• 2024 Leidy Churchman Inner Dialogue Galerie Chantal Crousel Paris exhibition card. Recto: colour reproduction of painting showing fragmented geometric forms in green, orange, pink, blue, red, and brown; a magpie in flight at centre; scattered handwritten text fragments including 'NO', 'EYE', 'space', 'dead'; overlapping planes suggesting interior and exterior space simultaneously.
  • Reverse of 2024 Leidy Churchman Inner Dialogue Galerie Chantal Crousel exhibition card. White uncoated stock; 'GALERIE / CHANTAL CROUSEL' in small caps at upper left; 'Leidy Churchman / Inner Dialogue' in large elegant serif type; '7 SEPTEMBRE — 5 OCTOBRE 2024 / 10 RUE CHARLOT, PARIS / +33 1 42 77 38 87 | CROUSEL.COM' at lower left; vertical caption at right edge crediting photo to Max L Lee-Russell.
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Galerie Chantal Crousel

Leidy Churchman — Inner Dialogue — Exhibition Card, Galerie Chantal Crousel, Paris, 2024

Leidy Churchman — Inner Dialogue — Exhibition Card, Galerie Chantal Crousel, Paris, 2024

Issued by
Galerie Chantal Crousel
Place & year
Paris, 2024
Type
Invitation Card
Format
Offset print on uncoated card stock
Size
15 × 21 cm
Condition
Good overall condition: light handling wear, minor edge softening, slight lower-right corner crease.
Register
TNR-2026-0211 · 15 June 2026
£40
£40
Sale Placed
Register No. TNR-2026-0211
Registered 15 June 2026
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Notes

Galerie Chantal Crousel, 10 rue Charlot, Paris
7 September – 5 October 2024

Original exhibition card issued for Inner Dialogue, a 2024 exhibition by Leidy Churchman at Galerie Chantal Crousel, Paris. The reproduced painting reflects Churchman’s layered visual language: fragments of text, symbolic forms, diagrammatic space, birds, thresholds, and painterly atmospheres assembled into a shifting psychological field.

Churchman became increasingly significant during the post-internet and post-conceptual return to painting of the 2010s and 2020s, producing works that absorb image culture, mysticism, queer history, abstraction, neuroscience, and digital circulation into a single pictorial structure. The paintings resist stable hierarchy; information, memory, spirituality, and reproduction coexist on equal terms.

The invitation belongs to the visual economy surrounding contemporary gallery culture: restrained typography, institutional white space, and a single image functioning as portable exhibition surrogate. Less documentation than compressed exhibition form.

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