Products

  • KATHY ACKER — Great Expectations, Grove Press, New York, 1983 KATHY ACKER — Great Expectations, Grove Press, New York, 1983

    KATHY ACKER — Great Expectations, Grove Press, New York, 1983

    KATHY ACKER — Great Expectations, Grove Press, New York, 1983

  • Original 1991 Kathy Acker Hannibal Lecter, My Father paperback, Semiotext(e) Native Agents Series, New York. Front cover in vivid pink with repeating text pattern in lighter pink forming the background, overlaid with bold black title lettering and author name. Printed wrappers in good condition with minor shelf wear. Reverse of 1991 Kathy Acker Hannibal Lecter, My Father paperback, Semiotext(e) Native Agents Series. Back cover in magenta-pink showing a halftone portrait photograph of Acker and the text: This writing is all fake (copied from other writing) so you should go away and not read any of it. ISBN and series imprint at foot.

    Kathy Acker — Hannibal Lecter, My Father (1991)

    Kathy Acker — Hannibal Lecter, My Father (1991)

  • Artist book, Kathy Acker, Hello, I’m Erica Jong, Contact II Publications, New York, 1982. First edition, [20] pp., stapled black wrappers, 17.9 × 21.5 cm. Front cover: dark grey-green ground, silver-grey serif type reading ‘HELLO, / I’M ERICA JONG’ centred upper half, ‘by kathy acker’ lower right in smaller italic. Good vintage condition with surface wear. Artist book interior spread, Kathy Acker, Hello, I’m Erica Jong, 1982. Left page: pink-red crayon drawing of skull and skeletal torso on white ground. Right page: serif text reading ‘Hello, I’m Erica Jong. / All of you liked my novel / Fear of Flying because in it you met / real people… My new novel How to Die Successfully / contains those same characters. And / it contains 2 new characters. You and / me. All of us are real. Goodbye.’

    Kathy Acker — Hello, I’m Erica Jong, Contact II Publications, New York, 1982

    Kathy Acker — Hello, I’m Erica Jong, Contact II Publications, New York, 1982

  • Original 1980 Kathy Acker paperback I Dreamt I Was a Nymphomaniac: Imagining, Travelers Digest Editions — front cover with black upper panel, pink lower field, hand-lettered title in white, subtitle Imagining in red, and loose ink drawing of a reclining figure; byline The Black Tarantula at foot" Reverse of 1980 Kathy Acker I Dreamt I Was a Nymphomaniac: Imagining, Travelers Digest Editions — black back cover with pink text reading 'She tried to remember how she felt…to regain love…but she became lost… Lost in this world of murder and fire / This world we call / LUST', with continuation of the ink figure drawing at lower right and ISBN at left spine edge

    Kathy Acker — I Dreamt I Was a Nymphomaniac: Imagining

    Kathy Acker — I Dreamt I Was a Nymphomaniac: Imagining

  • KATHY ACKER — In Memoriam to Identity, Pandora, London, 1990 Book backcover of 'in Memoriam to Identity' by Kathy Acker, featuring a surreal illustration of a city island on a textured blue and black background.

    KATHY ACKER — In Memoriam to Identity, Pandora, London, 1990

    KATHY ACKER — In Memoriam to Identity, Pandora, London, 1990

  • KATHY ACKER — Kathy Goes to Haiti, Pandora, London, 1990 The back cover of the Kathy Acker book, Kathy Goes to Haiti shown against a plain white background. The cover features a solid blue lower section with a quote, a barcode, and a textured abstract blue and orange pattern on the right side.

    KATHY ACKER — Kathy Goes to Haiti, Pandora, London, 1990

    KATHY ACKER — Kathy Goes to Haiti, Pandora, London, 1990

  • Kathy Acker, Literal Madness, Grove Press 1988, red block title, teal palm trees, signed ACKER by the author, dust jacket front Kathy Acker, Literal Madness, Grove Press 1988, portrait of Acker left, red ground, press reviews right, barcode, back cover

    KATHY ACKER — Literal Madness: Three Novels, Grove Press, New York, 1988 [signed]

    KATHY ACKER — Literal Madness: Three Novels, Grove Press, New York, 1988 [signed]

  • Kathy Acker, Pussycat Fever, AK Press 1995, hot pink cover, purple DiMassa illustration, four punk figures, block title, front Kathy Acker, Pussycat Fever, AK Press 1995, Freddie Baer collage, girl surrounded by cats, decorative border, interior spread

    KATHY ACKER — Pussycat Fever, AK Press, 1995

    KATHY ACKER — Pussycat Fever, AK Press, 1995

  • KATHY ACKER — Rip-Off Red, Girl Detective and The Burning Bombing of America, Grove Press, New York, 2002 The back cover of 'Rip-Off Red, Girl Detective' by Kathy Acker, The cover is predominantly dark gray with white text blocks, a large orange serif letter 'K', a small red quote block, and a barcode at the bottom right.

    KATHY ACKER — Rip-Off Red, Girl Detective and The Burning Bombing of America, Grove Press, New York, 2002

    KATHY ACKER — Rip-Off Red, Girl Detective and The Burning Bombing of America, Grove Press, New York, 2002

  • Original 1978 Kathy Acker The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec paperback, TVRT Press and Printed Matter, New York. Front cover with black-and-white photographic image of two pairs of legs, one in stockings raised in the air, the other bare and low. Title in lowercase serif type: all she wants is love... Publisher imprints PM and TVRT Press at foot with ISBN 0-931106-21-4. Original price $4.50 at top left. Covers with age toning and surface wear. Reverse of 1978 Kathy Acker The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec, TVRT Press and Printed Matter. Back cover with black-and-white photographic image of intertwined bare limbs and hands. Title and author credit in white serif type at lower centre: The Adult Life of Toulouse Lautrec / By Henri Toulouse Lautrec. Age toning and surface scuffing to covers.

    Kathy Acker — The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec (1978)

    Kathy Acker — The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec (1978)

  • Original 1978 Kathy Acker paperback The Childlike Life of the Black Tarantula, PM / TVRT Press, New York — bright green front cover with black serif title text reading 'The Childlike Life of THE BLACK TARANTULA by The Black Tarantula', centred black-and-white illustration of a small figure casting a large shadow Reverse of 1978 Kathy Acker The Childlike Life of the Black Tarantula, PM / TVRT Press — green back cover with blurb text, PM and TVRT Press logos, and ISBN 0-931106-20-6 at foot

    Kathy Acker — The Childlike Life of the Black Tarantula

    Kathy Acker — The Childlike Life of the Black Tarantula

  • Kathy Acker, Ultra light – last minute ex+pop – literatur, Merve Verlag Berlin, olive green diagonal band, white sans-serif type Kathy Acker, Ultra light – last minute ex+pop – literatur, Merve Verlag Berlin, olive green geometric shape, German text, back

    KATHY ACKER — Ultra light – last minute, ex + pop – literatur, Merve Verlag, Berlin, 1990

    KATHY ACKER — Ultra light – last minute, ex + pop – literatur, Merve Verlag, Berlin, 1990

  • Young Lust book by Kathy Acker, published by Pandora Books, featuring a graphic cover with a torn-paper design in red, black, and white, and a stylized illustration of a tattooed male figure. Back cover of the book 'Young Lust' by Kathy Acker, published by Pandora Press, shown against a plain white background.

    KATHY ACKER — Young Lust, Pandora Press, London, 1989

    KATHY ACKER — Young Lust, Pandora Press, London, 1989

  • Photobook front cover with obi, Keisuke Nagoshi, CHICANO, Tokyo Kirara-sha / Kawade Shobo Shinsha, Japan, 2008. Sealed in original distributor shrinkwrap. Full-bleed black-and-white photograph — close-up of heavily tattooed torso and neck, head tilted back; dense religious and figurative tattoo imagery including a face, hands, and decorative motifs covering the skin. Bold black serif title 'CHICANO' and 'KEISUKE NAGOSHI' centred over image. Lower third: wraparound obi in white with cyan Japanese text — Photobook back cover with obi, Keisuke Nagoshi, CHICANO, Tokyo Kirara-sha / Kawade Shobo Shinsha, Japan, 2008. Sealed in original distributor shrinkwrap. Full-bleed black-and-white photograph — continuation of tattooed torso image from front cover. Upper right: two barcodes and publisher details — 'ISBN978-4-309-90781-9 / C0072 ¥3500E / 発行 東京キララ社 / 発売 河出書房新社'. Lower third: obi with two Japanese text quotations attributed to ALEX (tattoo artist) and SPORTY (rapper). Shrinkwrap shows light surface rubbing

    KEISUKE NAGOSHI — CHICANO, Tokyo Kirara-sha / Kawade Shobo Shinsha, Japan, 2008

    KEISUKE NAGOSHI — CHICANO, Tokyo Kirara-sha / Kawade Shobo Shinsha, Japan, 2008

  • Original 2003 Keith Haring Pop Figuration folded exhibition announcement, Deitch Projects, 76 Grand Street, New York. Front panel showing hand-drawn lettering of KEITH HARING and POP FIGURATION pushed around the perimeter, partly inverted, with exhibition dates Jan 8 – Feb 15, 2003 and Deitch Projects logo absorbed into the composition. Reverse of 2003 Keith Haring Pop Figuration exhibition announcement, Deitch Projects. Full-width black-line drawing of interlocked figures, eyes, animals and hybrid bodies in Haring's characteristic style, printed across all six unfolded panels.

    KEITH HARING — Pop Figuration, Deitch Projects, New York, 2003

    KEITH HARING — Pop Figuration, Deitch Projects, New York, 2003

  • Postcard recto, Keith Haring, Untitled, 1985, Artpost, New York, 1987. Offset colour reproduction on cream card. Square image — red ground with continuous blue line drawing; interlocking simplified human and animal figures in dense, maze-like composition; circled numerals 1–18 distributed throughout; dashed black border; circled '85' and 'KH' monogram lower right. Acrylic on canvas, 5 × 5 ft. Light age toning, good vintage condition. Postcard verso, Keith Haring, Untitled, 1985, Artpost, New York, 1987. Cream/white ground, undivided back. Upper left: black sans-serif text — 'KEITH HARING / UNTITLED, 1985 / ACRYLIC ON CANVAS, 5′ × 5′'. Lower left: '©1987 KEITH HARING / ARTPOST / BOX 861 CANAL STA · NY, NY 10013 / AP562'. Light age toning, minor surface marks, unposted, good vintage condition.

    KEITH HARING — Untitled, 1985, Artpost, New York, 1987

    KEITH HARING — Untitled, 1985, Artpost, New York, 1987

  • `Keizō Kitajima — 東京 No. 2 (Tokyo No. 2), Photo Express Tokyo, February 1979. Front cover. High-contrast black and white photograph of two figures in close proximity, faces partially obscured, one in a leather jacket, set against a dark ground with diagonal structural elements. Title in teal kanji and Latin type upper centre: 東京 No 2. Date and price: 1979. FEBRUARY · 200 YEN. Green circular stamps along foot reading: 写 真 特 急 便 〒 北 島 敬 三 (Photo Express Mail, Kitajima Keizō).` `Keizō Kitajima — Photo Express Tokyo No. 2, February 1979 — interior plate. High-contrast black and white photograph of a woman seated at low angle, wearing a floral-patterned qipao dress, platform shoes, and a wide-brimmed hat. Face tilted upward, smiling, body angled toward camera. Flash-bleached highlights against deep black ground. Tokyo nightlife, 1979.`

    KEIZŌ KITAJIMA — Photo Express Tokyo No. 2, February 1979

    KEIZŌ KITAJIMA — Photo Express Tokyo No. 2, February 1979

  • AlphaBête, Kendell Geers, navy ground, crossing white barbed-wire lines radiating from lower left, 2013 AlphaBête catalogue plate: Kendell Geers, turquoise oval bisected vertically, barbed-wire overlay, deep blue ground

    KENDELL GEERS — AlphaBête, Galerie Rodolphe Janssen, Brussels, 2013

    KENDELL GEERS — AlphaBête, Galerie Rodolphe Janssen, Brussels, 2013

  • Kiki Smith, The Israel Museum Jerusalem 1994, front cover: colour photo of Mother's Coat, blue felt figure with dried flowers, white title type Kiki Smith 1994, interior: colour sculptures left — standing figures, curled torso; b&w process photos right — Smith arranging body fragments on floor

    KIKI SMITH — The Israel Museum, Jerusalem, 1994

    KIKI SMITH — The Israel Museum, Jerusalem, 1994

  • Klaus Rinke, Saldo 23 Jahre Rinke Klasse, Kunstmuseum Düsseldorf 1997, front dust jacket, SALDO repeated over b&w portrait Klaus Rinke, Saldo, Rinke Klasse 1997, Vassiliki Karampataki-Fiene, figure in shredded white costume standing in harvested field, b&w

    KLAUS RINKE / RINKE KLASSE: Saldo, 23 Jahre Rinke Klasse 1974–1997, Kunstmuseum Düsseldorf / Salon Verlag, Cologne, 1997

    KLAUS RINKE / RINKE KLASSE: Saldo, 23 Jahre Rinke Klasse 1974–1997, Kunstmuseum Düsseldorf / Salon Verlag, Cologne, 1997

  • Klaus Rinke, Zeit Raum Körper Handlungen, DuMont 1972, front cover, green ground, b&w profile portrait, bilingual block title Klaus Rinke, Zeit Raum Körper Handlungen, 1972, green insert card, b&w rear portrait, afro hair, DuMont Schauberg imprint

    KLAUS RINKE: Zeit / Time, Raum / Space, Körper / Body, Handlungen / Transformations, DuMont Schauberg, Cologne, 1972

    KLAUS RINKE: Zeit / Time, Raum / Space, Körper / Body, Handlungen / Transformations, DuMont Schauberg, Cologne, 1972

  • 12 Achtundsechziger '86, Kunsthaus Hamburg 1986, front cover, halftone crowd photograph, red title text 12 Achtundsechziger '86, title spread listing all twelve artists, Kunsthaus Hamburg 30 Oct–30 Nov 1986

    KP Brehmer, Klaus Geldmacher, Dieter Glasmacher et al.: 12 Achtundsechziger ’86, Verlag Michael Kellner / Kunsthaus Hamburg, 1986

    KP Brehmer, Klaus Geldmacher, Dieter Glasmacher et al.: 12 Achtundsechziger ’86, Verlag Michael Kellner / Kunsthaus Hamburg, 1986

  • `Kunst uit Nieuw Guinea — exhibition catalogue front cover, 1963. Cream wraps with orange letterpress title lower right: "kunst uit nieuw guinea". Left: black and white photograph of a tall carved wooden ancestor figure (bis pole or similar), with a stylised face, open-work body, and flame-like projections at the crown. Age toning and handling wear throughout. `Kunst uit Nieuw Guinea, 1963 — interior plate. Black and white photograph of catalogue no. 43: a carved wooden ancestor figure, open-work construction with a large rounded head, hollow oval torso, and elongated pendant legs. Dark patinated surface. Photographed against cream ground.

    KUNST UIT NIEUW GUINEA — Museum Fodor / Stedelijk Museum, Amsterdam, 1963

    KUNST UIT NIEUW GUINEA — Museum Fodor / Stedelijk Museum, Amsterdam, 1963

  • Original 1962 La Monte Young Marian Zazeela Composition 1960 #13 Performance 10 20 62 offset lithograph, New York. Left half: warm cream stock with typewritten text reading 'La Monte Young / Composition 1960 #13 / Performance 10 20 62 / Marian Zazeela'; right half: dense black abstract field of swirling organic forms, high-contrast ink on cream ground. Reverse of 1962 La Monte Young Marian Zazeela Composition 1960 #13 offset lithograph showing plain cream stock with warm age toning, light handling marks, and faint surface variation consistent with period paper.

    La Monte Young / Marian Zazeela — Composition 1960 #13, Performance 10 20 62 — Offset Lithograph, New York, 1962

    La Monte Young / Marian Zazeela — Composition 1960 #13, Performance 10 20 62 — Offset Lithograph, New York, 1962

  • Exterior of 1997 La Monte Young and Marian Zazeela concert programme, Barbican Centre, London. Colour poster side showing Young and Zazeela before graffiti wall with black typographic band listing performers including Pulp, Spiritualized and Nick Cave. Original 1997 La Monte Young and Marian Zazeela concert programme, The Purpose of This Concert Is Not Entertainment, Barbican Centre, London. Interior spread showing monochrome essays, photographic portraits and performance details unfolded to 42 × 60 cm.

    LA MONTE YOUNG / MARIAN ZAZEELA — The Purpose of This Concert Is Not Entertainment, Barbican Centre, London, 1997

    LA MONTE YOUNG / MARIAN ZAZEELA — The Purpose of This Concert Is Not Entertainment, Barbican Centre, London, 1997

  • Original 1970 Larry Bell, Robert Irwin, Doug Wheeler exhibition catalogue, Tate Gallery, London, 5–31 May 1970. Plain pale yellow square-format cover, unprinted, with visible age toning and light surface wear consistent with period exhibition material. Interior spread from 1970 Larry Bell, Robert Irwin, Doug Wheeler, Tate Gallery. Four black-and-white film stills showing blurred motion of a vehicle or object in a darkened space, printed across a double-page spread.

    Larry Bell / Robert Irwin / Doug Wheeler — Tate Gallery, London, 1970

    Larry Bell / Robert Irwin / Doug Wheeler — Tate Gallery, London, 1970

  • LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965 LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965

    LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965

    LARRY BELL / TONY DELAP / CRAIG KAUFFMAN / WILLIAM REYNOLDS / ED RUSCHA — 5 at Pace, Pace Gallery, New York, 1965

  • Larry Bell in his Marine Street studio, Venice, California, c.1959, photograph by Jerry McMillan; black and white, Bell seated before large mixed-media wall work Larry Bell: From the '60s, Hauser & Wirth New York 2016, invitation verso: exhibition dates 3 February–9 April 2016, private view Wednesday 3 February 6–8pm

    LARRY BELL — From the ’60s, Hauser & Wirth, New York, 2016

    LARRY BELL — From the ’60s, Hauser & Wirth, New York, 2016

  • Larry Bell, Chryssa, Will Insley, Robert Irwin, Robert Smithson, Robert Whitman, 6 Artists 6 Exhibitions, Walker Art Center, 1968, front cover Larry Bell, 6 Artists 6 Exhibitions, Walker Art Center, 1968, Bell section cover with geometric line drawing

    LARRY BELL, CHRYSSA, WILL INSLEY, ROBERT IRWIN, ROBERT SMITHSON, ROBERT WHITMAN | 6 Artists, 6 Exhibitions, Walker Art Center, 1968

    LARRY BELL, CHRYSSA, WILL INSLEY, ROBERT IRWIN, ROBERT SMITHSON, ROBERT WHITMAN | 6 Artists, 6 Exhibitions, Walker Art Center, 1968

  • Original 1990 Laura Carpenter / Philippe Thomas, Insights, Galerie Claire Burrus, Paris. Softcover with a close-up black-and-white photograph of a curved shadow cast across a pale textured surface, suggesting a body or sculptural form. 'INSIGHTS' in spaced white serif capitals at upper centre, 'LAURA CARPENTER' in smaller spaced white serif type at lower centre. Light surface wear and minor corner softening consistent with period. Reverse of 1990 Laura Carpenter / Philippe Thomas, Insights, Galerie Claire Burrus, Paris. Softcover back showing a close-up colour photograph of two adjacent fabric surfaces — a warm yellow draped textile on the left and a cool grey-blue fabric on the right — meeting at a diagonal fold, no text, no imprint. Light surface wear and age toning consistent with period.

    Laura Carpenter / Philippe Thomas — Insights

    Laura Carpenter / Philippe Thomas — Insights

  • title and author Laura Carpenter, Philippe Thomas, Insights, Galerie Claire Burrus, Paris, 1990. Exhibition invitation recto: cream card with pale warm-toned photographic ground — soft, diffuse abstract forms in ivory and sand, suggesting fabric or folded paper, more concentrated at left and right edges; "INSIGHTS" in spaced blue serif capitals centre; "LAURA CARPENTER" in smaller spaced blue serif type below. No other text. 17.5 × 13 cm. Light sun bleaching and age toning. Verso — gallery and event details Laura Carpenter, Philippe Thomas, Insights, Galerie Claire Burrus, Paris, 1990. Exhibition invitation verso: cream card with pale warm-toned photographic ground; "LA GALERIE CLAIRE BURRUS" in spaced grey serif capitals upper centre; "vous invite à la présentation du livre de Laura Carpenter" in small grey serif type below; "INSIGHTS" in large spaced blue serif capitals centre; "le 10 mars 1990 à 15 h / exposition du 10 mars au 17 mars 1990" in small grey serif type below; "

    LAURA CARPENTER / PHILIPPE THOMAS — Insights. Galerie Claire Burrus, Paris, 1990 [invitation]

    LAURA CARPENTER / PHILIPPE THOMAS — Insights. Galerie Claire Burrus, Paris, 1990 [invitation]

  • Postcard recto, Lawrence Weiner, (&) so weiter, 1991, Altonaer Museum, Hamburg / Norddeutsches Landesmuseum. Die-cut offset-printed card, 10.5 × 14.8 cm, cream/off-white ground, clipped corners. Lower left in small black sans-serif: '(&) SO WEITER'. Three punched circular holes to right of text, graduating in size left to right. Minimal composition — text and absence as primary elements. Light age toning, very good vintage condition. Postcard verso, Lawrence Weiner, (&) so weiter, 1991, Altonaer Museum, Hamburg / Norddeutsches Landesmuseum. White/cream ground, undivided back. Vertical text along right edge — 'GEBR. KÖNIG POSTKARTENVERLAGE · BREITESTR. 93 · D-50667 KÖLN · PRINTED IN GERMANY'. Lower left: 'Lawrence Weiner / (&) so weiter, 1991 / Hrsg.: Altonaer Museum in Hamburg, / Norddeutsches Landesmuseum'. Below: 'Best.-Nr.: 193/08'. Barcode lower right: '4260183290014'. Three punched holes visible lower centre. Light age toning, very

    LAWRENCE WEINER — (&) so weiter, Altonaer Museum, Hamburg, 1991

    LAWRENCE WEINER — (&) so weiter, Altonaer Museum, Hamburg, 1991

  • Exhibition poster, Lawrence Weiner, Twenty Works, Anthony d'Offay Gallery, London, 1980. Offset-printed announcement listing all twenty work titles in a two-column grid. White paper with blue ruled border; light horizontal fold visible. Text includes gallery address: 23 Dering Street, New Bond Street, London W1; exhibition dates 22 October – 19 November 1980; private view Tuesday 21 October 5–7.

    LAWRENCE WEINER — Twenty Works — Anthony d'Offay, London, 1980

    LAWRENCE WEINER — Twenty Works — Anthony d'Offay, London, 1980

  • Laylah Ali, Projects 75, MoMA, 2002 — cover. Two Greenhead figures on a blue ground; one tall with a polka-dot shirt, one small with a spiked head. Offset-printed artist's book. Laylah Ali, Projects 75, MoMA, 2002 — interior spread. Left: five dark spherical heads with elongated shadows. Right: three tall Greenhead figures with spiked crowns and a small figure clinging to one.

    LAYLAH ALI — Projects 75, MoMA, New York, 2002

    LAYLAH ALI — Projects 75, MoMA, New York, 2002

  • Original 2004 Laylah Ali Types artist's book, Contemporary Art Museum St. Louis. Front cover showing black illustrated card wrapper with masked multi-armed figure in white line drawing and TYPES title in lower right corner. Interior spread of 2004 Laylah Ali Types showing pale blue endpaper opposite a colour drawing of a masked figure in a white suit with crossed arms and an X motif on the chest, rendered in blue and red crayon.

    LAYLAH ALI — Types, Contemporary Art Museum St. Louis, 2004

    LAYLAH ALI — Types, Contemporary Art Museum St. Louis, 2004

  • Exhibition poster, Lee Lozano, Drawings 1959–64, Karma, New York, 2021. Offset print, 45.5 × 61 cm. White ground; large bold black sans-serif type ‘LOZANO / 1959–64’ upper half; central reproduction of pencil drawing: torso of figure wearing chain necklace with large cross pendant, breasts visible, energetic hatched shading. Footer: ‘Lee Lozano Drawings 1959–64 July 12–August 13, 2021 Karma 22 E 2nd St, New York’. Good condition with handling wear.

    Lee Lozano — Drawings 1959–64, Karma, New York, 2021

    Lee Lozano — Drawings 1959–64, Karma, New York, 2021