A–Z Catalogue

R

Rachel Lachowicz and Yoko Ono, exhibition invitation card recto. Shoshana Wayne Gallery, Santa Monica, 1996. Cream card. Text in mixed serif and sans-serif type, centred layout. 'Main Gallery' in italic; 'RACHEL LACHOWICZ' in bold caps. 'West Gallery' in italic; 'YOKO ONO' in bold caps; 'Wishing Tree' in spaced roman type below. Exhibition dates: 'April 13 – May 18, 1996'. Reception: 'Saturday, April 13, 5 – 8 PM' in italic. Gallery details at foot in small roman type: 'Shoshana Wayne Gallery, Bergamot Stat

Rachel Lachowicz / Yoko Ono — Shoshana Wayne Gallery, 1996

£150.00
Rafael Melendez, After Sturtevant, The Academy of Realness, 2022 — pamphlet cover; blue monospaced typography on white stock; black fabric sculpture centred; subtitle: Linguistics, Idealism, Repetition, Difference and Ownership

Rafael Melendez — After Sturtevant

£15.00
Already applied to the listing: > Rafael Melendez, *Born to Die*, 2016 — unique artist's book open to interior spread; left page shows circular form on dark denim-textured ground with 'Rafael Melendez ©2016' credit; right page shows black-and-white portrait of Kurt Cobain with blue text 'Money Changes Everything'; dos-à-dos binding visible at spine

Rafael Melendez — Born to Die

£300.00
Exterior view showing heavily worked covers and spine; blue tape, polka-dot paper patches, and layered collage elements visible across front and back boards; accumulated material thickness visible at spine edge; object shows significant handling consistent with production and use

Rafael Melendez — Nothing’s Wrong

£2,000.00
Rafael Melendez, The Naked Lunch, The Academy of Realness, 2023 — front cover; black ground; AI-generated chrome female android figure in three-quarter profile, head lowered, mechanical neck and shoulder detail visible; 'RAFAEL MELENDEZ' in white graffiti-style lettering along left spine; 'The Naked Lunch' in teal type at upper right; Academy of Realness circular logo at top centre

Rafael Melendez — The Naked Lunch

£30.00
Rancillac — Pornographie, exhibition invitation card, Galerie Daniel Templon Paris 1969, front: high-contrast black and white photographic image of reclining female figure

Rancillac — Pornographie, Galerie Daniel Templon, Paris, 1969

£65.00
Original 1989 Rebecca Horn exhibition catalogue, Missing Full Moon, Artsite Gallery, Bath International Festival. Front cover showing plain olive green with title 'Rebecca Horn' in pale sage serif type, centred on an unadorned ground.

Rebecca Horn — Missing Full Moon [Artsite No. 22], Artsite Gallery, Bath, 1989

£45.00
Richard Hamilton, exhibition invitation recto. Serpentine Gallery, London, 1975. Black-and-white photographic reproduction of an abstract work: a gestural composition of dark fluid marks, washes, and drips on a pale ground, framed by a thin ruled border. A large organic dark form dominates the upper left, with vertical streaks and pooled marks descending toward the lower centre. Scattered smaller marks and traces throughout. Cream card with age toning, surface marks, and minor corner wear visible.

Richard Hamilton — Private View Invitation, Serpentine Gallery, 1975

£150.00
Richard Prince, de Kooning, exhibition invitation front cover, Gagosian Gallery Paris, 2011 — cropped reproduction against warm peach ground with artist name and exhibition details

Richard Prince — de Kooning, Gagosian Gallery, Paris, 2011

£100.00
Richard Prince, Early Photographs 1977–1979, front cover. Skarstedt Fine Art, New York, 2001. Grey hardcover boards with title 'Richard Prince / Early Photographs / 1977–1979' in pale blue-grey serif type, upper left. No image. Restrained, object-like design.

Richard Prince — Early Photographs 1977–1979

£350.00
Richard Prince, Menthol Wars, front cover. Printed Matter, New York, 2009. Facsimile reprint of 1980 artist's book. Black cover with halftone photograph of a woman in profile, pearl earring visible. Title 'MENTHOL WARS' and 'Richard Prince' in white type.

Richard Prince — Menthol Wars

£385.00
Richard Prince, New Portraits, front cover. Blum & Poe, 2016. Screw-bound acrylic hardcover with large white embossed title 'Richard Prince New Portraits' over a transparent cover revealing the colophon page beneath. 'BLUM & POE' in large white type at foot. Six chrome screw-post bindings visible at right edge. Edition of 1,000.

Richard Prince — New Portraits

£595.00
Richard Prince — New Portraits, Gagosian Gallery, New York, 2014. Front cover. Black staple-bound booklet, white centred text: Richard Prince / New Portraits. Exhibition catalogue, edition of 500. Appropriation art, printed matter.

Richard Prince — New Portraits, Gagosian Gallery, 2014

£295.00
Richard Prince — Purple 20 Years: The Richard Prince Purple Book, special edition for Purple Fashion no. 18, Purple Institute, Paris, 2012. White softcover with purple halftone "20 Years" typography overlaid on a collage of black-and-white celebrity photographs with handwritten captions and DVD barcodes.

Richard Prince — Purple 20 Years: The Richard Prince Purple Book

£100.00
Richard Prince, Spiritual America, exhibition announcement postcard recto. Guggenheim Museum, New York, 2007. Colour reproduction of a nurse painting: a female figure in a white surgical mask and cap against a dark background, eyes visible above the mask, gazing directly forward. Partial text visible at top reads 'NURSE IN HOLLYWOOD' in embossed or relief lettering. Title 'RICHARD PRINCE / SPIRITUAL AMERICA' in orange sans-serif type below the image, with 'Guggenheim' museum logo in an orange band at foot.

Richard Prince — Spiritual America

£40.00
Richard Prince: The Douglas Blair Turnbaugh Collection (1977–1988), exhibition catalogue cover, Edward Cella Art & Architecture, Los Angeles, June 11–July 30 2016. Cover features a black leather motorcycle jacket gifted by Richard Prince to Douglas Blair Turnbaugh, c. 1979.

Richard Prince — The Douglas Blair Turnbaugh Collection (1977–1988)

£125.00
Front cover of Richard Prince’s The Girl Next Door, still sealed in original shrinkwrap, showing a rural overgrown landscape with a basketball hoop and blue and pink title typography.

Richard Prince — The Girl Next Door

£150.00
Richard Prince, The Masochist #7, front cover. RATSTAR / Shoot the Lobster, 2020. Staple-bound softcover, 28 × 21 cm. White card cover with a single black-and-white photocopy-style drawing: a large hand with exaggerated fingers dominates the lower half; above it a face with spiky hair, wide eyes with star-burst marks, and a grinning open mouth showing teeth. Cross or star mark between the eyes. Colophon text lower right in small type: 'The Masochist #7 – Richard Prince / Editor at Large – David Rimanelli /

Richard Prince — The Masochist #7

£150.00
Richard Tuttle — Grey Walls Work

Richard Tuttle — Grey Walls Work

£45.00
Robert Kushner, 'The dance, the kiss,...', exhibition invitation recto. Galerie Daniel Templon, Paris, 1979. Black-and-white reproduction of a large-scale drawing or print: two figures in close embrace, faces almost touching in a near-kiss. The woman on the left has wavy hair and closed eyes; the man on the right wears a suit and tie, head tilted toward her. Her dress or top is rendered with dense teardrop or scale-like patterning across the bodice and shoulders. Bold, fluid black line work on white ground,

Robert Kushner — “The dance, the kiss,…”

£70.00
Robert Mapplethorpe — Fotografie, Idea Books Edizioni, Milan, 1983. Front cover. Black ground, title in spaced white capitals: 'Robert Mapplethorpe fotografie'. Centre: black-and-white photograph of a male torso in a white swimsuit, cropped at shoulders and thighs, high-contrast studio lighting. Lower text: 'Intervista con R. Mapplethorpe a cura di Germano Celant'. ISBN 88-7017-032-2. Original yellow N.P.G. price sticker lower right: 19.95. Photography monograph, Italian edition.

Robert Mapplethorpe — Fotografie, Idea Books Edizioni, Milan, 1983

£120.00
Robert Rauschenberg, Ileana Sonnabend Gallery, Paris, 1963 — exhibition catalogue, front cover. Staple-bound wraps, offset print, black and white. Title in French: Première Exposition (oeuvres 1954–1961), Seconde Exposition (oeuvres 1962–63).

Robert Rauschenberg — Ileana Sonnabend Gallery, Paris, 1963

£45.00
East Village '85: A Guide. A Documentary, Roland Hagenberg et al., Pelham Press, New York, 1985. Front cover. Solid red ground. Cream outline illustration by Mark Kostabi: five schematic figures seated and standing around a table, two figures exchanging a rectangular object labelled '85'. Title in large cream block capitals: 'EASTVILLAGE'. Below in smaller type: 'Roland Hagenberg, Alan Jones, Michael Kohn, Carlo McCormick, Nicolas Moufarrege'. Lower centre: 'A guide. A documentary.' Publisher: Pelham Press.

Roland Hagenberg et al. — East Village ’85: A Guide. A Documentary., New York: Pelham Press, 1985

£150.00
Exhibition catalogue cover, Roy Lichtenstein, Galerie Ileana Sonnabend, Paris, 1965. Full-bleed Benday-dot pattern in blue and black across cream wrappers; artist name ROY LICHTENSTEIN set diagonally in bold black serif capitals from lower-left to upper-right. Age toning and foxing visible at lower corners. Stapled binding.

Roy Lichtenstein — Galerie Ileana Sonnabend, Paris, 1965

£55.00
Ryan McGinley, Vertical Color of Sound, exhibition invitation front. Galerie Perrotin, Hong Kong, 2014. Square colour photograph: a nude figure leaps from a hay bale into a pale blue dusk sky, arms outstretched, back to camera. Open field and flat horizon behind. Image: Hay Hop, 2014.

Ryan McGinley — Vertical Color of Sound

£85.00
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