<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1">
  <url>
    <loc>https://thenewrare.com/</loc>
    <changefreq>daily</changefreq>
  </url>
  <url>
    <loc>https://thenewrare.com/products/art-scribe-no-51-basquiat-kathy-acker-lynne-cooke-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Basquiat01.jpg?v=1774539700</image:loc>
      <image:title>ART SCRIBE No. 51 — Basquiat, Kathy Acker, Lynne Cooke, Artscribe Ltd, London, 1985</image:title>
      <image:caption>Original 1985 Art Scribe No. 51 magazine, Artscribe Ltd, London — cover featuring Bruce McLean work on green ground with black figure and red circle, price £1.50 printed, March–April 1985.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wade-guyton-set-of-3-exhibition-postcards-serpentine-galleries-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wade_Guyton_Postcards_06.jpg?v=1774600585</image:loc>
      <image:title>WADE GUYTON — Set of 3 Exhibition Postcards, Serpentine Galleries, London, 2017</image:title>
      <image:caption>Original 2016 Wade Guyton postcard, Serpentine Galleries, London. Front showing Untitled, 2016, Epson UltraChrome HDR inkjet on linen, 213.4 × 175.3 cm (WG3949): two-panel photograph of figures standing in a warmly lit domestic interior with kitchen cabinetry and ceiling lights.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/urs-luthi-exhibition-invitation-galerie-isy-brachot-brussels-1975</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/UrsLuthi01.jpg?v=1774601935</image:loc>
      <image:title>URS LÜTHI — Exhibition Invitation, Galerie Isy Brachot, Brussels, 1975</image:title>
      <image:caption>Urs Lüthi exhibition invitation, Galerie Isy Brachot, Brussels, 1975 — interior bifold showing bibliography page with typed text listing international art publications and catalogues</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/matthew-peers-wishing-wells-2023-2025</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Matthew_Peers_wishing_wells_03.jpg?v=1776662523</image:loc>
      <image:title>MATTHEW PEERS — Wishing Wells, 2023–2025 — The New Rare Editions</image:title>
      <image:caption>Matthew Peers, Wishing Wells, 2023–2025, artist book published by The New Rare Editions, 2026. Open spread showing iPhone image file of an interior space with sculptural works including perforated metal panels and a low plinth, dated 16.08.2024 16:23.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/barry-flanagan-sculptures-1966-1976-curated-by-rudi-fuchs</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/BarryFlanagan001_76e10a7e-f88f-44c4-bdf1-7413d56894cc.jpg?v=1774610392</image:loc>
      <image:title>BARRY FLANAGAN — Sculptures 1966–1976, Van Abbemuseum / Arnolfini / Serpentine, 1977–1979</image:title>
      <image:caption>Barry Flanagan: Sculptures 1966–1976, exhibition catalogue cover — Van Abbemuseum, Arnolfini, Serpentine Gallery, 1977–1979 — grey card cover with colour photograph of outdoor stone and resin sculpture on cobbled courtyard</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/david-hammons-harmolodic-thinker-xerox-press-release-exhibition-handout-hauser-amp-wirth-los-angeles-18-may-11-august-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/David_Hammons_2016_01.jpg?v=1774613071</image:loc>
      <image:title>David Hammons — Harmolodic Thinker, Hauser &amp; Wirth Los Angeles, 2019</image:title>
      <image:caption>David Hammons — Harmolodic Thinker, Hauser &amp; Wirth Los Angeles, 18 May – 11 August 2019 — original xeroxed press release featuring Hammons&apos; hand-drawn line composition, dedicated to Ornette Coleman, distributed at the artist&apos;s first LA solo exhibition in 45 years</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/claude-monet-le-naturalisme-abstrait-galerie-art-vivant-paris-june-18-1959</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Claude_Monet_01.jpg?v=1774613540</image:loc>
      <image:title>Claude Monet — Exhibition Invitation, Galerie Art Vivant, Paris, 1959</image:title>
      <image:caption>Original 1959 Claude Monet exhibition invitation, Galerie Art Vivant, Paris. Recto showing printed card with exhibition title and artist name in black serif type on pale card stock, with vernissage details and gallery address. Galerie Art Vivant, Paris, 1959.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/carl-andre-whitechapel-sculpture-1954-1978-exhibition-archive-1978</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Andre_Carl._Artist_postcard_and_handout_Sculpture_1954_1978_Whitechapel_Art_Gallery._1978.jpg?v=1784215916</image:loc>
      <image:title>CARL ANDRE — Sculpture 1954–1978, Whitechapel Art Gallery, London, 1978</image:title>
      <image:caption>Red exhibition card, Carl Andre Whitechapel retrospective, 1978</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/antonin-artaud-dessins-centre-georges-pompidou-paris-1987</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Artaud_Antonin._Show_invite_Pompidou._1987.jpg?v=1779944538</image:loc>
      <image:title>ANTONIN ARTAUD — Dessins, Centre Georges Pompidou, Paris, 1987</image:title>
      <image:caption>Original 1987 Antonin Artaud Dessins exhibition invitation, Centre Georges Pompidou, Paris — recto reproducing Artaud&apos;s Portrait de Jany de Ruy, 2 July 1947: portrait head in graphite and greasy coloured chalk with blue wash, surrounded by dense handwritten text in French, signed and dated antonin artaud / 2 juillet 1947 at lower centre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/downtown-81-friends-of-basquiat-held-at-agnes-b</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Basquiat_Downtown_81_01.jpg?v=1774625735</image:loc>
      <image:title>JEAN-MICHEL BASQUIAT — Downtown 81: Friends of Basquiat, Agnès B. Skyline, Paris, 2006</image:title>
      <image:caption>Original 2006 Jean-Michel Basquiat Downtown 81: Friends of Basquiat exhibition invitation, Agnès B. Skyline, Paris — recto showing film still of Basquiat standing before graffiti-covered wall bearing the phrase Like an Ignorant, Lower East Side, from Downtown 81 dir. Edo Bertoglio.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jenny-holzer-private-property-created-crime-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/JennyHolzer.PrivatePropertyCreatedCrime.Basel_Villeurbanne.198401.jpg?v=1774839269</image:loc>
      <image:title>JENNY HOLZER — Private Property Created Crime, Kunsthalle Basel / Le Nouveau Musée, 1984</image:title>
      <image:caption>Jenny Holzer — Private Property Created Crime, 1984 — interior spread, Truisms poster wheatpasted on New York City street wall, Street New York City 1978</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-bellmer-67-photographies-inedites-galerie-francois-petit-1983-84</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Show_invite_67_photographies_inedites_._1983.jpg?v=1779946086</image:loc>
      <image:title>HANS BELLMER — 67 photographies inédites, Galerie François Petit, Paris, 1983–84</image:title>
      <image:caption>Original 1983 Hans Bellmer exhibition invitation, Galerie François Petit, Paris — recto reproducing a black-and-white photograph of a doll&apos;s face partially obscured by a large hand pressing across the eyes and forehead, a cross-shaped object visible at left margin; from the series of doll photographs for which Bellmer is known.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/isa-genzken-verlag-silke-schreiber-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/IsaGenzken1988001.jpg?v=1774843163</image:loc>
      <image:title>ISA GENZKEN — Verlag Silke Schreiber, Munich, 1988</image:title>
      <image:caption>Isa Genzken — Verlag Silke Schreiber, 1988 — hardback monograph cover, glass door and stone pillar exterior, installation view reflected in glass</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/christian-jankowski-the-holy-artwork-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/ChristianJankowski01.jpg?v=1774846143</image:loc>
      <image:title>CHRISTIAN JANKOWSKI — The Holy Artwork, Revolver / Künstlerhaus Bethanien, 2002</image:title>
      <image:caption>Original 2002 Christian Jankowski The Holy Artwork artist book, Revolver / Künstlerhaus Bethanien, Berlin — red softcover with white title typography on plain ground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/sarkis-reserves-sans-retour-capc-bordeaux-invitation-card-1980</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sarkis_0001_7a9e9a5e-59f7-4fed-8e2b-271d7dae5248.jpg?v=1774990937</image:loc>
      <image:title>SARKIS — Réserves sans retour, CAPC Bordeaux, 1980</image:title>
      <image:caption>Original 1990 Sarkis exhibition invitation card, Ma Chambre de la Rue Krutenau à l&apos;Île San Lazzaro, Venice. Recto reproducing a colour photograph of the neon installation: a luminous biomorphic form suspended against deep black ground, teal glow pooling outward. Printed card, c.15 × 10.5 cm. Musées de la Ville de Strasbourg and CNAC Grenoble, Magasin.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/sarkis-ma-chambre-de-la-rue-krutenau-ile-san-lazzaro-venice-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/SakrisGrenoble_0001.jpg?v=1774990355</image:loc>
      <image:title>SARKIS — Ma Chambre de la Rue Krutenau à l’Île San Lazzaro, Venice, 1990</image:title>
      <image:caption>Original 1990 Sarkis exhibition invitation card, Ma Chambre de la Rue Krutenau à l&apos;Île San Lazzaro, Venice. Recto reproducing a colour photograph of the neon installation: a luminous biomorphic form suspended against deep black ground, teal glow pooling outward. Printed card, c.15 × 10.5 cm. Musées de la Ville de Strasbourg and CNAC Grenoble, Magasin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/olivier-mosset-galerie-rive-droite-paris-1969-exhibition-invitation</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/OlivierMosset_0001.jpg?v=1774992246</image:loc>
      <image:title>OLIVIER MOSSET — Galerie Rive Droite, Paris, 1969</image:title>
      <image:caption> Original 1969 Olivier Mosset exhibition invitation, Galerie Rive Droite, Paris. Recto showing offset-printed red card stock with black sans-serif type stating artist name, venue, address (3 rue de Duras, Paris 8e), exhibition dates 5–25 December 1969, and vernissage time 18h30. No image. Approx. 10.5 × 13.5 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/annie-gramain-galerie-baudoin-lebon-paris-1979-exhibition-invitation</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/AnnieGramain_0001.jpg?v=1774994517</image:loc>
      <image:title>ANNIE GRAMAIN — Galerie Baudoin Lebon, Paris, 1979</image:title>
      <image:caption>Original 1979 Annie Gramain exhibition invitation, Galerie Baudoin Lebon, Paris. Recto showing offset-printed card with the artist&apos;s name &quot;annie gramain&quot; repeated in descending diagonal lines across a blue ground, the name functioning as typographic field rather than signature. 14 × 9 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jochen-gerz-le-depot-kulchur-piece-4-galerie-baudoin-lebon-paris-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/JochenGerz_0001.jpg?v=1774996315</image:loc>
      <image:title>JOCHEN GERZ — Le Dépôt · Kulchur Pièce, 4, Galerie Baudoin Lebon, Paris, 1979</image:title>
      <image:caption>Front cover: Jochen Gerz — Le Dépôt · Kulchur Pièce 4, 1979 — original exhibition invitation, deep burgundy card with white letterpress text, Galerie Baudoin Lebon, Paris</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/dessins-allemands-invitation-card-galerie-bama-paris-1975</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/GallerieBamaDessinsAllemands_0001.jpg?v=1775684634</image:loc>
      <image:title>DESSINS ALLEMANDS — Invitation Card, Galerie Bama, Paris, 1975</image:title>
      <image:caption>Exhibition announcement card for &quot;Dessins Allemands&quot; (German Drawings) at Galerie Bama, Paris 75007, 80 rue du Bac, 19 September – 30 October 1975. Artists listed: Beuys, Buthe, Gosewitz, Hödicke, Horn, Polke, Rühm, Ruthenbeck, Schmit, Van Biel, Voss.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gianni-piacentino-stampe-galleria-plura-milan-1980</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gianni_Placentino_0001.jpg?v=1775687965</image:loc>
      <image:title>GIANNI PIACENTINO — Stampe, Galleria Plura, Milan, 1980</image:title>
      <image:caption>Recto (the front):
Gianni Piacentino, Stampe, Galleria Plura, Milan, 1980. Recto: applied colour photograph of installation view showing three engineered sculptural works — two wall-mounted linear forms and a wheeled floor vehicle — mounted onto cream card stock.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/a-francois-petit-paris-surrealist-group-exhibition-invitation-1965</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/A._Francois_Petit_Gallery_0001.jpg?v=1775688835</image:loc>
      <image:title>A. François Petit, Paris — Surrealist Group Exhibition Invitation, December 1965</image:title>
      <image:caption>Recto (front):
A. François Petit, Paris, December 1965. Recto: printed script invitation on pale green card stock. Text reads: &quot;A. François Petit a l&apos;honneur de vous inviter à l&apos;Exposition d&apos;œuvres choisies de&quot; followed by the names Hans Bellmer, Victor Brauner, Salvador Dalí, Max Ernst, Wifredo Lam, René Magritte, Pierre Roy, Alberto Savinio, Max Walter Svanberg, Yves Tanguy, and Toyen. At foot: Décembre 1965, 122 bd Haussmann, Paris 8e.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gregor-schneider-die-familie-schneider-konrad-fischer-galerie-berlin-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gregor_Schneider_0001.jpg?v=1775689478</image:loc>
      <image:title>GREGOR SCHNEIDER — Die Familie Schneider, Konrad Fischer Galerie, Berlin, 2014</image:title>
      <image:caption>Recto (front):
Gregor Schneider, Die Familie Schneider, Konrad Fischer Galerie, Berlin, 2014. Recto: printed card with repeating soft pink floral wallpaper motif on cream ground; title Die Familie Schneider set in dark script at centre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/maciunas-learning-machines-vice-versa-verlag-berlin-2003</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/George_Maciunas_0001.jpg?v=1775690110</image:loc>
      <image:title>MACIUNAS’ LEARNING MACHINES — Vice Versa Verlag / Silverman Fluxus Collection, Berlin, c. 2003</image:title>
      <image:caption>Recto (front):
Maciunas&apos; Learning Machines, Vice Versa Verlag, Berlin, c. 2003. Recto: book cover reproduction showing Maciunas&apos; handwritten charts and flow diagrams on curling paper sheets; title in black and red type, author Astrit Schmidt-Burkhardt above, publisher and collection credit below.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/man-ray-kunsthalle-basel-1980</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Man_Ray_1980_0001.jpg?v=1775690555</image:loc>
      <image:title>MAN RAY — Kunsthalle Basel, 1980</image:title>
      <image:caption>Recto (front):
Man Ray, Kunsthalle Basel, 1980. Recto: black-and-white reproduction of Violon d&apos;Ingres (1924) — female nude seen from behind, wearing a turban, with f-holes drawn onto the lower back. Man Ray monogram visible at lower right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/charles-ross-point-source-star-space-john-weber-susan-caldwell-new-york-1977</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Charles_Ross_0001.jpg?v=1775691094</image:loc>
      <image:title>CHARLES ROSS — Point Source / Star Space, John Weber Gallery &amp; Susan Caldwell Gallery, New York, 1977</image:title>
      <image:caption>Recto (front):
Charles Ross, Point Source / Star Space, John Weber Gallery &amp; Susan Caldwell Gallery, New York, 1977. Recto: speckled cream card with bold yellow diagonal band crossing the field; small white circle at centre representing a point source; artist name and exhibition title in black uppercase type upper right; gallery names and addresses lower left; opening reception details at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/alison-knowles-culture-des-haricots-galerie-art-contemporain-j-et-j-donguy-paris-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/AlisonKnowles1985_0001.jpg?v=1775778679</image:loc>
      <image:title>ALISON KNOWLES — Culture des Haricots, Galerie Art Contemporain J. et J. Donguy, Paris, 1985</image:title>
      <image:caption>Alison Knowles, Culture des Haricots, exhibition invitation, Galerie Art Contemporain J. et J. Donguy, Paris, 1985. Recto: collaged card with torn paper fragments, handwritten annotation reading &quot;And then as we were leaving I found this steel right at the gate to his new house,&quot; exhibition dates 5–29 juin 1985.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jochen-gerz-griechische-stucke-bundner-kunstmuseum-chur-1978</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Jochen_Gerz_1978_0001.jpg?v=1775779979</image:loc>
      <image:title>JOCHEN GERZ — Griechische Stücke, Bündner Kunstmuseum Chur, 1978</image:title>
      <image:caption>Jochen Gerz, Griechische Stücke, Bündner Kunstmuseum Chur, 1978. Exhibition invitation recto: black-and-white photograph of a figure lying prone on a parquet floor before a set of white double doors, dark mark running down the paintwork above.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/giovanni-anselmo-musee-dart-contemporain-lyon-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Giovanni_Anselmo_1989__0001.jpg?v=1775780266</image:loc>
      <image:title>GIOVANNI ANSELMO — Musée d’Art Contemporain, Lyon, 1989</image:title>
      <image:caption>Original 1989 Giovanni Anselmo exhibition announcement, Musée d&apos;Art Contemporain, Lyon. Recto showing colour installation view: leaning triangular stone form against white wall and granite block with fresh leaves inserted, strong diagonal light across grey floor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/aubertin-bischoffshausen-prantl-schoonhoven-galerie-heide-hildebrand-klagenfurt-1967</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Galerie_Heide_Hildebrand_1967_0001.jpg?v=1775780776</image:loc>
      <image:title>AUBERTIN / BISCHOFFSHAUSEN / PRANTL / SCHOONHOVEN — Galerie Heide Hildebrand, Klagenfurt, 1967</image:title>
      <image:caption>folded exhibition announcement, Galerie Heide Hildebrand, Klagenfurt, 1967. Exterior face with names Bernard Aubertin and Hans Bischoffshausen in lowercase type, brown-mauve accent on the letter n in each surname.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/danh-vo-homosapiens-marian-goodman-gallery-london-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dahn_Vo_2015_0001.jpg?v=1775779561</image:loc>
      <image:title>DANH VŌ — Homosapiens, Marian Goodman Gallery, London, 2015</image:title>
      <image:caption>Danh Vō, Homosapiens, exhibition invitation recto, Marian Goodman Gallery, London, 2015. Cream multi-ply card with artist name and exhibition dates in serif type.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-de-kooning-gagosian-gallery-paris-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richard_Prince_2011_0001.jpg?v=1776061946</image:loc>
      <image:title>RICHARD PRINCE — de Kooning, Gagosian Gallery, Paris, 2011</image:title>
      <image:caption>Richard Prince, de Kooning, exhibition invitation front cover, Gagosian Gallery Paris, 2011 — cropped reproduction against warm peach ground with artist name and exhibition details
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/heated-words-initial-research-house-of-vans-london-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Heated_Words_0001.jpg?v=1776078996</image:loc>
      <image:title>HEATED WORDS: INITIAL RESEARCH — House of Vans, London, 2015</image:title>
      <image:caption>Heated Words: Initial Research, House of Vans London, 2015 — recto, black-and-white street photograph of children on a New York sidewalk overprinted in red with title, dates, and contributor list
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/leopoldo-maler-mortal-issues-whitechapel-1976</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leopold_Maler_1976_0001.jpg?v=1776119335</image:loc>
      <image:title>LEOPOLDO MALER — Mortal Issues: A Sanctuary with Flames &amp; Figures, Whitechapel Art Gallery, London, 1976</image:title>
      <image:caption>Leopoldo Maler — Mortal Issues: A Sanctuary with Flames &amp; Figures. Exhibition publication cover, Whitechapel Art Gallery, London, 1976. Black-and-white photograph of Maler standing before a monumental archway, arms crossed. Bold typographic title below.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/arnulf-rainer-linguaggio-del-corpo-biennale-1978</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Arnulf_Rainer_1978_0001_9733b6a4-0894-4b99-8ab1-67a3df5e6803.jpg?v=1776125694</image:loc>
      <image:title>ARNULF RAINER — Linguaggio del corpo, Biennale di Venezia, 1978</image:title>
      <image:caption>Arnulf Rainer — Linguaggio del corpo. Exhibition pamphlet cover, Biennale di Venezia, 1978. Austrian pavilion. Blue typography on cream wove stock.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/charles-simonds-the-three-trees-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Charles_Simonds_0001.jpg?v=1776420618</image:loc>
      <image:title>CHARLES SIMONDS — The Three Trees, Architekturmuseum Basel, 1985</image:title>
      <image:caption>Charles Simonds, The Three Trees, 1985 — recto: offset-printed exhibition card showing two black-and-white photographs side by side, a modernist glass-façade building and a dense stand of conifers, on light card stock
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/katharina-sieverding-portuguese-language-artist-card-c-1973</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Katharina_Sieverding_0001.jpg?v=1776426758</image:loc>
      <image:title>KATHARINA SIEVERDING — Portuguese-Language Artist Card, Fotolinguagem, MAM Rio / MAM São Paulo, c. 1973</image:title>
      <image:caption>Front of a small 1973 Katharina Sieverding artist card showing a black-and-white double portrait of the artist in a tight hood and gloves, one figure facing down and the other holding a round mirror over the face, printed within a wide cream border.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/esther-hess-energie-et-vent-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Esther_Hess_001.jpg?v=1776446061</image:loc>
      <image:title>ESTHER HESS — Énergie et Vent, site-art présent, Paris, 1985</image:title>
      <image:caption>Original 1985 Esther Hess Énergie et Vent exhibition invitation card, site-art présent, 10 rue Coquillière, Paris. Recto showing circular disc sculpture in landscape, with artist name, exhibition title, vernissage date Tuesday 5 February 1985, 18h–22h, exhibition 5 February–15 March 1985, and gallery address.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/joel-hubaut-michel-sohier-epidemik-box-galerie-galea-caen-c-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Joel_Hubaut_Michel_Sohier_001.jpg?v=1776448987</image:loc>
      <image:title>JOËL HUBAUT / MICHEL SOHIER — Epidemik-Box, Galerie Galea, Caen, c. 1979</image:title>
      <image:caption>Joël Hubaut and Michel Sohier, Epidemik-Box, c. 1979 — recto: exhibition invitation card printed in dark brown ink on orange-brown card stock, with boxed typography listing artist names, venue Galerie Galea Caen, and exhibition dates 14 November to 4 December</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/p-s-1-museum-fall-exhibitions-preview-invitation-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Alanna_Heiss_001.jpg?v=1776490560</image:loc>
      <image:title>P.S.1 MUSEUM — Fall Exhibitions Preview Invitation, 1989</image:title>
      <image:caption>Catherine Beaugrand / André Cadere / Raymond Hains, ICA P.S.1, 1989 — recto: offset-printed reception invitation on white card stock, text over halftone photograph of two Gothic-style pointed rooftops, issued by Alanna Heiss for the Fall Exhibitions preview, Sunday 15 October 1989, The Institute for Contemporary Art, Long Island City, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bernard-rancillac-pornographie-galerie-daniel-templon-paris-1969</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rancillac_1069_001.jpg?v=1776667441</image:loc>
      <image:title>BERNARD RANCILLAC — Pornographie, Galerie Daniel Templon, Paris, 1969</image:title>
      <image:caption>Rancillac — Pornographie, exhibition invitation card, Galerie Daniel Templon Paris 1969, front: high-contrast black and white photographic image of reclining female figure</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/henrik-olesen-some-faggy-gestures-galerie-daniel-buchholz-berlin-2008</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Henrik_Olesen_001.jpg?v=1776685909</image:loc>
      <image:title>HENRIK OLESEN — Some Faggy Gestures, Galerie Daniel Buchholz, Berlin, 2008</image:title>
      <image:caption>Henrik Olesen — Some Faggy Gestures, Galerie Daniel Buchholz Berlin 2008, recto: near-total black printed field on white card</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jiri-georg-dokoupil-exhibition-catalogue-1987</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dokoupil_-Jiri-Georg-1_f499ffa9-4ab5-4fc2-9207-f953c19c524d.jpg?v=1777106032</image:loc>
      <image:title>JIřÍ GEORG DOKOUPIL — Exhibition Catalogue, Paul Maenz, Berlin / Cologne, 1987</image:title>
      <image:caption>Jiří Georg Dokoupil, Exhibition Catalogue, 1987 — front cover. Black and red biomorphic form with zipper and single button on yellow-orange ground. Galerie Paul Maenz, Cologne.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/laylah-ali-projects-75-moma-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ali_Laylah._Laylah_Ali_Museum_of_Modern_Art_Projects_75_2002_Exhibition.jpg?v=1777103825</image:loc>
      <image:title>LAYLAH ALI — Projects 75, MoMA, New York, 2002</image:title>
      <image:caption>Laylah Ali, Projects 75, MoMA, 2002 — cover. Two Greenhead figures on a blue ground; one tall with a polka-dot shirt, one small with a spiked head. Offset-printed artist&apos;s book.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/new-observations-nos-50-51-84</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/New-Observations-magazine-005.jpg?v=1777178675</image:loc>
      <image:title>NEW OBSERVATIONS — Nos. 50, 51 &amp; 84</image:title>
      <image:caption>New Observations Nos. 50, 51, and 84 — group of three issues shown together. New York, 1987 and c. early 1990s. Offset printed magazines, approx. 27 × 21 cm each. Sold as a group.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-rauschenberg-ileana-sonnabend-paris-1963</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rauschenberg_1963_01.jpg?v=1777183102</image:loc>
      <image:title>ROBERT RAUSCHENBERG — Ileana Sonnabend Gallery, Paris, 1963</image:title>
      <image:caption>Robert Rauschenberg, Ileana Sonnabend Gallery, Paris, 1963 — exhibition catalogue, front cover. Staple-bound wraps, offset print, black and white. Title in French: Première Exposition (oeuvres 1954–1961), Seconde Exposition (oeuvres 1962–63).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ellsworth-kelly-archives-of-american-art-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Archives-of-American-Art_-A-Salute-to-Ellsworth-Kelly_-1999.jpg?v=1777186864</image:loc>
      <image:title>ELLSWORTH KELLY — A Salute to Ellsworth Kelly, Archives of American Art, 1999</image:title>
      <image:caption>Ellsworth Kelly — A Salute to Ellsworth Kelly, Archives of American Art, New York, October 19, 1999. Programme publication front cover. Solid red wraps with white serif text along top edge reading: &quot;Archives of American Art. A Salute to Ellsworth Kelly. October 19, 1999.&quot;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/stuart-brisley-ica-london-1981</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brisley_-Stuart.-Institute-of-Contemporary-Arts_-21-April---31-May-1981-1.jpg?v=1777188647</image:loc>
      <image:title>STUART BRISLEY — Institute of Contemporary Arts, London, 1981</image:title>
      <image:caption>`Stuart Brisley — Institute of Contemporary Arts, London, 21 April – 31 May 1981. Exhibition catalogue front cover. Dark green cloth-bound hardcover with white text. Left column: dictionary definition of &quot;Performance&quot; (Oxford English Dictionary). Right column: artist name &quot;Stuart Brisley&quot; in white. ICA logotype at foot centre.`</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/animals-in-pre-columbian-art-emmerich-1965</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Emmerich_Andre_INC._Animals_in_pre-Columbian_art_a_comprehensive_exhibition_of_animals_wild_domestic_and_divine_in_stone_pottery_textile_jade_and_gold_from_1000_B.C._to_A.D._1500_cove.jpg?v=1777190438</image:loc>
      <image:title>ANIMALS IN PRE-COLUMBIAN ART — André Emmerich Inc., New York, 1965</image:title>
      <image:caption>`Animals in Pre-Columbian Art — André Emmerich Gallery, New York — exhibition catalogue front cover. Black and white photograph of a Pre-Columbian ceramic effigy vessel: a squat, four-legged jar with a zoomorphic face — wide-set eyes, open mouth with teeth, and stubby limbs — on a grey ground. Yellow Strand Bookstore price sticker upper right ($15.00). Title in black sans-serif at foot: &quot;ANIMALS IN PRE-COLUMBIAN ART&quot;.`</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kitajima-keizo-photo-express-tokyo-no-2-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kitajima_-Keizo.-1979-Photo-Express-Tokyo---back-cover.jpg?v=1777192178</image:loc>
      <image:title>KEIZŌ KITAJIMA — Photo Express Tokyo No. 2, February 1979</image:title>
      <image:caption>`Keizō Kitajima — 東京 No. 2 (Tokyo No. 2), Photo Express Tokyo, February 1979. Front cover. High-contrast black and white photograph of two figures in close proximity, faces partially obscured, one in a leather jacket, set against a dark ground with diagonal structural elements. Title in teal kanji and Latin type upper centre: 東京 No 2. Date and price: 1979. FEBRUARY · 200 YEN. Green circular stamps along foot reading: 写 真 特 急 便 〒 北 島 敬 三 (Photo Express Mail, Kitajima Keizō).`</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kunst-uit-nieuw-guinea-amsterdam-1963</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kohler_-Peter.-Kunst-uit-Nieuw-Guinea_-1963---5.jpg?v=1777198939</image:loc>
      <image:title>KUNST UIT NIEUW GUINEA — Museum Fodor / Stedelijk Museum, Amsterdam, 1963</image:title>
      <image:caption>`Kunst uit Nieuw Guinea — exhibition catalogue front cover, 1963. Cream wraps with orange letterpress title lower right: &quot;kunst uit nieuw guinea&quot;. Left: black and white photograph of a tall carved wooden ancestor figure (bis pole or similar), with a stylised face, open-work body, and flame-like projections at the crown. Age toning and handling wear throughout.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wes-mills-missoula-drawings-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mills_-Wes.-Missoula-Drawings.-2000.jpg?v=1777202081</image:loc>
      <image:title>WES MILLS — Missoula Drawings, Joseph Helman Gallery, New York, 2000</image:title>
      <image:caption>Wes Mills — Missoula Drawings, Joseph Helman Gallery, New York, 2000. Front cover. Uniform grey textured wraps. White sans-serif text centred lower half: &quot;Wes Mills&quot; above &quot;Missoula Drawings&quot;. No image. Surface grain visible throughout.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/william-popel-some-things-you-can-do-with-blackness-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Pope.L_William._Some_things_you_can_do_with_blackness.jpg?v=1777205186</image:loc>
      <image:title>WILLIAM POPE.L — some things you can do with blackness…, Kenny Schachter Rove, London, 2005</image:title>
      <image:caption>William Pope.L — some things you can do with blackness…, Kenny Schachter Rove, London, 2005. Front cover. Deep red ground. Centre: close-up photograph of a small black bear-like sculptural object, heavily textured surface with white dust or residue, suspended or resting against two white diagonal rods. White serif title text lower centre: &quot;William Pope.L / some things you can do with blackness…&quot;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-pussycat-fever-1995</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_-Kathy.-Pussycat-Fever_-1995-1-cover.jpg?v=1777305162</image:loc>
      <image:title>KATHY ACKER — Pussycat Fever, AK Press, 1995</image:title>
      <image:caption>Kathy Acker — Pussycat Fever, AK Press, 1995. Front cover. Hot pink ground. Centre: illustration by Diane DiMassa of four figures — a punk girl in the foreground, two women behind, a figure in a pointed hat at rear. Purple ink throughout. Title &quot;Pussycat Fever&quot; in large purple block letters upper left. Author and illustrator credits right: &quot;Kathy Acker / illustrated by / Diane DiMassa / and / Freddie Baer&quot;.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-blood-and-guts-in-high-school-japanese-1992</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_-Kathy.-Japanese-edition_-Blood-and-Guts-in-high-school--cover.jpg?v=1777319662</image:loc>
      <image:title>KATHY ACKER — Blood and Guts in High School, Hakusuisha, Tokyo, 1992 (Japanese edition)</image:title>
      <image:caption>KOriginal 1992 Kathy Acker hardcover, Blood and Guts in High School, Japanese edition, Hakusuisha, Tokyo. Front cover showing English title &quot;Blood and Guts in High School&quot; in blue capitals above Japanese title 血みどろ臓物ハイスクール, translator Sachie Watanabe, and author name Kathy Acker, with blue-toned textured photographic panels.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-blood-and-guts-in-high-school-grove-press-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_-Kathy.-Blood-and-Guts-in-High-School_-1984--cover.jpg?v=1777322140</image:loc>
      <image:title>Kathy Acker — Blood and Guts in High School, Grove Press, New York, 1984</image:title>
      <image:caption>Kathy Acker — Blood and Guts in High School, Grove Press, New York, 1984. Front cover. Black ground with red border. Large red and white hand-lettered title: &quot;BLOOD AND GUTS IN HIGH SCHOOL&quot;. Author name &quot;KATHY ACKER&quot; in white at top. Centre: oil painting illustration by Sue Coe — a dense, dark scene of figures, a cat-like creature in a suit, playing cards, a coffee cup, industrial machinery, and a crescent moon. Grove Press Evergreen logo upper right, price $7.95.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/obliques-la-femme-surrealiste-no-14-15-editions-borderie-1977</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Raymond-_-Others-Borderie.-La-femme-surrealiste.-N_-14-15-de-la-revue-_Obliques_85be1e14-ffdf-4173-b16d-08275ec17457.jpg?v=1777360381</image:loc>
      <image:title>Obliques — La Femme Surréaliste, No. 14–15, Éditions Borderie, 1977</image:title>
      <image:caption>Obliques No. 14–15, La Femme Surréaliste — front cover. Éditions Borderie, Paris, 1977. Decorative gothic lettering on cream textured card. Centre image: Jane Graverol&apos;s L&apos;Esprit saint, a bird in flight suspended within a rock formation reading as a torso. Surrealist exhibition ephemera.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-new-portraits-gagosian-gallery-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-New-Portraits_-2014-1-cover.jpg?v=1777493215</image:loc>
      <image:title>Richard Prince — New Portraits, Gagosian Gallery, 2014</image:title>
      <image:caption>Richard Prince — New Portraits, Gagosian Gallery, New York, 2014. Front cover. Black staple-bound booklet, white centred text: Richard Prince / New Portraits. Exhibition catalogue, edition of 500. Appropriation art, printed matter.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tracey-emin-i-need-art-like-i-need-god-jay-jopling-1998</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Emin_-Tracey.--I-Need-Art-Like-I-Need-God-cover.jpg?v=1777513928</image:loc>
      <image:title>Tracey Emin — I Need Art Like I Need God, Jay Jopling / London, 1998</image:title>
      <image:caption>Tracey Emin — I Need Art Like I Need God, Jay Jopling/London, 1998. Front cover. Turquoise ground, handwritten blue signature &apos;Tracey Emin&apos; upper left. Centre: photograph of the artist nude from behind, crouching on a studio floor, facing a large gestural canvas. Published for her 1997 exhibition at South London Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-mapplethorpe-fotografie-idea-books-milan-1983</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mapplethorpe_-Robert.-Fotografie-1983-back-cover_3c793ee3-8781-4c4a-a7d5-ca5406e113c4.jpg?v=1777535435</image:loc>
      <image:title>Robert Mapplethorpe — Fotografie, Idea Books Edizioni, Milan, 1983</image:title>
      <image:caption>Robert Mapplethorpe — Fotografie, Idea Books Edizioni, Milan, 1983. Front cover. Black ground, title in spaced white capitals: &apos;Robert Mapplethorpe fotografie&apos;. Centre: black-and-white photograph of a male torso in a white swimsuit, cropped at shoulders and thighs, high-contrast studio lighting. Lower text: &apos;Intervista con R. Mapplethorpe a cura di Germano Celant&apos;. ISBN 88-7017-032-2. Original yellow N.P.G. price sticker lower right: 19.95. Photography monograph, Italian edition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/east-village-85-a-guide-a-documentary-pelham-press-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/East_Village_85_A_guide._A_documentary_cover.jpg?v=1777822032</image:loc>
      <image:title>Roland Hagenberg et al. — East Village ’85: A Guide. A Documentary., New York: Pelham Press, 1985</image:title>
      <image:caption>East Village &apos;85: A Guide. A Documentary, Roland Hagenberg et al., Pelham Press, New York, 1985. Front cover. Solid red ground. Cream outline illustration by Mark Kostabi: five schematic figures seated and standing around a table, two figures exchanging a rectangular object labelled &apos;85&apos;. Title in large cream block capitals: &apos;EASTVILLAGE&apos;. Below in smaller type: &apos;Roland Hagenberg, Alan Jones, Michael Kohn, Carlo McCormick, Nicolas Moufarrege&apos;. Lower centre: &apos;A guide. A documentary.&apos; Publisher: Pelham Press.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/david-diao-lying-2-postmasters-gallery-new-york-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/DAvid_Diao_0001.jpg?v=1777843295</image:loc>
      <image:title>David Diao — Lying 2, Postmasters Gallery, New York, 2000</image:title>
      <image:caption>David Diao — Lying 2, Postmasters Gallery, New York, 2000. Exhibition announcement card, recto. Teal ground with central yellow rectangle. Orange-red silkscreen-style reproduction of Lying 2, 2000 — a figure reclining in a chair against a gestural painted ground. Offset print on semi-gloss card, 18 × 12.7 cm. Exhibition ephemera.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/roy-lichtenstein-galerie-ileana-sonnabend-paris-1965</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Roy_Lichtenstein_1965_-_001.jpg?v=1777909022</image:loc>
      <image:title>Roy Lichtenstein — Galerie Ileana Sonnabend, Paris, 1965</image:title>
      <image:caption>Exhibition catalogue cover, Roy Lichtenstein, Galerie Ileana Sonnabend, Paris, 1965. Full-bleed Benday-dot pattern in blue and black across cream wrappers; artist name ROY LICHTENSTEIN set diagonally in bold black serif capitals from lower-left to upper-right. Age toning and foxing visible at lower corners. Stapled binding.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/fabrizio-plessi-acquabiografia-centro-galleria-arte-contemporanea-turin-1975</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Fabrizio_Plessi_1975_001.jpg?v=1777936294</image:loc>
      <image:title>Fabrizio Plessi — Acquabiografia, Centro / Galleria d&apos;Arte Contemporanea, Turin, 1975</image:title>
      <image:caption>Fabrizio Plessi, Acquabiografia, exhibition catalogue cover, Centro / Galleria d&apos;Arte Contemporanea, Turin, 1975. White cover with magenta water spray graphic and bilingual title text</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/peter-downsbrough-take-note-villa-arson-nice-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Peter_Downsbrough_1988_001.jpg?v=1777968980</image:loc>
      <image:title>Peter Downsbrough — Take Note, Villa Arson, Nice, 1988</image:title>
      <image:caption>Peter Downsbrough, Take Note, Villa Arson, Nice, 1988. Front cover: solid blue flexible wrappers with large black text reading &quot;NOTA&quot; at lower edge, vertical red rule at left, small stacked text at upper right corner</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/sarah-lucas-god-is-dad-guardian-g2-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sarah_Lucas_2005_001.jpg?v=1778053315</image:loc>
      <image:title>Sarah Lucas — GOD IS DAD, The Guardian / G2, 17 October 2005</image:title>
      <image:caption>Sarah Lucas, GOD IS DAD, The Guardian G2, 17 October 2005. Front cover: full-bleed newsprint cover with large bold headline reading &apos;I sometimes wonder how long I&apos;ve got&apos; and Guardian G2 masthead at top</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-the-girl-next-door</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/0277ACCC-2BE1-4B20-A53D-DCA638DD2ED9_0c0a854f-dbbf-4164-a737-6f6babcf4f7a.jpg?v=1778237646</image:loc>
      <image:title>Richard Prince — The Girl Next Door</image:title>
      <image:caption>Front cover of Richard Prince’s The Girl Next Door, still sealed in original shrinkwrap, showing a rural overgrown landscape with a basketball hoop and blue and pink title typography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-douglas-blair-turnbaugh-collection-1977-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard-.-THE-DOUGLAS-BLAIR-TURNBAUGH-COLLECTION-_1977-1988_.-2016--cover_7736879e-4dc1-47a7-ba07-594ea867f60c.jpg?v=1778472545</image:loc>
      <image:title>Richard Prince — The Douglas Blair Turnbaugh Collection (1977–1988)</image:title>
      <image:caption>Richard Prince: The Douglas Blair Turnbaugh Collection (1977–1988), exhibition catalogue cover, Edward Cella Art &amp; Architecture, Los Angeles, June 11–July 30 2016. Cover features a black leather motorcycle jacket gifted by Richard Prince to Douglas Blair Turnbaugh, c. 1979.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-purple-20-years-the-richard-prince-purple-book-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-purple-20-years-the-richard-prince-purple-book.-2012--cover.jpg?v=1778489164</image:loc>
      <image:title>Richard Prince — Purple 20 Years: The Richard Prince Purple Book</image:title>
      <image:caption>Richard Prince — Purple 20 Years: The Richard Prince Purple Book, special edition for Purple Fashion no. 18, Purple Institute, Paris, 2012. White softcover with purple halftone &quot;20 Years&quot; typography overlaid on a collage of black-and-white celebrity photographs with handwritten captions and DVD barcodes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/peter-doig-the-arts-club-of-chicago-2003</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Doig_-Peter.-The-Arts-Club-of-Chicago_-2003-cover.jpg?v=1778552170</image:loc>
      <image:title>Peter Doig — The Arts Club of Chicago, 2003</image:title>
      <image:caption>Peter Doig, exhibition catalogue cover, The Arts Club of Chicago, 2003. Muted sage green and terracotta two-colour softcover with artist name in terracotta lowercase type at foot. Restrained institutional design.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-menthol-wars-printed-matter-2009</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard-.-MENTHOL-WARS.-2009-1-front-cover_cc6fe57d-23b4-4f37-b4e8-558b3c420b4c.jpg?v=1778554046</image:loc>
      <image:title>Richard Prince — Menthol Wars</image:title>
      <image:caption>Richard Prince, Menthol Wars, front cover. Printed Matter, New York, 2009. Facsimile reprint of 1980 artist&apos;s book. Black cover with halftone photograph of a woman in profile, pearl earring visible. Title &apos;MENTHOL WARS&apos; and &apos;Richard Prince&apos; in white type.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-tuttle-grey-walls-work-1996</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Tuttle_-Richard.-Grey-Walls-Work.-1996-3-cover_45c65d5d-5c2e-4428-b914-c61400e083fd.jpg?v=1778555505</image:loc>
      <image:title>Richard Tuttle — Grey Walls Work</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/terence-koh-the-whole-family-peres-projects-2008</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Koh_-Terrance.-The-Whole-Family-1-front-cover.jpg?v=1778557370</image:loc>
      <image:title>Terence Koh — The Whole Family</image:title>
      <image:caption>Terence Koh, The Whole Family, front cover. Peres Projects, Los Angeles, 2008. Plain cream-white softcover with no image. Title &apos;THE WHOLE FAMILY / TERENCE KOH&apos; in small serif capitals at centre, with exhibition dates and venue &apos;May 10–June 21, 2008 Peres Projects, Los Angeles&apos; below.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/isa-genzken-window-hauser-wirth-london-2020</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Isa_Genzken_2020_0001_c0f5f87b-2a0f-40f8-93fb-3d95beb83e74.jpg?v=1778687382</image:loc>
      <image:title>Isa Genzken — Window</image:title>
      <image:caption>Isa Genzken, Window, exhibition invitation front. Hauser &amp; Wirth, London, 2020. Colour photograph of installation view: three rows of blue economy-class aircraft seats on a dark wood floor, with a row of white airplane window panels mounted on the gallery wall behind. Untitled (detail), 2018. Photo: Todd White Art Photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-new-portraits-blum-poe-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-New-Portraits.-2016-cover.jpg?v=1778690133</image:loc>
      <image:title>Richard Prince — New Portraits</image:title>
      <image:caption>Richard Prince, New Portraits, front cover. Blum &amp; Poe, 2016. Screw-bound acrylic hardcover with large white embossed title &apos;Richard Prince New Portraits&apos; over a transparent cover revealing the colophon page beneath. &apos;BLUM &amp; POE&apos; in large white type at foot. Six chrome screw-post bindings visible at right edge. Edition of 1,000.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-early-photographs-1977-1979-skarstedt-2001</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard-Early-Photographs-1977-1979-cover.jpg?v=1778698843</image:loc>
      <image:title>Richard Prince — Early Photographs 1977–1979</image:title>
      <image:caption>Richard Prince, Early Photographs 1977–1979, front cover. Skarstedt Fine Art, New York, 2001. Grey hardcover boards with title &apos;Richard Prince / Early Photographs / 1977–1979&apos; in pale blue-grey serif type, upper left. No image. Restrained, object-like design.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ryan-mcginley-vertical-color-of-sound-perrotin-hong-kong-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/McGinley_-Ryan.-Vertical-Colour-of-Sound_-show-invite-2014-front.jpg?v=1778778385</image:loc>
      <image:title>Ryan McGinley — Vertical Color of Sound</image:title>
      <image:caption>Ryan McGinley, Vertical Color of Sound, exhibition invitation front. Galerie Perrotin, Hong Kong, 2014. Square colour photograph: a nude figure leaps from a hay bale into a pale blue dusk sky, arms outstretched, back to camera. Open field and flat horizon behind. Image: Hay Hop, 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/damien-hirst-medicine-cabinets-lm-arts-2010</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Hirst_-Damien.-Medicine-Cabinets_-invite-card.jpg?v=1778781033</image:loc>
      <image:title>Damien Hirst — Medicine Cabinets</image:title>
      <image:caption>Damien Hirst, Medicine Cabinets, exhibition invitation front. L&amp;M Arts, New York, 2010. Close-up colour photograph of a white medicine cabinet shelf holding pharmaceutical products: a large brown glass bottle of Dimotane Elixir (Brompheniramine Maleate BP, A.H. Robins); a white plastic bottle of Glucotrend Plus glucose test strips (Roche, 10 tests); a small dark glass bottle labelled Plaster Remover; and partial labels for Marcain Heavy (bupivacaine hydrochloride) and other products visible at edges. Title </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/isa-genzken-filmprogramm-delphi-berlin-2013</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Genzken_-Isa.-Filmprogramm-announcement-2013-front_01e1b037-6137-4595-8d91-8c5926036881.jpg?v=1778787144</image:loc>
      <image:title>Isa Genzken — Filmprogramm</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/pipilotti-rist-heroes-of-birth-luhring-augustine-2010</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rist_-Pippilotti.-_Heroes-of-Birth_-show-postcard.-2010-front.jpg?v=1778783764</image:loc>
      <image:title>Pipilotti Rist — Heroes of Birth</image:title>
      <image:caption>Pipilotti Rist, Heroes of Birth, exhibition announcement card recto. Luhring Augustine, New York, 2010. Colour photograph: a woman in a white hospital gown lies reclined, head tilted back, dark hair spread behind her. Her bare, heavily pregnant abdomen is visible, with three red circular monitoring devices attached to the skin. Medical equipment including tubing and IV lines visible in the background. Clinical setting, warm analogue colour palette. Image from Pipilotti Rist video work.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-spiritual-america-guggenheim-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-_Spiritual-America_-exhibition-announcement.-2007-front_e91007a2-0963-454b-9a4f-6800aba8a8f0.jpg?v=1778786721</image:loc>
      <image:title>Richard Prince — Spiritual America</image:title>
      <image:caption>Richard Prince, Spiritual America, exhibition announcement postcard recto. Guggenheim Museum, New York, 2007. Colour reproduction of a nurse painting: a female figure in a white surgical mask and cap against a dark background, eyes visible above the mask, gazing directly forward. Partial text visible at top reads &apos;NURSE IN HOLLYWOOD&apos; in embossed or relief lettering. Title &apos;RICHARD PRINCE / SPIRITUAL AMERICA&apos; in orange sans-serif type below the image, with &apos;Guggenheim&apos; museum logo in an orange band at foot.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/anton-corbijn-still-lives-torch-gallery-amsterdam-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Corbijn_-Anton.-Still-Lives-show-opening-card_-15-4-2000-front.jpg?v=1778785891</image:loc>
      <image:title>Anton Corbijn — Still Lives</image:title>
      <image:caption>Anton Corbijn, Still Lives, exhibition opening card recto. Torch Gallery, Amsterdam, 2000. Blue-toned black-and-white photograph: a woman with long dark hair stands in a white dress beside a white picket fence, bare winter trees behind her. A second figure in a matching white dress crouches at her feet, face obscured by dark hair. Atmospheric, gothic mood. Image: Anton Corbijn, Björk, Reykjavik, 1999.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tracey-emin-flux-magazine-the-all-seeing-i-postcard-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Emin_-Tracey.-_The-all-seeing-I-paper-recordings_-Flux-magazine-postcard.-Mid-2000s-front.jpg?v=1778795822</image:loc>
      <image:title>Tracey Emin — FLUX Magazine ‘The All Seeing I’ Postcard</image:title>
      <image:caption>Tracey Emin, FLUX Magazine promotional postcard recto, c. 1999. Black-and-white close-up portrait photograph of Tracey Emin: direct gaze, dark eyes, short dark hair pulled back, wearing a fur-collared or textured jacket, small drop earrings. Red circular FLUX logo upper left with &apos;FLUX&apos; in bold red sans-serif type. Red text below: &apos;TRACEY EMIN / THE ALL SEEING I / PAPER RECORDINGS&apos;. Smaller red text at foot lists additional features: &apos;LEFTFIELD – REAL GOODFELLAS – BLAIR WITCH – LE TONE / FASHION – FLUX SPAC</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-the-masochist-7-ratstar-shoot-the-lobster-2020</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-Masochist-_7.-2020-cover.jpg?v=1778823410</image:loc>
      <image:title>Richard Prince — The Masochist #7</image:title>
      <image:caption>Richard Prince, The Masochist #7, front cover. RATSTAR / Shoot the Lobster, 2020. Staple-bound softcover, 28 × 21 cm. White card cover with a single black-and-white photocopy-style drawing: a large hand with exaggerated fingers dominates the lower half; above it a face with spiky hair, wide eyes with star-burst marks, and a grinning open mouth showing teeth. Cross or star mark between the eyes. Colophon text lower right in small type: &apos;The Masochist #7 – Richard Prince / Editor at Large – David Rimanelli / </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-hamilton-private-view-invitation-serpentine-gallery-1975</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Hamilton_Richard._Serpentine_Gallery_show_invite._1975_front.jpg?v=1778878549</image:loc>
      <image:title>Richard Hamilton — Private View Invitation, Serpentine Gallery, 1975</image:title>
      <image:caption>Richard Hamilton, exhibition invitation recto. Serpentine Gallery, London, 1975. Black-and-white photographic reproduction of an abstract work: a gestural composition of dark fluid marks, washes, and drips on a pale ground, framed by a thin ruled border. A large organic dark form dominates the upper left, with vertical streaks and pooled marks descending toward the lower centre. Scattered smaller marks and traces throughout. Cream card with age toning, surface marks, and minor corner wear visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-kushner-the-dance-the-kiss-daniel-templon-paris-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kushner_-Robert.-_The-dance_-the-kiss_-show-invite.-1979-front.jpg?v=1778880796</image:loc>
      <image:title>Robert Kushner — “The dance, the kiss,…”</image:title>
      <image:caption>Robert Kushner, &apos;The dance, the kiss,...&apos;, exhibition invitation recto. Galerie Daniel Templon, Paris, 1979. Black-and-white reproduction of a large-scale drawing or print: two figures in close embrace, faces almost touching in a near-kiss. The woman on the left has wavy hair and closed eyes; the man on the right wears a suit and tie, head tilted toward her. Her dress or top is rendered with dense teardrop or scale-like patterning across the bodice and shoulders. Bold, fluid black line work on white ground,</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rachel-lachowicz-yoko-ono-wishing-tree-shoshana-wayne-gallery-santa-monica-1996</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Lachowicz_Rachel_and_Ono_Yoko._Shoshana_Wayne_Gallery_invite_card._1996_front.jpg?v=1778904766</image:loc>
      <image:title>RACHEL LACHOWICZ / YOKO ONO — Wishing Tree, Shoshana Wayne Gallery, Santa Monica, 1996</image:title>
      <image:caption>Rachel Lachowicz and Yoko Ono, exhibition invitation card recto. Shoshana Wayne Gallery, Santa Monica, 1996. Cream card. Text in mixed serif and sans-serif type, centred layout. &apos;Main Gallery&apos; in italic; &apos;RACHEL LACHOWICZ&apos; in bold caps. &apos;West Gallery&apos; in italic; &apos;YOKO ONO&apos; in bold caps; &apos;Wishing Tree&apos; in spaced roman type below. Exhibition dates: &apos;April 13 – May 18, 1996&apos;. Reception: &apos;Saturday, April 13, 5 – 8 PM&apos; in italic. Gallery details at foot in small roman type: &apos;Shoshana Wayne Gallery, Bergamot Stat</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/louise-bourgeois-papillons-noirs-hauser-wirth-st-moritz-2018</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bourgeois_Louise_PapillonsNoirs_Showhandout2018back.jpg?v=1778907129</image:loc>
      <image:title>Louise Bourgeois — Papillons Noirs, Hauser &amp; Wirth St. Moritz, 2018–2019</image:title>
      <image:caption>Louise Bourgeois, Papillons Noirs, exhibition announcement front cover. Hauser &amp; Wirth, St. Moritz, 2018–2019. White card cover. &apos;HAUSER &amp; WIRTH&apos; in small spaced sans-serif caps at top centre. Centred below in large serif type, mixed roman and italic: &apos;Louise / Bourgeois / Papillons / Noirs&apos;. Minimal, typographic design on plain white ground. Light handling marks and minor surface wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-clareboudt-oblique-haute-credac-ivry-sur-seine-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Clareboudt_Jean._Oblique_Haute_Centre_of_Contemporary_Art_Invite._1990_front_3f04453f-1fbe-4d4c-9822-b7a082eb7c43.jpg?v=1778909039</image:loc>
      <image:title>Jean Clareboudt — Oblique Haute, CREDAC, Ivry-sur-Seine, 1990</image:title>
      <image:caption>Jean Clareboudt, Oblique Haute, exhibition invitation recto. CREDAC Centre d&apos;Art Contemporain, Galerie Fernand Léger, Ivry-sur-Seine, 1990. Black-and-white photograph: a large irregular dark mass — a boulder or raw stone — suspended from a crane arm against a pale overcast sky. The crane extends diagonally from the upper left; industrial steel structures, scaffolding, and a brick building are visible below and behind. Low-angle shot emphasising the weight and scale of the suspended object. &apos;CLAREBOUDT&apos; in l</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/dan-colen-the-sorcerers-apprentice-greenberg-gallery-2013</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Colen_Dan._The_Greenberg_Gallery_artist_card._2013_front_75fa47a9-eecc-4d9f-ba69-9c8cb9f896da.jpg?v=1778910444</image:loc>
      <image:title>DAN COLEN — The Sorcerer&apos;s Apprentice, The Greenberg Gallery, 2013</image:title>
      <image:caption>Dan Colen, The Sorcerer&apos;s Apprentice, gallery announcement card recto. The Greenberg Gallery, St. Louis, 2013. Colour reproduction of a painting: a dense arc of scattered pigment — white, lavender, blue, gold, and pink — curves across the upper portion of a deep black ground, suggesting a galaxy, firework burst, or spray of glitter. A dark reddish-brown mass occupies the lower centre, partially obscured by the arc. The image bleeds to the edges of the printed rectangle. Caption below in small sans-serif typ</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andreas-gursky-love-parade-matthew-marks-gallery-2001</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gursky_-Andreas.-Artist-postcard_-Matthew-Marks-Gallery.-2001-front.jpg?v=1778912794</image:loc>
      <image:title>Andreas Gursky — Love Parade, Matthew Marks Gallery, New York, 2001</image:title>
      <image:caption>Andreas Gursky, Love Parade, 2001, artist postcard recto. Matthew Marks Gallery, New York, 2001. Colour reproduction of a large-format C-print: aerial view of an enormous crowd filling a clearing in a dense green forest, photographed from directly above. The mass of people — hundreds of thousands — forms an irregular oval shape, their individual figures indistinguishable at this scale, creating a dense texture of skin tones, clothing, and colour. Two long vehicles or floats are visible at the left and lower</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/paul-klee-12-aquarelles-galerie-berggruen-paris-1964</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Klee_Paul.GalerieBerggruenexhibitioncard.19641-sunbleachedfront.jpg?v=1778993110</image:loc>
      <image:title>Paul Klee — 12 Aquarelles, Galerie Berggruen, Paris, 1964</image:title>
      <image:caption>Paul Klee, Galerie Berggruen exhibition card recto. Galerie Berggruen, Paris, 1964. Vivid orange card. Black line drawing printed directly onto the orange ground: a perspective view of an interior space — a studio or exhibition room — rendered in loose, energetic ink line. The room contains suspended objects, shelving, a central table or plinth, geometric structures, and an eye motif on the right wall. Radiating lines suggest light or spatial tension from a central ceiling fixture. A curved arrow in the low</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/paul-klee-12-aquarelles-galerie-berggruen-paris-1964-ii</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Klee_Paul.GalerieBerggruenexhibitioncard.19642-goodcopyfront.jpg?v=1778994432</image:loc>
      <image:title>Paul Klee — 12 Aquarelles, Galerie Berggruen, Paris, 1964 [II]</image:title>
      <image:caption>Paul Klee, Galerie Berggruen exhibition card recto. Galerie Berggruen, Paris, 1964. Vivid orange card. Black line drawing printed directly onto the orange ground: a perspective view of an interior space — a studio or exhibition room — rendered in loose, energetic ink line. The room contains suspended objects, shelving, a central table or plinth, geometric structures, and an eye motif on the right wall. Radiating lines suggest light or spatial tension from a central ceiling fixture. A curved arrow in the low</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/paul-klee-musee-national-art-moderne-paris-1969</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Klee_Paul._National_Museum_of_Modern_Art_Paris._Show_invitation._1969_front.jpg?v=1778995207</image:loc>
      <image:title>Paul Klee — Musée National d’Art Moderne, Paris, 1969</image:title>
      <image:caption>Paul Klee, exhibition invitation card recto. Musée National d&apos;Art Moderne, Paris, 1969. Cream card. Black line drawing printed on cream ground: a horizontal landscape composition combining industrial, architectural, and fantastical elements. At left, a squat brick chimney stack emits three rounded tree-like forms. Centre: scattered figures, flags, a crescent moon shape, and horizontal elements suggesting a ground plane. At right, a large triangular form — part tent, part tower — rises steeply, with a spiral</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rafael-melendez-after-sturtevant</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/After_Sturtevant_Pamphlet_2023.jpg?v=1779314949</image:loc>
      <image:title>Rafael Melendez — After Sturtevant</image:title>
      <image:caption>Rafael Melendez, After Sturtevant, The Academy of Realness, 2022 — pamphlet cover; blue monospaced typography on white stock; black fabric sculpture centred; subtitle: Linguistics, Idealism, Repetition, Difference and Ownership</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/catherine-holly-after-the-pressure-the-cock</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/After_The_Pressure_2015.jpg?v=1779317186</image:loc>
      <image:title>Catherine Holly / The Academy of Realness — After the Pressure the Cock</image:title>
      <image:caption>Catherine Holly, After the Pressure the Cock, The Academy of Realness, New York 2014 — zine cover; hand-lettered title over photocopied image of Piero Gherardi costume design for Giulietta degli Spiriti (Fellini, 1965); black tape collage elements on white ground</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rafael-melendez-born-to-die</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Born_to_Die_2016.jpg?v=1779342988</image:loc>
      <image:title>Rafael Melendez — Born to Die</image:title>
      <image:caption>Already applied to the listing:
&gt; Rafael Melendez, *Born to Die*, 2016 — unique artist&apos;s book open to interior spread; left page shows circular form on dark denim-textured ground with &apos;Rafael Melendez ©2016&apos; credit; right page shows black-and-white portrait of Kurt Cobain with blue text &apos;Money Changes Everything&apos;; dos-à-dos binding visible at spine
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/catherine-holly-academy-of-realness-fuck-book</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Fuck_Book_2014_001.jpg?v=1779344986</image:loc>
      <image:title>Catherine Holly / The Academy of Realness — Fuck Book</image:title>
      <image:caption>Catherine Holly / The Academy of Realness, Fuck Book, 2014 — cover; red Silvine memo book with &apos;MEMO BOOK&apos; label; stencilled &apos;FUCK BOOK&apos; over original cover; price stickers from Koenig Books Ltd (£35.00 / £8.99) and yellow &apos;20p&apos; label; &apos;BRITISH MADE&apos; printed at foot
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/catherine-holly-my-brother-ist-not-daniel-richter-my-father-ist-not-gehrhart</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/My_Brother_ist_not_Daniel_Richter_My_Father_ist_Not_Gehrhart_000.jpg?v=1779346491</image:loc>
      <image:title>Catherine Holly / The Academy of Realness — My Brother Is Not Daniel Richter / My Father Is Not Gehrhart</image:title>
      <image:caption>atherine Holly / The Academy of Realness, My Brother Is Not Daniel Richter / My Father Is Not Gehrhart, New York 2014 — cover; blue spray-painted ground over found book; stencilled text reading &apos;Daniel Richter / Ist Not / Ther Bro / My / My Fat / Her Ist / Not / Gehrhart&apos; in black; Strand Price stickers affixed; rubber-stamped cartoon skull image; &apos;I Know Nothing&apos; speech bubble at lower left</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rafael-melendez-nothings-wrong-2008</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Nothing_s_Wrong_2008_001.jpg?v=1779348178</image:loc>
      <image:title>Rafael Melendez — Nothing’s Wrong</image:title>
      <image:caption>Exterior view showing heavily worked covers and spine; blue tape, polka-dot paper patches, and layered collage elements visible across front and back boards; accumulated material thickness visible at spine edge; object shows significant handling consistent with production and use</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rafael-melendez-the-naked-lunch-2023</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/The_Naked_Lunch_2023_001.jpg?v=1779418587</image:loc>
      <image:title>Rafael Melendez — The Naked Lunch</image:title>
      <image:caption>Rafael Melendez, The Naked Lunch, The Academy of Realness, 2023 — front cover; black ground; AI-generated chrome female android figure in three-quarter profile, head lowered, mechanical neck and shoulder detail visible; &apos;RAFAEL MELENDEZ&apos; in white graffiti-style lettering along left spine; &apos;The Naked Lunch&apos; in teal type at upper right; Academy of Realness circular logo at top centre
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/georg-baselitz-devotion-invitation-alan-cristea-gallery-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Baselitz_Georg._Devotion_invitation._2019_front.jpg?v=1779596810</image:loc>
      <image:title>Georg Baselitz — Devotion — Exhibition Invitation, Alan Cristea Gallery, London, 2019</image:title>
      <image:caption>Georg Baselitz, Auerbach (yellow), 2018. Etching with sugar lift aquatint and relief printing on Somerset White Satin 350gsm paper. Inverted figure in dark gestural marks on ochre ground. Reproduced on interior of Devotion exhibition invitation, Alan Cristea Gallery, 2019.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/david-hammons-invitation-postcard-lm-arts-new-york-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Hammons_David._L_M_Arts_invitation_postcard._2011_front.jpg?v=1779596810</image:loc>
      <image:title>David Hammons — Exhibition Invitation Card, L&amp;M Arts, New York, 2011</image:title>
      <image:caption>David Hammons, exhibition invitation postcard, L&amp;M Arts, New York, 2011. Recto: white sans-serif text reading DAVID HAMMONS on solid black ground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-honert-invitation-matthew-marks-gallery-new-york-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Honert_Martin._Show_invite_Matthew_Marks_Gallery._1999_front.jpg?v=1779596808</image:loc>
      <image:title>Martin Honert — Exhibition Invitation Card, Matthew Marks Gallery, New York, 1999</image:title>
      <image:caption>Martin Honert, exhibition invitation card, Matthew Marks Gallery, New York, 1999. Recto: colour illustration of two children holding a star lantern on a pole against a night sky, within an arched frame; artist name below in bold serif type.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/pierre-klossowski-lenonce-a-nouveau-denonce-galerie-beaubourg-vence-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Klossowski_Pierre._Sculpture_and_painting_show_announcement_Galerie_Beubourg._1999_front.jpg?v=1779599409</image:loc>
      <image:title>Pierre Klossowski — l’énoncé à nouveau dénoncé — Exhibition Announcement Card, Galerie Beaubourg, Vence, 1999</image:title>
      <image:caption>1999 Pierre Klossowski exhibition invitation featuring a color reproduction of *Roberte aux barres parallèles* (1990). Three stylized human figures are arranged around parallel bars on a circular base: a central female figure in pink clothing raises one leg while two surrounding figures engage with the structure. The sculpture is rendered in painted flesh, mauve, and brown tones against a neutral background, with “Pierre Klossowski” printed beneath.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/barbara-kruger-untitled-love-is-something-you-fall-into-national-gallery-of-art-washington-2016-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kruger_Barbara._Artist_postcard_from_the_exhibition_in_the_Tower_Barbara_Kruger_National_Gallery_of_Art_Washington._2017_front_95ff625c-461a-49d2-8317-34f748e5d95d.jpg?v=1782104972</image:loc>
      <image:title>BARBARA KRUGER — Untitled (Love is something you fall into) — Exhibition Postcard, National Gallery of Art, Washington, 2016–2017</image:title>
      <image:caption>Artist postcard reproducing Barbara Kruger’s Untitled (Love is something you fall into) (1990). A tightly cropped black-and-white profile of a woman with windswept hair fills the card while a vertical red banner runs along the right side with white text reading: “Love is something you fall into</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/yayoi-kusama-festival-of-life-infinity-nets-david-zwirner-new-york-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kusama_Yayoi._Festival_of_Life_show_invite._2017_front.jpg?v=1779601142</image:loc>
      <image:title>Yayoi Kusama — Festival of Life + Infinity Nets — Exhibition Announcement Card, David Zwirner, New York, 2017</image:title>
      <image:caption>2017 Yayoi Kusama exhibition invitation card featuring a studio portrait of the artist seated at a table surrounded by vividly colored *My Eternal Soul* paintings. Kusama wears her signature bright red wig and an orange dress with black polka dots, visually blending into the dense field of reds, blues, dots, and biomorphic patterns surrounding her.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/sherrie-levine-pie-town-david-zwirner-london-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Levine_Sherrie._Pie_Town_exhibition_card._David_Zwirner_London._2017_front.jpg?v=1779601142</image:loc>
      <image:title>Sherrie Levine — Pie Town — Exhibition Announcement Card, David Zwirner, London, 2017</image:title>
      <image:caption>Exhibition invitation for Sherrie Levine’s *Pie Town* featuring a color reproduction from *After Russell Lee: 1–60* (2016). Two figures, Faro and Doris Caudill, stand outdoors beneath a dramatic cloud-filled sky; the man wears a worn hat and work shirt while the woman stands with folded arms in a patterned dress and apron.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/sherrie-levine-directions-hirshhorn-museum-washington-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Levine_Sherrie._Directions_show_invite._1988_front.jpg?v=1779601140</image:loc>
      <image:title>Sherrie Levine — Directions — Exhibition Brochure, Hirshhorn Museum and Sculpture Garden, Washington D.C., 1988</image:title>
      <image:caption>Cover of Sherrie Levine *Directions* exhibition brochure from the Hirshhorn Museum and Sculpture Garden, Washington D.C., 1988. The cover reproduces *Untitled (Lead Checks: 6)* (1987), a turquoise and black checkerboard composition painted on lead beneath the exhibition title and dates.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mark-morrisroe-1959-1989-clampart-new-york-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Morrisroe_Mark._Clamp_Art_opening_reception_invite._2011_front.jpg?v=1779605198</image:loc>
      <image:title>Mark Morrisroe (1959–1989) — Exhibition Announcement Card, ClampArt, New York, 2011</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/yoko-ono-dollar-piece-printed-matter-studio-one-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ono_Yoko._Dollar_Piece_membership_memo_for_Printed_Matter_signed_Yoko_Ono_06._2006.jpg?v=1779605564</image:loc>
      <image:title>Yoko Ono — Dollar Piece — Printed Matter Membership Multiple with Envelope, Studio One, New York, 2006</image:title>
      <image:caption>Yoko Ono *Dollar Piece* Printed Matter membership sheet from 2006 featuring a conceptual instruction text, reproduced signature, Studio One letterhead, and an illustration of the Dakota building at the bottom.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/yvonne-rainer-john-erdman-this-is-the-story-of-a-woman-who-portland-center-visual-arts-1973</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rainer_Yvonne_Erdman_John._Portland_Centre_for_Visual_Arts_postcard._1973_front.jpg?v=1779606115</image:loc>
      <image:title>Yvonne Rainer &amp; John Erdman — “This is the story of a woman who…” — Performance Announcement Postcard, Portland Center for the Visual Arts, 1973</image:title>
      <image:caption>Original 1973 Yvonne Rainer and John Erdman performance postcard showing a black-and-white photograph of Yvonne Rainer performing *Trio A*, balancing with one leg raised on a stage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/thomas-rentmeister-centre-art-contemporain-vassiviere-limousin-1997</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rentmeister_Thomas._Show_invite_Centre_d_art_contemporain_de_Vassivere_en_Limousin._1997_front.jpg?v=1779607177</image:loc>
      <image:title>Thomas Rentmeister — Exhibition Invitation Card, Centre d’art contemporain de Vassivière en Limousin, France, 1997</image:title>
      <image:caption>Front of original 1997 Thomas Rentmeister exhibition invitation card for Centre d’art contemporain de Vassivière in France, featuring a glossy pale pink biomorphic polyester sculpture against a neutral background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/etienne-sandorfi-galerie-3-3-paris-1970</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sandorfi_Etienne._Show_invite_Galerie_3_3._1970_front.jpg?v=1779607835</image:loc>
      <image:title>Étienne Sandorfi — Exhibition Invitation Card, Galerie 3+3, Paris, 1970</image:title>
      <image:caption>Original 1970 Étienne Sandorfi exhibition invitation featuring a black-and-white image of a fragmented doll-like head with wires and mechanical elements in a surreal psychological composition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andres-serrano-piss-christ-immersions-portraits-damerique-galerie-nathalie-obadia</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Serrano_Andres._Artist_Postcard._Galerie_Natalie_Obadia_Paris___Brussels._2025_front.jpg?v=1779738186</image:loc>
      <image:title>Andres Serrano — Piss Christ (Immersions), 1987 — Exhibition Postcard, Portraits d’Amérique, Galerie Nathalie Obadia, Paris–Brussels</image:title>
      <image:caption>Official Andres Serrano exhibition postcard reproducing *Piss Christ (Immersions)* (1987), showing a glowing crucifix suspended within an amber-red field of light.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cindy-sherman-untitled-317-retrospective-museum-of-contemporary-art-chicago-1998</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sherman_Cindy._Museum_of_Contemporary_Art_exhibition_announcement._1998_front.jpg?v=1779609858</image:loc>
      <image:title>Cindy Sherman — Untitled #317 (1995) — Exhibition Postcard, Cindy Sherman: Retrospective, Museum of Contemporary Art, Chicago, 1998</image:title>
      <image:caption>Official 1998 Cindy Sherman museum postcard reproducing *Untitled #317* (1995), showing a close-up gold mask-like face with dark eyes and red cosmetic details.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mark-bradford-los-angeles-long-museum-west-bund-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bradford_Mark._Show_invite_Los_Angeles_._2019_front.jpg?v=1779735575</image:loc>
      <image:title>Mark Bradford: Los Angeles — Long Museum West Bund, Shanghai, 2019</image:title>
      <image:caption>Reverse of 2019 Mark Bradford: Los Angeles exhibition card reproducing a photograph of the artist seated before Float (2019), a monumental installation of layered and stripped paper surfaces in vivid vertical bands of colour.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/documents-galerie-1900-2000-paris-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/1900_2000_Gallery._Show_invite_Documents_Gallerie_1900-2000._2002_front_221ed66b-db98-4794-b0c8-d33215bdada3.jpg?v=1779739467</image:loc>
      <image:title>Documents — Galerie 1900–2000, Paris, 2002</image:title>
      <image:caption>Original 2002 Documents exhibition invitation from Galerie 1900–2000 Paris featuring a distressed archive-folder design with typewriter-style typography on textured brown paper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gay-bronx-council-on-the-arts-longwood-arts-project-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Antoini_Cruz_David._Henry_Imani._Locke_Steven._Show_invite_Gay_._2014_front.jpg?v=1779740245</image:loc>
      <image:title>GAY — Bronx Council on the Arts / Longwood Arts Project, New York, 2014</image:title>
      <image:caption>Original 2014 GAY exhibition announcement card, Bronx Council on the Arts and Longwood Arts Project, New York, featuring a lush green woodland stream and fallen tree with large thin white lowercase typography spelling &apos;gay&apos; across the full-colour landscape image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-bellmer-dessins-oeuvre-gravee-galerie-3-plus-2-paris-1971-72</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer._Show_invite_dessins_oeuvre_gravee_translation_drawings_engraved_work_._1972_front_fdb091ec-e72c-44ab-bbbe-60b770efb742.jpg?v=1779742089</image:loc>
      <image:title>Hans Bellmer — Dessins, œuvre gravée — Galerie 3+2, Paris, 1971–72</image:title>
      <image:caption>Hans Bellmer Dessins, œuvre gravée exhibition announcement Galerie 3+2 Paris 1971–72</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gilles-brenta-fmr-brussels-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brenta_Gilles._Show_opening_handout_F.M.R_Bruxelles._1989_front.jpg?v=1779775106</image:loc>
      <image:title>Gilles Brenta — F.M.R., Brussels, 1989</image:title>
      <image:caption>Original 1989 Gilles Brenta exhibition handout for F.M.R. Brussels, with black line drawing, artist name, and exhibition details.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/james-brown-salt-galerie-lelong-paris-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brown_James._Show_invite_Salt_._1990_front.jpg?v=1779776092</image:loc>
      <image:title>James Brown — Salt, Peintures récentes — Galerie Lelong, Paris, 1990</image:title>
      <image:caption>Original James Brown Salt exhibition invitation booklet from Galerie Lelong, Paris, 1990, featuring a reproduced painting with a bold ultramarine blue abstract totem-like figure against a pale dotted background in an ornate frame.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/achille-castiglioni-du-design-au-ready-made-pompidou-paris-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Castiglioni_Achille._Show_invite_Achille_Castiglioni_du_design_au_ready-made_._1985_front.jpg?v=1779776680</image:loc>
      <image:title>Achille Castiglioni — Du design au ready-made — Centre Georges Pompidou, Paris, 1985</image:title>
      <image:caption>Front cover of the 1985 Achille Castiglioni exhibition invitation, featuring a bold blue and black graphic image with red side borders for *du design au ready-made* at Centre Georges Pompidou.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/michel-ciry-galerie-de-paris-1971</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ciry_Michael._Show_invite_Galerie_de_Paris._1971_front.jpg?v=1779777868</image:loc>
      <image:title>Michel Ciry — Peintures, Aquarelles, Dessins — Galerie de Paris, 1971</image:title>
      <image:caption>Original 1971 Michel Ciry exhibition invitation for Galerie de Paris, announcing paintings, watercolors, and drawings from 26 October to 27 November 1971 on folded cream card</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gustave-courbet-visage-visages-musee-maison-natale-ornans-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Courbet_G._Show_invite_la_musee_departemental_maison_natale._1984_front.jpg?v=1779778941</image:loc>
      <image:title>Gustave Courbet — Visage–Visages — Musée Maison Natale, Ornans, 1984</image:title>
      <image:caption>Original 1984 Gustave Courbet exhibition invitation card featuring a black-and-white portrait of a young Courbet with printed signature beneath, issued by Musée Maison Natale in Ornans, France.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andre-stas-galerie-la-maree-ixelles-1975</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Stas_Andre._Show_invite_Galerie_La_Maree._1975_front.jpg?v=1779845567</image:loc>
      <image:title>André Stas — Exhibition Brochure — Galerie La Marée, Brussels, 1975</image:title>
      <image:caption>Original 1975 André Stas exhibition brochure, Galerie La Marée, Brussels, front cover showing artist name ANDRE STAS in serif type above a black-and-white collage of a ballerina figure standing atop a geological cross-section diagram with circular holes, offset printed on cream laid paper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/solakov-barbier-mirrors-galerie-vallois-paris-2003</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Solakov_Nedko._Show_invite_mirrors_Galerie_Georges-Philiooe_Nathalie_Vallois._2003_front_18151bd9-188c-4361-9e7f-b2b8cd713f44.jpg?v=1779849496</image:loc>
      <image:title>Nedko Solakov / Gilles Barbier — Mirrors / Les trous sont la partie manquante de l’histoire — Galerie Vallois, Paris, 2003</image:title>
      <image:caption>Original 2003 Nedko Solakov Mirrors vernissage card, Galerie Georges-Philippe &amp; Nathalie Vallois, Paris, front showing the single handwritten word Mirrors in black ink centred on metallic gold-coated card stock, surface now naturally dulled through age and handling.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/anthea-alley-exhibition-card-annely-juda-fine-art-1974</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Alley_Athea._Show_invite_Annely_Juda_Fine_Art._1974.jpg?v=1779939314</image:loc>
      <image:title>Anthea Alley — Exhibition Card, Annely Juda Fine Art, London, 1974</image:title>
      <image:caption>Original 1974 Anthea Alley exhibition card, Annely Juda Fine Art, London — recto showing black-and-white photographic portrait of the artist standing beside welded metal sculpture in a studio or exhibition space. Photograph by Jorge Lewinski.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/collages-surrealistes-exhibition-invitation-galerie-zabriskie-paris-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Agar_Eileen._Bucaille_Max._Cornell_Joseph._Ernst_Max._Penrose_Roland._Show_invite_Collages_Surrealistes_._1990_5cd18e41-d8ef-4d0c-af5a-5461232d3fc0.jpg?v=1779941786</image:loc>
      <image:title>Collages Surréalistes — Exhibition Invitation, Galerie Zabriskie, Paris, 1990</image:title>
      <image:caption>Original 1990 Collages Surréalistes exhibition invitation, Galerie Zabriskie, Paris — cover reproducing Georges Hugnet, Le Sphinx du Moulin Vert, 1934: aerial black-and-white photograph of Paris with radiating boulevards, a single realistic eye with lashes montaged at centre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-bellmer-les-mains-immobiles-galerie-suzanne-visat-new-year-card-paris-1972</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Artist_postcard._1972.jpg?v=1779945691</image:loc>
      <image:title>Hans Bellmer — Les mains immobiles / Galerie Suzanne Visat New Year Card, Paris, 1972</image:title>
      <image:caption>Original 1972 Hans Bellmer New Year postcard, Galerie Suzanne Visat, Paris — recto reproducing Bellmer&apos;s Les mains immobiles, 1971: dark-ground photographic image of a bronze sculpture showing a crouching figure with multiple articulated mechanical arms and hands, cast by Ateliers Godard in an edition of 21, height 28 cm. Surface rubbing and scuffing consistent with postal handling.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-bellmer-cnac-exhibition-invitation-paris-1971-72</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Show_invite_le_centre_d_art_contemporain._1972.jpg?v=1779947562</image:loc>
      <image:title>Hans Bellmer — CNAC Exhibition Invitation, Centre national d’art contemporain, Paris, 1971–72</image:title>
      <image:caption>Original 1971 Hans Bellmer exhibition invitation card, Centre national d&apos;art contemporain (CNAC), Paris — recto printed in white and black on pink-to-cream gradient card stock; CNAC in large white serif type at top; text reading le centre national d&apos;art contemporain 11 rue berryer paris 8 / présente / du 30 novembre 1971 au 17 janvier 1972 / bellmer in large bold black type / ouvert tous les jours sauf le mardi de 12 h à 19 h entrée 3 f / vernissage le mardi 30 novembre 1971 de 18 h à 20 h.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-bellmer-svensk-franska-konstgalleriet-stockholm-1968</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Show_invite._1968.jpg?v=1779948197</image:loc>
      <image:title>Hans Bellmer — Svensk-Franska Konstgalleriet, Stockholm, 1968</image:title>
      <image:caption>Original 1968 Hans Bellmer exhibition catalogue, Svensk-Franska Konstgalleriet, Stockholm — cover reproducing a Bellmer line drawing of a female figure tightly bound and folded, contour lines describing compressed flesh and limbs in a crouching posture; HANS BELLMER in spaced serif capitals below; SVENSK-FRANSKA / KONSTGALLERIET in two lines at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ne-travaillez-jamais-exhibition-invitation-paris-2024</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Boucherot_Marc._Show_invite_ne_travaillez_jamais_translation_never_work_show_inc_Raymond_Pettibon_Art_Keller_and_others._2024.jpg?v=1779949654</image:loc>
      <image:title>Ne travaillez jamais — Exhibition Invitation, 22 rue Visconti, Paris, 2024</image:title>
      <image:caption>Original 2024 Ne travaillez jamais exhibition invitation card, 22 rue Visconti, Paris — recto with full-bleed photograph of arid rocky ground with tangled wire or thorn mass at centre; NE TRAVAILLEZ / JAMAIS in large hand-lettered white type across upper half; artist list in white capitals: Adel Abdessemed, Art Keller, Bruno Perramant, Conrad Bakker, Frank Perrin, Gianni Motti, Jannis Kounellis, Jimmie Durham, Julien Prévieux, Marc Boucherot, Philippe Meste, Raymond Pettibon; exhibition details: Une Exposit</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tomma-abts-exhibition-invitation-david-zwirner-new-york-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Abts_-Tomma.-David-Zwirner-show-invite.-2014-front.jpg?v=1780006003</image:loc>
      <image:title>Tomma Abts — Exhibition Invitation, David Zwirner, New York, 2014</image:title>
      <image:caption>Original 2014 Tomma Abts exhibition invitation card, David Zwirner, New York — recto reproducing a detail from Untitled, 2013, coloured pencil and pencil on paper: intersecting diagonal bands in yellow, black, green, red, and blue forming a precise geometric spatial construction on white ground</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/adel-abdessemed-rio-david-zwirner-new-york-2009</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Abdessemed_-Adel.-David-Zwirner-show-invite.-2009-front.jpg?v=1780028782</image:loc>
      <image:title>Adel Abdessemed — Rio, David Zwirner, New York, 2009</image:title>
      <image:caption>Original 2009 Adel Abdessemed Rio exhibition invitation card, David Zwirner, New York — recto reproducing a detail from Lincoln, 2009, C-print, 50 × 68½ inches: colour photograph of the artist reclining across a seated white sculptural figure based on the Lincoln Memorial, shot on a New York street corner in winter light with bare trees, yellow taxis, and urban buildings visible in background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bernard-aubertin-le-feu-de-la-couleur-espace-de-lart-concret-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Aubertin_Bernard._Show_invite_le_feu_de_la_couleur_the_fire_of_colour_._1994.jpg?v=1780030286</image:loc>
      <image:title>Bernard Aubertin — Le feu de la couleur, Espace de l’Art Concret, Château de Mouans, 1994</image:title>
      <image:caption>Reverse of 1994 Bernard Aubertin Le feu de la couleur exhibition invitation card, Espace de l&apos;Art Concret, Mouans-Sartoux — verso printed entirely in red on cream stock with the name Bernard Aubertin repeated in dense rows across the full surface of the card, functioning as typographic monochrome; name becomes pattern, artist becomes surface.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bernard-aubertin-rebus-galleria-florence-1977</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Aubertin_Bernard._Show_invite._1977.jpg?v=1780031876</image:loc>
      <image:title>Bernard Aubertin — Rebus Galleria d’Arte Contemporanea, Florence, 1977</image:title>
      <image:caption>Original 1977 Bernard Aubertin exhibition invitation card, Rebus Galleria d&apos;Arte Contemporanea, Florence — recto printed entirely in red on textured cream handmade-style paper; horizontal format; REBUS galleria d&apos;arte contemporanea in mixed serif and sans-serif type at top; VENERDÌ 16 DICEMBRE 1977 – ORE 21,30; Mostra personale di in italic; BERNARD AUBERTIN in large spaced capitals; SARÀ PRESENTE L&apos;ARTISTA · CATALOGO IN GALLERIA; address 50129 FIRENZE – Via della Fortezza, 9/r – Telef. 496.701 at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/francis-bacon-the-human-body-exhibition-guide-hayward-gallery-1998</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bacon_Francis._The_Human_Body_exhibition_invite._1998_front.jpg?v=1780037522</image:loc>
      <image:title>Francis Bacon: The Human Body — Exhibition Guide, Hayward Gallery, London, 1998</image:title>
      <image:caption>Original 1998 Francis Bacon: The Human Body exhibition guide, Hayward Gallery, London — front cover in large bold serif and light grey typography on off-white stock; Hayward Gallery in small sans-serif at upper left; FRANCIS BACON in large black serif capitals; THE HUMAN BODY in large light grey serif capitals below; no imagery; typography functions as cover image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/enki-bilal-inbox-fondazione-giorgio-cini-venice-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bilal_Enki._Show_invite_Fondazione_Giorgio_Cini._2015_front_1048afbc-b5b7-4150-9021-11e6d703159c.jpg?v=1780039026</image:loc>
      <image:title>Enki Bilal — Inbox, Fondazione Giorgio Cini, Venice, 2015</image:title>
      <image:caption>Original 2015 Enki Bilal Inbox exhibition postcard, Fondazione Giorgio Cini, Venice — recto reproducing a detail from Inbox: two spectral faces rendered in Bilal&apos;s characteristic blue-grey science-fiction palette, faces upturned and partially dissolved, a thin vertical pale form dividing the composition; acrylic on canvas; figures suspended between painting, cinema still, and hallucinated image against a dark blue-grey ground</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-algeria-french-edition-dtv-paris-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_Kathy._Algeria_French_translation_._1988_front.jpg?v=1780129370</image:loc>
      <image:title>Kathy Acker — Algeria (French edition), Le Dernier Terrain Vague / DTV, Paris, 1988</image:title>
      <image:caption>Front cover of 1988 Kathy Acker Algeria French edition, Le Dernier Terrain Vague / DTV Compact Livre, Paris — full-bleed image by Kiki Picasso: saturated composite of fragmented urban photography, abstracted figures, and colour fields in yellow, green, orange, and blue; Kathy Acker in black diagonal type at lower left; ALGERIA in large bold black capitals; DTV logo at upper right; cover design functioning as graphic assault and media noise.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-great-expectations-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_-Kathy.-Great-Expectations.-1982--cover.jpg?v=1780249277</image:loc>
      <image:title>Kathy Acker — Great Expectations (1982)</image:title>
      <image:caption>Original 1982 Kathy Acker Great Expectations paperback, Open Book Publications, San Francisco. Front cover with title in bold serif type above a black-and-white woodcut illustration of a hunched long-haired figure leaning over a bed with a cane. Printed wrappers with toning and wear to spine.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-hannibal-lecter-my-father-1991</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_-Kathy.-Hannibal-Lecter_-My-Father-cover.jpg?v=1780250309</image:loc>
      <image:title>Kathy Acker — Hannibal Lecter, My Father (1991)</image:title>
      <image:caption>Original 1991 Kathy Acker Hannibal Lecter, My Father paperback, Semiotext(e) Native Agents Series, New York. Front cover in vivid pink with repeating text pattern in lighter pink forming the background, overlaid with bold black title lettering and author name. Printed wrappers in good condition with minor shelf wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-adult-life-toulouse-lautrec-1978</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_Kathy._The_Adult_Life_of_Toulouse_Lautrec_by_Henri_Toulouse_Lautrec._1978_front.jpg?v=1780251415</image:loc>
      <image:title>Kathy Acker — The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec (1978)</image:title>
      <image:caption>Original 1978 Kathy Acker The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec paperback, TVRT Press and Printed Matter, New York. Front cover with black-and-white photographic image of two pairs of legs, one in stockings raised in the air, the other bare and low. Title in lowercase serif type: all she wants is love... Publisher imprints PM and TVRT Press at foot with ISBN 0-931106-21-4. Original price $4.50 at top left. Covers with age toning and surface wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/acne-paper-14-manhattan-portraits-winter-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/ACNE-PAPER-_14-W-2012--cover.jpg?v=1780267570</image:loc>
      <image:title>Acne Paper No. 14 — Manhattan Portraits, Winter 2012</image:title>
      <image:caption>Original 2012 Acne Paper No. 14 magazine, Manhattan Portraits issue, Acne Studios, Winter 2012. Cover showing Brigitte Lacombe&apos;s portrait of Mikhail Baryshnikov against a dark background, with the Acne Paper logotype in large serif type at the foot of the page.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/barney-matthew-supercontemporary-electa-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Barney_-Matthew.-Supercontemporary-1-cover_574aed61-6864-40e3-9d8b-30471109e73a.jpg?v=1780292483</image:loc>
      <image:title>Matthew Barney — Supercontemporary, Electa, Milan, 2007</image:title>
      <image:caption>Original 2007 Matthew Barney Supercontemporary exhibition publication, Electa, Milan. Cover showing Barney in prosthetic makeup with pointed ears and pale skin, wearing a white suit jacket, set against a blue tartan background, with the title in magenta type and series name in a red vertical band.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bell-irwin-wheeler-tate-gallery-london-1970</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/BELL_Larry._IRWIN_Robert._WHEELER_Doug._The_Tate_Gallery_5-31_May_1970_front.jpg?v=1780291411</image:loc>
      <image:title>Larry Bell / Robert Irwin / Doug Wheeler — Tate Gallery, London, 1970</image:title>
      <image:caption>Original 1970 Larry Bell, Robert Irwin, Doug Wheeler exhibition catalogue, Tate Gallery, London, 5–31 May 1970. Plain pale yellow square-format cover, unprinted, with visible age toning and light surface wear consistent with period exhibition material.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bronson-gale-performance-by-artists-art-metropole-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bronson-_-AA-and-Gale_-Peggy-Performance-by-Artists--cover.jpg?v=1780293477</image:loc>
      <image:title>AA Bronson &amp; Peggy Gale, eds. — Performance by Artists</image:title>
      <image:caption>Original 1979 AA Bronson and Peggy Gale, eds., Performance by Artists, Art Metropole, Toronto. Softcover with white ground and bold black title typography, &apos;Performance by Artists&apos; in large sans-serif type, editors&apos; names below, Art Metropole imprint at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/burroughs-william-arcade-1-william-burroughs-special-1964</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Burroughs_-William.-Arcade-_1--1964---William-Burroughs-Special_front_cover.jpg?v=1780295503</image:loc>
      <image:title>William S. Burroughs — Arcade No. 1: William Burroughs Special</image:title>
      <image:caption>Original 1964 Arcade No. 1, William Burroughs Special, Dodo/Arcade, London. Cover showing large bold &apos;5d&apos; numeral in black on cream ground with &apos;arcade&apos; in script below, a blue starburst label reading &apos;William Burroughs Special&apos; across the centre, and a red price roundel showing &apos;2/6&apos;. Age toning and light soiling consistent with period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/burroughs-william-white-subway-aloes-books-1973</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Burroughs_-William.-White-Subway.-1973.jpg?v=1780297748</image:loc>
      <image:title>William S. Burroughs  — White Subway  —  Aloes Books, London, 1973</image:title>
      <image:caption>Original 1973 William S. Burroughs White Subway, Aloes Books, London, first edition. Photo-illustrated softcover showing a collaged black-and-white street photograph: a building facade with a partially visible sign reading &apos;ATORS&apos; at upper left, a bare winter tree at centre, and a figure walking on the pavement below, with &apos;WHITE SUBWAY&apos; and &apos;william burroughs&apos; in white type overlaid on the image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cahun-deren-sherman-inverted-odysseys-mit-press-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cahun_Claude._Deren_Maya._Sherman_Cindy._Inverted_Odysseys._1999.jpg?v=1780301582</image:loc>
      <image:title>Inverted Odysseys — Claude Cahun / Maya Deren / Cindy Sherman</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/callahan-harry-museum-of-modern-art-new-york-1967</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Callahan_-Harry.-1967-Museum-of-Modern-Art-Exhibition-Catalogue-cover.jpg?v=1780302735</image:loc>
      <image:title>Harry Callahan — Museum of Modern Art, New York, 1967</image:title>
      <image:caption>Original 1967 Harry Callahan exhibition catalogue, Museum of Modern Art, New York. Cream softcover with a black-and-white photograph of a standing female figure seen from behind, torso bare, seated on a stool before a window with venetian blinds, interior domestic space visible around her. &apos;HARRY CALLAHAN&apos; in sans-serif type below the image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bosser-daniel-philippe-thomas-declines-his-identity-occasional-papers-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bosser_Daniel._Philippe_Thomas_declines_his_identity._2015_front.jpg?v=1780303759</image:loc>
      <image:title>DANIEL BOSSER / PHILIPPE THOMAS — Philippe Thomas Declines His Identity, Occasional Papers, London, 2015</image:title>
      <image:caption>Original 2015 Daniel Bosser, Philippe Thomas Declines His Identity, Occasional Papers, London. Cream textured softcover with &apos;DANIEL BOSSER&apos; in small spaced serif capitals at top, &apos;PHILIPPE THOMAS / DECLINES HIS IDENTITY&apos; in larger spaced serif type at centre, and a black-and-white photograph below showing Philippe Thomas seated at a table, holding up a document, wearing a black top, expression direct and slightly confrontational. &apos;Occasional Papers&apos; in italic type at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/carpenter-thomas-insights-galerie-claire-burrus-paris-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Carpenter_Laura_Carpenter-Thomas_Philippe._Insights._1990_front.jpg?v=1780304774</image:loc>
      <image:title>Laura Carpenter / Philippe Thomas — Insights</image:title>
      <image:caption>Original 1990 Laura Carpenter / Philippe Thomas, Insights, Galerie Claire Burrus, Paris. Softcover with a close-up black-and-white photograph of a curved shadow cast across a pale textured surface, suggesting a body or sculptural form. &apos;INSIGHTS&apos; in spaced white serif capitals at upper centre, &apos;LAURA CARPENTER&apos; in smaller spaced white serif type at lower centre. Light surface wear and minor corner softening consistent with period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lovecat-model-fanzine-issue-3-art-issue-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Chenoa_Prince_Jacob_Dekat._Lovecat_The_Model_Fanzine_Issue_3_The_Art_Issue._2012.jpg?v=1780305133</image:loc>
      <image:title>Lovecat: The Model Fanzine, Issue 3 — The Art Issue</image:title>
      <image:caption>Second cover variant of 2012 Lovecat: The Model Fanzine, Issue 3, The Art Issue. Large black-and-white halftone portrait of Andy Warhol with yellow hair and red lips, overlaid with dark green graffiti-style &apos;lovecat&apos; lettering and Mr. Brainwash signature at lower right. Caption reads &apos;ANDY WARHOL BY MR. BRAINWASH / THE ART ISSUE / DON&apos;T PAY ANY ATTENTION TO WHAT THEY WRITE ABOUT YOU. JUST MEASURE IT IN INCHES.&apos; Contributors listed: Raphael Mazzucco, Anja Konstantinova, Chuck Close, Raica Oliveira.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cossery-albert-men-god-forgot-city-lights-1968</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cossery_Albert._Men_God_Forgot._1968_cover.jpg?v=1780305971</image:loc>
      <image:title>Albert Cossery — Men God Forgot</image:title>
      <image:caption>Original 1968 Albert Cossery, Men God Forgot, City Lights Books, San Francisco, second printing. Cream softcover with &apos;men God forgot&apos; in large bold lowercase serif type at top and &apos;cossery&apos; at foot, with a black-and-white close-up photograph of a young man&apos;s face — dark eyes, strong features, slightly downward gaze — filling the lower two-thirds of the cover. Age toning, light rubbing, and edge wear consistent with period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/doty-robert-extraordinary-realities-whitney-museum-1973</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Doty_-Robert.-Extraordinary-realities-Catalogue-to-the-exhibition-1973---1974.-cover.jpg?v=1780306731</image:loc>
      <image:title>Extraordinary Realities — Robert Doty, Whitney Museum of American Art, 1973</image:title>
      <image:caption>Original 1973 Robert Doty, Extraordinary Realities, Whitney Museum of American Art, New York. Square softcover divided horizontally into two equal bands — upper half in warm amber-orange, lower half in deep cobalt blue — with &apos;EXTRAORDINARY&apos; in white outlined rounded sans-serif type on the orange field and &apos;REALITIES&apos; in the same type on the blue field. Spine wear, edge rubbing, and corner creasing consistent with period.&quot;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/goldin-nan-biesenthal-document-journal-saint-laurent-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Goldin_Nan._Biesenthal._2017_back.jpg?v=1780327217</image:loc>
      <image:title>Nan Goldin — Biesenthal, Document Journal / Saint Laurent, 2017</image:title>
      <image:caption>Original 2017 Nan Goldin, Biesenthal, Document Journal in collaboration with Saint Laurent. Cover showing a colour photograph of a partially visible female figure at right — bare torso, sequined mini skirt, holding a cigarette — against a large dark wall with warm ambient light at upper left. No title text on cover; image bleeds to edges.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/felix-gonzalez-torres-hirshhorn-museum-sculpture-garden-washington-dc-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gonzalez-Torres_Felix._Hirshborne_Museum_and_Sculpture_museum_Washington_DC._1994_front.jpg?v=1780347716</image:loc>
      <image:title>Félix González-Torres — Hirshhorn Museum and Sculpture Garden, Washington D.C., 1994</image:title>
      <image:caption>Félix González-Torres exhibition catalogue with a dark green abstract cover image resembling a cosmic field or atmospheric surface. Soft-focus light effects and deep green tonal variations create a minimal, contemplative appearance.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mark-grotjahn-kh-liquors-karma-new-york-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Grotjahn_Mark._K_H_Liquors._2015_back.jpg?v=1780349871</image:loc>
      <image:title>Mark Grotjahn — K&amp;H Liquors, Karma, New York, 2015</image:title>
      <image:caption>Original 2015 Mark Grotjahn K&amp;H Liquors artist book, Karma, New York. Front cover showing two men standing in a liquor store aisle lined with bottles, with the Karma imprint visible at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/simon-morris-helen-sacoor-bibliomania-1998-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Harrison_Wood._Art_in_Theory_1900-1990._1999_front.jpg?v=1780373004</image:loc>
      <image:title>Simon Morris &amp; Helen Sacoor — Bibliomania 1998–1999, 1999</image:title>
      <image:caption>Stack of art theory books spine-out including Roland Barthes Camera Lucida, Mythologies, Image Music Text, Walter Benjamin Illuminations, Jean Baudrillard America, Douglas Crimp On the Museum&apos;s Ruins, and Mark Dion Natural History and Other Fictions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rebecca-horn-missing-full-moon-artsite-no-22-bath-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Horn_-Rebecca.-Missing-Full-Moon-_Artsite-No.-22_.-1989-1.jpg?v=1780374732</image:loc>
      <image:title>Rebecca Horn — Missing Full Moon [Artsite No. 22], Artsite Gallery, Bath, 1989</image:title>
      <image:caption>Original 1989 Rebecca Horn exhibition catalogue, Missing Full Moon, Artsite Gallery, Bath International Festival. Front cover showing plain olive green with title &apos;Rebecca Horn&apos; in pale sage serif type, centred on an unadorned ground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/katerina-jebb-deus-ex-machina-musee-reattu-skira-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Jebb_Katerina._deus_ex_machina_Musee_Reattu_catalogue._2017_front.jpg?v=1780376170</image:loc>
      <image:title>Katerina Jebb — Deus ex Machina, Musée Réattu / Skira, 2017</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mike-kelley-platos-cave-rothkos-chapel-lincolns-profile-sonic-youth-peristaltic-airwaves-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kelley_Mike._Plato_s_Cave_Rothko_s_Chapel_Lincoln_s_Profile_with_Sonic_Youth_The_Peristaltic_Airwaves._2012.jpg?v=1780377005</image:loc>
      <image:title>Mike Kelley — Plato&apos;s Cave, Rothko&apos;s Chapel, Lincoln&apos;s Profile (with Sonic Youth) / The Peristaltic Airwaves, Compound Annex, 2012</image:title>
      <image:caption>Mike Kelley Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile (with Sonic Youth) / The Peristaltic Airwaves (2012) double CD in sealed jewel case. Purple-toned cover image featuring cave-like formations with white typography. Published by Compound Annex Records.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/isa-genzken-phaidon-contemporary-artists-series-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Isa_Genzken_Phaidon_Contemporary_Artists_Series_cover.jpg?v=1780379402</image:loc>
      <image:title>Isa Genzken — Phaidon Contemporary Artists Series, 2006</image:title>
      <image:caption>Original 2006 Isa Genzken monograph, Phaidon Contemporary Artists Series. Front cover showing Rose II, a tall slender steel rose sculpture with a single bud, photographed against a pale sky in front of a modernist glass-and-steel institutional building. Title &apos;ISA GENZKEN&apos; in black sans-serif type upper right, with author names Alex Farquharson, Diedrich Diederichsen, Sabine Breitwieser. Phaidon imprint lower left. Laminated ex-library copy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andre-kertesz-budapest-paris-new-york-vintage-galeria-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kertesz_-Andre.-Budapest_-Paris_-New-York.-2007-2-cover.jpg?v=1780380604</image:loc>
      <image:title>André Kertész — Budapest, Paris, New York, Vintage Galéria, Budapest, 2007</image:title>
      <image:caption>Black-and-white softcover catalogue titled André Kertész. The cover features a blurred self-portrait-like silhouette reflected against a doorway, with the photographer&apos;s name printed across the centre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-kippenberger-67-improved-papertigers-not-afraid-of-repetition-schirmer-mosel-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kippenberger_Martin._67_Improved_Papertigers_Not_Afraid_of_Repetition._1987.jpg?v=1780382490</image:loc>
      <image:title>Martin Kippenberger — 67 Improved Papertigers Not Afraid of Repetition, Schirmer/Mosel, 2012</image:title>
      <image:caption>Original 2012 Martin Kippenberger 67 Improved Papertigers Not Afraid of Repetition, Edition Julie Sylvester / Schirmer/Mosel. Front cover showing a colour photograph of a dishevelled hotel room interior: an unmade bed with a gold bedspread, a black office chair, and a portable television on a stand. Title in small serif type upper centre: &apos;Martin Kippenberger / 67 Improved Papertigers / Not Afraid of Repetition&apos;. Publisher imprint &apos;Edition Julie Sylvester / Schirmer/Mosel&apos; lower centre. Cream wrappers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jurgen-klauke-prosecuritas-cantz-kunsthalle-bielefeld-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Klauke_-Jurgen.-Prosecuritas.-1994-1.jpg?v=1780383483</image:loc>
      <image:title>Jürgen Klauke — Prosecuritas, Cantz / Kunsthalle Bielefeld, 1994</image:title>
      <image:caption>Original 1994 Jürgen Klauke Prosecuritas exhibition catalogue. Front cover showing a black-and-white scanned or photocopied image: two small dog silhouettes walk across a pale ground trailing long curved lines, while large dark shadowy forms — a vertical pole left and a crouching figure lower right — dominate the foreground. Title &apos;JÜRGEN KLAUKE »PROSECURITAS«&apos; in small spaced sans-serif type upper centre. Square format, cloth-bound hardcover with clear plastic dust jacket.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/yves-klein-quelques-klein-collection-jean-paul-ledeur-pierre-berge-associes-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Klein_Yves._Blue_Jean-Paul_Ledeur_Collection_Auction_Catalog_2005.jpg?v=1780389089</image:loc>
      <image:title>Yves Klein — Quelques Klein… de la collection Jean-Paul Ledeur, Pierre Bergé &amp; Associés, 2005</image:title>
      <image:caption>Original 2005 Yves Klein auction catalogue, Pierre Bergé &amp; Associés, Drouot Richelieu, Paris. Front cover showing a colour photograph of La Vénus d&apos;Alexandrie, a headless female torso sculpture coated in International Klein Blue (IKB), against a white ground. Title text in red and black: &apos;Vente Art Moderne / Art Contemporain / Quelques Klein... / de la collection Jean-Paul Ledeur / Le gardien du bleu&apos;. Pierre Bergé &amp; Associés imprint upper centre with associate names. Drouot Richelieu, Paris. Vendredi 25 no</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/in-deed-certificates-of-authenticity-in-art-hapgood-lauf-roma-publications-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Lauf_Cornelia_Hapgood_Susan._In_Deed_Certificates_of_Authenticity_in_Art._2011_cover.jpg?v=1780391892</image:loc>
      <image:title>In Deed: Certificates of Authenticity in Art, ed. Hapgood &amp; Lauf, ROMA Publications, 2011</image:title>
      <image:caption>Original 2011 In Deed: Certificates of Authenticity in Art catalogue, ed. Hapgood &amp; Lauf. Salmon-pink cover with title in bold black serif type left, artist list right. Spine repeating &apos;deed&apos; in red.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lebovici-the-name-of-philippe-thomas-sternberg-press-kunsthalle-bern-2008</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Lebovici_Elisabeth._The_name_of_Philippe_Thomas._2008_front.jpg?v=1780399263</image:loc>
      <image:title>Élisabeth Lebovici — The Name of Philippe Thomas, Sternberg Press / Kunsthalle Bern, 2008</image:title>
      <image:caption>Original 2008 Élisabeth Lebovici The Name of Philippe Thomas, Sternberg Press / Kunsthalle Bern. Front cover on cream ground with title and author in small green serif type centre: &apos;ELISABETH LEBOVICI / The Name / of Philippe Thomas&apos;. Publisher imprints &apos;SternbergPress&apos; and &apos;KUNSTHALLE BERN&apos; in green lower left. Sealed in original clear shrink wrap.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/alex-bag-the-van-redux-ica-miami-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bag_Alex._Alex_Bag_The_Van_Redux_ICA_Miami_a479de13-b530-47d9-9f81-5afa20c2d22f.jpg?v=1780954527</image:loc>
      <image:title>Alex Bag — The Van (Redux)*, Institute of Contemporary Art, Miami, 2015</image:title>
      <image:caption>Front cover of original 2015 Alex Bag, The Van (Redux) exhibition brochure, ICA Miami — black ground with video still of a blonde woman in profile, white text reading ALEX BAG / The Van / (Redux), ICA Miami logo lower right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/clive-barker-heads-and-chariots-anthony-doffay-1974</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Barker_Clive._Heads_and_Chariots_1_to_26_July_1974._Barker_Clive._Essay_by_Roland_Penrose_c1c0a74e-7178-4aed-840b-6b41ce6644b2.jpg?v=1780971448</image:loc>
      <image:title>Clive Barker — Heads and Chariots, Anthony d&apos;Offay, London, 1974</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/oppenheim-arc-paris-projects-78-79-inv-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Oppenheim_Dennis.Showinvite_projects78_79_ARCParis.1980front.jpg?v=1781067594</image:loc>
      <image:title>Dennis Oppenheim — Projects 78/79, ARC Paris, 1979–1980</image:title>
      <image:caption>Original 1979 Dennis Oppenheim exhibition invitation card for Projects 78/79, ARC Paris, Musée d&apos;Art Moderne de la Ville de Paris, showing the artist&apos;s name in large bold lowercase type alongside the exhibition title, vernissage date Friday 14 December 18–21h, and run dates through 20 January 1980, with a formal invitation line from the Mayor of Paris at the top.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/paalen-en-hommage-octavio-paz-librairie-loliee-inv-1960</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wolfgang_Paalen._Show_invite_En_Hommage_._1960_front.jpg?v=1781068483</image:loc>
      <image:title>Wolfgang Paalen — “En Hommage” / Octavio Paz Text Insert, Librairie Loliée, Paris, 1960</image:title>
      <image:caption>Original 1960 Wolfgang Paalen exhibition insert &apos;En Hommage&apos;, Librairie Loliée, Paris, recto showing the title in quotation marks, artist name PAALEN Wolfgang with dates 1905–1958, a list of three loaned works — Personnages dans une grotte 1933, Selam Trilogy 1947, Sans titre 1954 — lender credit to Mme Géo Dupin, and a note identifying the sheet as an extract from a contemporary article on the retrospective.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/janfamily-riflemaker-becomes-indica-inv-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Riflemaker_Gallery._becomes_Indica_exhibition_opening_card._2006_1.jpg?v=1781069579</image:loc>
      <image:title>Janfamily / Riflemaker becomes Indica — Promotional Announcement Card, London, 2006</image:title>
      <image:caption>Reverse of 2006 Riflemaker becomes Indica announcement card showing a black-and-white photograph of four figures standing against a plain background, one with face obscured by a white balloon, alongside the text &apos;Riflemaker becomes Indica, November 20&apos; and a list of participating artists including Takis, Conrad Shawcross, Yoko Ono, Gustav Metzger, Goldfrapp, Jesús Rafael Soto, Jaime Gill, Mark Boyle, Boyle Family, Janfamily, Liliane Lijn, Juan Fontanive, Lourdes Castro, David Medalla, and Julio le Parc.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/prince-i-changed-my-name-artpost-pc-1990s</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-Changed-my-Name---Postcard.jpg?v=1781070169</image:loc>
      <image:title>Richard Prince — I Changed My Name Postcard, Artpost, c. 1990s–2000s</image:title>
      <image:caption>Original Richard Prince &apos;I Changed My Name&apos; Artpost postcard, recto showing a reproduction of the 1988 text painting: two deep navy blue panels divided by a thin white vertical line, with pink lowercase text reading &apos;I never had a penny to my name&apos; on the left panel and &apos;so I changed my name.&apos; on the right panel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/prince-good-revolution-parkett-34-pc-1992</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_Richard._Artist_postcard_Edition_for_Parakeet_34._1992_front.jpg?v=1781070410</image:loc>
      <image:title>Richard Prince — Good Revolution / Parkett 34 Postcard, 1992</image:title>
      <image:caption>Original 1992 Richard Prince Good Revolution postcard for Parkett 34, recto showing a colour reproduction of the edition: a framed display piece combining a dark photographic C-print backdrop depicting a nightclub or cabaret scene with neon signage, overlaid with the text &apos;Richard Prince&apos; and &apos;good revolution&apos; in retro gold lettering with a Playboy bunny motif, and a gold 7-inch vinyl record mounted to the right with a Parkett label, above a small engraved silver plaque.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ray-chicken-new-beetle-father-figure-matthew-marks-pc-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ray_-Charles.-Artist-postcard_-Matthew-Marks-Gallery.-2007--front.jpg?v=1781070906</image:loc>
      <image:title>Charles Ray — Chicken, The New Beetle, Father Figure — Exhibition Postcard, Matthew Marks Gallery, New York, 2007</image:title>
      <image:caption>Original 2007 Charles Ray exhibition announcement card for Matthew Marks Gallery, New York, recto showing a solid green ground with three exhibition titles printed in large dark green sans-serif uppercase text: &apos;CHICKEN&apos;, &apos;THE NEW BEE- / TLE&apos;, and &apos;FATHER FIGURE&apos;, stacked vertically with generous leading.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/chadwick-enfleshings-i-tate-pc-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Chadwick_-Helen.-Enfleshings-I-1989--Printed-1994_-Tate.jpg?v=1781071359</image:loc>
      <image:title>Helen Chadwick — Enfleshings I — Tate Postcard, 1994</image:title>
      <image:caption>Original 1994 Tate postcard reproducing Helen Chadwick&apos;s Enfleshings I, 1989, showing a photographic transparency image: a deep red-orange circular mass of organic matter — raw flesh, viscera, and biological material — arranged around a central glowing light bulb, set against a dark background with a soft blue border characteristic of Tate postcard printing of the period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/perkovic-baltz-desire-gallery-ram-inv-1995</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Perkovic_-Slavica-and-Baltz_-Lewis.-_Desire_-show-postcard-front.jpg?v=1781071830</image:loc>
      <image:title>Slavica Perković with Lewis Baltz — Desire — Exhibition Postcard, Gallery RAM, Santa Monica, 1995</image:title>
      <image:caption>Original 1995 Slavica Perković with Lewis Baltz &apos;Desire&apos; exhibition postcard, Gallery RAM, Santa Monica, recto showing a cropped colour photograph of a feminine figure in a floral top and white skirt or tights seated on what appears to be a fairground ride, overlaid with bold red italic text reading &apos;Men usually like when I dress like a little girl.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/maffei-yvon-lambert-paris-inv-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Maffei_-Mario.-Show-invite-card_-Yvon-Lambert-Paris-Project-Room.-2005-front_947f91a6-a3bb-4f0a-8943-28871534bcc7.jpg?v=1781075188</image:loc>
      <image:title>Mario Maffei — Exhibition Invitation Card, Yvon Lambert Paris Project Room, 2005</image:title>
      <image:caption>Original 2005 Mario Maffei exhibition invitation card, Yvon Lambert Paris Project Room, recto showing a hand-drawn figurative illustration on cream ground: a standing figure with dark hair and moustache wearing a navy cycling jersey inscribed with &apos;MARIO MAFFEI / yvon / lambert&apos; in handwritten lettering and a red armband, holding a small bunch of leaves in one hand and leading a white tiger with &apos;PARIS&apos; written in red on its side, rendered in a deliberately naive, comic-strip style.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mcewen-non-alignment-pact-art-concept-inv-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/McEwen_Adam._Non-Alignment_Pact_Exhibition_opening_card._2014_front.jpg?v=1781073144</image:loc>
      <image:title>Adam McEwen — Non-Alignment Pact — Exhibition Opening Card, Art : Concept, Paris, 2014</image:title>
      <image:caption>Original 2014 Adam McEwen Non-Alignment Pact exhibition opening card, Art : Concept, Paris, recto showing a colour photograph of a chestnut horse standing on a concrete yard surface with its legs placed in three plastic buckets — blue, yellow, and red — with a rural landscape and metal fencing visible in the background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/pondick-patricia-faure-gallery-inv-1996</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Pondick_Rona._Gallery_poster_reception_Patricia_Faure_Gallery._1996_poster_full.jpg?v=1781073746</image:loc>
      <image:title>Rona Pondick — Exhibition Poster/Mailer, Patricia Faure Gallery, Santa Monica, 1996</image:title>
      <image:caption>Interior of 1996 Rona Pondick Patricia Faure Gallery exhibition poster showing a full-bleed offset lithograph reproduction of a Pondick work: upper half densely covered in small black handwritten or printed text forming a grey field with four vertical spine-like forms emerging from it; lower half showing three large blue and dark purple ovoid forms with serrated white edges and vertical brushstroke marks suggesting teeth, spines, or organic protrusions, against a white ground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/export-1980-venice-biennale-ropac-inv-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Vaile_Export._Postcard_invite_1980_Venice_Biennale_works._2019_front.jpg?v=1781076941</image:loc>
      <image:title>VALIE EXPORT — The 1980 Venice Biennale Works — Private View Card &amp; Press Release, Galerie Thaddaeus Ropac, London, 2019</image:title>
      <image:caption>Original 2019 VALIE EXPORT The 1980 Venice Biennale Works private view invitation card, Galerie Thaddaeus Ropac London, recto showing a reproduction of Einkreisung / Encirclement, 1976/1980: a black-and-white photograph of a female figure lying on an urban pavement beside a lamp post, surrounded by a bold painted red oval line encircling her body, set against a white card ground with a small credit line bottom right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/virgins-show-family-business-inv-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mrischler_Andrew._Mistretta_Eric._Mramor_David._Ward_Rebecca._Show_invite_The_Virgins_Show_Family_Business._2012_front.jpg?v=1781077783</image:loc>
      <image:title>The Virgins Show — Curated by Marilyn Minter — Exhibition Invitation Card, Family Business, New York, 2012</image:title>
      <image:caption>Original 2012 The Virgins Show Family Business New York exhibition invitation card, recto showing a colour photograph of six figures posed in a wood-panelled library interior with floor-to-ceiling bookshelves: from left, a young woman in a black dress, an older woman in white, a seated woman in a green armchair holding a microwave oven on her lap, a man in a dark suit, a teenage girl in a beige suit, and a young boy in a dark suit, standing on a red geometric-patterned carpet</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/basquiat-artscribe-no-47-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Issue_47_July_August_1984._Jean-Michel_Basquiat.jpg?v=1781161447</image:loc>
      <image:title>Jean-Michel Basquiat — Artscribe No. 47, July–August 1984</image:title>
      <image:caption>Original 1984 Artscribe No. 47 July–August magazine cover featuring Jean-Michel Basquiat drawing, showing a large-format graphite and charcoal head with crown motif, heavily worked with layered scribbled lines, staring eyes, and open mouth, against cream ground, with masthead &apos;ARTSCRIBE&apos; in large dark red block capitals at top, &apos;No.47&apos; at lower left and &apos;£1.50/$3&apos; at lower right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/alibis-centre-pompidou-inv-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Thomas_Phillippe_Centre_Georges_Pompidou_1984.jpg?v=1781173754</image:loc>
      <image:title>Alibis — Exhibition Invitation Card, Centre Georges Pompidou / Musée national d’art moderne, Paris, 1984</image:title>
      <image:caption>Exterior front of 1984 Alibis Centre Georges Pompidou exhibition invitation card, folded, showing a colour aerial photograph of a film studio backlot with a large rectangular billboard painted with a flat blue sky at centre, water tower at upper left, and surrounding low-rise industrial rooftops, printed to the right half of the folded card on semi-gloss stock.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/objets-67-galerie-mathias-fels-cat-1967</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Adzak_Arman_Brusse_Mark._Objets_67_Show_catalogue._1967_0f022ea4-5808-4f12-878f-4ce4c35da733.jpg?v=1781244193</image:loc>
      <image:title>Objets 67 — Exhibition Catalogue, Galerie Mathias Fels et Cie., Paris, 1967</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/young-americans-2-saatchi-cat-1998</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ashkin_Michael._Currin_John._Friedman_Tom._Peyton_Elizabeth._Young_Americans_2._1998_98baadac-27a8-4510-ae55-55f86623bc25.jpg?v=1781244998</image:loc>
      <image:title>Young Americans 2: Part Two — Exhibition Catalogue, The Saatchi Gallery, London, 1998</image:title>
      <image:caption>Original 1998 Young Americans 2 Part Two Saatchi Gallery London exhibition catalogue cover showing cream-white ground with centred black spaced-capital sans-serif typography reading &apos;YOUNG AMERICANS 2 / PART TWO SEPTEMBER 10 TO NOVEMBER 22 1998&apos; followed by artist list: Michael Ashkin, John Currin, Tom Friedman, Martin Kersels, Clay Ketter, Robin Lowe, Josiah McElheney, Sarah Morris, Laura Owens, Elizabeth Peyton, Monique Prieto, Brian Tolle, Sue Williams, Lisa Yuskavage; &apos;THE SAATCHI GALLERY&apos; at foot, all </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bag-ica-miami-poster-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bag_Alex._The_Leroy_Group._The_Van_Redux_._2015.jpg?v=1781245383</image:loc>
      <image:title>Alex Bag — The Leroy Group: The Van (Redux)* — Exhibition Poster, ICA Miami, 2015</image:title>
      <image:caption>Original 2015 Alex Bag The Van (Redux) ICA Miami exhibition poster, large-format offset print on glossy blue ground with bold white condensed sans-serif type reading &apos;LEROY LELOUP / PRESENTS / THE VAN / (REDUX)&apos; at upper half, overlaid on two dark photographic stills from video: upper image showing a shadowed figure in a hat, lower image showing a figure in a cowboy hat with a gloved hand reaching into frame; date &apos;December 1, 2015 – January 31, 2016&apos; in large white italic type at lower left; asterisk note </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bainbridge-walker-viewpoints-cat-1986</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bainbridge_Erica._Viewpoints_show_catalogue._1986.jpg?v=1781245892</image:loc>
      <image:title>Eric Bainbridge — Viewpoints — Exhibition Brochure, Walker Art Center, Minneapolis, 1986</image:title>
      <image:caption>Original 1986 Eric Bainbridge Viewpoints Walker Art Center Minneapolis exhibition brochure cover showing white ground with &apos;Viewpoints&apos; in small light serif type at upper left, &apos;Eric Bainbridge&apos; in bold black serif type below a thin green rule, and a colour photograph of Bainbridge&apos;s sculpture Handle (1986): a large seated rabbit-like form covered in beige fur fabric with dark brown oval spots, mounted on two black rounded leg forms on a grey speckled oval base, photographed from behind against a white gall</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/seul-et-le-corps-galerie-du-dragon-cat-1966</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Balthus_Bellmer_Cesar_Cremonini_Dali_Ciacometti_Helion_Hiquilt_Ipousteguy_Magritte_Matta_Petlin_Rosofsky._Seul_et_le_Corps._1966.jpg?v=1781246340</image:loc>
      <image:title>Seul, et le corps… — Exhibition Catalogue, Galerie du Dragon, Paris, c.1966</image:title>
      <image:caption>Original c.1966 Seul, et le corps… Galerie du Dragon Paris exhibition catalogue cover showing cream-white matte ground with centred black italic serif typography reading &apos;SEUL, ET LE CORPS…&apos; in large type at top, followed by artist list in medium italic: &apos;Balthus, Bellmer, / César, Cremonini, Dali, / Giacometti, Hélion, Hiquily, / Ipoustéguy, Magritte, Matta, / Petlin, Rosofsky&apos;; &apos;GALERIE DU DRAGON&apos; in small spaced capitals at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/constructures-nohra-haime-cat-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Barth_Frances._Katz_Mel._Constructures_New_Perimetrics_in_Abstract_Painting._1985.jpg?v=1781246742</image:loc>
      <image:title>Constructures: New Perimetrics in Abstract Painting — Exhibition Catalogue, Nohra Haime Gallery, New York, c.1985</image:title>
      <image:caption>CONSTRUCTURES:
New Perimetrics in Abstract Painting
Nohra Haime Gallery, New York, c. 1985
Rare exhibition catalogue/brochure issued by Nohra Haime Gallery for Constructures: New Perimetrics in Abstract Painting, a mid-1980s group exhibition examining geometric abstraction, shaped pictorial space, constructed surfaces, and post-minimal painting languages at a moment when abstraction was being reconsidered after conceptual art and late modernism.
The publication’s severe typographic cover design — halfway </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/coup-denvois-musee-de-la-poste-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Beuys_Joseph._Barthes_Roland._Carl_Andre._Picasso._Warhol._Coup_d_envois_ou_l_art_a_la_lettre_1989.jpg?v=1781246951</image:loc>
      <image:title>Coup d’envois ou l’art à la lettre — Press Dossier, Musée de La Poste, Paris, 1989</image:title>
      <image:caption>Original 1989 Coup d&apos;envois ou l&apos;art à la lettre Musée de La Poste Paris press dossier cover showing cream-white ground with black spiral binding at left, &apos;dossier de presse&apos; in small light italic serif type at top, &apos;Coup d&apos;envois&apos; in large bold italic serif type at centre, &apos;ou l&apos;art à la lettre&apos; in smaller italic below, followed by &apos;100 artistes et écrivains dont&apos; and a two-column artist list in small sans-serif capitals: Alechinsky, Arman, Barthes, Beuys, Bonnard, Broodthaers, Buraglio, Carl Andre, Cesar,</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/magritte-8-sculptures-hanover-poster-1968</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Magritte._The_8_Sculptures_of_Magritte_art_exhibition_poster_-_Hanover_Gallery_London._1968.jpg?v=1782812951</image:loc>
      <image:title>RENÉ MAGRITTE — The 8 Sculptures of Magritte, Exhibition Poster, Hanover Gallery, London, 1968</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/testino-moss-calvin-klein-pc-2000s</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Testino_Mario._Kate_Moss_Calvin_Klein_Jeans_Advert._Unknown_2.jpg?v=1781259059</image:loc>
      <image:title>Mario Testino — Kate Moss for Calvin Klein Jeans — Promotional Postcard, c. late 1990s–early 2000s</image:title>
      <image:caption>Original c. late 1990s–early 2000s Mario Testino Kate Moss Calvin Klein Jeans promotional postcard, recto showing a full-bleed colour photograph of Kate Moss standing in a field of dry grass, wearing a white cropped bra top and dark denim jeans, arms crossed, looking back over her shoulder toward camera; a dark brown leather armchair is positioned at lower centre with a second figure in jeans lying across it; &apos;cK Calvin Klein Jeans&apos; logo in large serif and sans-serif type at lower centre; &apos;The Return of the</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/testino-moss-calvin-klein-maxracks-pc-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Testino_Mario._Kate_Moss_Calvin_Klein_Jeans_Advert._Unknown.jpg?v=1781259565</image:loc>
      <image:title>Mario Testino — Kate Moss for Calvin Klein Jeans — Max Racks Promotional Postcard, c.2000</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ck-one-calvin-klein-fragrance-pc-1996</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Testino_Mario._Kate_Moss_Calvin_Klein_Fragrance_Advert._Unknown_1.jpg?v=1781259880</image:loc>
      <image:title>CK One — Calvin Klein Fragrance Promotional Postcard, 1996</image:title>
      <image:caption>Reverse of 1996 CK One Calvin Klein fragrance promotional postcard showing cream-white card stock with large grey CK One logo at left — overlapping &apos;c&apos; and &apos;K&apos; in light grey serif type with &apos;one&apos; in small lowercase — and tagline &apos;a fragrance for a man or a woman&apos; in small light grey italic serif type at lower left; vertical dividing line at centre right with standard postcard address fields; copyright line &apos;©1996 Calvin Klein Cosmetics Corporation. Right reserved by CKI&apos; in small print at lower centre; ligh</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wool-prankster-card-1980s</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wool_Christopher._Prankster_card_unique_ephemera._Unsigned.jpg?v=1781500582</image:loc>
      <image:title>Christopher Wool — Prankster Card, c. late 1980s–early 1990s</image:title>
      <image:caption>Original c. late 1980s–early 1990s Christopher Wool Prankster graphic card, offset print on white card stock, showing the word &apos;PRANKSTER&apos; printed in large bold black stencil-style block capitals across three lines reading &apos;PRA / NKS / TER&apos;, each letter fractured by thin white gaps at intersections consistent with Wool&apos;s text-based stencil language; letters fill the full card surface edge to edge against white ground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ciacciofera-bing-caritey-passerelle-inv-2024</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bing_Han._Variety_Amelie._Ciacciofera_Michele._Show_invite._2024.jpg?v=1781502595</image:loc>
      <image:title>Michele Ciacciofera / Han Bing / Amélie Caritey — Exhibition Guide, Passerelle Centre d’art contemporain, Brest, 2024</image:title>
      <image:caption>Original 2024 Michele Ciacciofera / Han Bing / Amélie Caritey exhibition guide, Passerelle Centre d&apos;art contemporain, Brest, folded exterior front panel showing white ground with fluorescent orange typography: &apos;Centre d&apos;art contemporain / PASSERELLE&apos; in large bold serif and sans-serif type at centre left with horizontal orange rule below, &apos;Brest — FR&apos; in smaller type beneath; at right, artist names in large stacked display type: &apos;MICHELE / CIACCIOFERA / HAN BING / AMÉLIE / CARITEY&apos; in mixed serif and pixela</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bismuth-one-size-fits-all-inv-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bismuth_Pierre._Team_Gallery_show_invite._2007_front.jpg?v=1781503188</image:loc>
      <image:title>Pierre Bismuth — One Size Fits All — Exhibition Invitation, Team Gallery / Mary Boone Gallery, New York, 2007</image:title>
      <image:caption>Original 2007 Pierre Bismuth One Size Fits All Mary Boone Gallery exhibition invitation, exterior red-orange panel showing full-bleed flat red-orange card stock with small white spaced-capital sans-serif text at lower left reading &apos;PIERRE BISMUTH MARY BOONE GALLERY 541 WEST 24 STREET NEW YORK&apos;; light surface marks consistent with period gallery ephemera.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/borremans-taking-turns-zwirner-inv-2009</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Borremans_-Michael.-David-Zwirner-show-invite.-2009-front.jpg?v=1781503719</image:loc>
      <image:title>Michaël Borremans — Taking Turns — Exhibition Invitation Card, David Zwirner, New York, 2009</image:title>
      <image:caption>Reverse of 2009 Michaël Borremans Taking Turns David Zwirner New York exhibition invitation card showing pale cream-white ground with small caption at upper right in light grey serif type reading &apos;Taking Turns, 2009 (film still) / 35mm film transferred to DVD&apos;; centred lower half with &apos;Michaël Borremans&apos; in large light serif type, &apos;Taking Turns&apos; in smaller italic below, exhibition dates &apos;February 24 through / March 25, 2009&apos;, reception &apos;February 24, 2009, 6 to 8 pm&apos;, and &apos;David Zwirner&apos; in bold serif with a</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/boucher-lair-pauvre-aliscans-inv-1971</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Boucher_Monique._Show_invite_texts_of_Monique_Boucher._1971_front_9a2ed2f2-ff3e-40a0-8d1e-56e12f1bb9d1.jpg?v=1781504654</image:loc>
      <image:title>Monique Boucher — L’air pauvre — Exhibition / Literary Event Invitation, Les Aliscans Librairie, Paris, 1971</image:title>
      <image:caption>Original 1971 Monique Boucher L&apos;air pauvre Les Aliscans librairie Paris invitation card, offset print in black ink on cream card stock, showing bold graphic layout: upper half with mixed-size italic and roman typography reading &apos;le vendredi 19 novembre / de 18 à 21 heures / NOVEMBRE/DÉCEMBRE 1971 / la librairie les &quot;ALISCANS&quot; présente / l&apos;exemplaire de tête illustré par / abdallah BENANTEUR de :&apos;; large bold italic display type reading &apos;l&apos;air pauvre&apos; across centre with &apos;textes de monique BOUCHER&apos; in smaller</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/brieux-collages-galerie-du-passeur-inv-1960s</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brieux_Madeleine_Alain._Show_invite_Collages_Galerie_du_Passeur._unknown.jpg?v=1781505252</image:loc>
      <image:title>Madeleine Alain Brieux — Collages — Exhibition Invitation, Galerie du Passeur, Paris, c.1960s</image:title>
      <image:caption>Front cover of c.1960s Madeleine Alain Brieux Collages Galerie du Passeur Paris exhibition invitation card showing a full-bleed colour offset lithograph reproduction of a surrealist collage: at left, a Dutch Old Master floral still life in an arched window frame overlaid with large pink-red hands reaching upward among peonies, tulips, and mixed flowers; at centre, a large flat mauve-purple silhouetted figure form; at upper right, acrobatic male figures in coloured costumes leaping across an ornate architect</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cazal-collection-claire-burrus-inv-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cazal_Philippe._Show_invite_Galerie_Claire_Burrus._1990.jpg?v=1781507452</image:loc>
      <image:title>Philippe Cazal — Collection — Exhibition Invitation Card, Galerie Claire Burrus, Paris, 1990</image:title>
      <image:caption>1990 Philippe Cazal Collection Galerie Claire Burrus Paris exhibition invitation card. Recto: repeating horizontal stripe pattern alternating dark grey and cream bands, each carrying &apos;PHILIPPE CAZAL&apos; in bold white/dark sans-serif and &apos;COLLECTION&apos; mirrored below in grey outline type, creating a dense optical rhythm across the full card surface.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/young-zazeela-composition-1960-13-lithograph-1962</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Young_La_Monte_Performance_13_196201.jpg?v=1781534764</image:loc>
      <image:title>La Monte Young / Marian Zazeela — Composition 1960 #13, Performance 10 20 62 — Offset Lithograph, New York, 1962</image:title>
      <image:caption>Original 1962 La Monte Young Marian Zazeela Composition 1960 #13 Performance 10 20 62 offset lithograph, New York. Left half: warm cream stock with typewritten text reading &apos;La Monte Young / Composition 1960 #13 / Performance 10 20 62 / Marian Zazeela&apos;; right half: dense black abstract field of swirling organic forms, high-contrast ink on cream ground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/alys-athens-postcard-2003</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Alys_Francis_Athens_Postcard_2003_01.jpg?v=1781542175</image:loc>
      <image:title>Francis Alÿs — Athens, Oct 2003 — Artist Postcard</image:title>
      <image:caption>2003 Francis Alÿs Athens postcard. Recto: aerial photograph of dense Athens cityscape, grey residential blocks receding to horizon; below, bilingual typewritten caption in Greek and English: &apos;a man traces a line as he walks through the city of Athens shooting a flare every 30 steps.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wool-gonzalez-torres-trauma-postcard-2001</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wool_Christopher_Gonzalez-Torres_Felix_Postcard01.jpg?v=1781543555</image:loc>
      <image:title>CHRISTOPHER WOOL / FELIX GONZALEZ-TORRES — Untitled, 1991 — Exhibition Postcard, TRAUMA, Dundee Contemporary Arts, 2001</image:title>
      <image:caption>Exhibition postcard from TRAUMA, Dundee Contemporary Arts, 2001. Recto: installation photograph of Christopher Wool / Felix Gonzalez-Torres Untitled (1991) — a large stack of white offset-printed sheets on a wooden floor, top sheet bearing dense black compressed text reading &apos;THE SHOW IS OVER THE AUDIENCE GET UP TO LEAVE THEIR SEATS TIME TO COLLECT THEIR COATS AND GO HOME AND GO HOME AND GO HOME AND NO MORE.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/garcia-lorca-dali-granada-postcard-1998</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Federico_Garcia_Lorca_under_Dali_Painting_Granada_199801.jpg?v=1781544690</image:loc>
      <image:title>Federico García Lorca under a Painting by Salvador Dalí, Granada, 1925 — Fundación Federico García Lorca Postcard, c.1998</image:title>
      <image:caption>Fundación Federico García Lorca postcard, c.1998. Recto: black-and-white photograph of Federico García Lorca seated on a sofa in the family home, Granada, 1925, wearing a dark suit and bow tie, hands clasped; above him on the wall, a Salvador Dalí still life painting showing bottles and objects on a ledge; small devotional image below the painting; cushions and domestic objects visible around him.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/turk-pop-1993-saatchi-postcard</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Turk_Gavin_POP_1993_Saatchi_collection_01_d8e88721-5fdd-48af-b927-d488b642a2d4.jpg?v=1781546639</image:loc>
      <image:title>Gavin Turk — Pop, 1993 — Saatchi Collection Postcard</image:title>
      <image:caption>Saatchi Collection postcard reproducing Gavin Turk Pop (1993). Colour photograph of wax self-portrait figure encased in brass-framed glass vitrine: figure in white blazer, dark trousers and boots, wild dark hair, holding a gun toward the viewer in a wide stance; gallery floor and white wall visible behind; photograph by Hugo Glendinning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/prince-panama-pavilion-venice-postcard-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_Richard_Panama_Pavillion_200701.jpg?v=1781547984</image:loc>
      <image:title>Richard Prince — Panama Pavilion, Venezia, June–July 2007 — Exhibition Postcard</image:title>
      <image:caption>2007 Richard Prince Panama Pavilion Venice postcard. Recto: reproduction of nurse painting Young Nurses — two semi-nude masked female figures in a brown interior, one standing at a table, one seated on the floor; &apos;YOUNG NURSES&apos; in yellow text at upper left; below, bold display typography: &apos;RICHARD PRINCE&apos; in gold, &apos;Panama Pavilion&apos; in red serif, &apos;Venezia June – July 2007&apos; in red; white border.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/churchman-inner-dialogue-crousel-inv-2024</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Churchman_Leidy._Show_invite_inner_dialogue_._2024.jpg?v=1781556887</image:loc>
      <image:title>Leidy Churchman — Inner Dialogue — Exhibition Card, Galerie Chantal Crousel, Paris, 2024</image:title>
      <image:caption>2024 Leidy Churchman Inner Dialogue Galerie Chantal Crousel Paris exhibition card. Recto: colour reproduction of painting showing fragmented geometric forms in green, orange, pink, blue, red, and brown; a magpie in flight at centre; scattered handwritten text fragments including &apos;NO&apos;, &apos;EYE&apos;, &apos;space&apos;, &apos;dead&apos;; overlapping planes suggesting interior and exterior space simultaneously.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/dada-surrealisme-avant-gardes-wallonie-bruxelles-inv-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dada_Surrealism_Agant-Gardes._Show_invite_Centre_Wallonie-Bruxelles_Paris._1999_front.jpg?v=1781558093</image:loc>
      <image:title>DADA | SURRÉALISME | AVANT-GARDES — Un siècle de collage en Belgique — Exhibition Invitation with Insert, Centre Wallonie-Bruxelles, Paris, 1999–2000</image:title>
      <image:caption>1999 Dada Surréalisme Avant-Gardes Centre Wallonie-Bruxelles Paris exhibition invitation, cover: colour reproduction of Marcel Mariën&apos;s Parler de soie (1975), showing a fragmented female face — eyes and nose within a speech-bubble cutout form, lips detached below — on cream ground; handwritten caption &apos;Parler de soie.&apos; at lower left and &apos;Mariën 9.6.75&apos; at lower right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/dali-gare-de-perpignan-petit-inv-1977</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dali_Salvador._Show_invite_Galerie_Andre_Drancois_Petit._1977.jpg?v=1781559757</image:loc>
      <image:title>Salvador Dalí — La Gare de Perpignan — Pair of Exhibition Invitation Cards, Galerie André François Petit, Paris, 1977</image:title>
      <image:caption>1977 Salvador Dalí La Gare de Perpignan Galerie André François Petit Paris exhibition invitation card. Recto: dark surrealist composition on gold-toned ground — radiating beams of light from a central floating bus or vehicle at top, silhouetted figures at left and right edges, a small winged insect at the vanishing point, shadowy forms including a hat and rake in the foreground; theatrical chiaroscuro atmosphere.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/dali-pompidou-inv-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dali_Salvador._Show_invite_Pompidou._1979.jpg?v=1781585250</image:loc>
      <image:title>Salvador Dalí — Centre Georges Pompidou — Exhibition Inauguration Invitation Card, Paris, 1979</image:title>
      <image:caption>Salvador Dalí, Centre Georges Pompidou inauguration invitation, Paris, 18 December 1979. Classical figure silhouette against tiled museum floor; black invitation text signed by Jean Millier and Pontus Hultén.&quot;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/de-biasi-spheres-donguy-inv-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/De_Biasi_Pierre_Marc._Show_invite_Galerie_J_J_Donguy._1982.jpg?v=1781587654</image:loc>
      <image:title>Pierre-Marc de Biasi — Sphères Sphères — Exhibition Invitation Card, Galerie J. &amp; J. Donguy, Paris, c.1982</image:title>
      <image:caption>Pierre-Marc de Biasi, Sphères Sphères, Galerie J. &amp; J. Donguy, Paris, 1982. Monochrome field with numbered sphere clusters (4, 5, 6, 7), directional arrows, cross marks, and photographic haze.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/genzken-geldbilder-hauser-wirth-inv-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Genzken_Isa._Show_invite_Geldbilder_translation_Money_pictures_._2015.jpg?v=1781589036</image:loc>
      <image:title>Isa Genzken — Geldbilder — Folded Exhibition Invitation, Hauser &amp; Wirth, London, 2015</image:title>
      <image:caption>Isa Genzken, Geldbilder, Hauser &amp; Wirth London, 2015. Cover: assemblage painting with green and blue spray paint, hazard tape border, scattered coins, £20 and €50 banknotes, Scottish £20 note, toy wooden gun, and photographic fragments.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/grzeszykowska-untitled-film-stills-raster-pc-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Grezeszykowska_Aneta._Artist_postcard_Untitled_film_stills_30_remake_of_Cindy_Sherman_s_film_stills._2006.jpg?v=1781589753</image:loc>
      <image:title>Aneta Grzeszykowska — Untitled Film Stills #30, 2006 — Artist Postcard, Raster Gallery, Warsaw</image:title>
      <image:caption>Aneta Grzeszykowska, Untitled Film Stills #30, 2006, c-print, Raster Gallery Warsaw. Close-up of young woman with short dark hair, wide eyes, smudged mascara, open mouth, lit against dark blue interior; restaged after Cindy Sherman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/guyton-chantal-crousel-inv-2023</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Guyton_Wade._Show_invite_Galerie_Chantal_Crousel._2023.jpg?v=1781599337</image:loc>
      <image:title>Wade Guyton — Exhibition Invitation Card, Galerie Chantal Crousel, Paris, 2023</image:title>
      <image:caption>Wade Guyton, Galerie Chantal Crousel, Paris, 2023. Full-bleed photograph of a dead deer lying on a wet pebble shoreline, sepia-toned, viewed from above; cream card border.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/imitation-of-christ-retrospective-deitch-archive-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Imitation_of_Christ._A_Retrospective_September_17_2002_Maurice_Villency_Flagship_Store_200_East_57th_Street_postcard_invite._2002_front_52d90c6b-a162-4f9b-8a2e-db04df9a652e.jpg?v=1781601507</image:loc>
      <image:title>Imitation of Christ: A Retrospective — Archive Lot: Invitation, Press Release &amp; Original Polaroids, Jeffrey Deitch / Maurice Villency, New York, 2002</image:title>
      <image:caption>Imitation of Christ: A Retrospective invitation recto, 2002. Cream card with heavy printed faux-water staining; stencil-style typography reading &apos;The Museum of Modern Art, Tirana, Albania / in association with Deitch Projects / presents / Imitation of Christ: A Retrospective / Tuesday September 17th 2002, 8:00pm / Maurice Villency, 200 East 57th Street, Corner of 3rd Avenue / RSVP Seventh House PR 212 561 5450.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jorn-lens-fine-art-inv-1972</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Jorn_Asger._Show_invite_Lens_Fine_Art._1972_front.jpg?v=1781604867</image:loc>
      <image:title>Asger Jorn — Exhibition Invitation Card, Lens Fine Art, Antwerpen, 1972</image:title>
      <image:caption>Asger Jorn exhibition invitation verso, Lens Fine Art, Antwerpen, 1972. Orange stock with black serif text in Dutch and French announcing vernissage 7 December 1972, 18h; exhibition through 27 January 1973; Lens Fine Art, Mechelsesteenweg 146, 2000 Antwerpen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kawinzi-streetspeak-harlem-postcards-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kawinzi_Miatta._Artist_postcard_The_studio_museum_in_Harlem_2016_front_c2489172-d55b-43a8-bded-d2bf9b0ac0fb.jpg?v=1781607614</image:loc>
      <image:title>Miatta Kawinzi — Streetspeak — Harlem Postcards Summer 2016, The Studio Museum in Harlem</image:title>
      <image:caption>Miatta Kawinzi, Streetspeak, 2016, Studio Museum in Harlem Harlem Postcards Summer 2016. Eight dark-skinned hands reaching inward from the edges of a clear blue sky; small white text at centre reads &apos;my sista&apos;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/william-burroughs-rolling-stone-issue-108-1972</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rolling_Stone_1972_cover.jpg?v=1781639423</image:loc>
      <image:title>William Burroughs — Rolling Stone Issue No. 108, May 1972</image:title>
      <image:caption>Original 1972 Rolling Stone Issue No. 108 cover, May 11, 1972, Straight Arrow Publishers, San Francisco — David Cassidy photographed by Annie Leibovitz on the cover with cover lines including Rolling Stone Interview: William Burroughs, Naked Lunch Box: The Business of David Cassidy, Tammy Wynette, and True Dope Tales: The Promoter was a Narc</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-i-dreamt-i-was-a-nymphomaniac-imagining-1980</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_Kathy._I_dreamt_I_was_a_nymphomaniac_imagining_the_black_tarantula._1980.jpg?v=1781641345</image:loc>
      <image:title>Kathy Acker — I Dreamt I Was a Nymphomaniac: Imagining</image:title>
      <image:caption>Original 1980 Kathy Acker paperback I Dreamt I Was a Nymphomaniac: Imagining, Travelers Digest Editions — front cover with black upper panel, pink lower field, hand-lettered title in white, subtitle Imagining in red, and loose ink drawing of a reclining figure; byline The Black Tarantula at foot&quot;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-the-childlike-life-of-the-black-tarantula-1978</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_Kathy._The_childlike_life_of_the_black_tarantula._1978.jpg?v=1781641893</image:loc>
      <image:title>Kathy Acker — The Childlike Life of the Black Tarantula</image:title>
      <image:caption>Original 1978 Kathy Acker paperback The Childlike Life of the Black Tarantula, PM / TVRT Press, New York — bright green front cover with black serif title text reading &apos;The Childlike Life of THE BLACK TARANTULA by The Black Tarantula&apos;, centred black-and-white illustration of a small figure casting a large shadow</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/devendra-banhart-rejoicing-in-the-hands-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Banhart_Devandra._Rejoicing_in_the_Hands._2004.jpg?v=1781642682</image:loc>
      <image:title>Devendra Banhart — Rejoicing in the Hands</image:title>
      <image:caption>Original 2004 Devendra Banhart Rejoicing in the Hands CD, Young God Records / XL Recordings — jewel case front showing cream-toned illustrated cover with hand-drawn figures including a winged bear, owl, rabbit, and orb amid decorative foliage, all in brown ink on aged paper ground</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-baudrillard-the-chance-band-suicide-moi-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Baudrillard_Jean._Suicide_Moi._By_Jean_Baudrillard_with_the_Chance_Band._2002.jpg?v=1781643381</image:loc>
      <image:title>Jean Baudrillard &amp; The Chance Band — Suicide Moi</image:title>
      <image:caption>Original 2002 Jean Baudrillard &amp; The Chance Band Suicide Moi CD, Compound Annex Records, Los Angeles — jewel case front with blue-sky photographic cover showing a large hotel-casino building on a rocky hillside beside a lake, title Suicide Moi in pink cursive script at top, artist name Jean Baudrillard The Chance Band in white serif text at foot</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-bellmer-die-puppe-die-spiele-der-puppe-die-anatomie-des-bildes-1976</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Die_Puppe._Die_Spiele_der_Puppe._Die_Anatomie_des_Bildes._1976.jpg?v=1781643943</image:loc>
      <image:title>Hans Bellmer — Die Puppe. Die Spiele der Puppe, Frankfurt, 1976</image:title>
      <image:caption>Original 1976 Hans Bellmer Die Puppe paperback, Ullstein Verlag, Frankfurt — cream textured cover with centred colour photograph of a fragmented doll torso in pink and olive tones, three titles in black serif type below: Die Puppe / Die Spiele der Puppe / Die Anatomie des Bildes
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/louise-bourgeois-bourgeois-truth-robert-miller-gallery-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bourgeois_Louise._Bourgeois_Truth_by_Robert_Pincus-Witten_Author_._1982.jpg?v=1781644869</image:loc>
      <image:title>Louise Bourgeois — Truth — Robert Pincus-Witten— New York, 1982</image:title>
      <image:caption>Original 1982 Louise Bourgeois Bourgeois Truth exhibition catalogue, Robert Miller Gallery, New York — cream square softcover with full-bleed black ink drawing of densely hatched grass-like blade forms on aged yellow-cream ground, no title text on cover</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/olaf-breuning-ugly-hatje-cantz-2001</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Breuning_Olaf._Ugly._2001.jpg?v=1781645780</image:loc>
      <image:title>Olaf Breuning — Ugly — Hatje Cantz, Ostfildern-Ruit, 2001</image:title>
      <image:caption>Original 2001 Olaf Breuning Ugly, Hatje Cantz, Ostfildern-Ruit — hardcover front showing full-bleed colour photograph of a young woman in round sunglasses, white crop top, and shoulder holster, holding a pistol raised to shoulder height and a power drill at hip, standing in a narrow wooden doorway, red lipstick, direct gaze</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ralph-gibson-deja-vu-lustrum-press-1973</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gibson_Ralph._Deja-Vu._1973.jpg?v=1781646934</image:loc>
      <image:title>Ralph Gibson — Deja-Vu, Lustrum Press, New York, 1973</image:title>
      <image:caption>Cover Cover of Ralph Gibson, Deja-Vu, Lustrum Press, New York, 1973, showing the title in white italic serif type centred on a solid black softcover.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-kippenberger-picture-a-moon-shining-in-the-sky-starship-verlag-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kippenberger_Martin._Picture_a_Moon_Shining_in_the_Sky_Conversation_with_Martin_Kippenberger._2007.jpg?v=1781647785</image:loc>
      <image:title>Martin Kippenberger — Picture a Moon, Shining in the Sky, Starship Verlag, Berlin, 2007</image:title>
      <image:caption>Cover of Martin Kippenberger, Picture a Moon, Shining in the Sky: Conversation with Martin Kippenberger, Starship Verlag, Berlin, 2007, showing a handwritten columnar note with figures headed Venezia, Martin, and M.K. on grey card with a green and white title label below and Starship logo upper left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/zoe-leonard-i-want-a-president-gato-negro-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leonard_Zoe._I_want_a_President_2017.jpg?v=1781650821</image:loc>
      <image:title>Zoe Leonard — I Want a President, Gato Negro, Mexico City, 2017</image:title>
      <image:caption>Cover of Zoe Leonard, I Want a President, Gato Negro, Mexico City, 2017, showing the title in large dark brown sans-serif type over a risograph-printed heart on a vivid orange wrapper, with the author name Zoe Leonard below and C¿MI colophon at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mladen-stilinovic-the-praise-of-laziness-gato-negro-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Stilinovic_Mladen._The_praise_of_Laziness_5d0c955c-d93e-4391-991f-971242bcc521.jpg?v=1781651465</image:loc>
      <image:title>Mladen Stilinović — The Praise of Laziness, Gato Negro, Mexico City, 2015</image:title>
      <image:caption>Cover of Mladen Stilinović, The Praise of Laziness, Gato Negro, Mexico City, 2015, showing the title in large pale pink rounded serif type on a vivid magenta risograph-printed wrapper, with the author name mladen stilinovic below in smaller type.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/drop-magazine-fall-winter-1997-new-york</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Drop_Magazine_fw_1997_9b85382f-09e9-46c1-81fe-70442f72165b.jpg?v=1781653345</image:loc>
      <image:title>Drop Magazine — Fall/Winter 1997, New York</image:title>
      <image:caption>Cover of Drop Magazine, Fall/Winter 1997, New York, showing Amanda Lepore in a black bra holding a mobile phone against a red brick wall, with the text &quot;tune in turn on&quot; and a contents list including Amanda Lepore, Ned Ambler, Larry Tee, Sears and Robot, Wm. Van Meter, Nice Collective, and the Drop Magazine logo in yellow and blue at right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/zoe-leonard-secession-wiener-secession-vienna-1997</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leonard_Zoe._Secession._1997.jpg?v=1781677603</image:loc>
      <image:title>Zoe Leonard — Secession, Wiener Secession, Vienna, 1997</image:title>
      <image:caption>Cover of Zoe Leonard, Secession, Wiener Secession, Vienna, 1997, showing a black-and-white photograph of bare winter trees in a forest with the title SECESSION in large pale yellow sans-serif capitals at upper left and ZOE LEONARD in the same type at lower right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/erwin-wurm-kunstverein-hamburg-villa-arson-nice-1993</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wurm_Erwin._Kunstverein_in_Hamburg_Villa_Arson_1993_front.jpg?v=1781678961</image:loc>
      <image:title>Erwin Wurm — Kunstverein in Hamburg / Villa Arson, Nice, 1993</image:title>
      <image:caption>Cover of Erwin Wurm, Kunstverein in Hamburg / Villa Arson, Nice, 1993, showing a plain dark grey-green softcover with ERWIN WURM in small debossed type at centre and KUNSTVEREIN IN HAMBURG / VILLA ARSON NICE in small debossed type at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-williams-visual-addiction-last-gasp-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Williams_-Robert.-Visual-Addiction-The-Art-of-Robert-Williams-2cover.jpg?v=1781682088</image:loc>
      <image:title>Robert Williams — Visual Addiction: The Art of Robert Williams, Last Gasp, 1989</image:title>
      <image:caption>Cover of Robert Williams, Visual Addiction: The Art of Robert Williams, Last Gasp, Berkeley, 1989, showing a painting of a monstrous open-mouthed creature with exposed teeth and tongue on the left and a nude woman reclining on a giant hamburger in front of a roadside diner on the right, with the title VISUAL ADDICTION in large yellow lightning-bolt lettering on a blue chevron-patterned background, and INTRODUCTION BY LYDIA LUNCH at top.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-tuttle-warm-brown-mesa-pieces-karntner-landesgalerie</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Tuttle_-Richard.-Warm-Brown_-1-67-and-Mesa-Pieces-1-cover_c6a5db99-011a-4ce7-933f-3aa2850e772a.jpg?v=1781734533</image:loc>
      <image:title>Richard Tuttle — Warm Brown, 1–67 and Mesa Pieces, Kärntner Landesgalerie, 1995</image:title>
      <image:caption>Cover of Richard Tuttle, Warm Brown, 1–67 and Mesa Pieces, Kärntner Landesgalerie, Klagenfurt, c. 1990s, showing a close-up photograph of a metallic reflective surface — the cover of the catalogue itself — with the title RICHARD TUTTLE / WARM BROWN, 1–67 / AND MESA PIECES printed diagonally in large orange sans-serif capitals, and a single metal screw pin visible at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/sherrie-levine-galerie-nachst-st-stephan-vienna-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Levine_Sherrie._Vienna_Galerie_Nachst_St._Stephan_1988._1988_front.jpg?v=1781758385</image:loc>
      <image:title>Sherrie Levine — Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, 1988</image:title>
      <image:caption>Cover of Sherrie Levine, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, 1988, showing a plain cream-yellow softcover with SHERRIE LEVINE in small red serif capitals at upper centre and GALERIE NÄCHST ST. STEPHAN / ROSEMARIE SCHWARZWÄLDER in small black serif capitals at lower centre, with a faint vertical pencil mark at left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/art-and-artists-june-1966-venice-biennale-number</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Lichtenstein_Roy_etc._ART_AND_ARTISTS_JUNE_1966_VOLUME_ONE_NUMBER_THREE._1966_front.jpg?v=1781759773</image:loc>
      <image:title>ROY LICHTENSTEIN — Art and Artists, Vol. I, No. 3, June 1966 — Venice Biennale Number</image:title>
      <image:caption>Cover of Art and Artists, Volume One Number Three, June 1966, Venice Biennale Number, showing a close-cropped reproduction of Roy Lichtenstein&apos;s comic-book painting of a blonde woman&apos;s face with Ben-Day dot shading, red lips, and a striped ribbon in her hair, with the masthead ART and artists in large black sans-serif type at top, and VENICE BIENNALE NUMBER in bold black capitals below, priced 4s $1.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-mapplethorpe-2000-calendar-cd-case-edition-teneues-1999</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mapplethorpe_Robert._2000_Calendar_CD_case_edition_front.jpg?v=1781760377</image:loc>
      <image:title>Robert Mapplethorpe — 2000 Calendar (CD Case Edition), teNeues, 1999</image:title>
      <image:caption>Cover insert of Robert Mapplethorpe, 2000 Calendar, CD case edition, teNeues, 1999, showing the calendar housed in a clear plastic CD jewel case, with a black printed insert reading MAPPLETHORPE / 2000 Calendar in white serif type at upper left, and a black-and-white photograph of a nude male figure seated on a plinth with his back to the camera, knees drawn up, against a circular dark disc.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-mapplethorpe-some-women-bulfinch-press-1992</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mapplethorpe_Robert._Some_Women._1992.jpg?v=1781761879</image:loc>
      <image:title>Robert Mapplethorpe — Some Women, Bulfinch Press, 1992</image:title>
      <image:caption>Cover of Robert Mapplethorpe, Some Women, Bulfinch Press, Boston, 1992, showing a black-and-white close-up photograph of a woman&apos;s face cropped from the forehead to the chin, eyes gazing directly at the camera, against a dark background, with the title SOME WOMEN in white serif capitals at lower left and ROBERT MAPPLETHORPE in smaller white serif capitals above.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/christian-marclay-phaidon-contemporary-artists-series-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Marclay_Christian._Phaidon_Contemporary_Artists_Series_interview_Gordon_Kim._2005.jpg?v=1781763036</image:loc>
      <image:title>Christian Marclay — Phaidon Contemporary Artists Series, 2005</image:title>
      <image:caption>Cover of Christian Marclay, Phaidon Contemporary Artists Series, Phaidon Press, London, 2005, showing a grid of twelve colour stills from film and television, each depicting a person speaking on a telephone handset, arranged in four rows of three against a black ground, with the title CHRISTIAN MARCLAY in large white sans-serif type at centre and the Phaidon logo at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mike-kelley-on-the-aliens-among-us-world-art-gocard-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kelley_Mike._Postcard_advertising_card.jpg?v=1781790544</image:loc>
      <image:title>Mike Kelley — On the Aliens Among Us, World Art Magazine GoCard, c. 2000–2001</image:title>
      <image:caption>Front Original c. 2000–2001 Mike Kelley World Art magazine GoCard promotional postcard, front, showing the magazine cover with a digitally composited colour image of a man&apos;s face with stylised pink antennae rising from his temples against a dramatic purple and blue clouded sky, with the masthead WORLD ART in large white outlined capitals at top and the text Mike Kelley / ON THE ALIENS AMONG US in white and pale green type at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-kippenberger-ab-in-die-ecke-und-schaem-dich-edition-5-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kippengerger_Martin_Artist_postcard_image_ab_in_die_Ecke_und_scham_dich_1989_._2006.jpg?v=1781882280</image:loc>
      <image:title>Martin Kippenberger — Martin, ab in die Ecke und schäm dich, Artist Postcard, Edition 5, 2006</image:title>
      <image:caption>Original 2006 Edition 5 artist postcard reproducing Martin Kippenberger&apos;s sculpture Martin, ab in die Ecke und schäm dich, 1989, showing a life-size resin figure of a man in a checked shirt, braces, grey trousers, and black shoes, standing with his back to the viewer, face pressed into the corner of two white gallery walls, arms clasped behind his back, the figure photographed in a clean white gallery space with a grey floor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-kippenberger-ohne-titel-lieber-maler-male-mir-1981-edition5-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kippengerger_Martin._Artist_postcard_image_Ohne_Titel_1981_._2006.jpg?v=1781882764</image:loc>
      <image:title>Martin Kippenberger — Ohne Titel (Lieber Maler, male mir), 1981, Artist Postcard, Edition5, 2006</image:title>
      <image:caption>Original 2006 Edition5 artist postcard reproducing Martin Kippenberger&apos;s painting Ohne Titel, 1981, from the Lieber Maler, male mir series, showing a large-format close-up of a fluffy white dog painted in acrylic on canvas, the animal&apos;s face filling the composition with wide dark eyes and a black nose, the fur rendered in loose gestural strokes of white and grey against a pale grey background, the image combining sentimental subject matter with the deliberate commercial execution characteristic of the serie</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-kippenberger-ohne-titel-lieber-maler-male-mir-1981-edition5-2006-sofa</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kippengerger_Martin._Artist_postcard_image_Ohne_Titel_1981_._2006_2.jpg?v=1781883006</image:loc>
      <image:title>Martin Kippenberger — Ohne Titel (Lieber Maler, male mir), 1981, Artist Postcard, Edition5, 2006</image:title>
      <image:caption>Original 2006 Edition5 artist postcard reproducing Martin Kippenberger&apos;s painting Ohne Titel, 1981, from the Lieber Maler, male mir series, showing a colour photorealist painting of a suited man reclining on a dark upholstered sofa abandoned on a city pavement at a wide intersection, a lamp post rising behind him, a US postal mailbox at left, and an Exxon petrol station sign visible across the street in the background, the scene rendered with the flat commercial precision characteristic of the series.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/per-kirkeby-peintures-et-sculptures-galerie-laage-salomon-paris-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kirkeby_Per._Show_invite_Galerie_Laage_Salomon._1990.jpg?v=1781883390</image:loc>
      <image:title>Per Kirkeby — Peintures et Sculptures, Galerie Laage-Salomon, Paris, 1990</image:title>
      <image:caption> Original 1990 Per Kirkeby exhibition invitation for Peintures et Sculptures, Galerie Laage-Salomon, Paris, front, showing a plain cream card with PER KIRKEBY set in large widely spaced black serif capitals centred on an otherwise blank ground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/alison-knowles-a-finger-book-prints-video-galerie-donguy-paris-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Knowles_Alison._Show_invite_A_finger_book_works_Galerie_J_J_Donguy._1988.jpg?v=1781944789</image:loc>
      <image:title>Alison Knowles — A Finger Book (Prints &amp; Video), Galerie J &amp; J Donguy, Paris, 1988</image:title>
      <image:caption>Original 1988 Alison Knowles exhibition invitation for A Finger Book (Prints &amp; Video), Galerie J &amp; J Donguy, Paris, front, printed in blue offset lithography on cream card stock, showing at left ALISON KNOWLES in bold sans-serif capitals, the exhibition dates 21 juin – 9 juillet 1988 and opening hours, the vernissage note mardi 21 juin 18h–21h, and the gallery address Galerie J &amp; J Donguy, 57 rue de la Roquette, dans la cour, 75011 Paris; at right a loose gestural drawing of two book-like rectangular forms </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lorenzo-alessandri-illustration-guida-al-mondo-dei-sogni-peter-kolosimo-1968</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kolosimo_Peter._Illustration_by_Alessandri_for_Guide_to_the_book_of_dreams_._1968.jpg?v=1781945419</image:loc>
      <image:title>Lorenzo Alessandri — Illustration for Guida al Mondo dei Sogni by Peter Kolosimo, Edizioni Mediterranee, 1968</image:title>
      <image:caption>Original 1968 offset-printed illustration by Lorenzo Alessandri for Guida al Mondo dei Sogni by Peter Kolosimo, Edizioni Mediterranee, Rome, showing a surrealist pen-and-ink composition in black on cream paper: at left a seated nude female figure with close-cropped hair, her body turned slightly away, one hand raised to her chest; at right a large robed ecclesiastical figure in an ornate mitre and vestments leaning toward her; between them on the ground an arrangement of small ritual objects including bottl</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/yayoi-kusama-manifestation-non-identifiee-new-york-1968-centre-pompidou-postcard-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kusama_Yayoi._Editions_Pompidou_Paris_postcard._Manifestation_non_identifee_New_York_1968_._2019_front_6bbfc89c-3165-4eaf-b2ea-72a236da2883.jpg?v=1781946859</image:loc>
      <image:title>Yayoi Kusama — Manifestation non identifiée, New York, 1968, Centre Pompidou Postcard, 2019</image:title>
      <image:caption>2019 Centre Pompidou exhibition postcard reproducing Harry Shunk and János Kender&apos;s black-and-white photograph of Yayoi Kusama&apos;s happening Manifestation non identifiée, New York, 1968, showing two nude figures standing and embracing in a dense installation environment of polka-dotted soft sculptures and pumpkin-like forms, one figure&apos;s head and upper body draped in an American flag printed with white stars on a dark ground, the other figure&apos;s body painted with large dark polka dots, the background filled wi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/sarah-lucas-i-scream-daddio-british-pavilion-56th-venice-biennale-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Lucas_Sarah.ShowinviteBritishPavillion_Venice.2015back.jpg?v=1781948536</image:loc>
      <image:title>Sarah Lucas — I SCREAM DADDIO, British Pavilion, 56th Venice Biennale, 2015</image:title>
      <image:caption>r Original 2015 Sarah Lucas exhibition guide for I SCREAM DADDIO, British Pavilion, 56th Venice Biennale, front cover, showing a bright yellow folded card with SARAH LUCAS / BRITISH PAVILION in large bold dark navy serif capitals at the top, below which a white floor plan diagram of the British Pavilion with numbered work positions 1–21 across six rooms and the Portico, and below that TEXT &amp; ARTWORKS: SARAH LUCAS / Translation: Elisabetta Rabajoli / Photographs &amp; Design: Julian Simmons / 56TH INTERNATIONAL </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/yayoi-kusama-explosion-anatomique-pont-de-brooklyn-new-york-1968-centre-pompidou-postcard-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kusama_Yayoi._Editions_Pompidou_Paris_postcard._Explosion_anatomique_Pont_de_Brooklyn_1968_._2019_front_63027cc3-fa61-4e6c-8f65-795ec564945a.jpg?v=1779602205</image:loc>
      <image:title>Yayoi Kusama — Explosion anatomique, Pont de Brooklyn, New York, 1968, Centre Pompidou Postcard, 2019</image:title>
      <image:caption>Centre Pompidou postcard reproducing a 1968 black-and-white photograph by Harry Shunk and János Kender of Yayoi Kusama on the Brooklyn Bridge with nude performers covered in polka dots holding a banner reading “KUSAMA SELF-OBLITERATION.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/urs-luthi-autoportraits-galerie-stadler-paris-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Luthi_Urs._Show_invite_Autoportraits_._1985_210c16bc-e645-463a-99cd-10d206892174.jpg?v=1781966027</image:loc>
      <image:title>Urs Lüthi — Autoportraits, Galerie Stadler, Paris, 1985</image:title>
      <image:caption> Original 1985 Urs Lüthi exhibition invitation for Autoportraits, Galerie Stadler, Paris, front, off-white folded card with black serif text: URS LÜTHI in large centred caps, exhibition title in two series — Grands Sentiments and Croquis Téléphoniques — vernissage date 25 April 18h–20h, and exhibition dates 25 April – 25 May 1985.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rene-magritte-photographies-edition-lebeer-hossmann-bruxelles-hamburg-1976</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Magritte_Rene._Editions_invite_Lebber_Hossmann_Bruxelles_Hamburg._front.jpg?v=1781966530</image:loc>
      <image:title>René Magritte — Photographies, Edition Lebeer Hossmann, Bruxelles / Hamburg, 1976</image:title>
      <image:caption>1976 Edition Lebeer Hossmann publisher&apos;s brochure for René Magritte Photographies, front cover, showing René Magritte Photographies in italic script at the top, EDITION LEBEER HOSSMANN / BRUXELLES HAMBURG in small caps below, and a black-and-white photograph of two boys standing with their backs to the camera on a flat beach, their heads turned away, wearing dark jackets and shorts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rene-magritte-la-fidelite-des-images-cinematographe-photographie-arc2-paris-1976</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Magritte_Rene._Show_invite_le_cinematographe_et_la_photographie_._1976.jpg?v=1781967033</image:loc>
      <image:title>René Magritte — La Fidélité des Images: Le cinématographe et la photographie, ARC 2, Musée d’Art Moderne de la Ville de Paris, 1976</image:title>
      <image:caption>Original 1976 exhibition invitation for René Magritte, La Fidélité des Images, ARC 2, Musée d&apos;Art Moderne de la Ville de Paris, front, showing a black-and-white reproduction of Magritte&apos;s photograph L&apos;amour: two figures in an interior, one in a dark swimsuit standing barefoot, the other in a white shirt holding a palette and reaching toward the first, captioned L&apos;amour in small italic type below, on cream card.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/maja-malou-lyse-things-to-come-danish-pavilion-61st-venice-biennale-2026</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Malou_Lyse_Maja._Show_invite_Things_to_come_Danish_Pavillion._2026_front.jpg?v=1781967895</image:loc>
      <image:title>Maja Malou Lyse — Things to Come, Danish Pavilion, 61st Venice Biennale, 2026</image:title>
      <image:caption>Front 2026 Danish Pavilion exhibition guide for Maja Malou Lyse, Things to Come, 61st Venice Biennale, front, bright yellow folded card with MAJA MALOU LYSE in small purple caps and THINGS TO COME in large bold purple condensed type, repeated twice in stacked format; DANISH PAVILION / BIENNALE ARTE, 6.5–22.11 2026 below each; EN language indicator in oval at upper left; La Biennale di Venezia Partecipazioni Nazionali red logo sticker at upper right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/patti-smith-robert-mapplethorpe-still-moving-fig-1-london-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mapplethorpe_Robert._Smith_Patti._Show_invite_Still_moving_London_fig-1_gallery_Soho._2000_1c3fe0cc-61a3-4e28-b560-ee1a1ac82953.jpg?v=1781968242</image:loc>
      <image:title>Patti Smith / Robert Mapplethorpe — Still / Moving, fig-1, London, 2000</image:title>
      <image:caption>Original 2000 fig-1 exhibition invitation for Patti Smith / Robert Mapplethorpe, Still / Moving, London, front cover, black card with white serif text: Patti Smith / Robert Mapplethorpe / Still / Moving / 28 November– / 2 December 2000 at upper left, and fig-1 at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wes-mills-missoula-drawings-joseph-helman-gallery-new-york-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mills_-Wes.-Missoula-Drawings-2000.-front_edited.jpg?v=1781969262</image:loc>
      <image:title>Wes Mills — Missoula Drawings, Joseph Helman Gallery, New York, 2000</image:title>
      <image:caption>Front cover Original 2000 Joseph Helman Gallery exhibition invitation for Wes Mills, Missoula Drawings, New York, front cover, reproducing Duchamp, 1999, graphite on paper, 7⅞ × 7⅞ inches: a near-empty cream field with a single diagonal passage of dense graphite hatching entering from the lower right corner, no text visible on the front.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/francis-naves-a-propos-des-piscines-galerie-stadler-paris-1973</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Naves_Frances._Show_invite_Naves_a_propos_des_piscines_translation_regarding_swimming_pools_._1973.jpg?v=1781971710</image:loc>
      <image:title>Francis Naves — À propos des piscines…, Galerie Stadler, Paris, 1973</image:title>
      <image:caption> Original 1973 Galerie Stadler exhibition invitation for Francis Naves, À propos des piscines…, Paris, front, sepia-toned photograph of a solitary figure in a dark jacket seated on the edge of an empty tiled swimming pool, legs dangling over the side, looking to the right; a metal ladder descends into the empty pool at left; fallen leaves visible on the pool floor; trees and a fence in the background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/adam-pendleton-new-work-pace-london-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Pendleton_Adam._Show_invite_new_work_coincides_with_participation_in_Belgian_Pavilion_at_Venice_Biennale._2015_front.jpg?v=1781972103</image:loc>
      <image:title>Adam Pendleton — New Work, Pace London, 2015</image:title>
      <image:caption>Original 2015 Pace London exhibition invitation for Adam Pendleton, New Work, front cover, plain white card with PACE LONDON in bold stencil-style black capitals centred on the page, no other text or image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/premier-festival-de-la-performance-de-paris-intervention-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Performance_Art._Invite_premier_festival_de_la_performance_de_Paris_._1982_front.jpg?v=1781991216</image:loc>
      <image:title>Premier Festival de la Performance de Paris — Intervention, Paris, 1982</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mai-thu-perret-zone-simon-lee-gallery-london-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Perret_Mai-Thu._Show_invite_Zone_Simon_Lee_Gallery_London._2016_front.jpg?v=1782019534</image:loc>
      <image:title>Mai-Thu Perret — Zone, Simon Lee Gallery, London, 2016</image:title>
      <image:caption>Reverse Reverse of 2016 Simon Lee Gallery exhibition invitation for Mai-Thu Perret, Zone, London, deep blue-grey card printed with a large circle in fluorescent magenta outline containing a regular rectangular grid of fine magenta lines, the grid slightly denser vertically than horizontally, centred on the card with the circle touching near the top and bottom edges, no text.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/michelangelo-pistoletto-segno-arte-galleria-continua-paris-2023</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Pistoletto_Michelangelo._Show_invite_Galleria_Continua._2023_front.jpg?v=1782020026</image:loc>
      <image:title>Michelangelo Pistoletto — Segno Arte, Galleria Continua, Paris, 2023</image:title>
      <image:caption>Front 2023 Galleria Continua invitation for Michelangelo Pistoletto, Segno Arte, Paris, front, colour photograph of Pistoletto in black outfit and purple hat, arms raised, legs spread, standing inside a large magenta-pink frame structure whose diagonal struts form an X around his body, in a gallery or fair space.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jacques-prevert-images-galerie-knoedler-paris-1963</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prevert_Jacques._Show_invite_Galerie_Knoedler._1963.jpg?v=1782020531</image:loc>
      <image:title>Jacques Prévert — Images, Galerie Knoedler, Paris, 1963</image:title>
      <image:caption>Front Original 1963 Galerie Knoedler private view invitation for Jacques Prévert, Images, Paris, textured yellow card with dark brown serif and script typography: gallery name and vernissage formula in small spaced caps; Images / de / Jacques Prévert in italic script; exhibition dates 10 décembre 1963 – 10 janvier 1964 and gallery address at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-i-changed-my-name-1988-artpost-postcard</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-Changed-my-Name---Postcard_ddc20594-28a9-440e-88db-5c47b968ff78.jpg?v=1782020878</image:loc>
      <image:title>Richard Prince — I Changed My Name, 1988, Artpost Postcard</image:title>
      <image:caption>Artpost postcard reproducing Richard Prince, I Changed My Name, 1988, acrylic and silkscreen on canvas: two deep blue-grey panels divided by a thin white vertical line, with the phrase I never had a penny to my name so I changed my name. in small red lowercase type centred across both panels, one clause per panel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/noah-purifoy-outdoor-desert-art-museum-assemblage-sculpture-joshua-tree-2022</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Purifoy_-Noah.-Outdoor-Desert-Art-Museum-of-Assemblage-Sculpture.-2022-front.jpg?v=1782021201</image:loc>
      <image:title>NOAH PURIFOY — Outdoor Desert Art Museum of Assemblage Sculpture, Joshua Tree, c. 2022</image:title>
      <image:caption>Noah Purifoy Foundation museum brochure, Outdoor Desert Art Museum of Assemblage Sculpture, Joshua Tree, c. 2022, front cover, white ground with Noah Purifoy in large brown serif type at top; below a full-width aerial colour photograph of the desert site showing scattered assemblage sculptures across a flat arid landscape with mountains in the background; Outdoor Desert Art Museum of Assemblage Sculpture in small brown serif type at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ivan-rabuzin-galerie-mona-lisa-paris-1963</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rabuzin_Ivan._Show_invite_Galerie_Mona-Lisa._1963_front.jpg?v=1782021719</image:loc>
      <image:title>Ivan Rabuzin — Galerie Mona-Lisa, Paris, 1963</image:title>
      <image:caption>Front Original 1963 Galerie Mona-Lisa press cocktail invitation for Ivan Rabuzin, Paris, textured pale yellow card with black serif typography; INVITATION in spaced italic caps; French text announcing cocktail de presse and vernissage, 14 November 1963, 19h; GALERIE MONA-LISA, 32 Rue de Varenne, PARIS-VIIᵉ; the word et and vernissage added in red manuscript at left margin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/marc-riboud-les-trois-bannieres-de-la-chine-galerie-delpire-paris-1967</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Riboud_Marc._Show_invite_The_three_banners_of_China_._1967.jpg?v=1782022178</image:loc>
      <image:title>Marc Riboud — Les trois bannières de la Chine, Galerie Delpire, Paris, 1967</image:title>
      <image:caption>Original 1967 Galerie Delpire exhibition announcement card for Marc Riboud, Les trois bannières de la Chine, Paris, recto, full-bleed black-and-white photograph: two figures in heavy winter clothing and flat caps, one wearing round dark-lensed glasses and eating from a bowl with chopsticks, the other reaching toward them, both in close-up against a dark background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gerhard-richter-panorama-tate-modern-london-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richter_Gerhard._Show_opening_retrospective._2011_front.jpg?v=1782025244</image:loc>
      <image:title>Gerhard Richter — Panorama, Tate Modern, London, 2011</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-richter-galleria-schwarz-milan-1963</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richter_Hans._Show_invite_Galleria_Schwarz_Milano._1963.jpg?v=1782028172</image:loc>
      <image:title>Hans Richter — Galleria Schwarz, Milan, 1963</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ulrich-ruckriem-erganzungsstucke-kunstraum-munchen-1974</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ruckriem_Ulrich._Exhibition_guide._1974.jpg?v=1782029125</image:loc>
      <image:title>Ulrich Rückriem — Ergänzungsstücke, Kunstraum München e.V., 1974</image:title>
      <image:caption>Original 1974 Kunstraum München exhibition guide for Ulrich Rückriem, front cover, white paper with ULRICH RÜCKRIEM in large black sans-serif caps at top; below a line-drawn architectural floor plan of the Kunstraum showing Vorplatz, Zi.A, Zi.B, and Eingang with directional arrow; KUNSTRAUM München e.V. / 21.3.1974–5.5.1974 in large black sans-serif type at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tom-sachs-painting-volume-ii-thaddaeus-ropac-paris-2024</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sachs_Tom._Show_invite_painting_Thaddaeus_Ropac._2024.jpg?v=1782029700</image:loc>
      <image:title>Tom Sachs — “Painting” (Volume II), Thaddaeus Ropac, Paris, 2024</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/giorgio-sadotti-100-balls-for-sale-1992-2025</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sadotti_Giorgio._100_balls_for_sale_show_invite._2025_front.jpg?v=1782030580</image:loc>
      <image:title>Giorgio Sadotti — 100 Balls (For Sale), 1992/2025</image:title>
      <image:caption> Giorgio Sadotti, 100 Balls (For Sale), 1992/2025, exhibition announcement card, reverse, uncoated white card with red offset text: 100 BALLS (FOR SALE) 1992/2025 in small red caps at upper left; below a paragraph in red italic and roman type describing the original 1992 proposition at Gió Marconi Gallery — ten people invited to buy ten balls each, priced at ten times original cost, price marked directly onto each ball in permanent marker; Giorgio Sadotti in red italic at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/taryn-simon-folder-costume-veil-the-picture-collection-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Simon_Taryn._Artist_postcard._2012.jpg?v=1782031132</image:loc>
      <image:title>Taryn Simon — Folder: Costume – Veil, The Picture Collection, 2012</image:title>
      <image:caption>Taryn Simon, Folder: Costume – Veil, The Picture Collection, 2012, artist postcard, front, pale cream uncoated card with three horizontal rows of small vertically oriented colour and black-and-white image fragments arranged across the centre: each strip shows a cropped detail from a portrait, fashion photograph, or documentary image — faces, hats, veils, figures, and costume details — sourced from the New York Public Library&apos;s Costume – Veil folder, the strips varying in width and height, set against the pl</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jack-smith-selects-from-the-grave-anthology-film-archives-new-york-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Smith_Jack._Jack_Smith_selects_retrospective_Anthology_Film_Archives._2015_front_486f52a1-89e5-4c5c-a56e-35da4207ab82.jpg?v=1782033033</image:loc>
      <image:title>Jack Smith Selects (From the Grave...), Anthology Film Archives, New York, 2015</image:title>
      <image:caption>2015 Anthology Film Archives programme card for Jack Smith Selects (From the Grave...), front, colour film still: close-up of a heavily made-up face with blue glitter eye make-up running down the cheek, thick black moustache, dark hair, against a dark background; (FROM THE GRAVE...) / JACK SMITH SELECTS / NOVEMBER 13 – DECEMBER 1 in white type at upper left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/diana-thater-life-is-a-time-based-medium-hauser-wirth-london-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Thater_Diana._Show_invite_Life_is_a_time_based_medium_._2014.jpg?v=1782033354</image:loc>
      <image:title>Diana Thater — Life Is a Time-Based Medium, Hauser &amp; Wirth, London, 2015</image:title>
      <image:caption>Original 2015 Hauser &amp; Wirth exhibition invitation for Diana Thater, Life Is a Time-Based Medium, London, front, colour photograph: two young rhesus macaques facing each other on an ornate pale stone parapet with scalloped coping, one with hand raised to mouth, against a soft-focus rocky and green background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/vivienne-westwood-man-autumn-winter-2000-2001-show-announcement</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Westwood_Vivienne._Autumn_Winter_2000-2001_show_announcement._2000_front.jpg?v=1782033746</image:loc>
      <image:title>Vivienne Westwood MAN — Autumn/Winter 2000–2001 Show Announcement</image:title>
      <image:caption> Vivienne Westwood MAN Autumn/Winter 2000–2001 show announcement, front, white card: Vivienne Westwood orb logo and script at top; MAN in large distressed letterpress-style type; AUTUMN/WINTER 2000/2001 in spaced caps; below a collage of dictionary page spreads with entries for mammy and man, overlaid with enlarged text fragments and three engraved portrait heads labelled BOWN MAN, HEIDELBERG MAN, CRO-MAGNON, 10. CHRISTIAN SCIENCE.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/moving-image-contemporary-video-art-fair-london-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wilke_-Hannah-_lead-image_--Moving-Image-art-fair-invite-front_a54ba4e9-c45b-4799-be3b-567aed915616.jpg?v=1782104259</image:loc>
      <image:title>Moving Image: Contemporary Video Art Fair, London, 2011</image:title>
      <image:caption>Front Moving Image Contemporary Video Art Fair, London, 2011, announcement card, front, white card: black-and-white photograph of Hannah Wilke crouching against a brick wall, holding a shoe, from So Help Me Hannah, 1978; Moving image in large type below with M and i in red; Contemporary Video Art Fair / October 13–16, 2011 London in black sans-serif; vertical caption at left edge: Hannah Wilke, So Help Me Hannah, 1978. Courtesy Donald and Helen Goddard and Ronald Feldman Fine Arts, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/philippe-thomas-distriart-nv-art-share-ostend-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Thomas_Philippe._Readymades_belong_to_Everybody._1994_front_162582ec-93db-43ec-a7fe-9dacdbdb5018.jpg?v=1782122148</image:loc>
      <image:title>PHILIPPE THOMAS — Distriart N.V. Art Share, Ostend, 1994</image:title>
      <image:caption>Original 1994 Philippe Thomas Distriart N.V. capital-share certificate, Ostend, Belgium. Front showing enlarged commercial barcode as principal image, corporate text, numbered 041, with thirty attached dividend coupons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gilbert-and-george-photo-pieces-1971-80-whitechapel-art-gallery-london-1981</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gilbert_George._Whitechapel_Gallery_poster_invite_photo_pieces._1981.jpg?v=1782193459</image:loc>
      <image:title>GILBERT &amp; GEORGE — Photo-Pieces 1971–80, Whitechapel Art Gallery, London, 1981</image:title>
      <image:caption>Original 1981 Gilbert &amp; George exhibition poster, Photo-Pieces 1971–80, Whitechapel Art Gallery, London. Front showing Rose Hole, 1980, offset print in black, grey and red with institutional text.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/la-monte-young-marian-zazeela-purpose-of-this-concert-barbican-1997</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Young_La_Monte_and_Zazeela_Marian._The_purpose_of_this_concert_is_not_entertainment_._1997.jpg?v=1782194541</image:loc>
      <image:title>LA MONTE YOUNG / MARIAN ZAZEELA — The Purpose of This Concert Is Not Entertainment, Barbican Centre, London, 1997</image:title>
      <image:caption> Exterior of 1997 La Monte Young and Marian Zazeela concert programme, Barbican Centre, London. Colour poster side showing Young and Zazeela before graffiti wall with black typographic band listing performers including Pulp, Spiritualized and Nick Cave.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/nicolas-bourriaud-postproduction-lukas-sternberg-new-york-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bourriaud_-Nicholas.-Postproduction.-2003-FRONT-COVER.jpg?v=1782195507</image:loc>
      <image:title>NICOLAS BOURRIAUD — Postproduction: Culture as Screenplay: How Art Reprograms the World, Lukas &amp; Sternberg, New York, 2002</image:title>
      <image:caption> Original 2002 Nicolas Bourriaud Postproduction first edition, Lukas &amp; Sternberg, New York. Front cover showing white wrappers with pale horizontal lines and partially obscured title text in green, designed by Surface.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/matias-faldbakken-search-suche-documenta-13-100-notes-035-hatje-cantz-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Faldbakken_-Matias.-SUCHE_dOCUMENTA-_13_-100-Notes---100-Thoughts.-2012-1-cover.jpg?v=1782196535</image:loc>
      <image:title>MATIAS FALDBAKKEN — Search / Suche, dOCUMENTA (13): 100 Notes – 100 Thoughts, No. 035, Hatje Cantz, 2011</image:title>
      <image:caption> Original 2011 Matias Faldbakken Search / Suche booklet, dOCUMENTA (13) 100 Notes – 100 Thoughts No. 035, Hatje Cantz. Front cover showing pale typographic wrapper with artist name, title SEARCH / SUCHE, dOCUMENTA (13) and Hatje Cantz imprint.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/laylah-ali-types-contemporary-art-museum-st-louis-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ali_-Laylah-Laylah-Ali_-Types-_Paperback_-cover.jpg?v=1782199211</image:loc>
      <image:title>LAYLAH ALI — Types, Contemporary Art Museum St. Louis, 2004</image:title>
      <image:caption>Original 2004 Laylah Ali Types artist&apos;s book, Contemporary Art Museum St. Louis. Front cover showing black illustrated card wrapper with masked multi-armed figure in white line drawing and TYPES title in lower right corner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rita-ackermann-jezebels-soccer-club-club-drag-city-chicago-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ackermann_Rita_Jezebels_2016.jpg?v=1782202851</image:loc>
      <image:title>RITA ACKERMANN — Jezebels, Soccer Club Club / Drag City, Chicago, 2016</image:title>
      <image:caption> Original 2016 Rita Ackermann Jezebels artist&apos;s book, Soccer Club Club / Drag City, Chicago. Front cover showing saturated electric-blue painted surface with Jezebels title in cursive script, photographs by Richard Kern.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/janette-beckman-el-hoyo-maravilla-dashwood-books-new-york-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Beckmann_-Janette.-El-Hoyo-Maravilla--_2011_---Los-Angeles-front-cover.jpg?v=1782204412</image:loc>
      <image:title>JANETTE BECKMAN — El Hoyo Maravilla, Dashwood Books, New York, 2011</image:title>
      <image:caption>Original 2011 Janette Beckman El Hoyo Maravilla photobook, Dashwood Books, New York. Front cover showing near-blank white wrapper with small inset black-and-white photograph of a young man in a white t-shirt standing before a graffiti-covered wall, hands raised.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/keith-haring-pop-figuration-deitch-projects-new-york-2003</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Haring_Keith._Pop_Figuration_January_8_February_15_2003_76_Grand_Street._2003.jpg?v=1782205188</image:loc>
      <image:title>KEITH HARING — Pop Figuration, Deitch Projects, New York, 2003</image:title>
      <image:caption>Original 2003 Keith Haring Pop Figuration folded exhibition announcement, Deitch Projects, 76 Grand Street, New York. Front panel showing hand-drawn lettering of KEITH HARING and POP FIGURATION pushed around the perimeter, partly inverted, with exhibition dates Jan 8 – Feb 15, 2003 and Deitch Projects logo absorbed into the composition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/felix-gonzalez-torres-three-part-exhibition-andrea-rosen-massimo-de-carlo-hauser-wirth-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Felix_Gonzalez-Torres_2016_03.jpg?v=1782254849</image:loc>
      <image:title>FELIX GONZALEZ-TORRES — Three-Part Exhibition, Andrea Rosen Gallery / Massimo De Carlo / Hauser &amp; Wirth, 2016</image:title>
      <image:caption> Installation view of Untitled (Chemo), 1991 — strands of beads suspended floor-to-ceiling in a white gallery space, Galerie Jennifer Flay, Paris, 1992.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/miwon-kwon-felix-gonzalez-torres-becoming-of-a-work-of-art-cornish-college-seattle-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Felix_Gonzalez_Torres_200601.jpg?v=1782256165</image:loc>
      <image:title>MIWON KWON / FELIX GONZALEZ-TORRES — The Becoming of a Work of Art, Cornish College of the Arts, Seattle, 2006</image:title>
      <image:caption>Original 2006 Miwon Kwon lecture announcement card, Cornish College of the Arts Visual Arts Lecture Series, Seattle. Recto showing colour reproduction of Felix Gonzalez-Torres, &quot;Untitled&quot; (Blue Mirror), 1990 — a stack of blue-edged paper sheets on a white wooden floor — with lecture title and series name printed vertically in the right margin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/felix-gonzalez-torres-serpentine-gallery-london-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Felix_Gonzalez-Torres_2000_01.jpg?v=1782256762</image:loc>
      <image:title>FELIX GONZALEZ-TORRES — Serpentine Gallery, London, 2000</image:title>
      <image:caption>Original 2000 Felix Gonzalez-Torres Serpentine Gallery exhibition postcard, London. Recto showing installation photograph of &quot;Untitled&quot;, 1988, framed photostat — a young man in profile reading white text on a black surface reading Center for Disease Control 1981 Streakers 1974 Go-Go Boots 1965 Barbie Doll 1960 Hula hoopla 1958 Disneyland 1955 3-D Movies 1952 Boo-Boo, his faint reflection visible in the dark surface.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/after-jean-michel-basquiat-untitled-iii-figure-portfolio-postcard-c-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Jean_Michel_Basquiat_nd_01.jpg?v=1782318612</image:loc>
      <image:title>AFTER JEAN-MICHEL BASQUIAT — Untitled III, from The Figure Portfolio, Postcard Reproduction, c. 1982</image:title>
      <image:caption>Anonymous postcard reproduction after Jean-Michel Basquiat, Untitled III from The Figure Portfolio, 1982. Recto showing two schematic figures in red, orange and yellow against a dense field of handwritten letters, diagrams, colour notations and repeated graphic marks on white ground, 14.8 × 10 cm, colour-process print on coated card.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andy-warhol-stitched-photographs-1976-1986-anthony-doffay-gallery-london-1998</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Warhol_Andy._Stitched_Photographs_1976_1986_Poster_Anthony_d_Offay_Gallery._1998.jpg?v=1782456758</image:loc>
      <image:title>ANDY WARHOL — Stitched Photographs 1976–1986, Anthony d’Offay Gallery, London, 1998</image:title>
      <image:caption> Original 1998 Andy Warhol Stitched Photographs 1976–86 exhibition poster, Anthony d&apos;Offay Gallery, London. Full sheet showing dense grid of repeated black-and-white photographic images — storefronts, street signs, bodies, chairs, cups, hangers and urban details — with exhibition title and gallery details printed along the lower edge. 42 × 59.4 cm, offset on lightweight paper, folded into eight panels.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/can-man-survive-american-museum-of-natural-history-centennial-new-york-1969</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Can_Man_Survive_American_Museum_of_Natural_History_Centennial_1869-1969_1969.jpg?v=1782464068</image:loc>
      <image:title>CAN MAN SURVIVE? — American Museum of Natural History Centennial, New York, 1969</image:title>
      <image:caption> Original 1969 Can Man Survive? exhibition catalogue, American Museum of Natural History Centennial, New York. Front cover showing bold diagonal typographic design by Edward Krent — title text in black and white against a black ground — with a black-and-white photograph of three children seated on a mound of earth with industrial chimneys in the background. Staple-bound softcover, 20 × 20 cm.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bellmer-dali-ernst-magritte-picabia-tanguy-galerie-andre-francois-petit-paris-1963</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Dali_Salvador._Ernst_Max._Magritte_Rene._Picabia_Francis._Tanguy_Yves._Exhibition_catalogue_Galerie_Andre_Francis_Petit._1963.jpg?v=1782465658</image:loc>
      <image:title>BELLMER / DALÍ / ERNST / MAGRITTE / PICABIA / TANGUY — Galerie André-François Petit, Paris, 1963</image:title>
      <image:caption> Front cover showing black card wrappers with gold script lettering listing six artists: Hans Bellmer, Salvador Dali, Max Ernst, René Magritte, Francis Picabia, Yves Tanguy. Saddle-stapled, 17 × 21 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hans-bellmer-hommage-a-hans-bellmer-galerie-francois-petit-paris-1976</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Galerie_Francois_Petit_Homage_a_Hans_Bellmer._1976.jpg?v=1782489650</image:loc>
      <image:title>HANS BELLMER — Hommage à Hans Bellmer, Galerie François Petit, Paris, 1976</image:title>
      <image:caption>Original 1976 Hans Bellmer Hommage à Hans Bellmer exhibition catalogue, Galerie François Petit, Paris. Front cover showing cream printed wrappers with ornate calligraphic title &apos;Hommage à Hans Bellmer&apos; centred in italic script, framed on all four sides by a repeated border of &apos;Galerie François Petit Paris&apos; in cursive lettering. Staple-bound, 25 × 20.9 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/spots-dots-pips-tiles-exhibition-about-dominoes-hunter-east-harlem-gallery-new-york-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bento_Jose._Colo_Papo._Conlon_Donna_Harker_Jonathan._Spots_Dots_Pips_Tiles_An_Exhibition_about_Dominoes._2016.jpg?v=1782490450</image:loc>
      <image:title>SPOTS, DOTS, PIPS, TILES — An Exhibition about Dominoes, Hunter East Harlem Gallery, New York, 2016</image:title>
      <image:caption>Original 2016 Spots, Dots, Pips, Tiles: An Exhibition about Dominoes exhibition catalogue, Hunter East Harlem Gallery, Hunter College, New York. Front cover showing a narrow vertical format with a split design: left half white with the exhibition title in stacked bold sans-serif type, right half a cropped colour photograph of scattered domino tiles and debris on grey pavement. 13 × 20.5 cm, staple-bound softcover.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/joseph-beuys-exhibition-essay-anthony-doffay-gallery-london-1980</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Beuys_Joseph._Exhibition_essay_August_1980.jpg?v=1782491580</image:loc>
      <image:title>JOSEPH BEUYS — Exhibition Essay, Anthony d’Offay Gallery, London, 1980</image:title>
      <image:caption>Original 1980 Joseph Beuys exhibition pamphlet, Anthony d&apos;Offay Gallery, London. Front cover with &apos;JOSEPH BEUYS&apos; in large bold uppercase type, followed by the Social Sculpture statement in hierarchical layout. 19.5 × 29.5 cm closed, single sheet folded once.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/louise-bourgeois-zeichnungen-und-skulpturen-kunsthaus-bregenz-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bourgeois_Louise._Zeichnungen_und_Skulpturen._Cover_title_._2002.jpg?v=1782508418</image:loc>
      <image:title>LOUISE BOURGEOIS — Zeichnungen und Skulpturen, Kunsthaus Bregenz, 2002</image:title>
      <image:caption>Original 2002 Louise Bourgeois Zeichnungen und Skulpturen exhibition programme, Kunsthaus Bregenz, KUB 02.03. Front cover showing a pale grey ground with four overlapping spiral coils in red and grey pencil — reproducing Bourgeois&apos;s drawing On the Tile (1998) — arranged diagonally from lower left to upper right. Blue sans-serif text at lower right reads &apos;Louise Bourgeois / Zeichnungen und Skulpturen&apos; with exhibition dates below. KUB 02.03 identifier at lower left. Loop-stapled binding visible at left edge. </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/fractured-figure-vol-ii-dakis-joannou-collection-deitch-projects-deste-foundation-2008</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Deich_Jeffrey._Fractured_Figure_exhibition_book._2008.jpg?v=1782543429</image:loc>
      <image:title>FRACTURED FIGURE: Vol. II — Works from the Dakis Joannou Collection, Deitch Projects / DESTE Foundation, 2008</image:title>
      <image:caption>yperrealist painted relief of a male head in right profile, warm flesh tones, bird form at shoulder. Title &apos;fractured figure&apos; in plain black lowercase type across lower half. 29.21 × 37.46 cm oversized paperback.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mark-borthwick-xerox-2000-1-maison-martin-margiela-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Borthwick_Mark._The_Xerox_Books._2002_Book_2_front.jpg?v=1782639827</image:loc>
      <image:title>MARK BORTHWICK — Xerox: 2000-1, Maison Martin Margiela, c. 2002</image:title>
      <image:caption>Original c. 2002 Mark Borthwick Xerox edition of 2000-1, Maison Martin Margiela. Front cover showing a plain unprinted tan-beige softcover with no title, text or image — only the warm, slightly uneven surface of the photocopied paper wrapper, with a faint inset rectangular panel visible at centre, and visible age toning and handling wear. 21.0 × 27.2 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mark-borthwick-social-documentaries-amid-this-piste-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Borthwick_Mark._The_Xerox_Books._2002_book_1_inside_1.jpg?v=1782641837</image:loc>
      <image:title>MARK BORTHWICK — Social Documentaries Amid this Piste, Self-published, c. 2002</image:title>
      <image:caption>nterior spread of c. 2002 Mark Borthwick Social Documentaries Amid this Piste, self-published photocopy edition. Double-page spread showing two grayscale Xerox photographs of a woman standing facing the camera against a plain studio wall: left image showing her in a dark zip-up top and a pale pleated midi skirt with white cuffs or wristbands; right image showing the same woman in a dark belted jacket and trousers with white cuffs, standing slightly further from the wall. Both images printed as horizontal ba</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/louise-bourgeois-selected-prints-1989-2005-marlborough-graphics-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bourgeois_Louise._Selected_Prints_1989-2005._2005.jpg?v=1782656999</image:loc>
      <image:title>LOUISE BOURGEOIS — Selected Prints 1989–2005, Marlborough Graphics, 2005</image:title>
      <image:caption>Original 2005 Louise Bourgeois Selected Prints 1989–2005 exhibition catalogue, Marlborough Graphics, London. Front cover showing a pale cream ground with a large drypoint reproduction of Bourgeois&apos;s The Angry Cat (1999): a female cat standing upright on its hind legs, arms crossed over its chest, tail curling to the right, rendered in fine hatched lines. Title &apos;Louise Bourgeois&apos; in bold black serif type at upper right, subtitle &apos;Selected Prints 1989–2005&apos; in smaller type below. Approx. 21 × 15 cm, illustrat</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cindy-sherman-possession-city-art-galleries-manchester-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sherman_Cindy._Show_poster_Possession_._1994.jpg?v=1782727815</image:loc>
      <image:title>CINDY SHERMAN — Possession, City Art Galleries, Manchester, 1994</image:title>
      <image:caption>Original 1994 Cindy Sherman Possession exhibition poster, City Art Galleries, Princess Street, Manchester, 17 September – 6 November 1994. Offset lithograph, approx. 43 × 60 cm. Reproduces Untitled #96, 1981, from the Centerfolds series: figure reclining, face turned upward, warm terracotta tones. Good vintage condition with visible creasing, fold marks, and surface wear throughout.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jack-smith-padronismo-di-pastacrosta-galleria-lattico-rome-1975</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Smith_Jack._Slideshow_exhibition_poster.jpg?v=1782731978</image:loc>
      <image:title>JACK SMITH — Padronismo di Pastacrosta, Galleria L’Attico, Rome, 1975</image:title>
      <image:caption>Original 1975 Jack Smith Padronismo di Pastacrosta slideshow poster, Galleria L&apos;Attico (di Fabio), via Cesare Beccaria 22, Rome. Offset lithograph on thin paper, 35 × 48.5 cm unfolded. Black on cream, hand-drawn lettering and figures, dates giugno 24–26, ore 22, L.1000. Central rectangular stamp-removal incision visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lucas-samaras-imovies-pacewildenstein-new-york-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Samaras_Lucas._Show_poster_iMovies_._1990_73c72bdf-e98d-4811-ac75-2ff4e5b9cad0.jpg?v=1782754019</image:loc>
      <image:title>LUCAS SAMARAS — iMovies, PaceWildenstein, New York, 2006</image:title>
      <image:caption>Original 2006 Lucas Samaras iMovies exhibition poster, PaceWildenstein, 534 W 25th St, New York. Offset lithograph, 71 × 51 cm. Left panel: grid of 24 viewer portrait photographs on black ground. Right panel: Samaras standing beside a wooden chair, hand resting on chair back. Vertical title iMOVIES in multicolour letters. Bottom text: Samaras PaceWildenstein, opening reception Sept 12, 6–8 PM, on view through Oct 7, 2006. Fold lines visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andy-warhol-art-and-artists-vol-1-no-11-february-1967</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Art_and_Artists_February_1967._Andy_Warhol._1967.jpg?v=1782754929</image:loc>
      <image:title>ANDY WARHOL — Art and Artists, Vol. 1, No. 11, February 1967</image:title>
      <image:caption>Cover of Art and Artists, Vol. 1, No. 11, February 1967, London: Hansom Books. Offset lithograph, 27.5 × 21.2 cm. Large modernist masthead &apos;art and artists&apos; in black on white ground. Cover image: Andy Warhol, Flowers — four hibiscus blooms in orange, hot pink, and peach on dark green silkscreened ground. Price: 5s $1. Light rubbing and edge wear visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/pol-bury-art-and-artists-vol-1-no-10-january-1967</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Art_and_Artists_January_1967._Pol_Bury.jpg?v=1782756694</image:loc>
      <image:title>POL BURY — Art and Artists, Vol. 1, No. 10, January 1967</image:title>
      <image:caption>Cover of Art and Artists, Vol. 1, No. 10, January 1967, London: Hansom Books. Offset lithograph, approx. 27.5 × 21 cm. Large modernist masthead &apos;art and artists january 1967 5s $1&apos; in black. Cover image: Pol Bury, Cinetisation of the Statue of Liberty — three versions of the statue in red, white, and blue vertical bands, progressively distorted from left to right. Rubbing to spine and corners visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/roy-lichtenstein-art-and-artists-vol-ii-no-10-january-1968</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Art_and_Artists_January_1968._Roy_Litchenstein._1968.jpg?v=1782760203</image:loc>
      <image:title>ROY LICHTENSTEIN — Art and Artists, Vol. II, No. 10, January 1968</image:title>
      <image:caption>Cover of Art and Artists, Vol. II, No. 10, January 1968, London: Hansom Books. Offset lithograph, approx. 27.5 × 21 cm. Black ground with large modernist masthead &apos;art and artists JANUARY 1968 6s $1.50&apos; in white. Cover image: Roy Lichtenstein, Modern Painting with Ionic Column, 1967 — Ben-Day dot pattern, yellow diagonal beam, classical column, red and black geometric forms. Rubbing and edge wear to covers visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-smith-art-and-artists-vol-ii-no-8-november-1967</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Art_and_Artists_November_1967._Alexander_Calder._1967.jpg?v=1782763080</image:loc>
      <image:title>RICHARD SMITH — Art and Artists, Vol. II, No. 8, November 1967</image:title>
      <image:caption>Cover of Art and Artists, Vol. II, No. 8, November 1967, London: Hansom Books. Offset lithograph, approx. 27.5 × 21 cm. White ground with large modernist masthead &apos;art and artists november 1967 6s $1.50&apos; in black. Cover image specially designed by Richard Smith: two tall yellow rectangular forms divided by a central vertical black line and a horizontal black line, on white ground. Contents listed upper right: Calder&apos;s Fables, Beardsley&apos;s Erotica, John Moores Liverpool, Frank Brangwyn. Creasing and handling </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tadanori-yokoo-the-ballad-to-a-severed-little-finger-postcard-xaravel-1966</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Yokoo_Tandanoir._The_Ballad_to_a_severed_little_finger_postcard._Reproduction_1966_print.jpg?v=1782795905</image:loc>
      <image:title>TADANORI YOKOO — The Ballad to a Severed Little Finger, Postcard, XARAVEL, 1966</image:title>
      <image:caption>Original postcard after Tadanori Yokoo, The Ballad to a Severed Little Finger, 1966 silkscreen, published by XARAVEL Co., Ltd., Kyoto, after Yakuza Shobo Publishers. 10.5 × 15 cm, colour offset on card stock. Dense layered composition: blue wave ground, tattooed male figure holding sword, blue hand with four fingers above, two circular portrait medallions, Japanese text columns, red blood-drop motifs, and bold title text in Japanese. Vivid colour; light surface marks.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andrea-zittel-selected-sleeping-arrangements-the-a-z-bed-book-1995</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Zittel_Andrea._Selected_Sleeping_Arrangements_The_A_-_Z_Bed_Book._1995.jpg?v=1782797374</image:loc>
      <image:title>ANDREA ZITTEL — Selected Sleeping Arrangements: The A-Z Bed Book, 1995</image:title>
      <image:caption>Cover of Andrea Zittel, Selected Sleeping Arrangements: The A-Z Bed Book, 1995. A-Z Administrative Services / Transcript, University of Dundee. 21 × 26 cm, staple-bound softcover, 16 pp. Pale cream stock with reddish-brown typography. Title &apos;Andrea Zittel&apos; in large serif type, subtitle &apos;Selected Sleeping Arrangements&apos; in spaced capitals below. Centre: colour photograph of A-Z Sleeping Loft, 1994 — low rounded terracotta-coloured foam form on white ground. Lower centre: circular A-Z Administrative Services s</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/b-wurtz-daily-life-1970-1993-feature-new-york-1993</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wurtz_B._Daily_Life_1970-1993._1993.jpg?v=1782801841</image:loc>
      <image:title>B. WURTZ — Daily Life, 1970–1993, Feature, New York, 1993</image:title>
      <image:caption>Cover of B. Wurtz, Daily Life, 1970–1993, Feature, New York, 1993. 14 × 21.5 cm, staple-bound softcover, 36 pp. Pale cream stock with black typography. Upper: &apos;B. Wurtz&apos; in small serif type; large italic title &apos;daily life&apos; below; &apos;1970–1993&apos; in serif below. Left: large black brushstroke hand-print with fragments of text &apos;I know nothing&apos; repeated in pencil script, descending diagonally. Partial cropped text &apos;OW&apos; and &apos;HING&apos; visible at left edge. Light handling wear to covers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/performance-art-and-video-installation-tate-gallery-london-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Birnbaum_Dara._English_Rose._Hoover_Nan._Performance_art_and_video_installation_poster_Tate_Gallery._1985.jpg?v=1782811316</image:loc>
      <image:title>DARA BIRNBAUM — Performance Art and Video Installation, Tate Gallery, London, 1985</image:title>
      <image:caption>Original 1985 exhibition poster, Performance Art and Video Installation, The Tate Gallery, Millbank, London, 16 September – 6 October 1985. Offset lithograph on paper, approx. 52 × 76 cm. Published by Tate Gallery Publications; printed by Gavin Martin Ltd, London. Black ground. Upper half: large white italic bold title &apos;PERFORMANCE ART&apos; with smaller caps subtitle &apos;AND VIDEO INSTALLATION&apos; below; three diagonal amber-gold light trails crossing from lower left to upper right against deep red-brown ground. Lowe</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/isa-genzken-sie-sind-mein-gluck-exhibition-poster-kunstverein-braunschweig-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Genzken_Isa._Show_Poster_Sie_sind_mein_Gluck_You_are_my_luck_._2000.jpg?v=1782812370</image:loc>
      <image:title>ISA GENZKEN — Sie sind mein Glück, Exhibition Poster, Kunstverein Braunschweig, 2000</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wade-guyton-exhibition-poster-matthew-marks-gallery-new-york-2023</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Guyton_Wade._Show_poster_Matthew_Marks_Gallery._2023.jpg?v=1782815038</image:loc>
      <image:title>WADE GUYTON — Exhibition Poster, Matthew Marks Gallery, New York, 2023</image:title>
      <image:caption>Original exhibition poster, Wade Guyton, Matthew Marks Gallery, New York, September 14 – October 28, 2023. Offset lithograph, 46 × 61 cm. Folded as issued. Black ground. Upper left: large colour photograph inset — close-up of a metal studio rack or table leg with a coiled black-and-white striped cable or hose looping across a dark floor surface. Remainder of poster: solid black. Lower margin: red serif text &apos;WADE GUYTON  MATTHEW MARKS  2023&apos;. Horizontal fold lines visible across full poster surface; light h</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-luc-moulene-exhibition-poster-modern-art-oxford-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Moulee_Jean-Luc._Show_poster_Modern_Art_Oxford._2012.jpg?v=1782823364</image:loc>
      <image:title>JEAN-LUC MOULÈNE — Exhibition Poster, Modern Art Oxford, 2012</image:title>
      <image:caption>Original exhibition poster, Jean-Luc Moulène, Modern Art Oxford, 29 September – 25 November 2012. Offset lithograph on paper, 29.5 × 42 cm. White ground. Upper left: bold black sans-serif text &apos;JEAN-LUC MOULÈNE&apos; with exhibition dates &apos;29 SEPTEMBER – / 25 NOVEMBER 2012&apos; below. Centre: large colour photograph of Anti Paris, May 6th, 2001 — a dark opaque glass bottle with a black stopper, isolated against a pale neutral ground, casting a soft shadow. Lower left: &apos;MODERN ART OXFORD&apos; in bold black sans-serif wit</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/opal-l-nations-transgravity-11-mini-poster-paul-brown-gallery-london-1972</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Nations_Opal_L._Show_poster_-_Trasngravity_11_Paul_Brown_Gallery_1972.jpg?v=1782826794</image:loc>
      <image:title>OPAL L. NATIONS — Transgravity #11, Mini-Poster, Paul Brown Gallery, London, 1972</image:title>
      <image:caption>Original mini-poster/flyer, Opal L. Nations, Transgravity #11, Paul Brown Gallery / Transgravity Press, 176 Peckham Rye, London SE22, 1972. Single-colour red-brown print on thin cream paper, approx. 20 × 33 cm; likely stencil-duplicated or mimeograph-related. Two stacked panels: each showing a theatre scene — draped curtains, a reclining figure on stage, and two viewers seen from behind. Handwritten cursive inscription upper right: &apos;Lolling round theatre queue&apos;. Lower left:  copyright mark &apos;O&apos;ALL NATION</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/elizabeth-wright-space-travel-locus-plus-newcastle-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wright_Elizabeth._Space_Travel._2005.jpg?v=1782833939</image:loc>
      <image:title>ELIZABETH WRIGHT — Space Travel, Locus+, Newcastle upon Tyne, 2005</image:title>
      <image:caption>Elizabeth Wright, Space Travel, Locus+ / Nexus, Newcastle upon Tyne, 2005. Artist publication with CD, softcover, 25 × 18 cm, 32 pages, edition of 1,500. White ground. Horizontal black barcode-like band of varying-width vertical bars spanning full width across upper third of cover. Lower right: italic sans-serif title &apos;space travel&apos; and below, &apos;Elizabeth Wright&apos; in smaller roman type. Light surface soiling and handling marks consistent with used condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wojnarowicz-reynolds-rimbaud-series-survival-aids-ppow-2012</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wojnarowicz_David._Reynolds_Hunter._The_Rimbaud_Series_Survival_AIDS._2012.jpg?v=1782835576</image:loc>
      <image:title>DAVID WOJNAROWICZ / HUNTER REYNOLDS — The Rimbaud Series / Survival AIDS, P.P.O.W Gallery, New York, 2012</image:title>
      <image:caption>David Wojnarowicz / Hunter Reynolds, The Rimbaud Series / Survival AIDS, P.P.O.W Gallery, New York, 2012. Artist publication / exhibition catalogue, softcover, approx. 20 × 23 cm, 16 pages. Design by Project Projects. Two-panel cover: upper half, grey band with cropped black-and-white photograph — masked figure (Arthur Rimbaud mask) against a wall bearing a partially visible poster reading &apos;MYSTERIOUS INITIATION&apos; and &apos;DOCUMENT… RE FOIS&apos;; lower half, dark charcoal ground with white sans-serif text in two col</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/franz-west-museum-haus-lange-heft-1-2-krefelder-kunstmuseen-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/West_Franz._Franz_West._Issue_1_and_issue_2_for_the_exhibition_Museum_Haus_Lange.._Krefeld._1989_f1dd2787-0e84-4353-92df-50a4703d3810.jpg?v=1782837799</image:loc>
      <image:title>FRANZ WEST — Museum Haus Lange, Heft 1 &amp; Heft 2, Krefelder Kunstmuseen, Krefeld, 1989</image:title>
      <image:caption>Stapled softcover booklet, Franz West, Museum Haus Lange, Krefelder Kunstmuseen, Krefeld, 1989. Cover: black-and-white installation photograph by Günther Förg — two wire-frame chair sculptures on white plinths, dark reflective floor, white gallery walls. Black serif text above: &apos;FRANZ WEST · MUSEUM HAUS LANGE&apos;. Good vintage condition, light handling marks.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/william-wegman-new-paintings-polaroids-drawings-holly-solomon-pace-macgill-1991</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wegmen_William._William_Wegman_New_Paintings_Polaroids_and_Drawings._1991.jpg?v=1782911499</image:loc>
      <image:title>WILLIAM WEGMAN — New Paintings, Polaroids and Drawings / Early Black and White Photographs, Holly Solomon Gallery &amp; Pace/MacGill Gallery, New York, 1991</image:title>
      <image:caption>Softcover catalogue, William Wegman, New Paintings, Polaroids and Drawings / Early Black and White Photographs, Holly Solomon Gallery &amp; Pace/MacGill Gallery, New York, 1991. 15 × 15 cm, approx. 23 pages, stapled binding. Tan paper wrappers; artist name &apos;WILLIAM WEGMAN&apos; blind-debossed at centre — text visible through pressure only, no ink. Light toning and handling marks consistent with good vintage condition.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/andy-warhol-hammer-and-sickle-haunch-of-venison-london-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Warhol_Andy._Hammer_and_Sickle_exhibition_catalogue._2004_cover_unfolded_22278aa0-1391-42e6-8d1d-dd2ad2af1700.jpg?v=1782932292</image:loc>
      <image:title>ANDY WARHOL — Hammer and Sickle, Haunch of Venison, London, 2004</image:title>
      <image:caption>Andy Warhol, Hammer and Sickle, Haunch of Venison, London, 2004. Fold-out poster cover unfolded, approx. 59.5 × 42 cm. Red ground. Large-scale black line drawing of hammer and sickle — hammer head upper left, sickle blade upper right, handles crossing at centre; bold contour lines with hatched shading throughout; small signature or notation lower right. Horizontal and vertical fold lines visible as issued.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-3rd-place-point-dironie-39-agnes-b-paris-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_Richard.Exhibitionposter.2006_07f6cf38-35f5-4378-8210-126b3bdfaef8.jpg?v=1782935551</image:loc>
      <image:title>RICHARD PRINCE — 3rd Place, Point d’Ironie no. 39, Agnès b. / Point d’Ironie, Paris, 2006</image:title>
      <image:caption>Cover panel, Richard Prince, 3rd Place, Point d&apos;Ironie no. 39, Agnès b. / Point d&apos;Ironie, Paris, April 2006. Colour photograph — topless woman with arms raised, dark background, chain necklace with pendant, tattoo on chest; warm stage lighting. White sans-serif text centred lower third: &apos;RICHARD PRINCE&apos; / &apos;3RD PLACE&apos;. Fold lines and light handling marks as issued.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/joseph-beuys-der-fett-stuhl-vontobel-kunstkartendruck-zurich-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/JosephBeuys198201.jpg?v=1782967754</image:loc>
      <image:title>JOSEPH BEUYS — Der Fett-Stuhl / The Grease-Chair, Hessisches Landesmuseum Darmstadt, Vontobel Kunstkartendruck, Zürich, 1982</image:title>
      <image:caption>Postcard, Joseph Beuys, Der Fett-Stuhl / Chaise de graisse / The Grease-Chair, Hessisches Landesmuseum Darmstadt. Vontobel Kunstkartendruck, Feldmeilen/Zürich, 1982. Offset colour reproduction — white-painted wooden chair with large wedge of yellow fat on seat; twig tied to chair back; grey gallery floor, glass vitrine wall behind. Good vintage condition, light age toning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tim-hailand-recent-works-vivienne-westwood-coloredge-new-york-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Vivienne_Westwood_2002_01.jpg?v=1782968829</image:loc>
      <image:title>TIM HAILAND — Recent Works / Vivienne Westwood, Coloredge, New York, 2002</image:title>
      <image:caption>Postcard recto, Tim Hailand, Recent Works, Coloredge, New York, 2002. Colour photograph by Tim Hailand — Vivienne Westwood, Milan, January 2002. Profile view; woman in dark plaid coat and large ornate earring; voluminous backlit orange-blonde hair against urban street background; parked vehicles and Georgian-style building behind. Good vintage condition, light surface marking.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/susanne-bartsch-our-church-halloween-avalon-new-york-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Suzanne_Bartsch_nd_01.jpg?v=1782970225</image:loc>
      <image:title>SUSANNE BARTSCH — Our Church Halloween, Avalon, New York, c.2006</image:title>
      <image:caption>Invitation card recto, Susanne Bartsch, Our Church Halloween, Avalon, New York, c.2006. Offset colour print. Full-bleed painted illustration by Mathu Anderson — nude female figure with dark curly hair, black wrist cuffs and chains, arms raised; surrounded by yellow and orange flames against black ground with lightning. Surface rubbing, scratches, and handling wear consistent with circulated club ephemera.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rafael-melendez-peel-you-facsimile-sketchbook-academy-of-realness-2021</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Melendez_Rafael._Facsimile_sketchbook_keep_Peel_you._2006.jpg?v=1782974988</image:loc>
      <image:title>RAFAEL MELENDEZ — Peel You: A 2006 Facsimile Sketchbook, The Academy of Realness, 2021</image:title>
      <image:caption>Facsimile artist sketchbook, Rafael Melendez, Peel You: A 2006 Facsimile Sketchbook, The Academy of Realness, 2021. Edition of 2. 8 × 15.5 cm, 102 pages, spiral-bound. Dark brown Crown Spiral notebook cover reproduced with produce stickers applied: PLU# 4048 (×2), Kiwifruit 4030 Chile, Valencia 4388 (×4), Lemon 4012 (×2), and further overlapping fruit PLU labels in blue, green, and orange. Silver spiral binding left edge.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rafael-melendez-keep-your-distance-facsimile-sketchbook-academy-of-realness-2021</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Melendez_Rafael._Facsimile_sketchbook_keep_your_distance._2006.jpg?v=1782976408</image:loc>
      <image:title>RAFAEL MELENDEZ — Keep Your Distance: A 2006 Facsimile Sketchbook, The Academy of Realness, 2021</image:title>
      <image:caption>Facsimile artist sketchbook, Rafael Melendez, Keep Your Distance: A 2006 Facsimile Sketchbook, The Academy of Realness, 2021. Edition of 2. 8 × 15.5 cm, 102 pages, spiral-bound. Dark brown Crown Spiral notebook cover; &apos;SPIRAL | CROWN&apos; logo with crown motif upper centre in gold. Yellow N.Y. Central price sticker centre. Silver spiral binding left edge. Scuffs and handling marks visible as reproduced from source notebook.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/marcel-duchamp-travelling-box-arts-council-great-britain-london-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Duchamp_Marcel._Marcel-Duchamp_s-travelling-box_-Published-to-accompany-the-exhibition-organised-by-the-Centre-national-d_art-et-de-culture-Georges-Pompidou_-Paris--cover_5a5b9b68-425b-42e6-8ce7-14f4bcf046e9.jpg?v=1783073810</image:loc>
      <image:title>MARCEL DUCHAMP — Marcel Duchamp’s Travelling Box, Arts Council of Great Britain, London, 1982</image:title>
      <image:caption>Exhibition booklet, Marcel Duchamp&apos;s Travelling Box, Arts Council of Great Britain, London, 1982. Stapled softcover, approx. 15 × 15 cm. Black card wrapper. Upper third: white sans-serif text — &apos;MARCEL DUCHAMP&apos;S&apos; / &apos;TRAVELLING BOX&apos;. Centre: white silhouette of Duchamp&apos;s head in profile facing left, mounted on black ground — signed &apos;marcel duchamp&apos; lower right in small cursive. Lower third: white sans-serif text — &apos;TRAVELLING BOX&apos;. Light rubbing and small marks to cover, good vintage condition.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/charles-ray-boy-whitney-museum-of-american-art-new-york-1997</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Charles_Ray_1997_01.jpg?v=1783075293</image:loc>
      <image:title>CHARLES RAY — Boy, Whitney Museum of American Art, New York, 1997</image:title>
      <image:caption>Postcard recto, Charles Ray, Boy, Whitney Museum of American Art, New York, 1997. Offset colour reproduction. Full-length view of sculpture — life-size figure of a boy with short red hair, pale complexion; white short-sleeve shirt with blue buttons, blue shorts with braces/suspenders, white knee socks, black Mary Jane shoes; standing on small black metal base against neutral grey gallery wall and dark wood floor. Painted fiberglass, steel, and fabric. Light surface marks, good vintage condition.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/keith-haring-untitled-1985-artpost-new-york-1987</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Keith_haring_198703.jpg?v=1783076119</image:loc>
      <image:title>KEITH HARING — Untitled, 1985, Artpost, New York, 1987</image:title>
      <image:caption>Postcard recto, Keith Haring, Untitled, 1985, Artpost, New York, 1987. Offset colour reproduction on cream card. Square image — red ground with continuous blue line drawing; interlocking simplified human and animal figures in dense, maze-like composition; circled numerals 1–18 distributed throughout; dashed black border; circled &apos;85&apos; and &apos;KH&apos; monogram lower right. Acrylic on canvas, 5 × 5 ft. Light age toning, good vintage condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-spiritual-america-continuation-guggenheim-museum-new-york-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richard_Prince_2007_01.jpg?v=1783152273</image:loc>
      <image:title>RICHARD PRINCE — Spiritual America / Continuation, Solomon R. Guggenheim Museum, New York, 2007</image:title>
      <image:caption>Postcard recto, Richard Prince, Spiritual America / Continuation, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction. Three-quarter view of sculpture — large low-profile form resembling a car hood or bonnet; fiberglass, polyester resin, acrylic and wood; surface painted in mottled grey-blue and ochre/terracotta tones with visible brushwork; resting on a plain rectangular plinth of similar patchy colouring; dark reflective gallery floor, white wall behind. Light handling wear, very good</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-tell-me-everything-spiritual-america-guggenheim-museum-new-york-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richard_Prince_2007_03.jpg?v=1783153017</image:loc>
      <image:title>RICHARD PRINCE — Tell Me Everything, 1987 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007</image:title>
      <image:caption>Postcard recto, Richard Prince, Tell Me Everything, 1987, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction. Flat ochre/gold monochrome ground — acrylic and silkscreen on canvas, 56 × 48 inches; lower-centre text in small pink/red serif type: &apos;I went to see a psychiatrist. He said, &quot;Tell me everything.&quot; I did, and now he&apos;s doing my act.&apos; Skarstedt Collection, New York. Light handling wear, good/very good condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-untitled-cowboy-spiritual-america-guggenheim-museum-new-york-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richard_Prince_2007_05.jpg?v=1783153903</image:loc>
      <image:title>RICHARD PRINCE — Untitled (cowboy), 1997–98 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007</image:title>
      <image:caption>Postcard recto, Richard Prince, Untitled (cowboy), 1997–98, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction on cream card. Full-bleed vertical image — cowboy in denim jacket, white hat, leather chaps and boots wrestling a rearing dark horse by the reins; lasso trailing; arid desert landscape and deep blue sky behind. Ektacolor photograph, edition of 2, 60 × 40 inches. Light handling only, very good condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-untitled-cowboy-2003-spiritual-america-guggenheim-museum-new-york-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richard_Prince_2007_07.jpg?v=1783155208</image:loc>
      <image:title>RICHARD PRINCE — Untitled (cowboy), 2003 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007</image:title>
      <image:caption>Postcard recto, Richard Prince, Untitled (cowboy), 2003, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction on cream card. Full-bleed vertical image — cowboy in dark navy shirt, tan chaps, and wide-brimmed hat mid-stride across arid flat desert plain; lasso coiled on dusty ground around feet; vast ochre landscape, pale blue sky and distant mesa behind. Ektacolor photograph, edition of 2, 40 × 30 inches. Light handling only, very good condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-man-crazy-nurse-spiritual-america-guggenheim-museum-new-york-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richard_Prince_2007_09.jpg?v=1783156142</image:loc>
      <image:title>RICHARD PRINCE — Man-Crazy Nurse, 2002–03 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007</image:title>
      <image:caption>Postcard recto, Richard Prince, Man-Crazy Nurse, 2002–03, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction on cream card. Vertical image — faceless female nurse figure in white uniform and cap against deep red ground; text &apos;MAN-CRAZY NURSE&apos; embedded in upper background in darker red relief; exposed chest with circular forms; paint drips running vertically throughout; acrylic and inkjet on canvas, 80 × 52 inches. Private collection, New York. Light handling wear, very good condition.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-dude-ranch-nurse-spiritual-america-guggenheim-museum-new-york-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/RichardPrince200710.jpg?v=1783156932</image:loc>
      <image:title>RICHARD PRINCE — Dude Ranch Nurse, 2002 / Spiritual America, Solomon R. Guggenheim Museum, New York, 2007</image:title>
      <image:caption>Postcard recto, Richard Prince, Dude Ranch Nurse, 2002, Solomon R. Guggenheim Museum, New York, 2007. Offset colour reproduction on cream card. Vertical image — masked female nurse figure in white uniform, cap, and surgical mask; holding a small object to chest; standing against deep green atmospheric ground with yellow-green luminous halo effect; cursive gold text &apos;Dude Ranch Nurse&apos; upper centre; acrylic and inkjet on canvas, 80 × 52 inches. Collection of Julie and Edward J. Minskoff. Light handling wear, </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/counterforms-a-plus-a-gallery-venice-2026</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Anna_Howard_2026_02.jpg?v=1783157452</image:loc>
      <image:title>Counterforms, A plus A Gallery, Venice, 2026</image:title>
      <image:caption>Exhibition card recto, Counterforms, A plus A Gallery, Venice, 2026. Organised by Neue Alte Brücke + Matt Williams. Black offset on white paper, 15.2 × 10.8 cm. Designed as a UPS shipping label — upper section: &apos;1 KG / 1 OF 1 / COUNTERFORMS / SHPM: 2X12 ASTJ 7PF / SHP WT: 0.5 KG / DATE: 04 MAY 2026 / TIME: 11:30–20:00&apos;; SHIP TO: &apos;A PLUS A GALLERY / ORGANISED BY NEUE ALTE BRÜCKE + MATT WILLIAMS / 05 MAY 26–26 JULY 26 / CALLE MALIPIERO, 3073 / 30124 VENEZIA / ITALY&apos;; QR code and barcode; &apos;UPS STANDARD / TRACK</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rosetta-brooks-zg-no-11-art-text-15-double-trouble-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/ZG_No._11_Summer_84._Double_Trouble.jpg?v=1783159516</image:loc>
      <image:title>ROSETTA BROOKS (ed.) — ZG No. 11 / Art &amp; Text 15: Double Trouble, ZG Magazine / Art &amp; Text, New York / Melbourne, 1984</image:title>
      <image:caption>Magazine cover, ZG No. 11 / Art &amp; Text 15: Double Trouble, ZG Magazine / Art &amp; Text, New York / Melbourne, 1984. Edited by Rosetta Brooks. Large-format staple-bound periodical, 28 × 42 cm. Yellow horizontal band upper third — bold black &apos;ZG&apos; logotype left; white sans-serif &apos;DOUBLE TROUBLE&apos; right; below band: &apos;with ART&amp;TEXT&apos;. Full-bleed black-and-white photograph — two female figures in hazy backlit environment; foreground figure in short slip dress, short dark hair; background figure in dark structured outf</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rosetta-brooks-zg-magazine-no-12-religion-new-york-fall-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/ZG_No._12_Fall_84._Religion.jpg?v=1783160855</image:loc>
      <image:title>ROSETTA BROOKS (ed.) — ZG Magazine No. 12: Religion, New York, Fall 1984</image:title>
      <image:caption>Magazine cover, ZG Magazine No. 12: Religion, edited by Rosetta Brooks, New York, Fall 1984. Offset-printed, staple-bound periodical, 41.9 × 27.9 cm. Red ground. Upper left: bold black &apos;ZG&apos; logotype. Upper right: black diagonal band — white bold sans-serif &apos;RELIGION&apos;. Centre: black-and-white photograph of a television set showing a smiling male figure in white jacket raising one arm — televangelist or political figure; below the TV screen: small silhouetted figure with arms raised before a podium, flanked b</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rosetta-brooks-zg-magazine-no-13-political-fictions-spring-1985</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/ZG_No._13_Fall_84._Political_Fictions._Good.jpg?v=1783162134</image:loc>
      <image:title>ROSETTA BROOKS (ed.) — ZG Magazine No. 13: Political Fictions, Spring 1985</image:title>
      <image:caption>Magazine cover, ZG Magazine No. 13: Political Fictions, edited by Rosetta Brooks, Spring 1985. Offset-printed, staple-bound periodical, 41.9 × 27.9 cm. Bold yellow and black diagonal hazard-stripe ground. Upper left: grey sans-serif &apos;ZG&apos; logotype. Upper right: grey sans-serif &apos;POLITICAL FICTIONS&apos; in two lines. Centre: white line-drawn face — open mouth, heavy-lidded eyes, long hair, distressed expression — by Nancy Dwyer. Upper right corner: &apos;NO. 13 SPRING 85 / £1.30 $3.00&apos;. Handling wear, rubbing, creasing</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lawrence-weiner-so-weiter-altonaer-museum-hamburg-1991</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Lawrence_Weiner_2008_01.jpg?v=1783187601</image:loc>
      <image:title>LAWRENCE WEINER — (&amp;) so weiter, Altonaer Museum, Hamburg, 1991</image:title>
      <image:caption>Postcard recto, Lawrence Weiner, (&amp;) so weiter, 1991, Altonaer Museum, Hamburg / Norddeutsches Landesmuseum. Die-cut offset-printed card, 10.5 × 14.8 cm, cream/off-white ground, clipped corners. Lower left in small black sans-serif: &apos;(&amp;) SO WEITER&apos;. Three punched circular holes to right of text, graduating in size left to right. Minimal composition — text and absence as primary elements. Light age toning, very good vintage condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/man-ray-tonsure-marcel-duchamp-1921-fotofolio-new-york</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Marcel_Duchamp_nd_01.jpg?v=1783188524</image:loc>
      <image:title>MAN RAY — Tonsure (Marcel Duchamp), 1921 / Fotofolio, New York, 1984</image:title>
      <image:caption>Postcard recto, Man Ray, Tonsure (Marcel Duchamp), 1921, published by Fotofolio, New York, n.d. [c.1984]. Offset black-and-white reproduction on cream card, 15 × 10 cm. Close-up photograph of the back of Marcel Duchamp&apos;s head — dark hair with a white star-shaped tonsure shaved into the crown; small black pipe held in the left hand, visible at lower left; wooden table edge and checked tablecloth in lower half of frame; plain wall behind. Light handling wear, good vintage condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-michel-basquiat-boom-for-real-barbican-art-gallery-london-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Jean_Michel_Basquiat_nd_05.0.jpg?v=1783191310</image:loc>
      <image:title>JEAN-MICHEL BASQUIAT — Boom for Real, Barbican Art Gallery, London, 2017</image:title>
      <image:caption>Promotional card recto, Jean-Michel Basquiat: Boom for Real, Barbican Art Gallery, London, 2017. Offset colour on card stock, 21 × 15 cm. Full-bleed photograph by Edo Bertoglio — Basquiat in grey American football helmet marked &apos;AARON&apos; in white paint, red Adidas T-shirt, open dark plaid jacket; hand raised to helmet; graffiti-covered white wall behind. Left edge: large vertical white sans-serif &apos;barbican&apos; logotype. Lower centre: bold white sans-serif — &apos;Basquiat / Boom / for Real / 21 Sep 2017—28 Jan 2018 /</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-michel-basquiat-man-from-naples-1982-royal-academy-te-neues-1993</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Jean_Michel_Basquiat_nd_06.jpg?v=1783193153</image:loc>
      <image:title>JEAN-MICHEL BASQUIAT — Man from Naples, 1982 / Royal Academy, London / te Neues, 1993</image:title>
      <image:caption>Postcard recto, Jean-Michel Basquiat, Man from Naples, 1982, published by The Royal Academy, London / te Neues Verlag, 1993. Offset colour reproduction on white card, c. 10.8 × 15.2 cm. Horizontal diptych format — two-panel acrylic and collage on wood. Left panel: red cartoon dog/pig head with blue eye; dense handwritten text including &apos;VINI VICI VIDI&apos;, &apos;BIG PIG SANDWICHES&apos;, &apos;MERCANTIDI PROSCIUTTO&apos;, &apos;$&apos;, crown motifs, scattered words. Right panel: red horizontal band upper edge; text including &apos;VINI VIDI VI</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-michel-basquiat-untitled-1981-musee-art-moderne-paris-musees-2010</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/JeanMichelBasquiatnd08.jpg?v=1783196080</image:loc>
      <image:title>JEAN-MICHEL BASQUIAT — Untitled, 1981 / Musée d&apos;Art Moderne de la Ville de Paris / Paris Musées, 2010</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/malcolm-mclaren-paul-taylor-impresario-new-museum-mit-press-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/McLaren_Malcom._Taylor_Paul._Impresario_Malcolm_McLaren_The_British_New_Wave_New_York._1988_cover.jpg?v=1783279922</image:loc>
      <image:title>MALCOLM MCLAREN / PAUL TAYLOR — Impresario: Malcolm McLaren &amp; The British New Wave, New Museum / MIT Press, 1988</image:title>
      <image:caption>Exhibition catalogue cover, Impresario: Malcolm McLaren &amp; The British New Wave, New Museum of Contemporary Art / The MIT Press, New York / Cambridge MA, 1988. Softcover with French flaps, 27 × 18 cm. Bright blue ground. Bold white and black sans-serif typography — &apos;IMPRESARIO:&apos; upper left in white; &apos;MALCOLM / MCLAREN / &amp; THE BRITISH / NEW / WAVE&apos; in large black below. Inset colour photograph lower right — three figures in police uniforms, two in helmets, one in peaked cap; direct camera gaze. Rubbing and sc</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kate-moss-kate-pavilion-books-london-1997</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Moss_Kate._Kate._1997_cover.jpg?v=1783282130</image:loc>
      <image:title>KATE MOSS — Kate, Pavilion Books Limited, London, 1997</image:title>
      <image:caption>Kate Moss, Kate, Pavilion Books Ltd, London, 1997. Softcover, 15.5 × 21 cm. Extreme close-up monochrome photograph — Kate Moss&apos;s face cropped to eye, nose and lips; freckled skin; small white serif title &apos;k a t e&apos; centred. Light cover wear, good vintage condition.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/olivier-mosset-verlag-lars-muller-baden-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mosset_-Olivier.-1990-cover.jpg?v=1783313103</image:loc>
      <image:title>OLIVIER MOSSET — Olivier Mosset, Verlag Lars Müller, Baden, 1990</image:title>
      <image:caption>Dust jacket front cover, Olivier Mosset, Verlag Lars Müller, Baden, 1990. Hot-pink laminated jacket, landscape format, approx. 30.5 × 22.4 cm. &apos;Olivier Mosset&apos; upper left; &apos;OLIVIER MOSSET&apos; spaced cyan sans-serif centre; &apos;Verlag Lars Müller&apos; lower left. Light rubbing and minor corner wear, very good condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/keisuke-nagoshi-chicano-tokyo-kirara-kawade-shobo-shinsha-2008</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Nagoshi_-Keisuke.-CHICANO.-2008-cover.jpg?v=1783316189</image:loc>
      <image:title>KEISUKE NAGOSHI — CHICANO, Tokyo Kirara-sha / Kawade Shobo Shinsha, Japan, 2008</image:title>
      <image:caption>Photobook front cover with obi, Keisuke Nagoshi, CHICANO, Tokyo Kirara-sha / Kawade Shobo Shinsha, Japan, 2008. Sealed in original distributor shrinkwrap. Full-bleed black-and-white photograph — close-up of heavily tattooed torso and neck, head tilted back; dense religious and figurative tattoo imagery including a face, hands, and decorative motifs covering the skin. Bold black serif title &apos;CHICANO&apos; and &apos;KEISUKE NAGOSHI&apos; centred over image. Lower third: wraparound obi in white with cyan Japanese text — </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bruce-nauman-spatial-encounters-university-of-california-press-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Nauman_Bruce.SpatialEncounters.2019.jpg?v=1783317518</image:loc>
      <image:title>BRUCE NAUMAN — Spatial Encounters, University of California Press, 2019</image:title>
      <image:caption>Monograph front cover, Bruce Nauman: Spatial Encounters, Constance M. Lewallen and Dore Bowen, University of California Press, 2019. Sealed in distributor shrinkwrap. Dark teal-green ground. Full-bleed black-and-white photograph — Bruce Nauman standing inside a narrow corridor installation, fluorescent light strip overhead, mirror surfaces on either side producing infinite reflection; figure slightly off-centre, looking toward camera. Upper left: white sans-serif — &apos;Constance M. Lewallen / Dore Bowen&apos;. </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/the-new-rare-editions-record-phillips-de-pury-contemporary-art-june-2005</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/PhillipsdePury_Company._cutcatalogue_ContemporaryArtCatalogueJune62005.jpg?v=1783319991</image:loc>
      <image:title>THE NEW RARE EDITIONS — Record: Phillips de Pury &amp; Company, Contemporary Art, June 6, 2005</image:title>
      <image:caption>THE NEW RARE EDITIONS — Record: June 6, 2005. 2005 / 2008 / 2026. Unique appropriated auction catalogue, from a series of two related works. Original Phillips de Pury &amp; Company softcover, Contemporary Art: Including Prints, Photographs &amp; Multiples, New York, 6 June 2005; 76 pp. Front cover reproduces Richard Prince, Untitled (Kool-Aid), 1982/83 — close-up rephotograph of a Kool-Aid pitcher character against deep red ground; smiling face motif; glass pitcher with red liquid above; high-contrast saturated col</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/haacke-van-abbemuseum-eindhoven-1979</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Haacke_Hans._Show_poster_Van_Abbemuseum._1979_e656b883-2ab9-45c3-bc06-08e6017bf5a5.jpg?v=1783458706</image:loc>
      <image:title>Hans Haacke — Van Abbemuseum Eindhoven, 1979</image:title>
      <image:caption>Exhibition poster, Hans Haacke, Van Abbemuseum Eindhoven, 1979. Offset lithograph, double-sided, 42 × 54 cm. Front side: Farsi calligraphic text within ornamental border, Philips logo, Dutch caption text below. Corporate language repurposed as institutional critique.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-third-place-family-tweets-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_Richard._THRID_PLACE_FAMILY_TWEETS._2017_poster_2_e3740d98-a6ed-40b9-9565-e06bd04b85e5.jpg?v=1783460216</image:loc>
      <image:title>Richard Prince — Third Place: Family Tweets, 2017</image:title>
      <image:caption>Exhibition poster, Richard Prince, Third Place: Family Tweets, Desert X, Desert Hot Springs, 2017. Offset print on paper, approx. 41 × 57 cm. Enlarged Twitter interface showing @RichardPrince4 post dated 27 Feb 2014, embedded photograph of woman in sportswear, retweet and favourite counts visible. Good used condition with original folds and handling marks.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-wilson-a-move-ab-move-able-a-seat-galerie-de-france-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Wilson_Robert._Show_poster_-_A_move_A_B._2002_inside_0f0536ae-7fbd-4706-a739-2573e99c9e56.jpg?v=1783461738</image:loc>
      <image:title>Robert Wilson — A Move A/B / Move Able à Seat, Galerie de France, 2002</image:title>
      <image:caption>Exhibition poster interior, Robert Wilson, A Move A/B / Move Able à Seat, Galerie de France, Paris, 2002. Interior spread printed in yellow on white: full list of works including Mondrian Chair, Einstein on the Beach Table, Kafka II, Mother: A Chair for Agnes Martin, Stalin Chairs, Madame Butterfly, Alice in Bed Chair, and others. Good vintage condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/david-shrigley-man-in-a-room-blue-q-2007</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Shrigley_David_Man_in_a_Room_2007_f5750a70-8220-4788-bbfb-31074abefacb.jpg?v=1783501447</image:loc>
      <image:title>David Shrigley — Man in a Room, Blue Q, 2007</image:title>
      <image:caption>Artist book, David Shrigley, Man in a Room, Blue Q, Pittsfield, Massachusetts, 2007. Miniature staple-bound booklet, 7.5 × 5.5 cm, 44 pages. Front cover: green ground, hand-lettered black text reading ‘MAN IN A ROOM’ with underline, ‘BY D. SHRIGLEY’ below. New old stock, unopened in original wrap.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/william-s-burroughs-tony-shafrazi-gallery-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Burroughs_William._Show_invite_and_catalogue_Tony_Shafrazi_Gallery._1988_bb64a60d-392b-45b9-858b-d5189b2e608a.jpg?v=1783600751</image:loc>
      <image:title>William S. Burroughs — Tony Shafrazi Gallery, New York, 1988</image:title>
      <image:caption>Exhibition catalogue, William S. Burroughs, Tony Shafrazi Gallery, New York, 1988. Offset print on textured cream stock, 14.5 × 22 cm folded. Front cover: sepia photograph by Kate Simon of Burroughs seated on porch in Lawrence, Kansas, 14 September 1987, fedora, shotgun across lap. Text: ‘WILLIAM S. BURROUGHS / DECEMBER 19 THROUGH JANUARY 24, 1988 / TONY SHAFRAZI GALLERY / 163 MERCER STREET, NEW YORK, NY 10012 / 212 925-8732’.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mounir-fatmi-comprendra-bien-qui-comprendra-le-dernier-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Fatmi_Mounir._Exhibition_poster_-_Comprendra_bien_qui_comprendra_le_dernier_._2004_6b3d0bb0-dff8-435a-8e94-f71ae35ef5d2.jpg?v=1783614264</image:loc>
      <image:title>Mounir Fatmi — Comprendra bien qui comprendra le dernier, 2004</image:title>
      <image:caption>Exhibition poster, Mounir Fatmi, Comprendra bien qui comprendra le dernier, Le Parvis, centre d’art contemporain, Ibos/Pau, 2004. Offset lithograph, 40 × 60 cm unfolded. Recto: colour photograph of books including Quran, Georges Bataille’s L’Érotisme, and New Testament in multiple languages, connected by multicoloured electrical crocodile-clip cables. Text: ‘mounir fatmi’ upper left; ‘comprendra bien qui comprendra le dernier’ in white on black band across centre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/max-ernst-sammlung-de-menil-kestner-gesellschaft-hannover-1970</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ernst_Max._Sammlung_de_Menil._Plakat_zur_Ausstellung_._1970_617761fd-a7fa-4ad4-ae34-c1b78529aee7.jpg?v=1783628320</image:loc>
      <image:title>Max Ernst — Sammlung de Menil, Kestner-Gesellschaft, Hannover, 1970</image:title>
      <image:caption>Exhibition poster, Max Ernst, Sammlung de Menil, Kestner-Gesellschaft Hannover, 1970. Offset lithograph, 42 × 59 cm. White ground; header ‘Kestner-Gesellschaft Hannover’; central colour reproduction of dark forest painting with pale arc and ghostly figure; bold type ‘Max Ernst / Sammlung de Menil’; foot: ‘Warmbüchenstraße 16 · 3. Juli bis 30. August 1970’. Good vintage condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gretchen-bender-political-entertainment-spruth-magers-berlin-2025</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bender_Gretchen._Show_poster_-_Political_Entertainment._2025_76f97ad6-e0ef-4ded-9cf8-1de0f0c977e5.jpg?v=1783629664</image:loc>
      <image:title>Gretchen Bender — Political Entertainment, Sprüth Magers, Berlin, 2025</image:title>
      <image:caption>Exhibition poster, Gretchen Bender, Political Entertainment, Sprüth Magers, Berlin, 2025. Offset print, 44 × 59 cm. Black crumpled vinyl surface printed with blue text listing 1988 box office titles in two columns: BIG, CROCODILE DUNDEE II, COMING TO AMERICA, BEETLEJUICE, MOONSTRUCK, DIE HARD, COCKTAIL, WHO FRAMED ROGER RABBIT, THREE MEN AND A BABY, GOOD MORNING VIETNAM. Very good condition, folded as issued.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/henry-darger-jessica-yu-in-the-realms-of-the-unreal-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Darger_Henry._Show_poster_-_In_the_realms_of_the_Unreal._2004_copy_bef66fb7-fdb6-4de4-afe9-e793910c7fcd.jpg?v=1783630584</image:loc>
      <image:title>Henry Darger / Jessica Yu — In the Realms of the Unreal: The Mystery of Henry Darger, 2004</image:title>
      <image:caption>Film poster, Henry Darger / Jessica Yu, In the Realms of the Unreal: The Mystery of Henry Darger, Wellspring Media, 2004. Offset print, 43 × 61 cm. Full-bleed Darger watercolour: young girl in white dress standing before large winged creatures in red, yellow and blue stripes. Handwritten text visible: ‘LED BLENGINS / E BOY KING’ and ‘ONE IS A TUSKORN THE OTHER’. Title in red and black below. Theatre listings at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/wade-guyton-natural-wine-galerie-chantal-crousel-paris-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Guyton_Wade._Show_poster_-_Natural_Wine._2019_0815e9b0-c725-4891-bd47-7b4dbfbae40f.jpg?v=1783631769</image:loc>
      <image:title>Wade Guyton — Natural Wine, Galerie Chantal Crousel, Paris, 2019</image:title>
      <image:caption>Exhibition poster, Wade Guyton, Natural Wine, Galerie Chantal Crousel, Paris, 2019. Offset print, A1, 59.4 × 84.1 cm. Grey-toned photograph of New York skyline with construction cranes and misty atmosphere; bold red sans-serif title ‘NATURAL WINE’ upper third; black text below: ‘WADE GUYTON CROUSEL PARIS 23. FÉVR. – 6. AVRIL 2019’. Very good condition with light fold lines.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/joseph-kosuth-consciousness-of-self-imschoot-rotterdam-1991</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kosuth_Joseph._Consciousness_of_self._1991_6494573d-b7f0-4d5e-98ae-7ca5d166f70e.jpg?v=1783633189</image:loc>
      <image:title>Joseph Kosuth — Consciousness of Self, Imschoot / The Archives, Rotterdam, 1991</image:title>
      <image:caption>Poster, Joseph Kosuth, Consciousness of Self, Imschoot Uitgevers / The Archives, Rotterdam, 1991. Screenprint, 100 × 60 cm, yellow and blue on black paper. Yellow italic script: ‘Consciousness of self is in itself and for itself… it is only by being recognized. Hegel, Phenomenology of Mind’. Blue institutional text below, nearly invisible on black ground. Lower left: ‘Poster: Joseph Kosuth’. Good vintage condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/international-local-a-che-punto-sei-where-are-you-standing-venice-2026</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kosuth_Joseph._Exhibition_poster_-_A_CHE_PUNTO_SEI_Where_are_you_at_._2026_520b05ee-96c0-41a3-a734-bedc876b1e3b.jpg?v=1783670655</image:loc>
      <image:title>International Local (Sarah Charlesworth, Joseph Kosuth, Anthony McCall) — A che punto sei? / Where Are You Standing?, Venice, 2026</image:title>
      <image:caption>Exhibition poster, International Local (Sarah Charlesworth, Joseph Kosuth, Anthony McCall), A che punto sei? / Where Are You Standing?, Venice, 2026. Offset print on white paper. Header in blue: ‘A CHE PUNTO SEI?’. Italian text body describing three social paths through the Venice Biennale. Centre: labyrinthine map with letters A–Q and numbers 1–3 marking positions. Columns of Italian text below. Footer: ‘INTERNATIONAL LOCAL’ in bold. Good condition with handling wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lee-lozano-drawings-1959-64-karma-new-york-2021</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Lozano_Lee._Show_poster_-_Drawings_1959-64._2021_04e1304b-86ae-4f4c-b8a5-637788638a84.jpg?v=1783677441</image:loc>
      <image:title>Lee Lozano — Drawings 1959–64, Karma, New York, 2021</image:title>
      <image:caption>Exhibition poster, Lee Lozano, Drawings 1959–64, Karma, New York, 2021. Offset print, 45.5 × 61 cm. White ground; large bold black sans-serif type ‘LOZANO / 1959–64’ upper half; central reproduction of pencil drawing: torso of figure wearing chain necklace with large cross pendant, breasts visible, energetic hatched shading. Footer: ‘Lee Lozano Drawings 1959–64 July 12–August 13, 2021 Karma 22 E 2nd St, New York’. Good condition with handling wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-hello-im-erica-jong-contact-ii-publications-1982</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_Kathy._Hello_I_m_Erica_Jong._1982_297b1d48-ab3d-4565-853e-974bfcfa398f.jpg?v=1783742332</image:loc>
      <image:title>Kathy Acker — Hello, I’m Erica Jong, Contact II Publications, New York, 1982</image:title>
      <image:caption>Artist book, Kathy Acker, Hello, I’m Erica Jong, Contact II Publications, New York, 1982. First edition, [20] pp., stapled black wrappers, 17.9 × 21.5 cm. Front cover: dark grey-green ground, silver-grey serif type reading ‘HELLO, / I’M ERICA JONG’ centred upper half, ‘by kathy acker’ lower right in smaller italic. Good vintage condition with surface wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/louise-bourgeois-autobiographical-prints-hayward-publishing-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bourgeois_Louise._Autobiographical_Prints._2016_74fd4d25-eae7-4076-ac6f-ea7a9ee9dacf.jpg?v=1783743037</image:loc>
      <image:title>Louise Bourgeois — Autobiographical Prints, Hayward Publishing, London, 2016</image:title>
      <image:caption>Exhibition catalogue, Louise Bourgeois, Autobiographical Prints, Hayward Publishing, London, 2016. Softcover, 96 pp., approx. 16 × 24 cm. Front cover: dark teal-grey ground; white serif type ‘LOUISE’ upper third, ‘BOURGEOIS’ lower third; central cream panel with red line etching of pregnant mosquito. ISBN 978-1-85332-343-0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/frank-bowling-dennis-de-caires-recent-paintings-umana-yana-georgetown-1989</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bowling_Frank._Caires_Dennis_De._Recent_Paintngs._The_Umana_Yana._Georgetown_Guyana_May2-14_1989._1989_3d12b588-dc5c-4aaf-864c-450d1893d1a1.jpg?v=1783743653</image:loc>
      <image:title>Frank Bowling &amp; Dennis de Caires — Recent Paintings, The Umana Yana, Georgetown, 1989</image:title>
      <image:caption>Exhibition catalogue, Frank Bowling &amp; Dennis de Caires, Recent Paintings, The Umana Yana, Georgetown, Guyana, 1989. Softcover, stapled wrappers, 16 pp. Front cover: cream ground, bold black serif type ‘Frank Bowling &amp; Dennis de Caires’, italic ‘recent paintings’ below. Minimal design. Age toning and light handling wear consistent with vintage condition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tom-bianchi-living-with-dickens-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bianchi_Tom.LivingwithDickens.1994.jpg?v=1783896844</image:loc>
      <image:title>TOM BIANCHI — Living with Dickens. St. Martin’s Press, 1994</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/linus-bill-adrien-horni-gemalde-mj-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bill_Linus_and_Horni_Adrien._Gemalde_catalogue._2014.jpg?v=1783898809</image:loc>
      <image:title>LINUS BILL + ADRIEN HORNI — Gemälde. M J, Geneva, 2014</image:title>
      <image:caption>Linus Bill + Adrien Horni, Gemälde, M J, Geneva, 2014. Front cover: cream card with two black geometric shapes — a notched vertical rectangle upper left and a horizontal square lower right — title &apos;Gemälde&apos; upper right, publisher mark &apos;M J&apos; lower left. Saddle-stitched catalogue, edition of 200.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/linus-bill-adrien-horni-gemalde-nathalie-karg-gallery-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bill_LinusandHorni_Adrien.Gemaldecatalogue.2014invite.jpg?v=1783900005</image:loc>
      <image:title>LINUS BILL + ADRIEN HORNI — Gemälde. Nathalie Karg Gallery, New York, 2014</image:title>
      <image:caption>Linus Bill + Adrien Horni, Gemälde, Nathalie Karg Gallery, New York, 2014. Exhibition invitation, recto: blue ground with text &quot;Dec. 11th, 6–8 pm&quot; top and &quot;41 Great Jones Street&quot; bottom; centre, yellow publication cover showing &quot;Linus Bill + Adrien Horni&quot; with colour collage of red, yellow, blue and grey abstract forms, &quot;Nathalie Karg Gallery / New York&quot; below.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/willard-boepple-new-sculpture-broadbent-gallery-2008</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Boepple_Willard._The_Sense_of_Things_Broadbent_Gallery._2008.jpg?v=1783900335</image:loc>
      <image:title>WILLARD BOEPPLE — New Sculpture. Broadbent Gallery, London, 2008</image:title>
      <image:caption>Willard Boepple, New Sculpture, Broadbent Gallery, London, 2008. Front cover: plain white card with &quot;WILLARD BOEPPLE&quot; centred in small black serif type. Staple-bound catalogue, 25 × 20 cm. Light surface marking and faint pressure marks visible on wrapper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/package-holiday-new-british-art-ophiuchus-collection-hydra-1997</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brown_Dan._Doig_Peter._Emin_Tracey._Show_catalogue_Package_Holiday_Hydra._1997.jpg?v=1783901135</image:loc>
      <image:title>PACKAGE HOLIDAY: New British Art in the Ophiuchus Collection. Hydra Workshop, 1997</image:title>
      <image:caption>Package Holiday: New British Art in the Ophiuchus Collection, The Hydra Workshop, Hydra, 1997. Front cover: solid bright blue card with &quot;PACKAGE HOLIDAY&quot; in large black bold type lower left; 15 artist names in three rows of small white text below — Don Brown, Peter Doig, Tracey Emin, Angus Fairhurst, Damien Hirst, Gary Hume, Sarah Lucas, Paul Noble, Chris Ofili, Richard Patterson, Simon Patterson, Georgina Starr, Sam Taylor-Wood, Nicola Tyson, Gillian Wearing. Landscape format, 21 × 15 cm. Light handling cr</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ghost-of-chance-burroughs-condo-whitney-museum-1991</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Burroughs_William._Ghost_of_Chance_illustrated_by_George_Condo._1991_invite.jpg?v=1783903289</image:loc>
      <image:title>GHOST OF CHANCE. William S. Burroughs / George Condo. Whitney Museum, 1991</image:title>
      <image:caption>Ghost of Chance, William S. Burroughs / George Condo. Library Fellows of the Whitney Museum of American Art, New York, 1991. Front of folded prospectus: white card with title &quot;GHOST OF CHANCE&quot; in red spaced serif capitals upper centre; &quot;WRITTEN BY / WILLIAM S. BURROUGHS&quot; and &quot;ILLUSTRATED BY / GEORGE CONDO&quot; in black serif type centre; &quot;PUBLISHED BY / THE LIBRARY FELLOWS OF THE / WHITNEY MUSEUM OF AMERICAN ART, 1991&quot; in small black serif type lower centre. Scattered foxing and handling creases visible on whit</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/william-burroughs-october-gallery-exhibition-archive-1988-1992</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Burroughs_William._Painting_catalogue_the_October_Gallery._1992_invite.jpg?v=1783904010</image:loc>
      <image:title>WILLIAM S. BURROUGHS — October Gallery Exhibition Archive, 1988–1992</image:title>
      <image:caption>William S. Burroughs: Painting, The October Gallery, London, 1992. Exhibition invitation front cover: solid black card with colour reproduction of Burroughs painting — red-orange totemic figure with rounded head, hollow eyes, wide ears and a circular void in the torso, standing on short forked legs against a black ground. Produced by Lococo · Mulder · New York City. Time Out London &quot;Supported by&quot; sticker lower left. Portrait format.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jorge-camacho-le-ton-haut-mathias-fels-paris-1969</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Camacho_Jorge._LE_TON_HAUT_Paris_Mathias_Fels._1969.jpg?v=1783929674</image:loc>
      <image:title>JORGE CAMACHO — Le Ton Haut. Galerie Mathias Fels, Paris, 1969</image:title>
      <image:caption>Front Panel, Le Ton Haut, Jorge Camacho, Galerie Mathias Fels, Paris, 1969. Exhibition publication back panel: cream laid paper with a single central black-and-white alchemical emblem — a winged globe surmounted by a triangle and upward arrow, with two horseshoe forms within the sphere. No text. Age toning and handling wear throughout.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/charlotte-cheetham-slide-shows-fillip-editions-2013</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cheetham_Charlotte._Slide_Shows._2013.jpg?v=1783934118</image:loc>
      <image:title>CHARLOTTE CHEETHAM — Slide Shows: A Landscape of Contemporary Independent &amp; Art Publishing. Fillip Editions, 2013</image:title>
      <image:caption>Front cover Slide Shows, Charlotte Cheetham, Fillip Editions, Vancouver, 2013. Front cover: bright yellow card with &quot;Slide Shows&quot; in large bold black sans-serif type upper left; subtitle and author name in smaller black type below. Staple-bound, 14 × 21 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hannah-collins-mike-doug-starn-regeneration-power-plant-1992</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Collins_Hannah._Starn_Mike_and_Doug._Regeneration._1992.jpg?v=1783935122</image:loc>
      <image:title>HANNAH COLLINS / MIKE AND DOUG STARN — Regeneration. The Power Plant, Toronto, 1992</image:title>
      <image:caption> Front cover Regeneration: Hannah Collins, Mike and Doug Starn, The Power Plant, Toronto, 1992. Exhibition catalogue front cover: cream card with &quot;Regeneration:&quot; in white sans-serif type on a solid black rectangle upper right; &quot;Hannah Collins,&quot; and &quot;Mike and Doug Starn&quot; in spaced black serif type in overlapping white-bordered boxes below; two black-and-white reproductions centre — upper: a pile of oysters on a dark ground; lower: a framed photographic assemblage with metal clamps and hardware. 31 × 24 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/tony-cragg-moderna-galerija-mala-galerija-ljubljana-1992-93</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cragg_Tony._Show_catalogue_Modern_Galerija_Ljubljana._1993.jpg?v=1783935737</image:loc>
      <image:title>TONY CRAGG — Tony Cragg. Moderna Galerija / Mala Galerija, Ljubljana, 1992–93</image:title>
      <image:caption> Front cover Tony Cragg, Moderna Galerija / Mala Galerija, Ljubljana, 1992–93. Exhibition catalogue front cover: textured white card with &quot;Tony Cragg&quot; in large black serif type within a ruled black border upper centre; &quot;Mala Galerija / Moderna Galerija / Ljubljana&quot; in spaced black serif capitals lower centre. Plain white ground. 29 × 21 cm. Light surface marking and edge wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/robert-crumb-postcards-fantagraphics-books-seattle-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Crumb_Robert._Postcards._1990.jpg?v=1783937062</image:loc>
      <image:title>ROBERT CRUMB — Robert Crumb Postcards. Fantagraphics Books, Seattle, 1990</image:title>
      <image:caption>Front — envelope with Crumb drawing Robert Crumb Postcards, Fantagraphics Books, Seattle, 1990. Front of illustrated paper envelope inside clear protective sleeve: white paper with &quot;ROBERT CRUMB POSTCARDS / A Set of 10 Different Cards by R. Crumb ($4.95 / $5.95 in Canada) / Published by FANTAGRAPHICS BOOKS 7563 Lake City Way NE Seattle, WA 98115 / Phone (206) 524-1967 Fax (206) 524-2104&quot; in black type upper centre; large black-and-white Crumb drawing below — a squat, scowling male figure seated on a bench, </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/fine-rats-international-under-spaghetti-junction-roman-signer-birmingham-1993</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Aanfstrom_Bram._Gomila_Francis._Pearce_Colin._Renn_Mark._Singer_Roman._Smith_Ivan._Van_Loon_Barbara._Vedder_Maria._Show_invite_Under_Spaghetti_Junction_._1993.jpg?v=1783984674</image:loc>
      <image:title>FINE RATS INTERNATIONAL — Under Spaghetti Junction [Roman Signer et al.]. Birmingham, 1993</image:title>
      <image:caption>Front (artist list / Fine Rats logo) Under Spaghetti Junction, Fine Rats International, Birmingham, 1993. Exhibition invitation front, in clear plastic pouch: upper third, yellow ground with &quot;fine rats / INTERNATIONAL / presents&quot; in black italic and sans-serif type; lower two-thirds, white ground with artist list — &quot;Bram Åångström, Francis Gomila / Zbigniew Karkowski, Colin Pearce / Mark Renn, Roman Signer / Ivan Smith, Barbara Van Loon / Maria Vedder&quot; — and &quot;UNDER SPAGHETTI JUNCTION&quot; in spaced black capita</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/josef-albers-sunny-side-up-david-zwirner-london-2017</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Albers_Josef._Show_invite_Sunny_side_up_._2017.jpg?v=1784004435</image:loc>
      <image:title>JOSEF ALBERS — Sunny Side Up. David Zwirner, London, 2017</image:title>
      <image:caption>Front — Homage to the Square reproduction Josef Albers, Sunny Side Up, David Zwirner, London, 2017. Exhibition invitation front: full-bleed colour reproduction of Homage to the Square, 1971, oil on Masonite — three nested squares in warm yellow tones; outermost field in muted gold, middle field in soft peach-orange, innermost square in saturated cadmium yellow. No text. Approx. 21 × 21 cm. Light surface handling.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rineke-dijkstra-gymschool-marianna-marian-goodman-paris-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dijkstra_Rineke._Show_invite_and_handout._2015_invite.jpg?v=1784005453</image:loc>
      <image:title>RINEKE DIJKSTRA — The Gymschool, St Petersburg, 2014 / Marianna (The Fairy Doll), 2014. Galerie Marian Goodman, Paris, 2015</image:title>
      <image:caption> Invitation front — gymnast backbend Rineke Dijkstra, The Gymschool, St Petersburg / Marianna (The Fairy Doll), Galerie Marian Goodman, Paris, 2015. Exhibition invitation front: colour photograph of a young gymnast in a black leotard performing a backbend on a bare cream floor, legs raised and crossed at the ankle in ballet slippers, face visible between her arms looking directly at the camera. White border. Approx. A5.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/francisco-de-goya-les-desastres-de-la-guerre-presence-van-gogh-2001</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Goya_Francisco_de._Show_invite_les_desastres_de_la_guerre_._2001.jpg?v=1784006153</image:loc>
      <image:title>FRANCISCO DE GOYA — Les Désastres de la guerre. Centre d’Art Présence Van Gogh, Saint-Rémy-de-Provence, 2001</image:title>
      <image:caption>Recto — Que valor! print reproduction Francisco de Goya, Les Désastres de la guerre, Centre d&apos;Art Présence Van Gogh, Saint-Rémy-de-Provence, 2001. Exhibition invitation recto: black-and-white reproduction of Que valor! (What Courage!), plate 7 from The Disasters of War, etching and aquatint, first edition 1863 — a woman in a white dress seen from behind, arms extended to operate a cannon on a wheeled carriage, surrounded by fallen bodies and scattered debris on a dark raked ground; plate number &quot;7&quot; upper le</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/roni-horn-dessins-drawings-disegni-bevilacqua-la-masa-venice-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Horn_Roni._Show_booklet_Dessins_Drawings_Disegni._2004.jpg?v=1784007631</image:loc>
      <image:title>RONI HORN — Dessins / Drawings / Disegni. Fondazione Bevilacqua La Masa / Centre Pompidou, Venice, 2004</image:title>
      <image:caption>Front cover — institutional title strip Roni Horn, Dessins / Drawings / Disegni, Fondazione Bevilacqua La Masa / Centre Pompidou, Venice, 2004. Exhibition booklet front cover: fluorescent yellow-green wrappers; narrow vertical grey institutional title strip along left edge — double-B logo of Fondazione Bevilacqua La Masa in black above, then &quot;FONDAZIONE / BEVILACQUA / LA MASA&quot; in small black type, then &quot;Centre / Pompidou&quot; in black, then &quot;Galleria di Piazza San Marco, / Venezia&quot;, then &quot;Roni Horn / Dessins/Dr</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/roni-horn-catalogs-artists-books-monographs-edizioni-periferia-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Horn_Roni._Catalogs_Artists_books_and_monographs._2004.jpg?v=1784006997</image:loc>
      <image:title>RONI HORN — Catalogs, Artist’s Books and Monographs. Edizioni Periferia / a+mbookstore, 2004</image:title>
      <image:caption>Front cover Roni Horn, Catalogs, Artist&apos;s Books and Monographs, Edizioni Periferia / a+mbookstore Edizioni, 2004. Front cover: metallic gold reflective wrappers with rippled, cloud-like surface texture in warm gold and pale yellow tones; &quot;RONI HORN&quot; in small spaced blue serif capitals centre; &quot;CATALOGS, ARTIST&apos;S BOOKS / AND MONOGRAPHS&quot; in smaller spaced blue serif type below. Softcover, staple-bound, 10.5 × 15 cm. Rubbing, surface marks and light scratching visible across wrappers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/roni-horn-aka-roni-horn-whitney-museum-new-york-2009</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Horn_Roni._Show_handout_Roni_Horn_aka_Roni_Horn._2009.jpg?v=1784008629</image:loc>
      <image:title>RONI HORN — Roni Horn aka Roni Horn. Whitney Museum of American Art, New York, 2009</image:title>
      <image:caption>Front cover — black-and-white portrait with overwrap Roni Horn aka Roni Horn, Whitney Museum of American Art, New York, 2009. Exhibition guide front cover: pale blue printed overwrap overlaid on self-wrapper; overwrap carries &quot;November 6, 2009–January 24, 2010&quot; in small dark grey sans-serif type upper left; &quot;Roni Horn / aka / Roni Horn&quot; in large dark grey sans-serif type centre left; &quot;Whitney Museum of American Art, New York&quot; in small dark grey sans-serif type lower left; behind overwrap, black-and-white cl</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/roni-horn-dessins-drawings-disegni-bevilacqua-la-masa-venice-2004-invitation</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Horn_Roni._Show_invite_Dessins_Drawings_Disegni._2004.jpg?v=1784009781</image:loc>
      <image:title>RONI HORN — Dessins / Drawings / Disegni. Fondazione Bevilacqua La Masa / Centre Pompidou, Venice, 2004 [invitation]</image:title>
      <image:caption> Recto — Clownpout (4) reproduction Roni Horn, Dessins / Drawings / Disegni, Fondazione Bevilacqua La Masa / Centre Pompidou, Venice, 2004. Exhibition invitation recto: full-bleed colour reproduction of Clownpout (4), 2002 — two photographic heads cut apart and interlocked, face appearing simultaneously doubled, blurred and partially erased; pale pink and white tones, open mouth visible at centre, features dissolved into abstraction; lower edge, horizontal strip with institutional logos and text in small bl</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-paul-albinet-invitation-soiree-paris-1988</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Albinet_Jean_Paul._Show_invite._1988.jpg?v=1784113190</image:loc>
      <image:title>JEAN-PAUL ALBINET — Invitation for a soirée. Paris, 30 September 1988</image:title>
      <image:caption>Recto — translucent sheet over barcode card Jean-Paul Albinet, Invitation for a soirée, Paris, 1988. Recto, translucent outer sheet folded over barcode card: enlarged barcode in pale grey visible beneath translucent paper; overprinted in dark grey italic serif type — upper: &quot;Nous vous invitons à une soirée le 30 septembre 1988, / 20 heures – 13, rue Simon Dereure, Paris 18.&quot;; lower: &quot;R.S.V.P avant le 15 septembre. tél (1) 42.55.86.30.&quot;; barcode digits &quot;SC 17001988&quot; upper and &quot;A 01 131286&quot; lower visible thro</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/laura-carpenter-philippe-thomas-insights-galerie-claire-burrus-paris-1990-invitation</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Carpenter_Laura._Show_invite_insights_._1990.jpg?v=1784111104</image:loc>
      <image:title>LAURA CARPENTER / PHILIPPE THOMAS — Insights. Galerie Claire Burrus, Paris, 1990 [invitation]</image:title>
      <image:caption>title and author Laura Carpenter, Philippe Thomas, Insights, Galerie Claire Burrus, Paris, 1990. Exhibition invitation recto: cream card with pale warm-toned photographic ground — soft, diffuse abstract forms in ivory and sand, suggesting fabric or folded paper, more concentrated at left and right edges; &quot;INSIGHTS&quot; in spaced blue serif capitals centre; &quot;LAURA CARPENTER&quot; in smaller spaced blue serif type below. No other text. 17.5 × 13 cm. Light sun bleaching and age toning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/nobuyoshi-araki-untitled-tokyo-novelle-kunstmuseum-wolfsburg-1995</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Araki_Nobuyoshi._Artist_postcard._1995.jpg?v=1784136392</image:loc>
      <image:title>NOBUYOSHI ARAKI — Untitled, Tokyo Novelle. Kunstmuseum Wolfsburg, 1995. Card 1 of 5</image:title>
      <image:caption>Recto — photograph Nobuyoshi Araki, Untitled, 1995, Tokyo Novelle, Kunstmuseum Wolfsburg, 1995–96. Artist postcard recto: monochrome photograph within a Polaroid-like white border — close-up of a young woman&apos;s face tilted sideways against a dark background, hair loose and wind-blown, a small clothes peg held between her lips, hoop earring visible, braided hair at left; high-contrast black-and-white printing. 10.5 × 15 cm.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/photonotations-rosa-esman-gallery-new-york-1976</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Arman_Bochner_Juszczyk_LeWitt_R.Mangold_S.Mangold_Pindell_Pozzi_Rockburne_Sanderson_Segal_Smithson_Wesselmann_Zuyderland._Show_invite_photonotions_._1976.jpg?v=1784137093</image:loc>
      <image:title>ARMAN, MEL BOCHNER, SOL LEWITT, ROBERT MANGOLD, SYLVIA MANGOLD, HOWARDENA PINDELL, DOROTHEA ROCKBURNE, GEORGE SEGAL, ROBERT SMITHSON, TOM WESSELMANN et al. — Photonotations. Rosa Esman Gallery, New York, 1976</image:title>
      <image:caption>Recto — George Segal photograph Photonotations, Rosa Esman Gallery, New York, 1976. Exhibition invitation recto: colour photograph by George Segal — a figure in silhouette stands on a ladder or platform working across an illuminated theatre marquee at night, partially obscuring large black letters on a white backlit sign reading fragments &quot;I EY POIT&quot;, &quot;P…RUE&quot;, &quot;PHI&quot;, &quot;ORD E&quot;; rows of amber and gold bulbs border the sign above and below; dark sky above. 14 × 9 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/art-language-too-dark-to-read-musee-art-moderne-lille-metropole-2002</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Art_Language._Show_invite_too_dark_to_read_._2002.jpg?v=1784178641</image:loc>
      <image:title>ART &amp; LANGUAGE — Too Dark to Read: motifs rétrospectifs 2002–1965. Musée d’art moderne Lille Métropole, 2002</image:title>
      <image:caption> Front panel — folded guide cover Art &amp; Language, Too Dark to Read: motifs rétrospectifs 2002–1965, Musée d&apos;art moderne Lille Métropole, Villeneuve-d&apos;Ascq, 2002. Exhibition guide front panel, 10 × 15 cm folded: upper third, dense grid of small colour and monochrome reproductions of Art &amp; Language works — paintings, installations, text works, photographs — in muted pinks, blues, greys and whites; centre, black band with white and italic type — &quot;exposition | exhibition | tentoonstelling / 26/01/2002 – 20/05/2</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/art-language-galerie-nationale-jeu-de-paume-paris-1993</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Art_Language._Show_invite._1993.jpg?v=1784180663</image:loc>
      <image:title>ART &amp; LANGUAGE — Art &amp; Language. Galerie nationale du Jeu de Paume, Paris, 1993</image:title>
      <image:caption>Recto — photographic strip Art &amp; Language, Galerie nationale du Jeu de Paume, Paris, 1993–1994. Exhibition invitation recto: offset-printed card, 13 × 21 cm; upper third, strip of three repeated monochrome photographs by Charles Harrison — two figures standing in a gallery or institutional interior, partially obscured by glass reflections and architectural divisions, shelving and industrial ceiling visible behind; grey vertical text along right edge reading &apos;galerie nationale du&apos; in lowercase sans-serif; lo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/centenaire-jean-paulhan-peinture-ecrit-bateau-lavoir-paris-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Artaud_Alechinsky_Braque_Ernst_Chagall_Balthus._Show_invite_of_painting_and_writing_._1984.jpg?v=1784181297</image:loc>
      <image:title>ARTAUD, ALECHINSKY, BRAQUE, ERNST, CHAGALL, BALTHUS, KLEE, DUBUFFET, MICHAUX et al. — Centenaire de Jean Paulhan: De la peinture et de l’écrit. Le Bateau-Lavoir, Paris, 1984–85</image:title>
      <image:caption>. Cover Centenaire de Jean Paulhan, De la peinture et de l&apos;écrit, Le Bateau-Lavoir, Paris, 1984–85. Invitation cover: monochrome halftone of a Cubist still life — fragmented guitar or stringed instrument, sheet music, jug and geometric planes in grey and black. No text. Light age toning</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/roger-brown-galerie-darthea-speyer-paris-1974</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brown_Roger._Show_invite._1974.jpg?v=1784183651</image:loc>
      <image:title>ROGER BROWN — Roger Brown. Galerie Darthea Speyer, Paris, 1974</image:title>
      <image:caption> Recto Roger Brown, Galerie Darthea Speyer, Paris, 1974. Invitation recto: teal-green ground; &apos;Roger Brown&apos; in white serif type above a monochrome reproduction of a patterned landscape — undulating rows of rounded forms, small isolated figure at centre right; exhibition dates, vernissage details, gallery name and address in small white sans-serif below. Diagonal creasing at upper corners.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gunter-brus-dessins-autrichiens-cabinet-art-graphique-pompidou-1987</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brus_Gunter._Show_invite_Austrian_drawings_in_the_collection_of_the_graphic_arts_cabinet_._1987_c528809b-35f1-40db-9816-2df40b0fffb6.jpg?v=1784184249</image:loc>
      <image:title>GÜNTER BRUS — Dessins autrichiens dans les collections du Cabinet d’art graphique. Centre Georges Pompidou, Paris, 1987</image:title>
      <image:caption>Recto Günter Brus, Watteaus Rache, 1983. Invitation recto, Centre Georges Pompidou, Paris, 1987. Colour reproduction on amber-gold ground — contorted nude figure in red-orange line arches backward, body merging into a sweeping curve across the composition; cascade of white lines pours downward at centre; blue-grey cloud forms at edges; &apos;WATTEAUS RACHE&apos; inscribed upper left, signature and date upper right.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/editions-brunidor-estampes-livres-illustres-paris-1973</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Butor_Michel._Laude_Jean._Bryen_Camille._Domela_Cesar._Helion_Jean._Herold_Jacques._Masson_Andre._Show_invite._1973.jpg?v=1784185855</image:loc>
      <image:title>BUTOR, LAUDE, BRYEN, DOMELA, HÉLION, HÉROLD, MASSON — Estampes et livres illustrés des Éditions Brunidor. Paris, 1973</image:title>
      <image:caption>Verso Éditions Brunidor, Estampes et livres illustrés, Paris, 1973. Invitation verso: white card; pale grey text — &apos;Roberto et Maggy Altmann seraient heureux de vous recevoir au 55 quai de Valmy 75010 Paris les 24 et 25 Novembre 1973, de 18 à 22 heures&apos;; exhibition title in orange sans-serif — &apos;Estampes et livres illustrés des Éditions Brunidor&apos;; two-column roster in pale grey — left: &apos;Butor&apos;, &apos;Laude&apos;; right: &apos;Bryen&apos;, &apos;Domela&apos;, &apos;Hélion&apos;, &apos;Hérold&apos;, &apos;Masson&apos;; &apos;invitation personnelle de la part de&apos; in small it</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rafael-canogar-construcciones-arc-musee-art-moderne-paris-1975</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Canogar_Rafael._Show_invite_construcciones_._1975.jpg?v=1784186785</image:loc>
      <image:title>RAFAEL CANOGAR — Construcciones 1968–1975. A.R.C. 2, Musée d’Art moderne de la Ville de Paris, 1975</image:title>
      <image:caption>Recto Rafael Canogar, Construcciones 1968–1975, A.R.C. 2, Musée d&apos;Art moderne de la Ville de Paris, 1975. Invitation recto: white ground; two broad diagonal black brushstrokes crossing at centre; monochrome photograph of a sculptural construction — blindfolded male figure, head and torso, held within a rectangular frame; &apos;RAFAEL CANOGAR&apos; in large black sans-serif upper right; &apos;CONSTRUCCIONES / 1968-1975&apos; in bold lower right; A.R.C. 2 logo, address and dates lower left. Light age toning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/maurice-chabas-les-grandes-visions-galerie-devambez-paris-1922</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Chabas_Maurice._Show_invite._1922.jpg?v=1784187322</image:loc>
      <image:title>MAURICE CHABAS — Les Grandes Visions — La Poésie dans la Nature. Galerie Devambez, Paris, 1922</image:title>
      <image:caption>Cover Maurice Chabas, Les Grandes Visions, Galerie Devambez, Paris, 1922. Invitation cover: cream paper; reproduced drawing in grey-green ink — swirling curvilinear forms suggesting clouds or cosmic energy; small female face with closed eyes at centre left, partially obscured by flowing forms; artist&apos;s signature lower right. Age toning, edge wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lucien-clergue-photographies-1954-1961-musee-arts-decoratifs-paris-1962</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Clergue_Lucien._Show_invite_photographies_1954-1961_._1962.jpg?v=1784188584</image:loc>
      <image:title>LUCIEN CLERGUE — Photographies 1954–1961. Musée des Arts Décoratifs, Paris, 1962</image:title>
      <image:caption>Recto Lucien Clergue, Photographies 1954–1961, Musée des Arts Décoratifs, Paris, 1962. Invitation recto: cream card; formal text in dark green serif type — &apos;Monsieur Eugène CLAUDIUS PETIT, Président de l&apos;Union Centrale des Arts Décoratifs vous prie de lui faire l&apos;honneur d&apos;assister à l&apos;inauguration de l&apos;exposition&apos;; &apos;LUCIEN CLERGUE / photographies / 1954–1961&apos; in large bold green type at centre; minister&apos;s name below; venue — &apos;Musée des Arts Décoratifs / Palais du Louvre, Pavillon de Marsan / 107, Rue de Ri</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jean-cocteau-poesie-graphique-galerie-arcade-colette-paris-1996</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cocteau_Jean._Show_invite_poesie_graphique_._1996.jpg?v=1784189220</image:loc>
      <image:title>JEAN COCTEAU — Poésie graphique. Galerie Arcade Colette, Paris, 1996</image:title>
      <image:caption> Recto — portrait Jean Cocteau, Poésie graphique, Galerie Arcade Colette, Paris, 1996. Invitation recto: monochrome photograph of Jean Cocteau — three-quarter view, standing beside a blackboard covered in chalk handwriting, right hand raised to chin, cigarette between fingers; dark suit and tie; bookshelves at right; chalk text partially legible including &apos;Lundi Noir&apos; and names. Light age toning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/duchamp-hamilton-large-glass-tate-gallery-postcard-1981</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Duchamp_Marcel._Hamilton_Richard._Artist_postcard._1975.jpg?v=1784192442</image:loc>
      <image:title>MARCEL DUCHAMP / RICHARD HAMILTON — The Bride Stripped Bare by Her Bachelors, Even (The Large Glass). Tate Gallery postcard, c. 1981</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-gardiner-norman-cook-fatboy-slim-national-portrait-gallery-postcard-2001</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gardiner_Martin._Artist_postcard_photograph_of_Norman_Cook_Fatboy_slim_._1999.jpg?v=1784266252</image:loc>
      <image:title>MARTIN GARDINER — Norman Cook (Fatboy Slim), b. 1963. National Portrait Gallery postcard, 2001</image:title>
      <image:caption>Recto Martin Gardiner, Norman Cook (Fatboy Slim), Los Angeles, 1999. NPG postcard, 2001. Recto: colour photograph — full-length portrait of a shaven-headed man in a dark zip-up jacket and grey trousers, standing on a Los Angeles pavement, right hand raised to mouth, cigarette between fingers; dramatic cloudy sky at dusk; street furniture and parked vehicles in background. Polaroid-style white border</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/marcel-duchamp-lhooq-moma-postcard-2006</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Duchamp_Marcel._Artist_postcard._2006.jpg?v=1784265935</image:loc>
      <image:title>MARCEL DUCHAMP — L.H.O.O.Q., 1919. Museum of Modern Art postcard, 2006</image:title>
      <image:caption>Marcel Duchamp, L.H.O.O.Q., 1919. MoMA postcard, 2006. Recto: colour reproduction of Duchamp’s rectified readymade — a commercially printed Mona Lisa with pencil moustache and goatee added to the figure’s upper lip and chin; warm sepia and grey tones; landscape background visible; ‘L.H.O.O.Q.’ inscribed in pencil in capitals along the lower edge of the image. Retained in a transparent protective sleeve.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/general-idea-haute-culture-retrospective-musee-art-moderne-paris-2011</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/General_Idea._Show_catalogue_Haute_Culture_._2011.jpg?v=1784267069</image:loc>
      <image:title>GENERAL IDEA — Haute Culture: Une rétrospective, 1969–1994. Musée d’Art moderne de la Ville de Paris / ARC, 2011</image:title>
      <image:caption>Front cover General Idea, Haute Culture: Une rétrospective, 1969–1994, Musée d&apos;Art moderne de la Ville de Paris, 2011. Booklet front cover: colour photograph of three figures in theatrical costume — heavy dark eye makeup, textured grey headdresses, pastel suits (cream, blue, pink); pyramid composition against pale blue-grey sky; staged, deadpan. Handling creases, surface undulation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/peter-hujar-vintage-albert-merola-gallery-provincetown-2022</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Hujar_Peter._Show_invite_Vintage_._2022.jpg?v=1784269397</image:loc>
      <image:title>PETER HUJAR — Vintage: Uncomplicated, Direct Photographs of Complicated and Difficult Subjects. Albert Merola Gallery, Provincetown, 2022</image:title>
      <image:caption>Recto — portrait with bouffant wig Peter Hujar, Vintage, Albert Merola Gallery, Provincetown, 2022. Announcement recto: monochrome photograph of a figure with an elaborate pale bouffant wig, head tilted downward, eyes cast down, bare shoulders; dramatic high-contrast lighting against dark ground; &apos;PETER HUJAR&apos; in large serif caps above image; &apos;Albert Merola Gallery / July 1–27, 2022&apos; in serif below; copyright credit &apos;All images © Peter Hujar Archive LLC&apos; in small type within image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/paula-izydorek-olo-self-published-artist-brochure-2021</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Izydorek_Paula.Showinvite_olo_.2021.jpg?v=1784271775</image:loc>
      <image:title>PAULA IZYDOREK — Olo: Interconnectivity Between Two Beings. Artist brochure, 2021</image:title>
      <image:caption> Paula Izydorek, Olo: Interconnectivity Between Two Beings, self-published artist brochure, 2021. Front cover: white ground; &apos;Paula Izydorek&apos; in grey serif above; studio address, email, website and phone number in small grey type; colour reproduction of an abstract painting — interlocking orange, red and blue curvilinear forms suggesting two intertwined profiles against a pale ground with diagonal yellow accent; work captions in small type below image. Handling creases and surface undulation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/martin-kippenberger-das-2-sein-inhalt-auf-reisen-zkm-karlsruhe-2003</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kippengerger_Martin._Show_invite_Das_2._Sein_Inhalt_auf_Reisen_The_Second_Being_Content_on_Tour_._2003.jpg?v=1784327010</image:loc>
      <image:title>MARTIN KIPPENBERGER — Das 2. Sein: Inhalt auf Reisen. Museum für Neue Kunst / ZKM Karlsruhe, 2003</image:title>
      <image:caption>Recto Martin Kippenberger, Das 2. Sein: Inhalt auf Reisen, Museum für Neue Kunst / ZKM Karlsruhe, 2003. Programme card recto: colour reproduction of a painting — a half-skeleton, half-portrait figure in a dark suit against a blue and white gestural ground, holding a bone staff with a dark heart-shaped form; small fish held in the other hand; large orange sphere upper right; yellow banner across top — &apos;MARTIN / DAS 2. SEIN / KIPPENBERGER&apos; in black and white bold; &apos;INHALT AUF / REISEN&apos; in yellow lower right; </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/barbara-kruger-untitled-tell-us-something-we-dont-know-fotofolio-postcard</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kruger_Barbara._Artist_postcard_tell_us_something_we_don_t_know.jpg?v=1784349086</image:loc>
      <image:title>BARBARA KRUGER — Untitled (Tell us something we don’t know), 1987. Fotofolio postcard, c. 2000</image:title>
      <image:caption>Recto Barbara Kruger, Untitled (Tell us something we don&apos;t know), 1987. Fotofolio postcard, c. 2000. Recto: black and white photograph of a dense grid of repeated eyeball forms on sticks against a dark ground; six red rectangular text panels interrupt the image distributing the sentence — &apos;Tell us&apos; upper left, &apos;something&apos; upper right, &apos;we&apos; centre, &apos;don&apos;t&apos; lower left, &apos;know&apos; lower right — each in white Futura bold italic. High contrast monochrome print</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/annie-leibovitz-early-years-1970-1983-archive-project-hauser-wirth-los-angeles-2019</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leibovitz_Annie._Show_invite_The_Early_Years_._2019.jpg?v=1784350094</image:loc>
      <image:title>ANNIE LEIBOVITZ — The Early Years, 1970–1983: Archive Project No. 1. Hauser &amp; Wirth Los Angeles, 2019</image:title>
      <image:caption>Verso Annie Leibovitz, The Early Years, 1970–1983: Archive Project No. 1, Hauser &amp; Wirth Los Angeles, 2019. Invitation verso: plain white card; &apos;HAUSER &amp; WIRTH&apos; in small spaced caps at top; &apos;ANNIE LEIBOVITZ&apos; in large bold sans-serif; &apos;THE EARLY YEARS, 1970–1983&apos; in smaller bold caps; &apos;PUBLIC OPENING / SATURDAY 16 FEBRUARY 2019 / 3–6 PM&apos;; &apos;14 FEBRUARY – 14 APRIL 2019&apos;; &apos;901 EAST 3RD STREET LOS ANGELES CA 90013 / PHONE +1 213 943 1620&apos;; opening hours Tuesday–Sunday 11 AM–6 PM; &apos;WWW.HAUSERWIRTH.COM&apos;; image cre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/zoe-leonard-my-kindergarten-class-photo-studio-museum-harlem-postcards-2013</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leonard_Zoe._Artist_postcard._2013.jpg?v=1784350979</image:loc>
      <image:title>ZOE LEONARD — My Kindergarten Class Photo, 2013. Studio Museum in Harlem, Harlem Postcards: Fall/Winter 2013–14</image:title>
      <image:caption>Recto Zoe Leonard, My Kindergarten Class Photo, 2013. Studio Museum in Harlem, Harlem Postcards: Fall/Winter 2013–14. Postcard recto: colour photograph of a school class portrait — Public School 125, Manhattan, 1967, Class K2-567; approximately forty children in four rows with two adult teachers at either side; large American flag on the wall behind; children in formal dress; black placard in the foreground reading &apos;PUBLIC SCHOOL 125 / MANHATTAN / 1967 / CLASS K2-567&apos;. Warm 1960s colour cast.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/zoe-leonard-aerials-hauser-wirth-london-2018</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leonard_Zoe._Show_invite_Aerials_._2018.jpg?v=1784350891</image:loc>
      <image:title>ZOE LEONARD — Aerials. Hauser &amp; Wirth, London, 2018</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/zoe-leonard-analogue-hauser-wirth-los-angeles-2018</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leonard_Zoe._Show_invite_analogue_._2018.jpg?v=1784350892</image:loc>
      <image:title>ZOE LEONARD — Analogue. Hauser &amp; Wirth Los Angeles, 2018</image:title>
      <image:caption> Recto Zoe Leonard, Analogue, Hauser &amp; Wirth Los Angeles, 2018. Invitation recto: white card; twelve colour and monochrome square photographs in a 4×3 grid with black film borders — street-level goods between use and resale: mattresses, garments on racks, stacked chairs, appliances, a mannequin, wrapped merchandise and cardboard boxes, all photographed on pavements or in storefronts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/michel-majerus-matthew-marks-gallery-los-angeles-2015</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Majerus_Michel._Matthew_Marks_Gallery_show_invite._2016_front.jpg?v=1784355513</image:loc>
      <image:title>MICHEL MAJERUS — Michel Majerus. Matthew Marks Gallery, Los Angeles, 2015</image:title>
      <image:caption>Recto Michel Majerus, overdose, 1997. Matthew Marks Gallery, Los Angeles, 2015. Invitation recto: detail from a monumental 15-panel acrylic painting — dense collage of commercial imagery including a chocolate sandwich ice cream wrapper with &apos;Over-dose&apos; branding, Woody from Toy Story lower right, a Micro Systems logo, detergent packaging, a club flyer reading &apos;BLIZZ&apos;, and a Parkcafé München advertisement; vivid colour, flat graphic style, imagery layered edge to edge.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/massao-mascaro-untitled-jardin-25-galerie-c-2016</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mascaro_Mascaro._Show_invite._2016.jpg?v=1784356969</image:loc>
      <image:title>MASSAO MASCARO — Untitled (Jardin #25), 2016. Galerie C Contemporary Art</image:title>
      <image:caption>Recto Massao Mascaro, Untitled (Jardin #25), 2016. Galerie C Contemporary Art. Card recto: monochrome photograph on heavily textured card — a nude figure lying face-down on a brick ledge, head turned to one side, one arm raised; concrete surface and dark foliage visible behind; soft diffuse light; high-grain, low-contrast silver gelatin aesthetic.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/walter-mehring-mais-ou-sont-les-neiges-dada-goethe-institut-paris-1966</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mehring_Walter._Show_invite._1966.jpg?v=1784358092</image:loc>
      <image:title>WALTER MEHRING — Mais où sont les neiges Dada… Lecture invitation, Goethe-Institut, Paris, 1966</image:title>
      <image:caption>Recto Walter Mehring, Mais où sont les neiges Dada…, 1966. Association pour l&apos;étude du mouvement Dada, Goethe-Institut, Paris. Invitation recto: cream card; centred typographic text in mixed serif and small-caps — &apos;L&apos;ASSOCIATION POUR L&apos;ETUDE DU MOUVEMENT DADA / VOUS PRIE DE BIEN VOULOIR ASSISTER A LA CONFÉRENCE / de WALTER MEHRING / MAIS OU SONT LES NEIGES DADA . . . . / LE MARDI 25 OCTOBRE 1966, A 21 HEURES / DANS LES SALONS DU GOETHE INSTITUT / 17, AVENUE D&apos;INÉA, PARIS (XVIᵉ)&apos;; light age toning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cildo-meireles-zero-dollar-phaidon-postcard-2001</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Meireles_Clido._Artist_postcard._2001.jpg?v=1784358574</image:loc>
      <image:title>CILDO MEIRELES — Zero Dollar, 1978–84. Phaidon Press postcard, 2001</image:title>
      <image:caption>Recto Cildo Meireles, Zero Dollar, 1978–84. Phaidon Press postcard, 2001. Postcard recto: white card; two monochrome reproductions of Zero Dollar stacked vertically — upper image shows the front of the banknote: &apos;THE UNITED STATES OF AMERICA&apos;, denomination &apos;O&apos;, serial number &apos;C.00000000 M&apos;, central portrait of Uncle Sam in top hat replacing Washington, &apos;ZEØO&apos; in denomination oval, &apos;ZERO DOLLAR&apos; along the base; lower image shows the reverse: &apos;THE UNITED STATES OF AMERICA / IN GOD WE TRUST&apos;, Fort Knox buildin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/raymond-pettibon-printed-matter-membership-campaign-2014</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Pettibon_Raymond._Printed_Matter_membership_invitation._Date_unknown_pre_social_media_post_internet.jpg?v=1784359428</image:loc>
      <image:title>RAYMOND PETTIBON — Printed Matter Membership Campaign, 2014–15. I Taught My Horse to Count</image:title>
      <image:caption>Recto (black side) Raymond Pettibon, I Taught My Horse to Count, 2014. Printed Matter membership invitation, New York, 2014–15. Recto: black card; white circular vignette with Pettibon&apos;s ink drawing of a horse bowing toward a ball, handwritten text curving around the interior; &apos;PRINTED MATTER&apos; in small caps below; bold white sans-serif — &apos;Raymond Pettibon in his inimitable style invites you to join us as a Printed Matter Member.&apos;; two paragraphs of body text in small white serif.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jack-pierson-ennui-la-vie-continue-galerie-thaddaeus-ropac-paris-2013</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Pierson_Jack._Show_invite_ennui_._2013.jpg?v=1784365238</image:loc>
      <image:title>JACK PIERSON — Ennui (La Vie Continue). Galerie Thaddaeus Ropac, Paris, 2013</image:title>
      <image:caption> Jack Pierson, Ennui (La Vie Continue), 2013. Galerie Thaddaeus Ropac, Paris. Invitation verso: dark blue and orange film-poster composition; close-up profile of a figure&apos;s face in warm orange-red light against deep blue; &apos;Jack Pierson&apos; in white script at top; &apos;THADDAEUS ROPAC présente&apos; in small caps; &apos;Ennui&apos; in large white italic script; &apos;(La Vie Continue)&apos; below; &apos;OFFICIAL SELECTION&apos; laurel badge; gallery name and address; &apos;March 2013&apos; in large bold sans-serif; &apos;Direction Artistique et Photographique:
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/womens-art-magazine-nos-57-61-1994</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Women_s_Art_Magazine_No_61_November_December_1994_7076a878-cfe4-4563-a088-1578b285cf8b.jpg?v=1784459221</image:loc>
      <image:title>WOMEN&apos;S ART MAGAZINE — Nos. 57–61 — Women&apos;s Art Library, London, 1994</image:title>
      <image:caption>Magazine, Women&apos;s Art Magazine, No. 61, Women&apos;s Art Library, London, November/December 1994. Staple-bound magazine with dark green cover featuring a close-up blurred photograph of a woman&apos;s face, mouth open. Text reads: Women&apos;s Art Magazine, A Women&apos;s Art Library Publication, No61 November/December 1994, £2.50/$10. Cover line: Linda Nochlin: Confessions of a Feminist Thinker.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/collin-thiebaut-gerard-les-yeux-noirs-niepce-2004</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Collin-Thiebaut_Gerard._Show_invite_les_yeux_noirs_._2004.jpg?v=1784576059</image:loc>
      <image:title>GÉRARD COLLIN-THIÉBAUT — Les Yeux noirs — Musée Nicéphore Niépce, Chalon-sur-Saône, 2004</image:title>
      <image:caption>Front cover Invitation card, Gérard Collin-Thiébaut, Les Yeux noirs, Musée Nicéphore Niépce, Chalon-sur-Saône, 2004. Front cover: deep red offset-printed card with black outlined keyboard-style keys arranged in a cross or tree formation. Text reads: Les / Yeux / Gérard Collin-Thiébaut / 23 10 04 — 30 01 05 / N / O / I / R / S. Light rubbing and surface scratches visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/weiner-lawrence-twenty-works-doffay-1980</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Weiner_Lawrence._Exhibition_Poster_Twenty_works._1980.jpg?v=1784615196</image:loc>
      <image:title>LAWRENCE WEINER — Twenty Works — Anthony d&apos;Offay, London, 1980</image:title>
      <image:caption>Exhibition poster, Lawrence Weiner, Twenty Works, Anthony d&apos;Offay Gallery, London, 1980. Offset-printed announcement listing all twenty work titles in a two-column grid. White paper with blue ruled border; light horizontal fold visible. Text includes gallery address: 23 Dering Street, New Bond Street, London W1; exhibition dates 22 October – 19 November 1980; private view Tuesday 21 October 5–7.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/hell-richard-smith-josh-disgusting-2010</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Hell_Richard._Smith_Josh._Disgusting._2010.jpg?v=1784638135</image:loc>
      <image:title>Richard Hell / Josh Smith — Disgusting — 2010</image:title>
      <image:caption>Front cover Artist book, Richard Hell / Josh Smith, Disgusting, 38th Street Publishers, New York, 2010. Front cover: heavy card cut from a promotional poster for the DVD reissue of Blank Generation (dir. Ulli Lommel, 1980). Orange ground with large bold black and white type reading: FEATURING LIVE P[ERFORMANCE] / RICHARD HELL[S]. Right edge carries vertical film credits in small type: directed by Ulli Lommel; starring Carole Bouquet, Richard He[ll]; produced by Roger Deutsch, Olli Lommel; cinematography by </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/jouannais-fiasco-art-concept-nice-1992</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kelley_Mike._Dietman_Erik._Blazy_Michel._Fiasco_show_catalogue._1992_inside_4.jpg?v=1784653962</image:loc>
      <image:title>JEAN-YVES JOUANNAIS — Fiasco — Art : Concept, Nice — 1992</image:title>
      <image:caption>Interior spread — Guillaume Paris Fiasco, 1992. Interior spread: Guillaume Paris, Sans titre, 1988. Checkerboard plexiglas grid with milk carton and bell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rauschenberg-robert-cardbirds-gemini-gel-1971</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rauschenberg_Robert._Cardbirds._1971_3eedebbc-d2e4-4b43-97cb-9ebfae5475be.jpg?v=1784696611</image:loc>
      <image:title>ROBERT RAUSCHENBERG — Cardbirds — Gemini G.E.L. — 1971</image:title>
      <image:caption>Rauschenberg, Cardbirds, 1971. Corrugated cardboard cover with red stamp, stock number 33-6009, signed in green ink</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rauschenberg-roci-neue-berliner-galerie-alten-museum-1990</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rauschenberg_-Robert.-ROCI---Overseas-Culture-Interchange.-1989-3-front.jpg?v=1784698122</image:loc>
      <image:title>ROBERT RAUSCHENBERG — ROCI — Neue Berliner Galerie im Alten Museum — 1990</image:title>
      <image:caption>Rauschenberg, ROCI, 1990. Green cover with red turtle illustration, globe motif, white ROCI title. Neue Berliner Galerie.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/ernst-max-musee-national-art-moderne-paris-1959</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ernst_Max._Musee_National_d_Art_Moderne_Paris_Novembre_-_Decemebre_1959.jpg?v=1784701208</image:loc>
      <image:title>MAX ERNST — Max Ernst — Musée national d’Art moderne, Paris — 1959</image:title>
      <image:caption>Front cover Max Ernst, 1959. Black cover: silver mask sculpture centre, red handwritten &apos;max ernst&apos; lower right. Rubbing and corner wear. </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/constructed-image-constructed-object-alternative-museum-new-york-1984</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Frank_Peter_curated_by_Geno_Rodriguez_._Constructed_image_constructed_object_Alternative_Museum._1984.jpg?v=1784702919</image:loc>
      <image:title>Constructed Image, Constructed Object — The Alternative Museum, New York — 1984</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/metropolitan-museum-of-art-small-sculptures-in-bronze-1950</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Metropolitan_Museum_of_Art_New_York_N.Y._._Small_Sculptures_in_Bronze._1950_1b590730-2639-4db3-9040-2f9621ce6f9c.jpg?v=1784746090</image:loc>
      <image:title>SMALL SCULPTURES IN BRONZE — Metropolitan Museum of Art, New York, 1950</image:title>
      <image:caption>Small Sculptures in Bronze, Metropolitan Museum of Art, New York, 1950. Printed paper wrappers, front cover.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/garmey-movement-vienna-new-york-rachel-adler-gallery-1987</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Garmey_-Stephen-S.-Movement--Vienna-and-New-York--The-City-1920s-cover_366f6d84-64a6-43df-8d96-439d52840628.jpg?v=1784757363</image:loc>
      <image:title>MOVEMENT: Vienna and New York: The City, 1920s — Rachel Adler Gallery, New York, 1987</image:title>
      <image:caption>MOVEMENT: Vienna and New York, The City 1920s. Front cover, Rachel Adler Gallery, New York, 1987.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bunuel-todo-bunuel-centre-pompidou-paris-2000</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bunuel_Todo._Show_invite_films_by_Todo_Bunuel._2000_128a2242-7da1-40bc-982d-125a91fb4e52.jpg?v=1784802724</image:loc>
      <image:title>Luis Buñuel — ¡Todo Buñuel! Centre Pompidou, Paris, 2000</image:title>
      <image:caption>Buñuel film still, yellow-black offset print, Cela s&apos;appelle l&apos;aurore, Centre Pompidou invitation recto</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/siouxsie-sioux-anabas-ap146-postcard-1986</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Anabas._AP146_Siouxsie._1986_11b1a640-996b-4228-8d8c-4757289dcda0.jpg?v=1784804302</image:loc>
      <image:title>SIOUXSIE SIOUX — Anabas AP146 postcard, 1986</image:title>
      <image:caption>Siouxsie full-face studio portrait, Anabas AP146 postcard recto, 1986</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kate-bush-anabas-ap156-postcard-1986</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Anabas._AP156_Kate_Bush._1986.jpg?v=1784805252</image:loc>
      <image:title>KATE BUSH — Anabas AP156 postcard, 1986</image:title>
      <image:caption>Kate Bush studio portrait, white shirt, Anabas AP156 postcard recto, 1986
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/judy-chicago-expanded-horizons-thaddaeus-ropac-2024</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Andre_Carl._Chicago_Judy._Katz_Alex._Show_invite_Expanded_Horizons_American_Art_in_the_70s_._2025_a554a2c5-b39b-41a1-83f2-c8299b59f365.jpg?v=1784806441</image:loc>
      <image:title>JUDY CHICAGO — Expanded Horizons: American Art in the 70s, Thaddaeus Ropac, 2024</image:title>
      <image:caption>Judy Chicago, Woman with Red Flares, 1971–72, invitation recto, Thaddaeus Ropac, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/gina-pane-travail-daction-exhibition-invitation-1980</loc>
    <lastmod>2026-07-23T19:41:06+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Pane_Gina._Show_invite._1980.jpg?v=1784821228</image:loc>
      <image:title>GINA PANE — Travail d&apos;action — Exhibition Invitation, Galerie Guy Brachot, Paris, 1980</image:title>
      <image:caption>Gina Pane, Travail d&apos;action invitation, Galerie Guy Brachot, Paris, 1980 — folded cover </image:caption>
    </image:image>
  </url>
</urlset>
