Félix González-Torres

Exhibition catalogues, printed matter, and ephemera relating to the work of Félix González-Torres.

  • Original 2000 Felix Gonzalez-Torres Serpentine Gallery exhibition postcard, London. Recto showing installation photograph of "Untitled", 1988, framed photostat — a young man in profile reading white text on a black surface reading Center for Disease Control 1981 Streakers 1974 Go-Go Boots 1965 Barbie Doll 1960 Hula hoopla 1958 Disneyland 1955 3-D Movies 1952 Boo-Boo, his faint reflection visible in the dark surface. Reverse of 2000 Felix Gonzalez-Torres Serpentine Gallery exhibition postcard. Verso showing pale blue typography: Serpentine Gallery / Felix Gonzalez-Torres / 1 June – 16 July 2000 / Sponsored by Bloomberg, with full work credit for "Untitled" (1988), photostat, 26 × 33 cm, edition of 1 with 1 AP, courtesy Andrea Rosen Gallery, New York, and the Estate of Felix Gonzalez-Torres, photo by Orcutt & Van der Putten.

    FELIX GONZALEZ-TORRES — Serpentine Gallery, London, 2000

    FELIX GONZALEZ-TORRES — Serpentine Gallery, London, 2000

  • Original 2006 Miwon Kwon lecture announcement card, Cornish College of the Arts Visual Arts Lecture Series, Seattle. Recto showing colour reproduction of Felix Gonzalez-Torres, "Untitled" (Blue Mirror), 1990 — a stack of blue-edged paper sheets on a white wooden floor — with lecture title and series name printed vertically in the right margin. Reverse of 2006 Miwon Kwon lecture announcement card, Cornish College of the Arts. Verso showing Cornish College of the Arts logo, lecture details for Miwon Kwon, The Becoming of a Work of Art: Felix Gonzalez-Torres and a Possibility of Renewal, a Chance to Share, a Fragile Truce, March 7, 2006, 7:30 pm, Seattle Asian Art Museum, Volunteer Park, with image credit and sponsor logos.

    MIWON KWON / FELIX GONZALEZ-TORRES — The Becoming of a Work of Art, Cornish College of the Arts, Seattle, 2006

    MIWON KWON / FELIX GONZALEZ-TORRES — The Becoming of a Work of Art, Cornish College of the Arts, Seattle, 2006

  • Installation view of Untitled (Chemo), 1991 — strands of beads suspended floor-to-ceiling in a white gallery space, Galerie Jennifer Flay, Paris, 1992. ("Untitled" (Lover's Letter), 1991): Untitled (Lover's Letter), 1991 — C-print jigsaw puzzle in plastic bag showing typewritten text on brown paper.

    FELIX GONZALEZ-TORRES — Three-Part Exhibition, Andrea Rosen Gallery / Massimo De Carlo / Hauser & Wirth, 2016

    FELIX GONZALEZ-TORRES — Three-Part Exhibition, Andrea Rosen Gallery / Massimo De Carlo / Hauser & Wirth, 2016

  • Exhibition postcard from TRAUMA, Dundee Contemporary Arts, 2001. Recto: installation photograph of Christopher Wool / Felix Gonzalez-Torres Untitled (1991) — a large stack of white offset-printed sheets on a wooden floor, top sheet bearing dense black compressed text reading 'THE SHOW IS OVER THE AUDIENCE GET UP TO LEAVE THEIR SEATS TIME TO COLLECT THEIR COATS AND GO HOME AND GO HOME AND GO HOME AND NO MORE. Reverse of TRAUMA 2001 Dundee Contemporary Arts exhibition postcard. White stock with 'National Touring Exhibitions / TRAUMA / Organised by the Hayward Gallery for the Arts Council of England'; 'Christopher Wool (b.1955)'; caption: 'Christopher Wool in collaboration with Felix Gonzalez-Torres / Untitled 1991 / Offset print on paper (endless copies) / 20.3 × 94 × 141 cm (at ideal height) / Hoffmann Collection, Berlin / Courtesy the artist and Luhring Augustine, New York / Photo: Peter Muscato'; Dundee Contem

    CHRISTOPHER WOOL / FELIX GONZALEZ-TORRES — Untitled, 1991 — Exhibition Postcard, TRAUMA, Dundee Contemporary Arts, 2001

    CHRISTOPHER WOOL / FELIX GONZALEZ-TORRES — Untitled, 1991 — Exhibition Postcard, TRAUMA, Dundee Contemporary Arts, 2001

  • Félix González-Torres exhibition catalogue with a dark green abstract cover image resembling a cosmic field or atmospheric surface. Soft-focus light effects and deep green tonal variations create a minimal, contemplative appearance. Open spread from the Félix González-Torres exhibition catalogue showing a text essay opposite a minimalist grid drawing with a diagonal line. Small black-and-white image reproduced within the essay.

    Félix González-Torres — Hirshhorn Museum and Sculpture Garden, Washington D.C., 1994

    Félix González-Torres — Hirshhorn Museum and Sculpture Garden, Washington D.C., 1994