• Tracey Emin, FLUX Magazine promotional postcard recto, c. 1999. Black-and-white close-up portrait photograph of Tracey Emin: direct gaze, dark eyes, short dark hair pulled back, wearing a fur-collared or textured jacket, small drop earrings. Red circular FLUX logo upper left with 'FLUX' in bold red sans-serif type. Red text below: 'TRACEY EMIN / THE ALL SEEING I / PAPER RECORDINGS'. Smaller red text at foot lists additional features: 'LEFTFIELD – REAL GOODFELLAS – BLAIR WITCH – LE TONE / FASHION – FLUX SPAC
  • Tracey Emin, FLUX Magazine promotional postcard verso, c. 1999. White card with standard postcard layout: vertical dividing line separating message area (left) from address and stamp box (right). Stamp box upper right, blank. Small text block upper left reads: 'FLUX issue 15 contains some of the most beautiful images and features that have ever graced the pages of a magazine. To guarantee yourself hours of sensual pleasure just give £2.00 to a friendly newsagent, record, gallery, or book shop counter person
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THE NEW RARE

Tracey Emin — FLUX Magazine ‘The All Seeing I’ Postcard

Tracey Emin — FLUX Magazine ‘The All Seeing I’ Postcard

£150.00 GBP
£150.00 GBP
Sale Sold out
Taxes included.

FLUX Magazine, Manchester, c. 1999
Promotional postcard
10.5 × 15 cm
Offset print on card
Black-and-white Tracey Emin cover image to recto with red FLUX masthead and typography; printed postcard verso with FLUX Magazine address, Manchester

Condition: Very good. Light surface wear, faint handling marks, minor corner softness and age-related paper toning consistent with period ephemera.

Promotional postcard issued by FLUX Magazine, a British style, culture, fashion, music, and art publication based in Manchester. The recto reproduces a stark cover image of Tracey Emin with the feature title ‘The All Seeing I / Paper Recordings’. The cover also places Emin within a late-1990s cultural field that includes Leftfield, Le Tone, The Blair Witch Project, and Real Goodfellas.

Tracey Emin emerged in the 1990s as one of the defining figures associated with the Young British Artists. Her work brought autobiography, confession, sexuality, grief, and public exposure into the centre of contemporary British art. By the time of this FLUX feature, Emin had already made works such as Everyone I Have Ever Slept With 1963–1995 and was close to the wider public attention surrounding My Bed and the Turner Prize.

A small printed support from the period in which Emin’s image moved between art, media, celebrity, and confession. Magazine cover becomes postcard. Artist becomes circulation. The face is retained as both portrait and promotional device.

Original period item.
Shipping and handling included in the listed price. Ships flat, protected.

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