• Gina Pane, John Hansard Gallery / Arnolfini 2002, front cover, grey-mauve cloth boards, silver-stamped lowercase gina pane
  • Gina Pane, 2002, interior spread, grid of colour and b&w photographs and handwritten documents, Actions and studio works
  • Gina Pane, 2002, interior spread, b&w photograph figure in field, Foreword text by Caroline Collier, landscape format
  • Gina Pane, John Hansard Gallery / Arnolfini 2002, back cover, plain grey-mauve cloth boards, no text
1 4

John Hansard Gallery

GINA PANE, John Hansard Gallery / Arnolfini, Southampton / Bristol, 2002

GINA PANE, John Hansard Gallery / Arnolfini, Southampton / Bristol, 2002

Artist
Gina Pane
Publisher
John Hansard Gallery
Place & year
Southampton / Bristol, 2002
Type
Exhibition Catalogue
Format
Clothbound hardback, 72 pp., cloth-covered boards with silver-stamped lettering; colour and black-and-white illustrations
Size
27.5 × 19 cm
With
Edited by Caroline Collier and Stephen Foster
Condition
Good overall; light handling wear to the cloth-covered boards, with a short area of splitting and lifting to the cloth along the upper outer joint, accompanied by minor rubbing and discolouration; internally clean.
Register
TNR-2026-0706 · 28 July 2026
£65
£65
Sale Placed
Register No. TNR-2026-0706
Registered 28 July 2026
Taxes included. Shipping calculated at checkout.

Shipping: UK £7, free over £50 · Europe £18 · US & Canada £25 · Rest of world £30.
Duties and import taxes may apply outside the UK.

Notes

Exhibition catalogue, John Hansard Gallery, University of Southampton / Arnolfini, Bristol, 2002. English text. ISBN 0-85432-763-0.

The affected area is clearly shown in the photographs.

Published for Pane’s major solo exhibition at John Hansard Gallery in 2001, subsequently presented at Arnolfini from 23 February to 14 April 2002. Described as the first exhibition in England to consider the full breadth of her practice, it brought the celebrated bodily Actions into relation with her painting, sculpture, drawing and photography. A selection of works was later displayed at Tate Modern.

Pane established her international reputation during the 1970s through carefully choreographed performances in which the body became both material and a means of communication. Rather than isolating the physical intensity of these works, the publication places them within a broader practice concerned with love, pain, mortality, spirituality and collective experience.

The restrained production is particularly effective: pale grey-mauve cloth, a small silver lowercase title and wide photographic sequences extending across the landscape-format pages. The live action enters circulation as photograph, caption and printed sequence. What remains is not the performance itself, but the structure through which it continues to be seen.

Securely packed; tracked UK and international shipping available.

View full details