List 002

The second list. Thirty books, catalogues, magazines, invitations and ephemera, each between £45 and £100, in order of appearance in the film. Found, kept, listed, placed.

  • Anthony Caro, Sculpture 1969–84, Arts Council, 1984, front cover, CARO in black letters on green ground under blue sky Anthony Caro, Sculpture 1969–84, 1984, rear cover, plain blue and green bands with small dark specks

    ANTHONY CARO — Sculpture 1969–84, Serpentine Gallery, Arts Council of Great Britain, London, 1984

    ANTHONY CARO — Sculpture 1969–84, Serpentine Gallery, Arts Council of Great Britain, London, 1984

  • Wolf Kahlen, Selbstversuch II, 1969, artist postcard recto, inverted self-portrait with positive print overlay, ink signature Wolf Kahlen, Bilder (k)einer Ausstellung, Ruine der Künste, Berlin, 2000, invitation verso, German text, exhibition and web details

    WOLF KAHLEN, Bilder (k)einer Ausstellung, Ruine der Künste, Berlin, 2000

    WOLF KAHLEN, Bilder (k)einer Ausstellung, Ruine der Künste, Berlin, 2000

  • ALEX ISRAEL, LA Californie, Almine Rech, Paris, 2023 ALEX ISRAEL, LA Californie, Almine Rech, Paris, 2023

    ALEX ISRAEL, LA Californie, Almine Rech, Paris, 2023

    ALEX ISRAEL, LA Californie, Almine Rech, Paris, 2023

  • Roni Horn, De Pont Foundation for Contemporary Art, Tilburg, 1994, front cover, figure seated on basalt cliff above Icelandic river Roni Horn, Pair Field, 1994, interior spread, grid of 18 copper and stainless-steel sculptural forms, De Pont catalogue

    RONI HORN, De Pont Foundation for Contemporary Art, 1994

    RONI HORN, De Pont Foundation for Contemporary Art, 1994

  • Lucy McKenzie & Alan Michael, Unlawful Assembly, Koenig Books, 2013, front cover, photo Josephine Pryde Lucy McKenzie & Alan Michael, Unlawful Assembly, 2013, appendix spread, alternate cover with pink ornate lettering

    LUCY McKENZIE & ALAN MICHAEL, Unlawful Assembly, Koenig Books, 2013

    LUCY McKENZIE & ALAN MICHAEL, Unlawful Assembly, Koenig Books, 2013

  • CRISTINA IGLESIAS, Sculptures de 1984 à 1987, CAPC Musée d'Art Contemporain de Bordeaux, 1987

    CRISTINA IGLESIAS, Sculptures de 1984 à 1987, CAPC Musée d'Art Contemporain de Bordeaux, 1987

    CRISTINA IGLESIAS, Sculptures de 1984 à 1987, CAPC Musée d'Art Contemporain de Bordeaux, 1987

  • JULIA BALLERINI, ed., Sequence (con)Sequence: (sub)versions of photography in the 80s, Aperture, 1989 JULIA BALLERINI, ed., Sequence (con)Sequence: (sub)versions of photography in the 80s, Aperture, 1989

    JULIA BALLERINI, ed., Sequence (con)Sequence: (sub)versions of photography in the 80s, Aperture, 1989

    JULIA BALLERINI, ed., Sequence (con)Sequence: (sub)versions of photography in the 80s, Aperture, 1989

  • write alt text the begins with the artists name so i can paste to the images alt text window Nobuyoshi Araki & Juergen Teller, Leben und Tod, Steidl, 2020, back cover purple sleeve with ISBN label, sealed in original shrink-wrap

    NOBUYOSHI ARAKI & JUERGEN TELLER, Leben und Tod, Steidl, Göttingen, 2020

    NOBUYOSHI ARAKI & JUERGEN TELLER, Leben und Tod, Steidl, Göttingen, 2020

  • Nobuyoshi Araki, CosMos Co / 秋桜子, Shogakukan, 1998, front jacket with eye-line tape repair, yellow obi Nobuyoshi Araki, CosMos Co / 秋桜子, Shogakukan, 1998, rear jacket, Cosmosco standing in field, yellow obi

    NOBUYOSHI ARAKI, 秋桜子 / CosMos Co, Shogakukan, 1998

    NOBUYOSHI ARAKI, 秋桜子 / CosMos Co, Shogakukan, 1998

  • John Miller, The Middle of the Day, Volume 4, 2019, front cover, grey board with inset photograph and text John Miller, The Middle of the Day, Volume 4, 2019, front cover, grey board with inset photograph and text

    JOHN MILLER, The Middle of the Day, Volume 4, Museum im Bellpark / Walther König, 2018

    JOHN MILLER, The Middle of the Day, Volume 4, Museum im Bellpark / Walther König, 2018

  • Quinn Latimer / Sarah Lucas, Describe This Distance, Mousse Publishing, 2013, orange front cover Sarah Lucas, NUDs installation at Museo Diego Rivera Anahuacalli, interior colour spread, 2013

    QUINN LATIMER / SARAH LUCAS, Describe This Distance, Mousse Publishing / Sadie Coles HQ, 2013

    QUINN LATIMER / SARAH LUCAS, Describe This Distance, Mousse Publishing / Sadie Coles HQ, 2013

  • Shirin Neshat / Neery Melkonian, Henie Onstad Kunstsenter, 1999, front cover, Women of Allah series Shirin Neshat / Neery Melkonian, Henie Onstad Kunstsenter, 1999, reverse, with handwritten £11.00 price sticker

    Shirin Neshat — Melkonian & Wendt (Henie Onstad Kunstsenter, 1999)

    Shirin Neshat — Melkonian & Wendt (Henie Onstad Kunstsenter, 1999)

  • Margery Mann / Anne Noggle, Women of Photography: An Historical Survey, San Francisco Museum of Art, 1975, front cover Margery Mann / Anne Noggle, Women of Photography: An Historical Survey, San Francisco Museum of Art, 1975, rear cover, plain cream boards

    MARGERY MANN / ANNE NOGGLE, Women of Photography: An Historical Survey, San Francisco Museum of Art, 1975

    MARGERY MANN / ANNE NOGGLE, Women of Photography: An Historical Survey, San Francisco Museum of Art, 1975

  • TAKASHI HOMMA, Aero-Photo, Gallery Interform / Amus Arts Press, 2000 TAKASHI HOMMA, Aero-Photo, Gallery Interform / Amus Arts Press, 2000

    TAKASHI HOMMA, Aero-Photo, Gallery Interform / Amus Arts Press, 2000

    TAKASHI HOMMA, Aero-Photo, Gallery Interform / Amus Arts Press, 2000

  • Katharina Sieverding, Grossfotos I–X 1975–77, Museum Folkwang Essen 1977, front cover: close-up halftone of bearded male face against black, extreme grain Katharina Sieverding, Grossfotos I–X, 1977, interior: fragmented flesh-toned forms and cropped eyes, heavy halftone offset print

    KATHARINA SIEVERDING, Grossfotos I–X / 75–77, Museum Folkwang, Essen, 1977

    KATHARINA SIEVERDING, Grossfotos I–X / 75–77, Museum Folkwang, Essen, 1977

  • Guy Debord and the Situationist International, ed. Tom McDonough, MIT Press 2002, front cover: degraded photographic portrait overprinted with pink and white title type Guy Debord and the Situationist International, MIT Press 2002, interior spread pp. 62–63: Independence of Algeria photograph with Éluard caption and essay text, Arkades and Its Customers

    GUY DEBORD, Guy Debord and the Situationist International: Texts and Documents, MIT Press, 2002

    GUY DEBORD, Guy Debord and the Situationist International: Texts and Documents, MIT Press, 2002

  • Rebecca Horn, Concert for Anarchy 1990, front cover: exhibition handout, Tate Gallery London, 27 September 1994–8 January 1995 Rebecca Horn, Tate Gallery handout 1994, verso: Sean Rainbird essay text, Ballet of the Woodpeckers installation view, and works checklist

    REBECCA HORN, Exhibition Handout, Tate Gallery, London, 1994

    REBECCA HORN, Exhibition Handout, Tate Gallery, London, 1994

  • Duane Michals, Portrait of Richard Gere Awake & Asleep, 1979, Fotofolio postcard recto: tripled mirror reflection above painted sleeping face Duane Michals, Portrait of Richard Gere Awake & Asleep, 1979, Fotofolio postcard verso, ref. Z288, Sidney Janis Gallery credit, unused

    DUANE MICHALS, Portrait of Richard Gere Awake & Asleep, Fotofolio, New York, 1979

    DUANE MICHALS, Portrait of Richard Gere Awake & Asleep, Fotofolio, New York, 1979

  • Louise Bourgeois / Mâkhi Xenakis, The Blind Leading the Blind, Actes Sud / Galerie Lelong, 2008, front cover Louise Bourgeois, school correspondence notebook 1920–21, registration form, and class photograph, 1922, spread pp.44–45

    LOUISE BOURGEOIS: THE BLIND LEADING THE BLIND, Mâkhi Xenakis, Actes Sud / Galerie Lelong, 2008

    LOUISE BOURGEOIS: THE BLIND LEADING THE BLIND, Mâkhi Xenakis, Actes Sud / Galerie Lelong, 2008

  • Tony Arefin / Douglas Gordon, It Doesn't Matter Who I Am, Tramway 1993, reproduced on Arefin & Arefin cover Tony Arefin, Arefin & Arefin, Ikon Gallery, 2012, interior spread with printed ephemera on yellow ground

    AREFIN & AREFIN: THE GRAPHIC DESIGN OF TONY AREFIN, Ikon Gallery, Birmingham, 2012

    AREFIN & AREFIN: THE GRAPHIC DESIGN OF TONY AREFIN, Ikon Gallery, Birmingham, 2012

  • BALD EGO NO. 2, Glenn O’Brien and Max Blagg, eds., 2002 BALD EGO NO. 2, Glenn O’Brien and Max Blagg, eds., 2002

    BALD EGO NO. 2, Glenn O’Brien and Max Blagg, eds., 2002

    BALD EGO NO. 2, Glenn O’Brien and Max Blagg, eds., 2002

  • Georges Bataille / Marcel Duchamp, Story of the Eye, Penguin Twentieth-Century Classics, 1989, front cover, cropped nude torso from Étant donnés, mottled grey-green ground, Penguin logo Georges Bataille, Story of the Eye, Penguin Twentieth-Century Classics, 1989, back cover, essays by Susan Sontag and Roland Barthes, Duchamp image credit ADAGP DACS 1989, ISBN 0-14-018009-5

    GEORGES BATAILLE, Story of the Eye, Penguin Twentieth-Century Classics, 1989

    GEORGES BATAILLE, Story of the Eye, Penguin Twentieth-Century Classics, 1989

  • BFI Avant-Garde Catalogue 1994, front cover, close-up of porcelain doll face, two pink circular film stills overlaid BFI Distribution New Releases 1994/95, front, bold typographic title, black-and-white still captioned Eyes Without a Face

    BFI Avant-Garde Catalogue 1994, with Distribution Materials, British Film Institute, London, 1994

    BFI Avant-Garde Catalogue 1994, with Distribution Materials, British Film Institute, London, 1994

  • Armando et al., De Schoonheid van het Kwaad, Amersfoort, 2001, front cover, pale blue sky, white smoke plume rising, participant names listed in white De Schoonheid van het Kwaad, 2001, interior spread, Thomas Ruff Nacht 14 II 1994 and Andres Serrano Bodybuilders, bilingual text

    ARMANDO, The Beauty of Evil / De Schoonheid van het Kwaad, Armando Museum / De Zonnehof, Amersfoort, 2001

    ARMANDO, The Beauty of Evil / De Schoonheid van het Kwaad, Armando Museum / De Zonnehof, Amersfoort, 2001

  • Bill Brandt / Arts Council of Great Britain, Photographs, Hayward Gallery, London, 1970, front cover, black with white sans-serif title C Bill Brandt, Photographs, Hayward Gallery 1970, interior spread, two black-and-white plates: portrait and extreme close-up eye

    BILL BRANDT, Photographs, Hayward Gallery, London, 1970

    BILL BRANDT, Photographs, Hayward Gallery, London, 1970

  • THE CONDITION OF SCULPTURE, Hayward Gallery, London, 1975 THE CONDITION OF SCULPTURE, Hayward Gallery, London, 1975

    THE CONDITION OF SCULPTURE, Hayward Gallery, London, 1975

    THE CONDITION OF SCULPTURE, Hayward Gallery, London, 1975

  • Franz West commemorative postage stamp, Austria 2013, recto, 70c, cancelled 14 May 2013, photograph by Elfie Semotan Franz West commemorative postage stamp, Austria 2013, verso, ungummed

    FRANZ WEST, Commemorative Postage Stamp, Österreichische Post AG, Austria, 2013

    FRANZ WEST, Commemorative Postage Stamp, Österreichische Post AG, Austria, 2013

  • ROSE WYLIE, Horse, Bird, Cat, David Zwirner, 2016 ROSE WYLIE, Horse, Bird, Cat, David Zwirner, 2016

    ROSE WYLIE, Horse, Bird, Cat, David Zwirner, 2016

    ROSE WYLIE, Horse, Bird, Cat, David Zwirner, 2016

  • Rob Wynne, I Wish I Was You, 2005, photogram, white liquid lettering on black ground, recto of Radiant Darkness invitation Rob Wynne, Radiant Darkness, Galerie Mitterrand, Paris, 2023, exhibition invitation verso with dates and gallery text

    ROB WYNNE, Radiant Darkness, Galerie Mitterrand, Paris, 2023

    ROB WYNNE, Radiant Darkness, Galerie Mitterrand, Paris, 2023

  • Christopher Wool, Guggenheim GoCARD, TRBL recto, black stencil letters on white with yellow artist name bar, 2013 Christopher Wool, Guggenheim GoCARD verso, exhibition text, support credits, GoCARD Postcard Advertising imprint, 2013

    CHRISTOPHER WOOL, Guggenheim Promotional GoCARD, Solomon R. Guggenheim Museum, New York, 2013

    CHRISTOPHER WOOL, Guggenheim Promotional GoCARD, Solomon R. Guggenheim Museum, New York, 2013