, La poupée 1936, Centre Georges Pompidou postcard, headless doll in white dress, gold hoop, dark leather ground Hans Bellmer, La poupée 1936, Centre Georges Pompidou postcard verso, Éditions Mille, MP 8236-1, unused postal card

    HANS BELLMER — La poupée, 1936 — Centre Georges Pompidou Postcard, c. 1983

    HANS BELLMER — La poupée, 1936 — Centre Georges Pompidou Postcard, c. 1983

  • Bernard Aubertin, vernissage invitation, Galerie J & J Donguy Paris 1983, Lotta Poetica, italic French typography on ivory card Bernard Aubertin, vernissage invitation, Galerie J & J Donguy Paris 1983, plain ivory verso, light age toning

    BERNARD AUBERTIN — Vernissage Invitation, Galerie J & J Donguy / Lotta Poetica, Paris, 1983

    BERNARD AUBERTIN — Vernissage Invitation, Galerie J & J Donguy / Lotta Poetica, Paris, 1983

  • Unica Zürn, Sophie Taeuber-Arp, Marie-Laure de Noailles, Dessins Aquarelles Collages 1970, gold card front, cursive title Unica Zürn, Sophie Taeuber-Arp, Marie-Laure de Noailles, Dessins Aquarelles Collages 1970, interior, calligraphic name roster

    UNICA ZÜRN · MARIE-LAURE DE NOAILLES · SOPHIE TAEUBER-ARP — Dessins · Aquarelles · Collages, Galerie François Petit, Paris, 1970

    UNICA ZÜRN · MARIE-LAURE DE NOAILLES · SOPHIE TAEUBER-ARP — Dessins · Aquarelles · Collages, Galerie François Petit, Paris, 1970

  • Joseph Cornell, exhibition invitation, Musée d'Art Moderne de la Ville de Paris 1981, MoMA, tricolour stripe, black typography Joseph Cornell, exhibition invitation, Musée d'Art Moderne de la Ville de Paris 1981, plain verso, cream card stock

    JOSEPH CORNELL — Paris Exhibition Invitation, Musée d’Art Moderne de la Ville de Paris, 1981

    JOSEPH CORNELL — Paris Exhibition Invitation, Musée d’Art Moderne de la Ville de Paris, 1981

  • Henri Michaux / Octavio Paz / Asadullah Souren Melikian-Chirvani, Art Tantrique, Le Point Cardinal 1970 Henri Michaux / Octavio Paz / Asadullah Souren Melikian-Chirvani, Art Tantrique, Le Point Cardinal 1970, interior

    HENRI MICHAUX / OCTAVIO PAZ / ASADULLAH SOUREN MELIKIAN-CHIRVANI — Art Tantrique, Le Point Cardinal, Paris, 1970

    HENRI MICHAUX / OCTAVIO PAZ / ASADULLAH SOUREN MELIKIAN-CHIRVANI — Art Tantrique, Le Point Cardinal, Paris, 1970

  • TERRY WINTERS — Field Notes, Pace Prints, New York, 1992 TERRY WINTERS — Field Notes, Pace Prints, New York, 1992

    TERRY WINTERS — Field Notes, Pace Prints, New York, 1992

    TERRY WINTERS — Field Notes, Pace Prints, New York, 1992

  • Joe Tilson, Gerd Winner, Siebdruck + Workshop, Haus am Waldsee Berlin, catalogue cover, 1970 Joe Tilson, Gerd Winner, interior spread, Rolls-Royce contact sheet and refuse truck rear, Abb. 14–15

    JOE TILSON / GERD WINNER — Siebdruck + Workshop, Haus am Waldsee, Berlin, 1970

    JOE TILSON / GERD WINNER — Siebdruck + Workshop, Haus am Waldsee, Berlin, 1970

  • Cindy Sherman, George Kuchar, Annette Messager, Centre Georges Pompidou Paris, catalogue cover, 1993 George Kuchar, Centre Georges Pompidou Paris, interior spread, film stills from Knocturne and The Creeping Crimson

    Cindy Sherman / Annette Messager / George Kuchar — L'Envers des Choses, Centre Georges Pompidou, 1993

    Cindy Sherman / Annette Messager / George Kuchar — L'Envers des Choses, Centre Georges Pompidou, 1993

  • Max Ernst, Bibliothèque Nationale Paris, press communiqué recto, Estampes et Livres Illustrés, 1975 Max Ernst, Bibliothèque Nationale Paris, catalogue cover, two oval forms over frottage field, 1975

    Max Ernst — Estampes et Livres Illustrés, Bibliothèque Nationale, 1975

    Max Ernst — Estampes et Livres Illustrés, Bibliothèque Nationale, 1975

  • Jenny Holzer, The Venice Installation, 1990 — charcoal-grey textured cover with deep red lettering nterior spread: dark grey left page, pink and grey diamond-patterned right page with title in black

    Jenny Holzer — The Venice Installation, Albright-Knox Art Gallery, 1990

    Jenny Holzer — The Venice Installation, Albright-Knox Art Gallery, 1990

  • BERNARD AUBERTIN et. al., SURPRISE, SURPRISE — Galerie Jean Greset, Besançon, 2013 BERNARD AUBERTIN et. al., SURPRISE, SURPRISE — Galerie Jean Greset, Besançon, 2013

    BERNARD AUBERTIN et. al., SURPRISE, SURPRISE — Galerie Jean Greset, Besançon, 2013

    BERNARD AUBERTIN et. al., SURPRISE, SURPRISE — Galerie Jean Greset, Besançon, 2013

  • Georg Baselitz, Tableaux récents, Gillespie-Laage-Salomon Paris 1983, invitation recto: brush-script signature "G Baselitz 83" on textured cream card Georg Baselitz, Tableaux récents dessins et linogravures, Gillespie-Laage-Salomon 24 rue Beaubourg Paris 1983, invitation verso: black typography on textured cream card

    GEORG BASELITZ — Tableaux récents, dessins et linogravures, Gillespie-Laage-Salomon, Paris, 1983

    GEORG BASELITZ — Tableaux récents, dessins et linogravures, Gillespie-Laage-Salomon, Paris, 1983

  • Balthus, Paysages et natures mortes, Galerie Henriette Gomès Paris 1977, invitation recto: red italic typography on cream card, vernissage 2 juin Balthus, Paysages et natures mortes, Galerie Henriette Gomès 1977, invitation verso: blank cream card stock, light age toning visible

    BALTHUS — Paysages et natures mortes, Galerie Henriette Gomès, Paris, 1977

    BALTHUS — Paysages et natures mortes, Galerie Henriette Gomès, Paris, 1977

  • Balthus, Aquarelles et Dessins, Galerie Janine Hao Paris 1966, invitation recto: black typography on cream card, 16–28 mai 1966, 60 rue Monsieur-le-Prince Balthus, Aquarelles et Dessins, Galerie Janine Hao 1966, invitation verso: blank cream card stock, light age toning visible

    BALTHUS — Aquarelles et Dessins, Galerie Janine Hao, Paris, 1966

    BALTHUS — Aquarelles et Dessins, Galerie Janine Hao, Paris, 1966

  • Q_RAIDER / BDGRMMR — Know Who You Are at Every Age, curated by Edwin Ramoran, Bronx River Art Center, New York, 2014 Q_RAIDER / BDGRMMR — Know Who You Are at Every Age, curated by Edwin Ramoran, Bronx River Art Center, New York, 2014

    Q_RAIDER / BDGRMMR — Know Who You Are at Every Age, curated by Edwin Ramoran, Bronx River Art Center, New York, 2014

    Q_RAIDER / BDGRMMR — Know Who You Are at Every Age, curated by Edwin Ramoran, Bronx River Art Center, New York, 2014