Collection: Maya Deren

Maya Deren was a Ukrainian-born American filmmaker, choreographer, and theorist whose experimental films of the 1940s and 1950s — including Meshes of the Afternoon, At Land, and Ritual in Transfigured Time — established her as a foundational figure in American avant-garde cinema. Working independently and outside Hollywood, Deren developed a cinematic language rooted in the body, time, ritual, and the unconscious, and was instrumental in building the infrastructure for independent film distribution in the United States.

Publications collected here document Deren's practice and its reception, including exhibition catalogues, artist publications, and printed matter through which her work entered institutional and private circulation.