Products

  • Rafael Melendez, MLII, Academy of Realness, 2025, front cover, U-form sculpture with title MLII Rafael Melendez, MLII, Academy of Realness, 2025, back cover, "David Hammons" holding sphere on white forms

    RAFAEL MELENDEZ, MLII, Academy of Realness, 2025

    RAFAEL MELENDEZ, MLII, Academy of Realness, 2025

  • Rafael Melendez, Wool / Antonello / Butler, collage with a blue-veiled Virgin, black leaf patterns and “JUDITH BUTLER” lettering

    RAFAEL MELENDEZ, Wool / Antonello / Butler, 2020

    Placed

    RAFAEL MELENDEZ, Wool / Antonello / Butler, 2020

    Placed
  • Cover Cover of Ralph Gibson, Deja-Vu, Lustrum Press, New York, 1973, showing the title in white italic serif type centred on a solid black softcover. Reverse of Ralph Gibson, Deja-Vu, Lustrum Press, 1973, showing a black-and-white photograph of a figure performing a one-armed handstand on a beach in swimwear and a top hat, mounted on black card.

    Ralph Gibson — Deja-Vu, Lustrum Press, New York, 1973

    Ralph Gibson — Deja-Vu, Lustrum Press, New York, 1973

  • Raymond Pettibon with Super Session, Torches and Standards, Blast First, 1990, front sleeve, vortex drawing and handwritten text Raymond Pettibon, Torches and Standards, Blast First, 1990, reverse sleeve, handwritten tracklist and credits, FU9

    RAYMOND PETTIBON WITH SUPER SESSION — Torches and Standards, Blast First, London, 1990

    RAYMOND PETTIBON WITH SUPER SESSION — Torches and Standards, Blast First, London, 1990

  • Recto (black side) Raymond Pettibon, I Taught My Horse to Count, 2014. Printed Matter membership invitation, New York, 2014–15. Recto: black card; white circular vignette with Pettibon's ink drawing of a horse bowing toward a ball, handwritten text curving around the interior; 'PRINTED MATTER' in small caps below; bold white sans-serif — 'Raymond Pettibon in his inimitable style invites you to join us as a Printed Matter Member.'; two paragraphs of body text in small white serif. Verso (white side) Raymond Pettibon, Printed Matter Membership Campaign, 2014–15. Verso: white card; bold header 'MEMBERSHIP LEVELS'; six lettered tiers A–F listing dollar amounts and artist editions — Peter Sutherland, Sam Falls, Linder Sterling, Jeremy Deller, Book Circle, Iñaki Bonillas; six small reproduction images upper right including tote bag and Escort magazine cover; 'Printed Matter, Inc.' logo and address — 195 Tenth Avenue, New York, NY 10011.

    RAYMOND PETTIBON — Printed Matter Membership Campaign, 2014–15. I Taught My Horse to Count

    RAYMOND PETTIBON — Printed Matter Membership Campaign, 2014–15. I Taught My Horse to Count

  • Original 1989 Rebecca Horn exhibition catalogue, Missing Full Moon, Artsite Gallery, Bath International Festival. Front cover showing plain olive green with title 'Rebecca Horn' in pale sage serif type, centred on an unadorned ground. Reverse of 1989 Rebecca Horn Missing Full Moon exhibition catalogue, Artsite Gallery, Bath. Back cover showing plain olive green with no text or imagery — a continuation of the front cover's minimal treatment.

    Rebecca Horn — Missing Full Moon [Artsite No. 22], Artsite Gallery, Bath, 1989

    Placed

    Rebecca Horn — Missing Full Moon [Artsite No. 22], Artsite Gallery, Bath, 1989

    Placed
  • Rebecca Horn, Concert for Anarchy 1990, front cover: exhibition handout, Tate Gallery London, 27 September 1994–8 January 1995 Rebecca Horn, Tate Gallery handout 1994, verso: Sean Rainbird essay text, Ballet of the Woodpeckers installation view, and works checklist

    REBECCA HORN, Exhibition Handout, Tate Gallery, London, 1994

    REBECCA HORN, Exhibition Handout, Tate Gallery, London, 1994

  • Rei Kawakubo, Comme des Garçons, Art of the In-Between, The Metropolitan Museum of Art 2017, rotated title, lightweight paper Rei Kawakubo, Comme des Garçons, Art of the In-Between, The Met 2017, isometric gallery plan, nine in-between states numbered

    REI KAWAKUBO / COMME DES GARÇONS — Art of the In-Between, The Metropolitan Museum of Art, New York, 2017

    REI KAWAKUBO / COMME DES GARÇONS — Art of the In-Between, The Metropolitan Museum of Art, New York, 2017

  • Comme des Garçons — Universe of Fashion, France Grand, 1998, front cover Comme des Garçons — Universe of Fashion, 1998, interior spread, eau de parfum ad and runway photograph

    REI KAWAKUBO / COMME DES GARÇONS — Universe of Fashion, France Grand, Universe Publishing, New York, 1998

    REI KAWAKUBO / COMME DES GARÇONS — Universe of Fashion, France Grand, Universe Publishing, New York, 1998

  • Original 1976 exhibition invitation for René Magritte, La Fidélité des Images, ARC 2, Musée d'Art Moderne de la Ville de Paris, front, showing a black-and-white reproduction of Magritte's photograph L'amour: two figures in an interior, one in a dark swimsuit standing barefoot, the other in a white shirt holding a palette and reaching toward the first, captioned L'amour in small italic type below, on cream card. Reverse of 1976 exhibition invitation for René Magritte, La Fidélité des Images, ARC 2, Musée d'Art Moderne de la Ville de Paris, showing in centred bold serif type: La Fidélité des Images / René Magritte / Le cinématographe et la photographie; below in bold caps ARC 2; then vernissage le 5 novembre de 18 à 21 h. / musée d'art moderne de la ville de paris / 11 avenue du président wilson 75116 paris / jusqu'au 5 décembre 1976, all on plain cream card.

    René Magritte — La Fidélité des Images: Le cinématographe et la photographie, ARC 2, Musée d’Art Moderne de la Ville de Paris, 1976

    René Magritte — La Fidélité des Images: Le cinématographe et la photographie, ARC 2, Musée d’Art Moderne de la Ville de Paris, 1976

  • 1976 Edition Lebeer Hossmann publisher's brochure for René Magritte Photographies, front cover, showing René Magritte Photographies in italic script at the top, EDITION LEBEER HOSSMANN / BRUXELLES HAMBURG in small caps below, and a black-and-white photograph of two boys standing with their backs to the camera on a flat beach, their heads turned away, wearing dark jackets and shorts. 1976 Edition Lebeer Hossmann brochure for René Magritte Photographies, outer mailing panel, showing the front cover image of two boys on a beach at right, a central panel with a black-and-white photograph of a man in a bowler hat and overcoat seen from behind standing before a bed, captioned La mort des fantômes with bilingual French and German edition details, and at left the mailing address panel for Edition Lebeer Hossmann, 124 avenue du Boetendael, B-1180 Bruxelles, with CARTE POSTALE / POSTKARTE print

    René Magritte — Photographies, Edition Lebeer Hossmann, Bruxelles / Hamburg, 1976

    René Magritte — Photographies, Edition Lebeer Hossmann, Bruxelles / Hamburg, 1976

  • RENÉ MAGRITTE — The 8 Sculptures of Magritte, Exhibition Poster, Hanover Gallery, London, 1968 Mailing side of René Magritte, The 8 Sculptures of Magritte, Hanover Gallery London W1, June – August 1968 exhibition poster. Offset lithograph on thin paper stock, folded into eight equal sections for postal distribution. Address label affixed to one folded section, typed recipient: Joachim Wolfgang Graf von Moltke, Bielefeld, Germany — founding director of Kunsthalle Bielefeld. Upper right: red postage stamp with machine postmark cancellation. Fold lines, age toning, and light handling marks throughout.

    RENÉ MAGRITTE — The 8 Sculptures of Magritte, Exhibition Poster, Hanover Gallery, London, 1968

    RENÉ MAGRITTE — The 8 Sculptures of Magritte, Exhibition Poster, Hanover Gallery, London, 1968

  • Richard Hamilton, Drawings prints and paintings 1941–55, Anthony d'Offay, London, 1979, front cover Richard Hamilton, Bronze by gold 1948 and Going to a dark bed 1949, Ulysses drawings, interior spread

    RICHARD HAMILTON — Drawings, prints and paintings 1941–55, Anthony d'Offay, London, 1979

    RICHARD HAMILTON — Drawings, prints and paintings 1941–55, Anthony d'Offay, London, 1979

  • Richard Hamilton, exhibition invitation recto. Serpentine Gallery, London, 1975. Black-and-white photographic reproduction of an abstract work: a gestural composition of dark fluid marks, washes, and drips on a pale ground, framed by a thin ruled border. A large organic dark form dominates the upper left, with vertical streaks and pooled marks descending toward the lower centre. Scattered smaller marks and traces throughout. Cream card with age toning, surface marks, and minor corner wear visible. Richard Hamilton, exhibition invitation recto. Serpentine Gallery, London, 1975. Black-and-white photographic reproduction of an abstract work: a gestural composition of dark fluid marks, washes, and drips on a pale ground, framed by a thin ruled border. A large organic dark form dominates the upper left, with vertical streaks and pooled marks descending toward the lower centre. Scattered smaller marks and traces throughout. Cream card with age toning, surface marks, and minor corner wear visible.

    Richard Hamilton — Private View Invitation, Serpentine Gallery, 1975

    Richard Hamilton — Private View Invitation, Serpentine Gallery, 1975

  • Front cover Artist book, Richard Hell / Josh Smith, Disgusting, 38th Street Publishers, New York, 2010. Front cover: heavy card cut from a promotional poster for the DVD reissue of Blank Generation (dir. Ulli Lommel, 1980). Orange ground with large bold black and white type reading: FEATURING LIVE P[ERFORMANCE] / RICHARD HELL[S]. Right edge carries vertical film credits in small type: directed by Ulli Lommel; starring Carole Bouquet, Richard He[ll]; produced by Roger Deutsch, Olli Lommel; cinematography by Endpapers Artist book, Richard Hell / Josh Smith, Disgusting, 38th Street Publishers, New York, 2010. Interior spread showing hand-painted endpapers by Josh Smith. Double-page spread of warm brown and white abstract impressions — branching, striated forms resembling wood grain or topographic contours — painted directly onto the paper. Left page lighter and more diffuse; right page denser and darker in tone. Original painting unique to this copy; not a reproduction.

    Richard Hell / Josh Smith — Disgusting — 2010

    Richard Hell / Josh Smith — Disgusting — 2010

  • Richard Prince, Joan Katz, Black Bra, Karma 2016, front cover: TIME Photo Dept envelope, BLACK BRA stamped in red, purple paint strokes I Richard Prince, Joan Katz, Black Bra, 2016, interior: jokes, book titles and text fragments over photographic image of stacked books

    RICHARD PRINCE & JOAN KATZ — Black Bra, Karma, New York, 2016

    RICHARD PRINCE & JOAN KATZ — Black Bra, Karma, New York, 2016

  • Richard Prince / Howard Johnson, The Pope's Butler, Fulton Ryder 2012, front cover: grid of religious DVD spine labels Richard Prince / Howard Johnson, The Pope's Butler, 2012, interior: patched cloth left; title page 'by Howard Johnson / Fulton Ryder' right I

    RICHARD PRINCE / HOWARD JOHNSON — The Pope’s Butler, Fulton Ryder, New York, 2012

    RICHARD PRINCE / HOWARD JOHNSON — The Pope’s Butler, Fulton Ryder, New York, 2012

  • New Observations Nos. 50, 51, and 84 — group of three issues shown together. New York, 1987 and c. early 1990s. Offset printed magazines, approx. 27 × 21 cm each. Sold as a group. `New Observations No. 84, Alchemy — interior spread. Black and white photograph of Marcel Duchamp's Étant donnés, 1946–66: a reclining female figure amid twigs and branches, one arm raised holding a gas lamp, viewed through a torn aperture in a dark ground.

    RICHARD PRINCE / JOHN DOGG — New Observations Nos. 50, 51 & 84, New York, 1987–c.1991

    RICHARD PRINCE / JOHN DOGG — New Observations Nos. 50, 51 & 84, New York, 1987–c.1991

  • RICHARD PRINCE, "Four Men Facing Right," 1979, one of four Ektacolor photographs, 16 × 20 in., Altered Subjects RICHARD PRINCE / Group, Altered Subjects: Photography, Ben Shahn Gallery, 1980, front cover

    RICHARD PRINCE et. al, Altered Subjects: Photography, Ben Shahn Gallery, William Paterson College, 1980

    RICHARD PRINCE et. al, Altered Subjects: Photography, Ben Shahn Gallery, William Paterson College, 1980

  • Cover panel, Richard Prince, 3rd Place, Point d'Ironie no. 39, Agnès b. / Point d'Ironie, Paris, April 2006. Colour photograph — topless woman with arms raised, dark background, chain necklace with pendant, tattoo on chest; warm stage lighting. White sans-serif text centred lower third: 'RICHARD PRINCE' / '3RD PLACE'. Fold lines and light handling marks as issued. Folded artist publication/poster, Richard Prince, 3rd Place, Point d'Ironie no. 39, Agnès b. / Point d'Ironie, Paris, April 2006. Ed. Hans Ulrich Obrist. Offset on lightweight paper. Front face: colour photograph — rural American landscape, open green lawn, white garage structure, bare trees, blue sky; diagonal shadow across grass foreground. Light handling and original fold lines, good vintage condition.

    RICHARD PRINCE — 3rd Place, Point d’Ironie no. 39, Agnès b. / Point d’Ironie, Paris, 2006

    RICHARD PRINCE — 3rd Place, Point d’Ironie no. 39, Agnès b. / Point d’Ironie, Paris, 2006

  • Richard Prince, de Kooning, exhibition invitation front cover, Gagosian Gallery Paris, 2011 — cropped reproduction against warm peach ground with artist name and exhibition details Richard Prince, de Kooning, exhibition invitation interior spread unfolded, Gagosian Gallery Paris, 2011 — near full-bleed reproduction of Untitled (de Kooning), 2009

    RICHARD PRINCE — de Kooning, Gagosian Gallery, Paris, 2011

    RICHARD PRINCE — de Kooning, Gagosian Gallery, Paris, 2011

  • Postcard recto, Richard Prince, Dude Ranch Nurse, 2002, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction on cream card. Vertical image — masked female nurse figure in white uniform, cap, and surgical mask; holding a small object to chest; standing against deep green atmospheric ground with yellow-green luminous halo effect; cursive gold text 'Dude Ranch Nurse' upper centre; acrylic and inkjet on canvas, 80 × 52 inches. Collection of Julie and Edward J. Minskoff. Light handling wear, Postcard verso, Richard Prince, Dude Ranch Nurse, 2002, Solomon R. Guggenheim Museum, New York, 2007. White ground, divided postal back. Upper left: bold black sans-serif — 'RICHARD PRINCE: SPIRITUAL AMERICA'; below: 'Richard Prince, Dude Ranch Nurse, 2002 / Acrylic and inkjet on canvas, 80 × 52 inches / Collection of Julie and Edward J. Minskoff, Courtesy Gagosian Gallery / © 2007 Richard Prince, Courtesy Gladstone Gallery, New York'. Upper right: barcode — '10001547'; 'Printed in USA'. Lower left: 'Guggen

    RICHARD PRINCE — Dude Ranch Nurse, 2002 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007

    RICHARD PRINCE — Dude Ranch Nurse, 2002 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007

  • Richard Prince, Early Photographs 1977–1979, front cover. Skarstedt Fine Art, New York, 2001. Grey hardcover boards with title 'Richard Prince / Early Photographs / 1977–1979' in pale blue-grey serif type, upper left. No image. Restrained, object-like design. Richard Prince, Early Photographs 1977–1979, interior page. Untitled (couple), 1977. Ektacolor print, 20 × 24 inches, 50.8 × 61 cm, edition of 10. Colour photograph of a man and woman in formal dress, rephotographed from a film still or television source. The man wears a dark suit and tie; the woman wears a black dress with a red flower. Both face slightly left, expressions neutral. Skarstedt Fine Art, New York, 2001.

    Richard Prince — Early Photographs 1977–1979

    Richard Prince — Early Photographs 1977–1979

  • Original 1992 Richard Prince Good Revolution postcard for Parkett 34, recto showing a colour reproduction of the edition: a framed display piece combining a dark photographic C-print backdrop depicting a nightclub or cabaret scene with neon signage, overlaid with the text 'Richard Prince' and 'good revolution' in retro gold lettering with a Playboy bunny motif, and a gold 7-inch vinyl record mounted to the right with a Parkett label, above a small engraved silver plaque. Reverse of 1992 Richard Prince Parkett 34 postcard showing plain cream card with Parkett Verlag and Parkett Publishers address block in small grey type — Quellenstrasse 27, CH-8005 Zürich and 636 Broadway, New York NY 10012 — with the Parkett logotype in gothic script bottom left and the caption 'Richard Prince Edition for Parkett 34' bottom right.

    Richard Prince — Good Revolution / Parkett 34 Postcard, 1992

    Richard Prince — Good Revolution / Parkett 34 Postcard, 1992

  • Artpost postcard reproducing Richard Prince, I Changed My Name, 1988, acrylic and silkscreen on canvas: two deep blue-grey panels divided by a thin white vertical line, with the phrase I never had a penny to my name so I changed my name. in small red lowercase type centred across both panels, one clause per panel. Reverse of Artpost postcard for Richard Prince, I Changed My Name, 1988, white card with small black sans-serif caption at upper left: RICHARD PRINCE / I CHANGED MY NAME, 1988 / ACRYLIC, SILKSCREEN ON CANVAS, 56¼ × 78¼ × 3IN / © RICHARD PRINCE / COURTESY BARBARA GLADSTONE GALLERY, NEW YORK; barcode at upper right; ARTPOST logo in small caps at lower right; blank address panel.

    Richard Prince — I Changed My Name, 1988, Artpost Postcard

    Richard Prince — I Changed My Name, 1988, Artpost Postcard

  • Postcard recto, Richard Prince, Man-Crazy Nurse, 2002–03, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction on cream card. Vertical image — faceless female nurse figure in white uniform and cap against deep red ground; text 'MAN-CRAZY NURSE' embedded in upper background in darker red relief; exposed chest with circular forms; paint drips running vertically throughout; acrylic and inkjet on canvas, 80 × 52 inches. Private collection, New York. Light handling wear, very good condition. Postcard verso, Richard Prince, Man-Crazy Nurse, 2002–03, Solomon R. Guggenheim Museum, New York, 2007. White ground, divided postal back. Upper left: bold black sans-serif — 'RICHARD PRINCE: SPIRITUAL AMERICA'; below: 'Richard Prince, Man-Crazy Nurse, 2002–03 / Acrylic and inkjet on canvas, 80 × 52 inches / Private collection, New York / © 2007 Richard Prince, Courtesy Gladstone Gallery, New York'. Upper right: barcode — '10001550'; 'Printed in USA'. Lower left: 'GuggenheimMUSEUM' logotype. Clean verso,

    RICHARD PRINCE — Man-Crazy Nurse, 2002–03 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007

    RICHARD PRINCE — Man-Crazy Nurse, 2002–03 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007

  • Richard Prince, Menthol Wars, front cover. Printed Matter, New York, 2009. Facsimile reprint of 1980 artist's book. Black cover with halftone photograph of a woman in profile, pearl earring visible. Title 'MENTHOL WARS' and 'Richard Prince' in white type. Richard Prince, Menthol Wars, plain black inside back cover. Printed Matter, New York, 2009. Solid black page, no text or image.

    Richard Prince — Menthol Wars

    Richard Prince — Menthol Wars

  • Richard Prince, New Paintings, Jablonka Galerie Köln 1996, front cover: solid pink, RICHARD PRINCE in white centre Richard Prince, New Paintings, 1996, interior: two jokes in black type on cream ground, no images, faint toning

    RICHARD PRINCE — New Paintings, Jablonka Galerie, Köln, 1996

    RICHARD PRINCE — New Paintings, Jablonka Galerie, Köln, 1996

  • Richard Prince, New Portraits, front cover. Blum & Poe, 2016. Screw-bound acrylic hardcover with large white embossed title 'Richard Prince New Portraits' over a transparent cover revealing the colophon page beneath. 'BLUM & POE' in large white type at foot. Six chrome screw-post bindings visible at right edge. Edition of 1,000. Richard Prince, New Portraits, back cover and interior page visible through acrylic. Blum & Poe, 2016. Transparent acrylic back cover with 'BLUM & POE' in white type lower right and ISBN barcode label affixed centre-right. Interior page visible through cover shows a rephotographed Instagram post by @prettypukedood: colour photograph of three figures at a party, 2,980 likes, with comments from @monsterpartyshop, @richardprince4, and others. Komiyama Tokyo bookseller sticker affixed to upper right of cover.

    Richard Prince — New Portraits

    Richard Prince — New Portraits

  • Richard Prince — New Portraits, Gagosian Gallery, New York, 2014. Front cover. Black staple-bound booklet, white centred text: Richard Prince / New Portraits. Exhibition catalogue, edition of 500. Appropriation art, printed matter. Richard Prince — New Portraits, Gagosian Gallery, 2014. Interior spread: Instagram screenshot @pamelaanderson, 46 weeks. Woman in white t-shirt bathing suit reclining on sand. 480 likes. Prince's comment: 'T-Shirt bathing suit! Nice. Let's hook up next week. Lunch, Smiles. R'. Appropriation art, found image.

    Richard Prince — New Portraits, Gagosian Gallery, 2014

    Richard Prince — New Portraits, Gagosian Gallery, 2014

  • 2007 Richard Prince Panama Pavilion Venice postcard. Recto: reproduction of nurse painting Young Nurses — two semi-nude masked female figures in a brown interior, one standing at a table, one seated on the floor; 'YOUNG NURSES' in yellow text at upper left; below, bold display typography: 'RICHARD PRINCE' in gold, 'Panama Pavilion' in red serif, 'Venezia June – July 2007' in red; white border. Reverse of 2007 Richard Prince Panama Pavilion Venice postcard. White stock; caption at lower left: 'Richard Prince / Panama Pavilion / Venice, 2007 / © Richard Prince'; vertical printer credit along right edge: 'GEBR. KÖNIG POSTKARTEN VERLAG · BREITERSTR. 93 · D-50677 KÖLN · PRINTED IN ITALY'; postcard dividing line at centre.

    Richard Prince — Panama Pavilion, Venezia, June–July 2007 — Exhibition Postcard

    Richard Prince — Panama Pavilion, Venezia, June–July 2007 — Exhibition Postcard

  • Richard Prince — Purple 20 Years: The Richard Prince Purple Book, special edition for Purple Fashion no. 18, Purple Institute, Paris, 2012. White softcover with purple halftone "20 Years" typography overlaid on a collage of black-and-white celebrity photographs with handwritten captions and DVD barcodes. Richard Prince — Purple 20 Years: The Richard Prince Purple Book, interior spread. Left: photograph of Lynda Carter as Wonder Woman with handwritten caption: "Linda Carter went onto star in the TV show The L Word. True or False?" Right: photograph of male figure with handwritten caption referencing Dale Stone and mainstream film career. Purple Institute, Paris, 2012.

    Richard Prince — Purple 20 Years: The Richard Prince Purple Book

    Richard Prince — Purple 20 Years: The Richard Prince Purple Book

  • Richard Prince, Barbara Gladstone Gallery 1988, front cover: blurred Easyriders magazine cover, b&w landscape right Richard Prince, Barbara Gladstone Gallery 1988, back cover: blurred magazine face, pink ground, smiling woman

    RICHARD PRINCE — Richard Prince, Barbara Gladstone Gallery, New York, 1988

    RICHARD PRINCE — Richard Prince, Barbara Gladstone Gallery, New York, 1988

  • Richard Prince, Spiritual America, exhibition announcement postcard recto. Guggenheim Museum, New York, 2007. Colour reproduction of a nurse painting: a female figure in a white surgical mask and cap against a dark background, eyes visible above the mask, gazing directly forward. Partial text visible at top reads 'NURSE IN HOLLYWOOD' in embossed or relief lettering. Title 'RICHARD PRINCE / SPIRITUAL AMERICA' in orange sans-serif type below the image, with 'Guggenheim' museum logo in an orange band at foot. Richard Prince, Spiritual America, exhibition announcement postcard verso. Guggenheim Museum, New York, 2007. Cream card with standard postcard layout: address lines and stamp area to right, GoCard Postcard Advertising logo upper right. Left column: 'RICHARD PRINCE / SPIRITUAL AMERICA' in bold caps; 'Through January 9' in small type. Sponsor credits: 'Made possible by Deutsche Bank' with Deutsche Bank logo; additional supporters listed including Barbara Gladstone, The Stephenson and Penn Bunn Foundation, Mi

    Richard Prince — Spiritual America

    Richard Prince — Spiritual America

  • Postcard recto, Richard Prince, Spiritual America / Continuation, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction. Three-quarter view of sculpture — large low-profile form resembling a car hood or bonnet; fiberglass, polyester resin, acrylic and wood; surface painted in mottled grey-blue and ochre/terracotta tones with visible brushwork; resting on a plain rectangular plinth of similar patchy colouring; dark reflective gallery floor, white wall behind. Light handling wear, very good Postcard verso, Richard Prince, Spiritual America / Continuation, Solomon R. Guggenheim Museum, New York, 2007. White ground, divided postal back. Upper left: bold black sans-serif — 'RICHARD PRINCE: SPIRITUAL AMERICA'; below: 'Richard Prince, Continuation, 2004–05 / Fiberglass, polyester resin, acrylic, and wood, 44 × 69 ⁵⁄₈ × 82 ½ inches / Collection of the artist / © 2007 Richard Prince, Courtesy Gladstone Gallery, New York'. Upper right: barcode — '10001549'; 'Printed in USA'. Lower left: 'GuggenheimMUS

    RICHARD PRINCE — Spiritual America / Continuation, Solomon R. Guggenheim Museum, New York, 2007

    RICHARD PRINCE — Spiritual America / Continuation, Solomon R. Guggenheim Museum, New York, 2007

  • Postcard recto, Richard Prince, Tell Me Everything, 1987, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction. Flat ochre/gold monochrome ground — acrylic and silkscreen on canvas, 56 × 48 inches; lower-centre text in small pink/red serif type: 'I went to see a psychiatrist. He said, "Tell me everything." I did, and now he's doing my act.' Skarstedt Collection, New York. Light handling wear, good/very good condition. Postcard verso, Richard Prince, Tell Me Everything, 1987, Solomon R. Guggenheim Museum, New York, 2007. White ground, divided postal back. Upper left: bold black sans-serif — 'RICHARD PRINCE: SPIRITUAL AMERICA'; below: 'Richard Prince, Tell Me Everything, 1987 / Acrylic and silkscreen on canvas, 56 × 48 inches / Skarstedt Collection, New York / © 2007 Richard Prince, Courtesy Gladstone Gallery, New York'. Upper right: barcode — '10001548'; 'Printed in USA'. Lower left: 'GuggenheimMUSEUM' logotype. Small age

    RICHARD PRINCE — Tell Me Everything, 1987 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007

    RICHARD PRINCE — Tell Me Everything, 1987 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007