Glue Book Fair 2026

The New Rare at Glue Book Fair 2026, ICA London, 12–13 September 2026.

ICA's annual book fair brings together over 90 publishers for a weekend celebrating independent and artist publishing, alongside talks, workshops, book launches and an exhibition spotlighting the artist-led networks that sustain creative publishing today.

  • Jenny Holzer, Kunst Heute Nr. 9, Noemi Smolik, Wilfried Dickhoff, Kiepenheuer & Witsch, 1993, front cover Jenny Holzer, Kunst Heute Nr. 9, Kiepenheuer & Witsch, 1993, interior spread, Lady Pink wearing Truisms T-shirt, Abuse of Power, Einleitung

    JENNY HOLZER — Kunst Heute Nr. 9, Kiepenheuer & Witsch, Cologne, 1993

    Placed

    JENNY HOLZER — Kunst Heute Nr. 9, Kiepenheuer & Witsch, Cologne, 1993

    Placed
  • NINA FELSHIN — Verbally Charged Images, Independent Curators Incorporated, New York, 1984 NINA FELSHIN — Verbally Charged Images, Independent Curators Incorporated, New York, 1984

    NINA FELSHIN — Verbally Charged Images, Independent Curators Incorporated, New York, 1984

    NINA FELSHIN — Verbally Charged Images, Independent Curators Incorporated, New York, 1984

  • Hans Bellmer, The Anatomy of Anxiety, Sue Taylor, MIT Press, 2002, front cover, doll limbs framed in brown, cream wrapper Hans Bellmer, The Anatomy of Anxiety, Sue Taylor, MIT Press, 2002, back cover, publisher blurb, press quotes, ISBN, doll detail lower right

    HANS BELLMER — The Anatomy of Anxiety, Sue Taylor, MIT Press, Cambridge, 2002

    HANS BELLMER — The Anatomy of Anxiety, Sue Taylor, MIT Press, Cambridge, 2002

  • Jean Dubuffet, Waddington Galleries, London, 1981, front cover, Psycho-sites painting, figures in red and blue landscape, colour reproduction on white wrapper Jean Dubuffet, Waddington Galleries, London, 1981, front cover, Psycho-sites painting, figures in red and blue landscape, colour reproduction on white wrapper

    JEAN DUBUFFET — Waddington Galleries, London, 1981

    JEAN DUBUFFET — Waddington Galleries, London, 1981

  • Douglas Gordon, It Doesn't Matter Who I Am, Generisch / Tramway Glasgow, 1993, front cover, turquoise, Tony Arefin design Douglas Gordon, It Doesn't Matter Who I Am, Generisch / Tramway Glasgow, 1993, interior spread, We Are Evil installation, telephone call transcript, Liam Gillick

    DOUGLAS GORDON — It Doesn’t Matter Who I Am. I Just Want to Talk to You: The Sociable Art of Douglas Gordon, Generisch / Tramway, Glasgow, 1993

    DOUGLAS GORDON — It Doesn’t Matter Who I Am. I Just Want to Talk to You: The Sociable Art of Douglas Gordon, Generisch / Tramway, Glasgow, 1993

  • Dali by Dali, Salvador Dalí, 1970, title page inscribed to Angus, translated by Eleanor R. Morse, Abrams New York Dali by Dali, Salvador Dalí, Abrams 1970, back cover, yellow surrealist landscape, melting DALI lettering, seated figure

    SALVADOR DALÍ — Dali by Dali, Harry N. Abrams, New York, 1970

    SALVADOR DALÍ — Dali by Dali, Harry N. Abrams, New York, 1970

  • Jeremy Deller presents 2K — ***K The Millennium, Blast First 1997, cassette in clear case, black J-card, Justified Ancients of Mu Mu Jeremy Deller / 2K — ***K The Millennium, Blast First 1997, J-card unfolded reverse, track listing, Acid Brass credit, BFFP 146 K

    JEREMY DELLER / THE KLF (2K) — ***K The Millennium, Blast First / Mute Records, 1997

    JEREMY DELLER / THE KLF (2K) — ***K The Millennium, Blast First / Mute Records, 1997

  • Marcel Duchamp, Duchamp, Jean-Christophe Bailly, Roman Cieslewicz, Fernand Hazan, 1984, front cover Marcel Duchamp, Duchamp, Jean-Christophe Bailly, Roman Cieslewicz, Fernand Hazan, 1984, back cover, Flammarion 65-franc price label dated 5/88

    MARCEL DUCHAMP — Duchamp, Jean-Christophe Bailly, Fernand Hazan, Paris, 1984

    MARCEL DUCHAMP — Duchamp, Jean-Christophe Bailly, Fernand Hazan, Paris, 1984

  • Arnulf Rainer, Museum des 20. Jahrhunderts, Werner Hofmann, 1968, front cover, Rainer seated in Walter Pichler Galaxy 1 chair, face marked with paint Arnulf Rainer, Museum des 20. Jahrhunderts, Werner Hofmann, 1968, interior spread, Selbstbemalung 1968, six photographs of Rainer with face marked and painted

    ARNULF RAINER — Museum des 20. Jahrhunderts, Vienna, 1968

    ARNULF RAINER — Museum des 20. Jahrhunderts, Vienna, 1968

  • Tokyo Vertigo, Steven Barber, Nobuyoshi Araki, Eikoh Hosoe, Romain Slocombe, Creation Books 2001, front cover Tokyo Vertigo 2001, interior spread, Tokyo subway barriers, photographs by Araki, Hosoe and Slocombe

    STEVEN BARBER — Tokyo Vertigo, Nobuyoshi Araki, Eikoh Hosoe, Romain Slocombe, Creation Books, 2001

    STEVEN BARBER — Tokyo Vertigo, Nobuyoshi Araki, Eikoh Hosoe, Romain Slocombe, Creation Books, 2001

  • Comme des Garçons — Universe of Fashion, France Grand, 1998, front cover Comme des Garçons — Universe of Fashion, 1998, interior spread, eau de parfum ad and runway photograph

    REI KAWAKUBO / COMME DES GARÇONS — Universe of Fashion, France Grand, Universe Publishing, New York, 1998

    REI KAWAKUBO / COMME DES GARÇONS — Universe of Fashion, France Grand, Universe Publishing, New York, 1998

  • Andrea Bowers, Sam Durant, Bob & Roberta Smith, Georgina Starr et al. — Couldn't Get Ahead, 1995, front cover, IAS Georgina Starr — Couldn't Get Ahead, 1995, interior spread, yellow page "Lost: Desire to Participate / Compromise"

    ANDREA BOWERS, SAM DURANT, BOB & ROBERTA SMITH, GEORGINA STARR ET AL. — Couldn’t Get Ahead, Independent Art Space, London, 1995

    ANDREA BOWERS, SAM DURANT, BOB & ROBERTA SMITH, GEORGINA STARR ET AL. — Couldn’t Get Ahead, Independent Art Space, London, 1995

  • Monica Bonvicini, Platz machen, 1994, softcover, aerial photograph of city grid, "monica bonvicini platz machen" title label Monica Bonvicini — Platz machen, 1994, interior spread pp.26–27, Marlboro installation views

    MONICA BONVICINI — Platz machen, Goldrausch Frauennetzwerk, Berlin, 1994

    MONICA BONVICINI — Platz machen, Goldrausch Frauennetzwerk, Berlin, 1994

  • Irène Jacob, Exposition Galerie Furstenberg 1959; folded invitation cover, black spaced typography on cream card Irène Jacob, Exposition Galerie Furstenberg 1959; interior checklist of 21 works with poetic titles in French, cream paper

    IRÈNE JACOB — Exposition, Galerie Furstenberg, Paris, 1959

    IRÈNE JACOB — Exposition, Galerie Furstenberg, Paris, 1959

  • Hans Bellmer, Andy Warhol, Allen Jones — Die Puppe catalogue recto, 1971, off-white boards, black cloth spine Hans Bellmer, Andy Warhol, Allen Jones — Die Puppe interior, Berges Three Beauties 1969 beside ad source and silhouettes

    HANS BELLMER, ANDY WARHOL, ALLEN JONES et al. — Die Puppe: Aspekte zum Bild der Frau, Haus am Waldsee / Schloss Morsbroich / Frankfurter Kunstverein, 1971

    HANS BELLMER, ANDY WARHOL, ALLEN JONES et al. — Die Puppe: Aspekte zum Bild der Frau, Haus am Waldsee / Schloss Morsbroich / Frankfurter Kunstverein, 1971

  • Balthus, Balthus / Cantini, Musée Cantini Marseille 1973, square catalogue, washed blue illustrated wrappers Balthus catalogue interior, cat. 29 colour plate of reclining figure with standing child, Musée Cantini 1973

    BALTHUS — Balthus / Cantini, Musée Cantini, Marseille, 1973

    BALTHUS — Balthus / Cantini, Musée Cantini, Marseille, 1973

  • KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998 KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998

    KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998

    KAREN FINLEY — 1-900-ALL-KAREN, Creative Time, 1998

  • Marcel Duchamp, L.H.O.O.Q. 1964 re-edition; colour reproduction of Mona Lisa with moustache and goatee, invitation recto Marcel Duchamp, Please Touch exhibition invitation verso; Thaddaeus Ropac London 2021, typography on white stock

    MARCEL DUCHAMP — Please Touch: Marcel Duchamp and the Fetish, Thaddaeus Ropac, London, 2021

    MARCEL DUCHAMP — Please Touch: Marcel Duchamp and the Fetish, Thaddaeus Ropac, London, 2021

  • Pol Bury invitation card, Librairie Tschann, Paris, 1988; centred serif text with reclining figure illustration, cream stock Pol Bury invitation card verso, Librairie Tschann 1988; blank cream card stock

    POL BURY — Librairie Tschann, Paris, 1988

    POL BURY — Librairie Tschann, Paris, 1988

  • Salvador Dalí, Ma révolution culturelle, Les Livres de Nulle Part c.1990, both eyes across open spread, grainy b&w Salvador Dalí, Ma révolution culturelle, Les Livres de Nulle Part c.1990, right eye extreme close-up, back cover

    SALVADOR DALÍ / RAYMOND ROUSSEL — Ma révolution culturelle suivi de Dalí à Paris: hallucination partielle, six apparitions en vitrines, c. 1990–93

    SALVADOR DALÍ / RAYMOND ROUSSEL — Ma révolution culturelle suivi de Dalí à Paris: hallucination partielle, six apparitions en vitrines, c. 1990–93

  • Hans Bellmer, La poupée 1936, Centre Georges Pompidou postcard, headless doll in white dress, gold hoop, dark leather ground Hans Bellmer, La poupée 1936, Centre Georges Pompidou postcard verso, Éditions Mille, MP 8236-1, unused postal card

    HANS BELLMER — La poupée, 1936 — Centre Georges Pompidou Postcard, c. 1983

    HANS BELLMER — La poupée, 1936 — Centre Georges Pompidou Postcard, c. 1983

  • TERRY WINTERS — Field Notes, Pace Prints, New York, 1992 TERRY WINTERS — Field Notes, Pace Prints, New York, 1992

    TERRY WINTERS — Field Notes, Pace Prints, New York, 1992

    TERRY WINTERS — Field Notes, Pace Prints, New York, 1992

  • Joe Tilson, Gerd Winner, Siebdruck + Workshop, Haus am Waldsee Berlin, catalogue cover, 1970 Joe Tilson, Gerd Winner, interior spread, Rolls-Royce contact sheet and refuse truck rear, Abb. 14–15

    JOE TILSON / GERD WINNER — Siebdruck + Workshop, Haus am Waldsee, Berlin, 1970

    JOE TILSON / GERD WINNER — Siebdruck + Workshop, Haus am Waldsee, Berlin, 1970

  • Max Ernst, Bibliothèque Nationale Paris, press communiqué recto, Estampes et Livres Illustrés, 1975 Max Ernst, Bibliothèque Nationale Paris, catalogue cover, two oval forms over frottage field, 1975

    Max Ernst — Estampes et Livres Illustrés, Bibliothèque Nationale, 1975

    Max Ernst — Estampes et Livres Illustrés, Bibliothèque Nationale, 1975

  • Jenny Holzer, The Venice Installation, 1990 — charcoal-grey textured cover with deep red lettering nterior spread: dark grey left page, pink and grey diamond-patterned right page with title in black

    Jenny Holzer — The Venice Installation, Albright-Knox Art Gallery, 1990

    Jenny Holzer — The Venice Installation, Albright-Knox Art Gallery, 1990