A–Z Catalogue

A

Recto (front): A. François Petit, Paris, December 1965. Recto: printed script invitation on pale green card stock. Text reads: "A. François Petit a l'honneur de vous inviter à l'Exposition d'œuvres choisies de" followed by the names Hans Bellmer, Victor Brauner, Salvador Dalí, Max Ernst, Wifredo Lam, René Magritte, Pierre Roy, Alberto Savinio, Max Walter Svanberg, Yves Tanguy, and Toyen. At foot: Décembre 1965, 122 bd Haussmann, Paris 8e.
Sold

A. François Petit, Paris — Surrealist Group Exhibition Invitation, December 1965

£100.00
Original 1979 AA Bronson and Peggy Gale, eds., Performance by Artists, Art Metropole, Toronto. Softcover with white ground and bold black title typography, 'Performance by Artists' in large sans-serif type, editors' names below, Art Metropole imprint at foot.

AA Bronson & Peggy Gale, eds. — Performance by Artists

£180.00
Front cover of the 1985 Achille Castiglioni exhibition invitation, featuring a bold blue and black graphic image with red side borders for *du design au ready-made* at Centre Georges Pompidou.

Achille Castiglioni — Du design au ready-made — Centre Georges Pompidou, Paris, 1985

£45.00
Original 2012 Acne Paper No. 14 magazine, Manhattan Portraits issue, Acne Studios, Winter 2012. Cover showing Brigitte Lacombe's portrait of Mikhail Baryshnikov against a dark background, with the Acne Paper logotype in large serif type at the foot of the page.

Acne Paper No. 14 — Manhattan Portraits, Winter 2012

£65.00
Original 2009 Adel Abdessemed Rio exhibition invitation card, David Zwirner, New York — recto reproducing a detail from Lincoln, 2009, C-print, 50 × 68½ inches: colour photograph of the artist reclining across a seated white sculptural figure based on the Lincoln Memorial, shot on a New York street corner in winter light with bare trees, yellow taxis, and urban buildings visible in background.

Adel Abdessemed — Rio, David Zwirner, New York, 2009

£40.00
Original 1968 Albert Cossery, Men God Forgot, City Lights Books, San Francisco, second printing. Cream softcover with 'men God forgot' in large bold lowercase serif type at top and 'cossery' at foot, with a black-and-white close-up photograph of a young man's face — dark eyes, strong features, slightly downward gaze — filling the lower two-thirds of the cover. Age toning, light rubbing, and edge wear consistent with period.

Albert Cossery — Men God Forgot

£65.00
Alison Knowles, Culture des Haricots, exhibition invitation, Galerie Art Contemporain J. et J. Donguy, Paris, 1985. Recto: collaged card with torn paper fragments, handwritten annotation reading "And then as we were leaving I found this steel right at the gate to his new house," exhibition dates 5–29 juin 1985.

Alison Knowles — Culture des Haricots, Galerie Art Contemporain J. et J. Donguy, Paris, 1985

£65.00
Black-and-white softcover catalogue titled André Kertész. The cover features a blurred self-portrait-like silhouette reflected against a doorway, with the photographer's name printed across the centre.

André Kertész — Budapest, Paris, New York, Vintage Galéria, Budapest, 2007

£40.00
Original 1975 André Stas exhibition brochure, Galerie La Marée, Brussels, front cover showing artist name ANDRE STAS in serif type above a black-and-white collage of a ballerina figure standing atop a geological cross-section diagram with circular holes, offset printed on cream laid paper.

André Stas — Exhibition Brochure — Galerie La Marée, Brussels, 1975

£165.00
Andreas Gursky, Love Parade, 2001, artist postcard recto. Matthew Marks Gallery, New York, 2001. Colour reproduction of a large-format C-print: aerial view of an enormous crowd filling a clearing in a dense green forest, photographed from directly above. The mass of people — hundreds of thousands — forms an irregular oval shape, their individual figures indistinguishable at this scale, creating a dense texture of skin tones, clothing, and colour. Two long vehicles or floats are visible at the left and lower

Andreas Gursky — Love Parade, Matthew Marks Gallery, New York, 2001

£120.00
Official Andres Serrano exhibition postcard reproducing *Piss Christ (Immersions)* (1987), showing a glowing crucifix suspended within an amber-red field of light.

Andres Serrano — Piss Christ (Immersions), 1987 — Exhibition Postcard, Portraits d’Amérique, Galerie Nathalie Obadia, Paris–Brussels

£45.00
`Animals in Pre-Columbian Art — André Emmerich Gallery, New York — exhibition catalogue front cover. Black and white photograph of a Pre-Columbian ceramic effigy vessel: a squat, four-legged jar with a zoomorphic face — wide-set eyes, open mouth with teeth, and stubby limbs — on a grey ground. Yellow Strand Bookstore price sticker upper right ($15.00). Title in black sans-serif at foot: "ANIMALS IN PRE-COLUMBIAN ART".`

Animals in Pre-Columbian Art — André Emmerich Inc., New York, 1965

£35.00
Annie Gramain Concrete Poetry Text pattern on a blue background

Annie Gramain — Galerie Baudoin Lebon, Paris, 1979

£50.00
Original 1974 Anthea Alley exhibition card, Annely Juda Fine Art, London — recto showing black-and-white photographic portrait of the artist standing beside welded metal sculpture in a studio or exhibition space. Photograph by Jorge Lewinski.

Anthea Alley — Exhibition Card, Annely Juda Fine Art, London, 1974

£120.00
Anton Corbijn, Still Lives, exhibition opening card recto. Torch Gallery, Amsterdam, 2000. Blue-toned black-and-white photograph: a woman with long dark hair stands in a white dress beside a white picket fence, bare winter trees behind her. A second figure in a matching white dress crouches at her feet, face obscured by dark hair. Atmospheric, gothic mood. Image: Anton Corbijn, Björk, Reykjavik, 1999.

Anton Corbijn — Still Lives

£150.00
Original 1987 Antonin Artaud Dessins exhibition invitation, Centre Georges Pompidou, Paris — recto reproducing Artaud's Portrait de Jany de Ruy, 2 July 1947: portrait head in graphite and greasy coloured chalk with blue wash, surrounded by dense handwritten text in French, signed and dated antonin artaud / 2 juillet 1947 at lower centre.

Antonin Artaud — Dessins, Centre Georges Pompidou, Paris, 1987

£130.00
Arnulf Rainer — Linguaggio del corpo. Exhibition pamphlet cover, Biennale di Venezia, 1978. Austrian pavilion. Blue typography on cream wove stock.

Arnulf Rainer — Linguaggio del corpo, Biennale di Venezia, 1978

£85.00
Art Scribe No. 51 magazine cover, 1985, featuring Basquiat cover art — green background with black figure and red circle, £1.50 price printed, Artscribe Ltd

Art Scribe No. 51 (March–April 1985) — Basquiat, Kathy Acker, Lynne Cooke

£150.00
olded exhibition announcement, Galerie Heide Hildebrand, Klagenfurt, 1967. Exterior face with names Bernard Aubertin and Hans Bischoffshausen in lowercase type, brown-mauve accent on the letter n in each surname.

Aubertin / Bischoffshausen / Prantl / Schoonhoven — Galerie Heide Hildebrand, Klagenfurt, 1967

£75.00
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