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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Basquiat01.jpg?v=1774539700</image:loc>
      <image:title>Art Scribe No. 51 (March–April 1985) — Basquiat, Kathy Acker, Lynne Cooke</image:title>
      <image:caption>Art Scribe No. 51 magazine cover, 1985, featuring Basquiat cover art — green background with black figure and red circle, £1.50 price printed, Artscribe Ltd
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      <image:title>Wade Guyton – Set of 3 Exhibition Postcards, Serpentine Galleries, 2017</image:title>
      <image:caption>Wade Guyton Postcard of a smartphone with text on a black background</image:caption>
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      <image:title>Urs Lüthi — Exhibition Invitation, Galerie Isy Brachot, Brussels, 1975</image:title>
      <image:caption>Urs Lüthi exhibition invitation, Galerie Isy Brachot, Brussels, 1975 — interior bifold showing bibliography page with typed text listing international art publications and catalogues</image:caption>
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      <image:title>Matthew Peers — Wishing Wells, 2023–2025</image:title>
      <image:caption>Matthew Peers – Wishing Wells, open spread showing blank left page with timestamp &quot;16.08.2024 16:23&quot; and full-bleed photograph of sculptural installation in studio interior on right page</image:caption>
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    <loc>https://thenewrare.com/products/barry-flanagan-sculptures-1966-1976-curated-by-rudi-fuchs</loc>
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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/BarryFlanagan001_76e10a7e-f88f-44c4-bdf1-7413d56894cc.jpg?v=1774610392</image:loc>
      <image:title>Barry Flanagan: Sculptures 1966–1976 — Van Abbemuseum / Arnolfini / Serpentine, 1977–1979</image:title>
      <image:caption>Barry Flanagan: Sculptures 1966–1976, exhibition catalogue cover — Van Abbemuseum, Arnolfini, Serpentine Gallery, 1977–1979 — grey card cover with colour photograph of outdoor stone and resin sculpture on cobbled courtyard</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/David_Hammons_2016_01.jpg?v=1774613071</image:loc>
      <image:title>David Hammons — Harmolodic Thinker, Hauser &amp; Wirth Los Angeles, 2019</image:title>
      <image:caption>David Hammons — Harmolodic Thinker, Hauser &amp; Wirth Los Angeles, 18 May – 11 August 2019 — original xeroxed press release featuring Hammons&apos; hand-drawn line composition, dedicated to Ornette Coleman, distributed at the artist&apos;s first LA solo exhibition in 45 years</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Claude_Monet_01.jpg?v=1774613540</image:loc>
      <image:title>Claude Monet — Exhibition Invitation, Galerie Art Vivant, Paris, 1959</image:title>
      <image:caption>Invitation card for an exhibition featuring Claude Monet on a light gray background</image:caption>
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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Carl_Andre_Whitechapel_1978_6.jpg?v=1774616466</image:loc>
      <image:title>Carl Andre — Sculpture 1954–1978, Whitechapel Art Gallery, London, 1978</image:title>
      <image:caption>Pink ticket with black text for a Carl Andre event at Whitechapel Art Gallery on a white background</image:caption>
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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Artaud_Antonin._Show_invite_Pompidou._1987.jpg?v=1779944538</image:loc>
      <image:title>Antonin Artaud — Dessins, Centre Georges Pompidou, Paris, 1987</image:title>
      <image:caption>Original 1987 Antonin Artaud Dessins exhibition invitation, Centre Georges Pompidou, Paris — recto reproducing Artaud&apos;s Portrait de Jany de Ruy, 2 July 1947: portrait head in graphite and greasy coloured chalk with blue wash, surrounded by dense handwritten text in French, signed and dated antonin artaud / 2 juillet 1947 at lower centre.</image:caption>
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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Basquiat_Downtown_81_01.jpg?v=1774625735</image:loc>
      <image:title>Downtown 81: Friends of Basquiat – Exhibition Invitation, Agnès B. Skyline, Paris (2006)</image:title>
      <image:caption>Basquiat standing next to a wall with graffiti and text</image:caption>
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  <url>
    <loc>https://thenewrare.com/products/jenny-holzer-private-property-created-crime-1984</loc>
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      <image:title>Jenny Holzer — Private Property Created Crime — 1984</image:title>
      <image:caption>Jenny Holzer — Private Property Created Crime, 1984 — interior spread, Truisms poster wheatpasted on New York City street wall, Street New York City 1978</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bellmer_Hans._Show_invite_67_photographies_inedites_._1983.jpg?v=1779946086</image:loc>
      <image:title>Hans Bellmer — 67 photographies inédites — Galerie François Petit — 1983–84</image:title>
      <image:caption>Original 1983 Hans Bellmer exhibition invitation, Galerie François Petit, Paris — recto reproducing a black-and-white photograph of a doll&apos;s face partially obscured by a large hand pressing across the eyes and forehead, a cross-shaped object visible at left margin; from the series of doll photographs for which Bellmer is known.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/IsaGenzken1988001.jpg?v=1774843163</image:loc>
      <image:title>Isa Genzken — Verlag Silke Schreiber — 1988</image:title>
      <image:caption>Cover: Isa Genzken — Verlag Silke Schreiber, 1988 — hardback monograph cover, glass door and stone pillar exterior, installation view reflected in glass</image:caption>
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  <url>
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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/ChristianJankowski01.jpg?v=1774846143</image:loc>
      <image:title>Christian Jankowski / The Holy Artwork / 2002</image:title>
      <image:caption>Red book titled &apos;The Holy Artwork&apos; by Christian Jankowski on a white background</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sarkis_0001_7a9e9a5e-59f7-4fed-8e2b-271d7dae5248.jpg?v=1774990937</image:loc>
      <image:title>Sarkis, &quot;réserves sans retour&quot; — CAPC Bordeaux invitation card, 1980</image:title>
      <image:caption>Sarkis Red Exhibition invite card with black text on a white background</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/SakrisGrenoble_0001.jpg?v=1774990355</image:loc>
      <image:title>Sarkis — Ma Chambre de la Rue Krutenau à l&apos;Île San Lazzaro, Venice 1990</image:title>
      <image:caption>Sakris Exhibition Invitation Neon sign with green glow on a black background</image:caption>
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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/OlivierMosset_0001.jpg?v=1774992246</image:loc>
      <image:title>Olivier Mosset — Galerie Rive Droite, Paris, 1969</image:title>
      <image:caption>Olivier Mosset Red exhibition invitation with black text on a white background</image:caption>
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  <url>
    <loc>https://thenewrare.com/products/annie-gramain-galerie-baudoin-lebon-paris-1979-exhibition-invitation</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/AnnieGramain_0001.jpg?v=1774994517</image:loc>
      <image:title>Annie Gramain — Galerie Baudoin Lebon, Paris, 1979</image:title>
      <image:caption>Annie Gramain Concrete Poetry Text pattern on a blue background</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/JochenGerz_0001.jpg?v=1774996315</image:loc>
      <image:title>Jochen Gerz — Le Dépôt · Kulchur Pièce, 4 — Galerie Baudoin Lebon, Paris, 1979</image:title>
      <image:caption>Front cover: Jochen Gerz — Le Dépôt · Kulchur Pièce 4, 1979 — original exhibition invitation, deep burgundy card with white letterpress text, Galerie Baudoin Lebon, Paris</image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/GallerieBamaDessinsAllemands_0001.jpg?v=1775684634</image:loc>
      <image:title>Dessins Allemands Invitation Card, Galerie Bama, Paris, 1975</image:title>
      <image:caption>(exhibition card — front):
Exhibition announcement card for &quot;Dessins Allemands&quot; (German Drawings) at Galerie Bama, Paris 75007, 80 rue du Bac, 19 September – 30 October 1975. Artists listed: Beuys, Buthe, Gosewitz, Hödicke, Horn, Polke, Rühm, Ruthenbeck, Schmit, Van Biel, Voss.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gianni_Placentino_0001.jpg?v=1775687965</image:loc>
      <image:title>Gianni Piacentino, Stampe — Galleria Plura, Milan, 1980</image:title>
      <image:caption>Recto (the front):
Gianni Piacentino, Stampe, Galleria Plura, Milan, 1980. Recto: applied colour photograph of installation view showing three engineered sculptural works — two wall-mounted linear forms and a wheeled floor vehicle — mounted onto cream card stock.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/A._Francois_Petit_Gallery_0001.jpg?v=1775688835</image:loc>
      <image:title>A. François Petit, Paris — Surrealist Group Exhibition Invitation, December 1965</image:title>
      <image:caption>Recto (front):
A. François Petit, Paris, December 1965. Recto: printed script invitation on pale green card stock. Text reads: &quot;A. François Petit a l&apos;honneur de vous inviter à l&apos;Exposition d&apos;œuvres choisies de&quot; followed by the names Hans Bellmer, Victor Brauner, Salvador Dalí, Max Ernst, Wifredo Lam, René Magritte, Pierre Roy, Alberto Savinio, Max Walter Svanberg, Yves Tanguy, and Toyen. At foot: Décembre 1965, 122 bd Haussmann, Paris 8e.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gregor_Schneider_0001.jpg?v=1775689478</image:loc>
      <image:title>Gregor Schneider, Die Familie Schneider — Konrad Fischer Galerie, Berlin, 2014</image:title>
      <image:caption>Recto (front):
Gregor Schneider, Die Familie Schneider, Konrad Fischer Galerie, Berlin, 2014. Recto: printed card with repeating soft pink floral wallpaper motif on cream ground; title Die Familie Schneider set in dark script at centre.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/George_Maciunas_0001.jpg?v=1775690110</image:loc>
      <image:title>Maciunas&apos; Learning Machines — Vice Versa Verlag / Silverman Fluxus Collection, Berlin, c. 2003</image:title>
      <image:caption>Recto (front):
Maciunas&apos; Learning Machines, Vice Versa Verlag, Berlin, c. 2003. Recto: book cover reproduction showing Maciunas&apos; handwritten charts and flow diagrams on curling paper sheets; title in black and red type, author Astrit Schmidt-Burkhardt above, publisher and collection credit below.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Man_Ray_1980_0001.jpg?v=1775690555</image:loc>
      <image:title>Man Ray — Kunsthalle Basel, 1980</image:title>
      <image:caption>Recto (front):
Man Ray, Kunsthalle Basel, 1980. Recto: black-and-white reproduction of Violon d&apos;Ingres (1924) — female nude seen from behind, wearing a turban, with f-holes drawn onto the lower back. Man Ray monogram visible at lower right.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Charles_Ross_0001.jpg?v=1775691094</image:loc>
      <image:title>Charles Ross, Point Source / Star Space — John Weber Gallery &amp; Susan Caldwell Gallery, New York, 1977</image:title>
      <image:caption>Recto (front):
Charles Ross, Point Source / Star Space, John Weber Gallery &amp; Susan Caldwell Gallery, New York, 1977. Recto: speckled cream card with bold yellow diagonal band crossing the field; small white circle at centre representing a point source; artist name and exhibition title in black uppercase type upper right; gallery names and addresses lower left; opening reception details at foot.</image:caption>
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  <url>
    <loc>https://thenewrare.com/products/alison-knowles-culture-des-haricots-galerie-art-contemporain-j-et-j-donguy-paris-1985</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/AlisonKnowles1985_0001.jpg?v=1775778679</image:loc>
      <image:title>Alison Knowles — Culture des Haricots, Galerie Art Contemporain J. et J. Donguy, Paris, 1985</image:title>
      <image:caption>Alison Knowles, Culture des Haricots, exhibition invitation, Galerie Art Contemporain J. et J. Donguy, Paris, 1985. Recto: collaged card with torn paper fragments, handwritten annotation reading &quot;And then as we were leaving I found this steel right at the gate to his new house,&quot; exhibition dates 5–29 juin 1985.</image:caption>
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  <url>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Jochen_Gerz_1978_0001.jpg?v=1775779979</image:loc>
      <image:title>Jochen Gerz — Griechische Stücke, Bündner Kunstmuseum Chur, 1978</image:title>
      <image:caption>Jochen Gerz, Griechische Stücke, Bündner Kunstmuseum Chur, 1978. Exhibition invitation recto: black-and-white photograph of a figure lying prone on a parquet floor before a set of white double doors, dark mark running down the paintwork above.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/giovanni-anselmo-musee-dart-contemporain-lyon-1989</loc>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Giovanni_Anselmo_1989__0001.jpg?v=1775780266</image:loc>
      <image:title>Giovanni Anselmo — Musée d&apos;Art Contemporain, Lyon, 1989</image:title>
      <image:caption></image:caption>
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  <url>
    <loc>https://thenewrare.com/products/aubertin-bischoffshausen-prantl-schoonhoven-galerie-heide-hildebrand-klagenfurt-1967</loc>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Galerie_Heide_Hildebrand_1967_0001.jpg?v=1775780776</image:loc>
      <image:title>Aubertin / Bischoffshausen / Prantl / Schoonhoven — Galerie Heide Hildebrand, Klagenfurt, 1967</image:title>
      <image:caption>olded exhibition announcement, Galerie Heide Hildebrand, Klagenfurt, 1967. Exterior face with names Bernard Aubertin and Hans Bischoffshausen in lowercase type, brown-mauve accent on the letter n in each surname.</image:caption>
    </image:image>
  </url>
  <url>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dahn_Vo_2015_0001.jpg?v=1775779561</image:loc>
      <image:title>Danh Vō — Homosapiens, Marian Goodman Gallery, London, 2015</image:title>
      <image:caption>Danh Vō, Homosapiens, exhibition invitation recto, Marian Goodman Gallery, London, 2015. Cream multi-ply card with artist name and exhibition dates in serif type.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Richard_Prince_2011_0001.jpg?v=1776061946</image:loc>
      <image:title>Richard Prince — de Kooning, Gagosian Gallery, Paris, 2011</image:title>
      <image:caption>Richard Prince, de Kooning, exhibition invitation front cover, Gagosian Gallery Paris, 2011 — cropped reproduction against warm peach ground with artist name and exhibition details
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Heated_Words_0001.jpg?v=1776078996</image:loc>
      <image:title>Heated Words: Initial Research — House of Vans, London, 2015</image:title>
      <image:caption>Heated Words: Initial Research, House of Vans London, 2015 — recto, black-and-white street photograph of children on a New York sidewalk overprinted in red with title, dates, and contributor list
</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Leopold_Maler_1976_0001.jpg?v=1776119335</image:loc>
      <image:title>Leopoldo Maler — Mortal Issues: A Sanctuary with Flames &amp; Figures, Whitechapel Art Gallery, 1976</image:title>
      <image:caption>Leopoldo Maler — Mortal Issues: A Sanctuary with Flames &amp; Figures. Exhibition publication cover, Whitechapel Art Gallery, London, 1976. Black-and-white photograph of Maler standing before a monumental archway, arms crossed. Bold typographic title below.
</image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Arnulf_Rainer_1978_0001_9733b6a4-0894-4b99-8ab1-67a3df5e6803.jpg?v=1776125694</image:loc>
      <image:title>Arnulf Rainer — Linguaggio del corpo, Biennale di Venezia, 1978</image:title>
      <image:caption>Arnulf Rainer — Linguaggio del corpo. Exhibition pamphlet cover, Biennale di Venezia, 1978. Austrian pavilion. Blue typography on cream wove stock.
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  </url>
  <url>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Charles_Simonds_0001.jpg?v=1776420618</image:loc>
      <image:title>Charles Simonds — The Three Trees, 1985</image:title>
      <image:caption>Charles Simonds, The Three Trees, 1985 — recto: offset-printed exhibition card showing two black-and-white photographs side by side, a modernist glass-façade building and a dense stand of conifers, on light card stock
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Katharina_Sieverding_0001.jpg?v=1776426758</image:loc>
      <image:title>Katharina Sieverding — Portuguese-Language Artist Card, c. 1973</image:title>
      <image:caption>Front of a small 1973 Katharina Sieverding artist card showing a black-and-white double portrait of the artist in a tight hood and gloves, one figure facing down and the other holding a round mirror over the face, printed within a wide cream border.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Esther_Hess_001.jpg?v=1776446061</image:loc>
      <image:title>Esther Hess — Énergie et Vent, 1985</image:title>
      <image:caption></image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Joel_Hubaut_Michel_Sohier_001.jpg?v=1776448987</image:loc>
      <image:title>Joël Hubaut / Michel Sohier — Epidemik-Box, Galerie Galea, Caen, c. 1979</image:title>
      <image:caption>Joël Hubaut and Michel Sohier, Epidemik-Box, c. 1979 — recto: exhibition invitation card printed in dark brown ink on orange-brown card stock, with boxed typography listing artist names, venue Galerie Galea Caen, and exhibition dates 14 November to 4 December</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Alanna_Heiss_001.jpg?v=1776490560</image:loc>
      <image:title>P.S.1 Museum — Fall Exhibitions Preview Invitation, 1989</image:title>
      <image:caption>Catherine Beaugrand / André Cadere / Raymond Hains, ICA P.S.1, 1989 — recto: offset-printed reception invitation on white card stock, text over halftone photograph of two Gothic-style pointed rooftops, issued by Alanna Heiss for the Fall Exhibitions preview, Sunday 15 October 1989, The Institute for Contemporary Art, Long Island City, New York</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rancillac_1069_001.jpg?v=1776667441</image:loc>
      <image:title>Rancillac — Pornographie, Galerie Daniel Templon, Paris, 1969</image:title>
      <image:caption>Rancillac — Pornographie, exhibition invitation card, Galerie Daniel Templon Paris 1969, front: high-contrast black and white photographic image of reclining female figure</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Henrik_Olesen_001.jpg?v=1776685909</image:loc>
      <image:title>Henrik Olesen — Some Faggy Gestures, Galerie Daniel Buchholz, Berlin, 2008</image:title>
      <image:caption>Henrik Olesen — Some Faggy Gestures, Galerie Daniel Buchholz Berlin 2008, recto: near-total black printed field on white card</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Dokoupil_-Jiri-Georg-1_f499ffa9-4ab5-4fc2-9207-f953c19c524d.jpg?v=1777106032</image:loc>
      <image:title>Jiří Georg Dokoupil — Exhibition Catalogue, 1987</image:title>
      <image:caption>Jiří Georg Dokoupil, Exhibition Catalogue, 1987 — front cover. Black and red biomorphic form with zipper and single button on yellow-orange ground. Galerie Paul Maenz, Cologne.</image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Ali_Laylah._Laylah_Ali_Museum_of_Modern_Art_Projects_75_2002_Exhibition.jpg?v=1777103825</image:loc>
      <image:title>Laylah Ali — Projects 75, MoMA, 2002</image:title>
      <image:caption>Laylah Ali, Projects 75, MoMA, 2002 — cover. Two Greenhead figures on a blue ground; one tall with a polka-dot shirt, one small with a spiked head. Offset-printed artist&apos;s book.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/New-Observations-magazine-005.jpg?v=1777178675</image:loc>
      <image:title>New Observations — Nos. 50, 51 &amp; 84</image:title>
      <image:caption>New Observations Nos. 50, 51, and 84 — group of three issues shown together. New York, 1987 and c. early 1990s. Offset printed magazines, approx. 27 × 21 cm each. Sold as a group.</image:caption>
    </image:image>
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  <url>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rauschenberg_1963_01.jpg?v=1777183102</image:loc>
      <image:title>Robert Rauschenberg — Ileana Sonnabend Gallery, Paris, 1963</image:title>
      <image:caption>Robert Rauschenberg, Ileana Sonnabend Gallery, Paris, 1963 — exhibition catalogue, front cover. Staple-bound wraps, offset print, black and white. Title in French: Première Exposition (oeuvres 1954–1961), Seconde Exposition (oeuvres 1962–63).</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Archives-of-American-Art_-A-Salute-to-Ellsworth-Kelly_-1999.jpg?v=1777186864</image:loc>
      <image:title>Ellsworth Kelly — A Salute to Ellsworth Kelly, Archives of American Art, 1999</image:title>
      <image:caption>Ellsworth Kelly — A Salute to Ellsworth Kelly, Archives of American Art, New York, October 19, 1999. Programme publication front cover. Solid red wraps with white serif text along top edge reading: &quot;Archives of American Art. A Salute to Ellsworth Kelly. October 19, 1999.&quot;</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Brisley_-Stuart.-Institute-of-Contemporary-Arts_-21-April---31-May-1981-1.jpg?v=1777188647</image:loc>
      <image:title>Stuart Brisley — Institute of Contemporary Arts, London, 1981</image:title>
      <image:caption>`Stuart Brisley — Institute of Contemporary Arts, London, 21 April – 31 May 1981. Exhibition catalogue front cover. Dark green cloth-bound hardcover with white text. Left column: dictionary definition of &quot;Performance&quot; (Oxford English Dictionary). Right column: artist name &quot;Stuart Brisley&quot; in white. ICA logotype at foot centre.`</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Emmerich_Andre_INC._Animals_in_pre-Columbian_art_a_comprehensive_exhibition_of_animals_wild_domestic_and_divine_in_stone_pottery_textile_jade_and_gold_from_1000_B.C._to_A.D._1500_cove.jpg?v=1777190438</image:loc>
      <image:title>Animals in Pre-Columbian Art — André Emmerich Inc., New York, 1965</image:title>
      <image:caption>`Animals in Pre-Columbian Art — André Emmerich Gallery, New York — exhibition catalogue front cover. Black and white photograph of a Pre-Columbian ceramic effigy vessel: a squat, four-legged jar with a zoomorphic face — wide-set eyes, open mouth with teeth, and stubby limbs — on a grey ground. Yellow Strand Bookstore price sticker upper right ($15.00). Title in black sans-serif at foot: &quot;ANIMALS IN PRE-COLUMBIAN ART&quot;.`</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kitajima_-Keizo.-1979-Photo-Express-Tokyo---back-cover.jpg?v=1777192178</image:loc>
      <image:title>Keizō Kitajima — Photo Express Tokyo No. 2, February 1979</image:title>
      <image:caption>`Keizō Kitajima — 東京 No. 2 (Tokyo No. 2), Photo Express Tokyo, February 1979. Front cover. High-contrast black and white photograph of two figures in close proximity, faces partially obscured, one in a leather jacket, set against a dark ground with diagonal structural elements. Title in teal kanji and Latin type upper centre: 東京 No 2. Date and price: 1979. FEBRUARY · 200 YEN. Green circular stamps along foot reading: 写 真 特 急 便 〒 北 島 敬 三 (Photo Express Mail, Kitajima Keizō).`</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Kohler_-Peter.-Kunst-uit-Nieuw-Guinea_-1963---5.jpg?v=1777198939</image:loc>
      <image:title>Kunst uit Nieuw Guinea — Museum Fodor / Stedelijk Museum, Amsterdam, 1963</image:title>
      <image:caption>`Kunst uit Nieuw Guinea — exhibition catalogue front cover, 1963. Cream wraps with orange letterpress title lower right: &quot;kunst uit nieuw guinea&quot;. Left: black and white photograph of a tall carved wooden ancestor figure (bis pole or similar), with a stylised face, open-work body, and flame-like projections at the crown. Age toning and handling wear throughout.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mills_-Wes.-Missoula-Drawings.-2000.jpg?v=1777202081</image:loc>
      <image:title>Wes Mills — Missoula Drawings, Joseph Helman Gallery, New York, 2000</image:title>
      <image:caption>Wes Mills — Missoula Drawings, Joseph Helman Gallery, New York, 2000. Front cover. Uniform grey textured wraps. White sans-serif text centred lower half: &quot;Wes Mills&quot; above &quot;Missoula Drawings&quot;. No image. Surface grain visible throughout.</image:caption>
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      <image:title>William Pope.L — some things you can do with blackness…, Kenny Schachter Rove, London, 2005</image:title>
      <image:caption>William Pope.L — some things you can do with blackness…, Kenny Schachter Rove, London, 2005. Front cover. Deep red ground. Centre: close-up photograph of a small black bear-like sculptural object, heavily textured surface with white dust or residue, suspended or resting against two white diagonal rods. White serif title text lower centre: &quot;William Pope.L / some things you can do with blackness…&quot;</image:caption>
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      <image:title>Kathy Acker — Pussycat Fever, AK Press, 1995</image:title>
      <image:caption>Kathy Acker — Pussycat Fever, AK Press, 1995. Front cover. Hot pink ground. Centre: illustration by Diane DiMassa of four figures — a punk girl in the foreground, two women behind, a figure in a pointed hat at rear. Purple ink throughout. Title &quot;Pussycat Fever&quot; in large purple block letters upper left. Author and illustrator credits right: &quot;Kathy Acker / illustrated by / Diane DiMassa / and / Freddie Baer&quot;.
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      <image:title>Kathy Acker — Blood and Guts in High School, Hakusuisha, Tokyo, 1992 (Japanese edition)</image:title>
      <image:caption>Kathy Acker — Blood and Guts in High School, Hakusuisha, Tokyo, 1992. Japanese edition. Front cover with dust jacket. Cream ground. Upper band: blue speckled paint surface. Lower band: blue-grey layered paint surface, stepped at right edge. Centre white band: Japanese title 血みどろ臓物ハイスクール in large black brushstroke type. English title &quot;BLOOD AND GUTS IN HIGH SCHOOL&quot; in spaced blue capitals at top. &quot;KATHY ACKER&quot; in spaced blue capitals at base.</image:caption>
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      <image:title>Kathy Acker — Blood and Guts in High School, Grove Press, New York, 1984</image:title>
      <image:caption>Kathy Acker — Blood and Guts in High School, Grove Press, New York, 1984. Front cover. Black ground with red border. Large red and white hand-lettered title: &quot;BLOOD AND GUTS IN HIGH SCHOOL&quot;. Author name &quot;KATHY ACKER&quot; in white at top. Centre: oil painting illustration by Sue Coe — a dense, dark scene of figures, a cat-like creature in a suit, playing cards, a coffee cup, industrial machinery, and a crescent moon. Grove Press Evergreen logo upper right, price $7.95.</image:caption>
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    <image:image>
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      <image:title>Obliques — La Femme Surréaliste, No. 14–15, Éditions Borderie, 1977</image:title>
      <image:caption>Obliques No. 14–15, La Femme Surréaliste — front cover. Éditions Borderie, Paris, 1977. Decorative gothic lettering on cream textured card. Centre image: Jane Graverol&apos;s L&apos;Esprit saint, a bird in flight suspended within a rock formation reading as a torso. Surrealist exhibition ephemera.</image:caption>
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      <image:caption>Richard Prince — New Portraits, Gagosian Gallery, New York, 2014. Front cover. Black staple-bound booklet, white centred text: Richard Prince / New Portraits. Exhibition catalogue, edition of 500. Appropriation art, printed matter.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Emin_-Tracey.--I-Need-Art-Like-I-Need-God-cover.jpg?v=1777513928</image:loc>
      <image:title>Tracey Emin — I Need Art Like I Need God, Jay Jopling / London, 1998</image:title>
      <image:caption>Tracey Emin — I Need Art Like I Need God, Jay Jopling/London, 1998. Front cover. Turquoise ground, handwritten blue signature &apos;Tracey Emin&apos; upper left. Centre: photograph of the artist nude from behind, crouching on a studio floor, facing a large gestural canvas. Published for her 1997 exhibition at South London Gallery.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Mapplethorpe_-Robert.-Fotografie-1983-back-cover_3c793ee3-8781-4c4a-a7d5-ca5406e113c4.jpg?v=1777535435</image:loc>
      <image:title>Robert Mapplethorpe — Fotografie, Idea Books Edizioni, Milan, 1983</image:title>
      <image:caption>Robert Mapplethorpe — Fotografie, Idea Books Edizioni, Milan, 1983. Front cover. Black ground, title in spaced white capitals: &apos;Robert Mapplethorpe fotografie&apos;. Centre: black-and-white photograph of a male torso in a white swimsuit, cropped at shoulders and thighs, high-contrast studio lighting. Lower text: &apos;Intervista con R. Mapplethorpe a cura di Germano Celant&apos;. ISBN 88-7017-032-2. Original yellow N.P.G. price sticker lower right: 19.95. Photography monograph, Italian edition.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/East_Village_85_A_guide._A_documentary_cover.jpg?v=1777822032</image:loc>
      <image:title>Roland Hagenberg et al. — East Village ’85: A Guide. A Documentary., New York: Pelham Press, 1985</image:title>
      <image:caption>East Village &apos;85: A Guide. A Documentary, Roland Hagenberg et al., Pelham Press, New York, 1985. Front cover. Solid red ground. Cream outline illustration by Mark Kostabi: five schematic figures seated and standing around a table, two figures exchanging a rectangular object labelled &apos;85&apos;. Title in large cream block capitals: &apos;EASTVILLAGE&apos;. Below in smaller type: &apos;Roland Hagenberg, Alan Jones, Michael Kohn, Carlo McCormick, Nicolas Moufarrege&apos;. Lower centre: &apos;A guide. A documentary.&apos; Publisher: Pelham Press.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/DAvid_Diao_0001.jpg?v=1777843295</image:loc>
      <image:title>David Diao — Lying 2, Postmasters Gallery, New York, 2000</image:title>
      <image:caption>David Diao — Lying 2, Postmasters Gallery, New York, 2000. Exhibition announcement card, recto. Teal ground with central yellow rectangle. Orange-red silkscreen-style reproduction of Lying 2, 2000 — a figure reclining in a chair against a gestural painted ground. Offset print on semi-gloss card, 18 × 12.7 cm. Exhibition ephemera.
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Seul_Et_Le_Corps..._1966_001.jpg?v=1777888302</image:loc>
      <image:title>Seul, et le corps… — Galerie du Dragon, Paris, 1966</image:title>
      <image:caption>`Exhibition catalogue cover, Seul, et le corps…, Galerie du Dragon, Paris, 1966. Cream matte wrappers with title in large serif type, artist names in italic below: Balthus, Bellmer, César, Cremonini, Dalí, Giacometti, Hélion, Hiquily, Ipoustéguy, Magritte, Matta, Petlin, Rosofsky. Publisher name at foot: Galerie du Dragon.`</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Roy_Lichtenstein_1965_-_001.jpg?v=1777909022</image:loc>
      <image:title>Roy Lichtenstein — Galerie Ileana Sonnabend, Paris, 1965</image:title>
      <image:caption>Exhibition catalogue cover, Roy Lichtenstein, Galerie Ileana Sonnabend, Paris, 1965. Full-bleed Benday-dot pattern in blue and black across cream wrappers; artist name ROY LICHTENSTEIN set diagonally in bold black serif capitals from lower-left to upper-right. Age toning and foxing visible at lower corners. Stapled binding.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Fabrizio_Plessi_1975_001.jpg?v=1777936294</image:loc>
      <image:title>Fabrizio Plessi — Acquabiografia, Centro / Galleria d&apos;Arte Contemporanea, Turin, 1975</image:title>
      <image:caption>Fabrizio Plessi, Acquabiografia, exhibition catalogue cover, Centro / Galleria d&apos;Arte Contemporanea, Turin, 1975. White cover with magenta water spray graphic and bilingual title text</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Peter_Downsbrough_1988_001.jpg?v=1777968980</image:loc>
      <image:title>Peter Downsbrough — Take Note, Villa Arson, Nice, 1988</image:title>
      <image:caption>Peter Downsbrough, Take Note, Villa Arson, Nice, 1988. Front cover: solid blue flexible wrappers with large black text reading &quot;NOTA&quot; at lower edge, vertical red rule at left, small stacked text at upper right corner</image:caption>
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  <url>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Sarah_Lucas_2005_001.jpg?v=1778053315</image:loc>
      <image:title>Sarah Lucas — GOD IS DAD, The Guardian / G2, 17 October 2005</image:title>
      <image:caption>Sarah Lucas, GOD IS DAD, The Guardian G2, 17 October 2005. Front cover: full-bleed newsprint cover with large bold headline reading &apos;I sometimes wonder how long I&apos;ve got&apos; and Guardian G2 masthead at top</image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/0277ACCC-2BE1-4B20-A53D-DCA638DD2ED9_0c0a854f-dbbf-4164-a737-6f6babcf4f7a.jpg?v=1778237646</image:loc>
      <image:title>Richard Prince — The Girl Next Door</image:title>
      <image:caption>Front cover of Richard Prince’s The Girl Next Door, still sealed in original shrinkwrap, showing a rural overgrown landscape with a basketball hoop and blue and pink title typography.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard-.-THE-DOUGLAS-BLAIR-TURNBAUGH-COLLECTION-_1977-1988_.-2016--cover_7736879e-4dc1-47a7-ba07-594ea867f60c.jpg?v=1778472545</image:loc>
      <image:title>Richard Prince — The Douglas Blair Turnbaugh Collection (1977–1988)</image:title>
      <image:caption>Richard Prince: The Douglas Blair Turnbaugh Collection (1977–1988), exhibition catalogue cover, Edward Cella Art &amp; Architecture, Los Angeles, June 11–July 30 2016. Cover features a black leather motorcycle jacket gifted by Richard Prince to Douglas Blair Turnbaugh, c. 1979.</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-purple-20-years-the-richard-prince-purple-book.-2012--cover.jpg?v=1778489164</image:loc>
      <image:title>Richard Prince — Purple 20 Years: The Richard Prince Purple Book</image:title>
      <image:caption>Richard Prince — Purple 20 Years: The Richard Prince Purple Book, special edition for Purple Fashion no. 18, Purple Institute, Paris, 2012. White softcover with purple halftone &quot;20 Years&quot; typography overlaid on a collage of black-and-white celebrity photographs with handwritten captions and DVD barcodes.</image:caption>
    </image:image>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Doig_-Peter.-The-Arts-Club-of-Chicago_-2003-cover.jpg?v=1778552170</image:loc>
      <image:title>Peter Doig — The Arts Club of Chicago, 2003</image:title>
      <image:caption>Peter Doig, exhibition catalogue cover, The Arts Club of Chicago, 2003. Muted sage green and terracotta two-colour softcover with artist name in terracotta lowercase type at foot. Restrained institutional design.</image:caption>
    </image:image>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard-.-MENTHOL-WARS.-2009-1-front-cover_cc6fe57d-23b4-4f37-b4e8-558b3c420b4c.jpg?v=1778554046</image:loc>
      <image:title>Richard Prince — Menthol Wars</image:title>
      <image:caption>Richard Prince, Menthol Wars, front cover. Printed Matter, New York, 2009. Facsimile reprint of 1980 artist&apos;s book. Black cover with halftone photograph of a woman in profile, pearl earring visible. Title &apos;MENTHOL WARS&apos; and &apos;Richard Prince&apos; in white type.</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Tuttle_-Richard.-Grey-Walls-Work.-1996-3-cover_45c65d5d-5c2e-4428-b914-c61400e083fd.jpg?v=1778555505</image:loc>
      <image:title>Richard Tuttle — Grey Walls Work</image:title>
      <image:caption></image:caption>
    </image:image>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Koh_-Terrance.-The-Whole-Family-1-front-cover.jpg?v=1778557370</image:loc>
      <image:title>Terence Koh — The Whole Family</image:title>
      <image:caption>Terence Koh, The Whole Family, front cover. Peres Projects, Los Angeles, 2008. Plain cream-white softcover with no image. Title &apos;THE WHOLE FAMILY / TERENCE KOH&apos; in small serif capitals at centre, with exhibition dates and venue &apos;May 10–June 21, 2008 Peres Projects, Los Angeles&apos; below.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/isa-genzken-window-hauser-wirth-london-2020</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Isa_Genzken_2020_0001_c0f5f87b-2a0f-40f8-93fb-3d95beb83e74.jpg?v=1778687382</image:loc>
      <image:title>Isa Genzken — Window</image:title>
      <image:caption>Isa Genzken, Window, exhibition invitation front. Hauser &amp; Wirth, London, 2020. Colour photograph of installation view: three rows of blue economy-class aircraft seats on a dark wood floor, with a row of white airplane window panels mounted on the gallery wall behind. Untitled (detail), 2018. Photo: Todd White Art Photography.</image:caption>
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  <url>
    <loc>https://thenewrare.com/products/richard-prince-new-portraits-blum-poe-2016</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-New-Portraits.-2016-cover.jpg?v=1778690133</image:loc>
      <image:title>Richard Prince — New Portraits</image:title>
      <image:caption>Richard Prince, New Portraits, front cover. Blum &amp; Poe, 2016. Screw-bound acrylic hardcover with large white embossed title &apos;Richard Prince New Portraits&apos; over a transparent cover revealing the colophon page beneath. &apos;BLUM &amp; POE&apos; in large white type at foot. Six chrome screw-post bindings visible at right edge. Edition of 1,000.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/richard-prince-early-photographs-1977-1979-skarstedt-2001</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard-Early-Photographs-1977-1979-cover.jpg?v=1778698843</image:loc>
      <image:title>Richard Prince — Early Photographs 1977–1979</image:title>
      <image:caption>Richard Prince, Early Photographs 1977–1979, front cover. Skarstedt Fine Art, New York, 2001. Grey hardcover boards with title &apos;Richard Prince / Early Photographs / 1977–1979&apos; in pale blue-grey serif type, upper left. No image. Restrained, object-like design.
</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/McGinley_-Ryan.-Vertical-Colour-of-Sound_-show-invite-2014-front.jpg?v=1778778385</image:loc>
      <image:title>Ryan McGinley — Vertical Color of Sound</image:title>
      <image:caption>Ryan McGinley, Vertical Color of Sound, exhibition invitation front. Galerie Perrotin, Hong Kong, 2014. Square colour photograph: a nude figure leaps from a hay bale into a pale blue dusk sky, arms outstretched, back to camera. Open field and flat horizon behind. Image: Hay Hop, 2014.</image:caption>
    </image:image>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Hirst_-Damien.-Medicine-Cabinets_-invite-card.jpg?v=1778781033</image:loc>
      <image:title>Damien Hirst — Medicine Cabinets</image:title>
      <image:caption>Damien Hirst, Medicine Cabinets, exhibition invitation front. L&amp;M Arts, New York, 2010. Close-up colour photograph of a white medicine cabinet shelf holding pharmaceutical products: a large brown glass bottle of Dimotane Elixir (Brompheniramine Maleate BP, A.H. Robins); a white plastic bottle of Glucotrend Plus glucose test strips (Roche, 10 tests); a small dark glass bottle labelled Plaster Remover; and partial labels for Marcain Heavy (bupivacaine hydrochloride) and other products visible at edges. Title </image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Genzken_-Isa.-Filmprogramm-announcement-2013-front_01e1b037-6137-4595-8d91-8c5926036881.jpg?v=1778787144</image:loc>
      <image:title>Isa Genzken — Filmprogramm</image:title>
      <image:caption></image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Rist_-Pippilotti.-_Heroes-of-Birth_-show-postcard.-2010-front.jpg?v=1778783764</image:loc>
      <image:title>Pipilotti Rist — Heroes of Birth</image:title>
      <image:caption>Pipilotti Rist, Heroes of Birth, exhibition announcement card recto. Luhring Augustine, New York, 2010. Colour photograph: a woman in a white hospital gown lies reclined, head tilted back, dark hair spread behind her. Her bare, heavily pregnant abdomen is visible, with three red circular monitoring devices attached to the skin. Medical equipment including tubing and IV lines visible in the background. Clinical setting, warm analogue colour palette. Image from Pipilotti Rist video work.</image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-_Spiritual-America_-exhibition-announcement.-2007-front_e91007a2-0963-454b-9a4f-6800aba8a8f0.jpg?v=1778786721</image:loc>
      <image:title>Richard Prince — Spiritual America</image:title>
      <image:caption>Richard Prince, Spiritual America, exhibition announcement postcard recto. Guggenheim Museum, New York, 2007. Colour reproduction of a nurse painting: a female figure in a white surgical mask and cap against a dark background, eyes visible above the mask, gazing directly forward. Partial text visible at top reads &apos;NURSE IN HOLLYWOOD&apos; in embossed or relief lettering. Title &apos;RICHARD PRINCE / SPIRITUAL AMERICA&apos; in orange sans-serif type below the image, with &apos;Guggenheim&apos; museum logo in an orange band at foot.
</image:caption>
    </image:image>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Corbijn_-Anton.-Still-Lives-show-opening-card_-15-4-2000-front.jpg?v=1778785891</image:loc>
      <image:title>Anton Corbijn — Still Lives</image:title>
      <image:caption>Anton Corbijn, Still Lives, exhibition opening card recto. Torch Gallery, Amsterdam, 2000. Blue-toned black-and-white photograph: a woman with long dark hair stands in a white dress beside a white picket fence, bare winter trees behind her. A second figure in a matching white dress crouches at her feet, face obscured by dark hair. Atmospheric, gothic mood. Image: Anton Corbijn, Björk, Reykjavik, 1999.</image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Emin_-Tracey.-_The-all-seeing-I-paper-recordings_-Flux-magazine-postcard.-Mid-2000s-front.jpg?v=1778795822</image:loc>
      <image:title>Tracey Emin — FLUX Magazine ‘The All Seeing I’ Postcard</image:title>
      <image:caption>Tracey Emin, FLUX Magazine promotional postcard recto, c. 1999. Black-and-white close-up portrait photograph of Tracey Emin: direct gaze, dark eyes, short dark hair pulled back, wearing a fur-collared or textured jacket, small drop earrings. Red circular FLUX logo upper left with &apos;FLUX&apos; in bold red sans-serif type. Red text below: &apos;TRACEY EMIN / THE ALL SEEING I / PAPER RECORDINGS&apos;. Smaller red text at foot lists additional features: &apos;LEFTFIELD – REAL GOODFELLAS – BLAIR WITCH – LE TONE / FASHION – FLUX SPAC</image:caption>
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  <url>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Prince_-Richard.-Masochist-_7.-2020-cover.jpg?v=1778823410</image:loc>
      <image:title>Richard Prince — The Masochist #7</image:title>
      <image:caption>Richard Prince, The Masochist #7, front cover. RATSTAR / Shoot the Lobster, 2020. Staple-bound softcover, 28 × 21 cm. White card cover with a single black-and-white photocopy-style drawing: a large hand with exaggerated fingers dominates the lower half; above it a face with spiky hair, wide eyes with star-burst marks, and a grinning open mouth showing teeth. Cross or star mark between the eyes. Colophon text lower right in small type: &apos;The Masochist #7 – Richard Prince / Editor at Large – David Rimanelli / </image:caption>
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    <image:image>
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      <image:title>Richard Hamilton — Private View Invitation, Serpentine Gallery, 1975</image:title>
      <image:caption>Richard Hamilton, exhibition invitation recto. Serpentine Gallery, London, 1975. Black-and-white photographic reproduction of an abstract work: a gestural composition of dark fluid marks, washes, and drips on a pale ground, framed by a thin ruled border. A large organic dark form dominates the upper left, with vertical streaks and pooled marks descending toward the lower centre. Scattered smaller marks and traces throughout. Cream card with age toning, surface marks, and minor corner wear visible.</image:caption>
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      <image:title>Robert Kushner — “The dance, the kiss,…”</image:title>
      <image:caption>Robert Kushner, &apos;The dance, the kiss,...&apos;, exhibition invitation recto. Galerie Daniel Templon, Paris, 1979. Black-and-white reproduction of a large-scale drawing or print: two figures in close embrace, faces almost touching in a near-kiss. The woman on the left has wavy hair and closed eyes; the man on the right wears a suit and tie, head tilted toward her. Her dress or top is rendered with dense teardrop or scale-like patterning across the bodice and shoulders. Bold, fluid black line work on white ground,</image:caption>
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      <image:title>Rachel Lachowicz / Yoko Ono — Shoshana Wayne Gallery, 1996</image:title>
      <image:caption>Rachel Lachowicz and Yoko Ono, exhibition invitation card recto. Shoshana Wayne Gallery, Santa Monica, 1996. Cream card. Text in mixed serif and sans-serif type, centred layout. &apos;Main Gallery&apos; in italic; &apos;RACHEL LACHOWICZ&apos; in bold caps. &apos;West Gallery&apos; in italic; &apos;YOKO ONO&apos; in bold caps; &apos;Wishing Tree&apos; in spaced roman type below. Exhibition dates: &apos;April 13 – May 18, 1996&apos;. Reception: &apos;Saturday, April 13, 5 – 8 PM&apos; in italic. Gallery details at foot in small roman type: &apos;Shoshana Wayne Gallery, Bergamot Stat</image:caption>
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    <image:image>
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      <image:title>Louise Bourgeois — Papillons Noirs, Hauser &amp; Wirth St. Moritz, 2018–2019</image:title>
      <image:caption>Louise Bourgeois, Papillons Noirs, exhibition announcement front cover. Hauser &amp; Wirth, St. Moritz, 2018–2019. White card cover. &apos;HAUSER &amp; WIRTH&apos; in small spaced sans-serif caps at top centre. Centred below in large serif type, mixed roman and italic: &apos;Louise / Bourgeois / Papillons / Noirs&apos;. Minimal, typographic design on plain white ground. Light handling marks and minor surface wear.</image:caption>
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      <image:title>Jean Clareboudt — Oblique Haute, CREDAC, Ivry-sur-Seine, 1990</image:title>
      <image:caption>Jean Clareboudt, Oblique Haute, exhibition invitation recto. CREDAC Centre d&apos;Art Contemporain, Galerie Fernand Léger, Ivry-sur-Seine, 1990. Black-and-white photograph: a large irregular dark mass — a boulder or raw stone — suspended from a crane arm against a pale overcast sky. The crane extends diagonally from the upper left; industrial steel structures, scaffolding, and a brick building are visible below and behind. Low-angle shot emphasising the weight and scale of the suspended object. &apos;CLAREBOUDT&apos; in l</image:caption>
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      <image:title>Dan Colen — The Sorcerer’s Apprentice, The Greenberg Gallery, 2013</image:title>
      <image:caption>Dan Colen, The Sorcerer&apos;s Apprentice, gallery announcement card recto. The Greenberg Gallery, St. Louis, 2013. Colour reproduction of a painting: a dense arc of scattered pigment — white, lavender, blue, gold, and pink — curves across the upper portion of a deep black ground, suggesting a galaxy, firework burst, or spray of glitter. A dark reddish-brown mass occupies the lower centre, partially obscured by the arc. The image bleeds to the edges of the printed rectangle. Caption below in small sans-serif typ</image:caption>
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    <image:image>
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      <image:title>Andreas Gursky — Love Parade, Matthew Marks Gallery, New York, 2001</image:title>
      <image:caption>Andreas Gursky, Love Parade, 2001, artist postcard recto. Matthew Marks Gallery, New York, 2001. Colour reproduction of a large-format C-print: aerial view of an enormous crowd filling a clearing in a dense green forest, photographed from directly above. The mass of people — hundreds of thousands — forms an irregular oval shape, their individual figures indistinguishable at this scale, creating a dense texture of skin tones, clothing, and colour. Two long vehicles or floats are visible at the left and lower</image:caption>
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    <image:image>
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      <image:title>Paul Klee — 12 Aquarelles, Galerie Berggruen, Paris, 1964</image:title>
      <image:caption>Paul Klee, Galerie Berggruen exhibition card recto. Galerie Berggruen, Paris, 1964. Vivid orange card. Black line drawing printed directly onto the orange ground: a perspective view of an interior space — a studio or exhibition room — rendered in loose, energetic ink line. The room contains suspended objects, shelving, a central table or plinth, geometric structures, and an eye motif on the right wall. Radiating lines suggest light or spatial tension from a central ceiling fixture. A curved arrow in the low</image:caption>
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    <image:image>
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      <image:title>Paul Klee — 12 Aquarelles, Galerie Berggruen, Paris, 1964 [II]</image:title>
      <image:caption>Paul Klee, Galerie Berggruen exhibition card recto. Galerie Berggruen, Paris, 1964. Vivid orange card. Black line drawing printed directly onto the orange ground: a perspective view of an interior space — a studio or exhibition room — rendered in loose, energetic ink line. The room contains suspended objects, shelving, a central table or plinth, geometric structures, and an eye motif on the right wall. Radiating lines suggest light or spatial tension from a central ceiling fixture. A curved arrow in the low</image:caption>
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    <image:image>
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      <image:title>Paul Klee — Musée National d’Art Moderne, Paris, 1969</image:title>
      <image:caption>Paul Klee, exhibition invitation card recto. Musée National d&apos;Art Moderne, Paris, 1969. Cream card. Black line drawing printed on cream ground: a horizontal landscape composition combining industrial, architectural, and fantastical elements. At left, a squat brick chimney stack emits three rounded tree-like forms. Centre: scattered figures, flags, a crescent moon shape, and horizontal elements suggesting a ground plane. At right, a large triangular form — part tent, part tower — rises steeply, with a spiral</image:caption>
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      <image:title>Rafael Melendez — After Sturtevant</image:title>
      <image:caption>Rafael Melendez, After Sturtevant, The Academy of Realness, 2022 — pamphlet cover; blue monospaced typography on white stock; black fabric sculpture centred; subtitle: Linguistics, Idealism, Repetition, Difference and Ownership</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/After_The_Pressure_2015.jpg?v=1779317186</image:loc>
      <image:title>Catherine Holly / The Academy of Realness — After the Pressure the Cock</image:title>
      <image:caption>Catherine Holly, After the Pressure the Cock, The Academy of Realness, New York 2014 — zine cover; hand-lettered title over photocopied image of Piero Gherardi costume design for Giulietta degli Spiriti (Fellini, 1965); black tape collage elements on white ground</image:caption>
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Born_to_Die_2016.jpg?v=1779342988</image:loc>
      <image:title>Rafael Melendez — Born to Die</image:title>
      <image:caption>Already applied to the listing:
&gt; Rafael Melendez, *Born to Die*, 2016 — unique artist&apos;s book open to interior spread; left page shows circular form on dark denim-textured ground with &apos;Rafael Melendez ©2016&apos; credit; right page shows black-and-white portrait of Kurt Cobain with blue text &apos;Money Changes Everything&apos;; dos-à-dos binding visible at spine
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    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Fuck_Book_2014_001.jpg?v=1779344986</image:loc>
      <image:title>Catherine Holly / The Academy of Realness — Fuck Book</image:title>
      <image:caption>Catherine Holly / The Academy of Realness, Fuck Book, 2014 — cover; red Silvine memo book with &apos;MEMO BOOK&apos; label; stencilled &apos;FUCK BOOK&apos; over original cover; price stickers from Koenig Books Ltd (£35.00 / £8.99) and yellow &apos;20p&apos; label; &apos;BRITISH MADE&apos; printed at foot
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    <image:image>
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      <image:title>Catherine Holly / The Academy of Realness — My Brother Is Not Daniel Richter / My Father Is Not Gehrhart</image:title>
      <image:caption>atherine Holly / The Academy of Realness, My Brother Is Not Daniel Richter / My Father Is Not Gehrhart, New York 2014 — cover; blue spray-painted ground over found book; stencilled text reading &apos;Daniel Richter / Ist Not / Ther Bro / My / My Fat / Her Ist / Not / Gehrhart&apos; in black; Strand Price stickers affixed; rubber-stamped cartoon skull image; &apos;I Know Nothing&apos; speech bubble at lower left</image:caption>
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      <image:title>Rafael Melendez — Nothing’s Wrong</image:title>
      <image:caption>Exterior view showing heavily worked covers and spine; blue tape, polka-dot paper patches, and layered collage elements visible across front and back boards; accumulated material thickness visible at spine edge; object shows significant handling consistent with production and use</image:caption>
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      <image:title>Rafael Melendez — The Naked Lunch</image:title>
      <image:caption>Rafael Melendez, The Naked Lunch, The Academy of Realness, 2023 — front cover; black ground; AI-generated chrome female android figure in three-quarter profile, head lowered, mechanical neck and shoulder detail visible; &apos;RAFAEL MELENDEZ&apos; in white graffiti-style lettering along left spine; &apos;The Naked Lunch&apos; in teal type at upper right; Academy of Realness circular logo at top centre
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    <image:image>
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      <image:title>Georg Baselitz — Devotion — Exhibition Invitation, Alan Cristea Gallery, London, 2019</image:title>
      <image:caption>Georg Baselitz, Auerbach (yellow), 2018. Etching with sugar lift aquatint and relief printing on Somerset White Satin 350gsm paper. Inverted figure in dark gestural marks on ochre ground. Reproduced on interior of Devotion exhibition invitation, Alan Cristea Gallery, 2019.
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      <image:title>David Hammons — Exhibition Invitation Card, L&amp;M Arts, New York, 2011</image:title>
      <image:caption>David Hammons, exhibition invitation postcard, L&amp;M Arts, New York, 2011. Recto: white sans-serif text reading DAVID HAMMONS on solid black ground.</image:caption>
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      <image:title>Martin Honert — Exhibition Invitation Card, Matthew Marks Gallery, New York, 1999</image:title>
      <image:caption>Martin Honert, exhibition invitation card, Matthew Marks Gallery, New York, 1999. Recto: colour illustration of two children holding a star lantern on a pole against a night sky, within an arched frame; artist name below in bold serif type.</image:caption>
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      <image:title>Pierre Klossowski — l’énoncé à nouveau dénoncé — Exhibition Announcement Card, Galerie Beaubourg, Vence, 1999</image:title>
      <image:caption>1999 Pierre Klossowski exhibition invitation featuring a color reproduction of *Roberte aux barres parallèles* (1990). Three stylized human figures are arranged around parallel bars on a circular base: a central female figure in pink clothing raises one leg while two surrounding figures engage with the structure. The sculpture is rendered in painted flesh, mauve, and brown tones against a neutral background, with “Pierre Klossowski” printed beneath.</image:caption>
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      <image:title>Barbara Kruger — Untitled (Love is something you fall into) — Exhibition Postcard, National Gallery of Art, Washington, 2016–2017</image:title>
      <image:caption>Artist postcard reproducing Barbara Kruger’s Untitled (Love is something you fall into) (1990). A tightly cropped black-and-white profile of a woman with windswept hair fills the card while a vertical red banner runs along the right side with white text reading: “Love is something you fall into</image:caption>
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      <image:title>Yayoi Kusama — Festival of Life + Infinity Nets — Exhibition Announcement Card, David Zwirner, New York, 2017</image:title>
      <image:caption>2017 Yayoi Kusama exhibition invitation card featuring a studio portrait of the artist seated at a table surrounded by vividly colored *My Eternal Soul* paintings. Kusama wears her signature bright red wig and an orange dress with black polka dots, visually blending into the dense field of reds, blues, dots, and biomorphic patterns surrounding her.</image:caption>
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      <image:title>Yayoi Kusama — Explosion anatomique + Manifestation non identifiée — Pair of Museum Postcards, Éditions Centre Pompidou, Paris, 2019</image:title>
      <image:caption>Centre Pompidou postcard reproducing a 1968 black-and-white photograph by Harry Shunk and János Kender of Yayoi Kusama on the Brooklyn Bridge with nude performers covered in polka dots holding a banner reading “KUSAMA SELF-OBLITERATION.”</image:caption>
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      <image:title>Sherrie Levine — Pie Town — Exhibition Announcement Card, David Zwirner, London, 2017</image:title>
      <image:caption>Exhibition invitation for Sherrie Levine’s *Pie Town* featuring a color reproduction from *After Russell Lee: 1–60* (2016). Two figures, Faro and Doris Caudill, stand outdoors beneath a dramatic cloud-filled sky; the man wears a worn hat and work shirt while the woman stands with folded arms in a patterned dress and apron.</image:caption>
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      <image:title>Sherrie Levine — Directions — Exhibition Brochure, Hirshhorn Museum and Sculpture Garden, Washington D.C., 1988</image:title>
      <image:caption>Cover of Sherrie Levine *Directions* exhibition brochure from the Hirshhorn Museum and Sculpture Garden, Washington D.C., 1988. The cover reproduces *Untitled (Lead Checks: 6)* (1987), a turquoise and black checkerboard composition painted on lead beneath the exhibition title and dates.</image:caption>
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      <image:title>Yvonne Rainer &amp; John Erdman — “This is the story of a woman who…” — Performance Announcement Postcard, Portland Center for the Visual Arts, 1973</image:title>
      <image:caption>Original 1973 Yvonne Rainer and John Erdman performance postcard showing a black-and-white photograph of Yvonne Rainer performing *Trio A*, balancing with one leg raised on a stage.</image:caption>
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      <image:caption>Original 1970 Étienne Sandorfi exhibition invitation featuring a black-and-white image of a fragmented doll-like head with wires and mechanical elements in a surreal psychological composition.</image:caption>
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      <image:title>Documents — Galerie 1900–2000, Paris, 2002</image:title>
      <image:caption>Original 2002 Documents exhibition invitation from Galerie 1900–2000 Paris featuring a distressed archive-folder design with typewriter-style typography on textured brown paper.</image:caption>
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      <image:caption>Original 2014 GAY exhibition announcement card, Bronx Council on the Arts and Longwood Arts Project, New York, featuring a lush green woodland stream and fallen tree with large thin white lowercase typography spelling &apos;gay&apos; across the full-colour landscape image.</image:caption>
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      <image:title>Hans Bellmer — Dessins, œuvre gravée — Galerie 3+2, Paris, 1971–72</image:title>
      <image:caption>Hans Bellmer Dessins, œuvre gravée exhibition announcement Galerie 3+2 Paris 1971–72</image:caption>
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      <image:caption>Original 1971 launch invitation for L&apos;air pauvre, Les Aliscans, Paris, featuring bold black offset typography on cream card stock announcing the illustrated edition by Abdallah Benanteur with texts by Monique Boucher, event date Friday 19 November 1971, 18:00–21:00, with silhouetted figure and bookshop address at 57 rue de Rennes.</image:caption>
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      <image:caption>Original 1989 Gilles Brenta exhibition handout for F.M.R. Brussels, with black line drawing, artist name, and exhibition details.</image:caption>
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      <image:title>James Brown — Salt, Peintures récentes — Galerie Lelong, Paris, 1990</image:title>
      <image:caption>Original James Brown Salt exhibition invitation booklet from Galerie Lelong, Paris, 1990, featuring a reproduced painting with a bold ultramarine blue abstract totem-like figure against a pale dotted background in an ornate frame.
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      <image:title>Achille Castiglioni — Du design au ready-made — Centre Georges Pompidou, Paris, 1985</image:title>
      <image:caption>Front cover of the 1985 Achille Castiglioni exhibition invitation, featuring a bold blue and black graphic image with red side borders for *du design au ready-made* at Centre Georges Pompidou.</image:caption>
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      <image:title>Michel Ciry — Peintures, Aquarelles, Dessins — Galerie de Paris, 1971</image:title>
      <image:caption>Original 1971 Michel Ciry exhibition invitation for Galerie de Paris, announcing paintings, watercolors, and drawings from 26 October to 27 November 1971 on folded cream card</image:caption>
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      <image:title>Gustave Courbet — Visage–Visages — Musée Maison Natale, Ornans, 1984</image:title>
      <image:caption>Original 1984 Gustave Courbet exhibition invitation card featuring a black-and-white portrait of a young Courbet with printed signature beneath, issued by Musée Maison Natale in Ornans, France.</image:caption>
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      <image:title>André Stas — Exhibition Brochure — Galerie La Marée, Brussels, 1975</image:title>
      <image:caption>Original 1975 André Stas exhibition brochure, Galerie La Marée, Brussels, front cover showing artist name ANDRE STAS in serif type above a black-and-white collage of a ballerina figure standing atop a geological cross-section diagram with circular holes, offset printed on cream laid paper.</image:caption>
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      <image:caption>Original 2003 Nedko Solakov Mirrors vernissage card, Galerie Georges-Philippe &amp; Nathalie Vallois, Paris, front showing the single handwritten word Mirrors in black ink centred on metallic gold-coated card stock, surface now naturally dulled through age and handling.</image:caption>
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      <image:caption>Original 1974 Anthea Alley exhibition card, Annely Juda Fine Art, London — recto showing black-and-white photographic portrait of the artist standing beside welded metal sculpture in a studio or exhibition space. Photograph by Jorge Lewinski.</image:caption>
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      <image:title>Collages Surréalistes — Exhibition Invitation, Galerie Zabriskie, Paris, 1990</image:title>
      <image:caption>Original 1990 Collages Surréalistes exhibition invitation, Galerie Zabriskie, Paris — cover reproducing Georges Hugnet, Le Sphinx du Moulin Vert, 1934: aerial black-and-white photograph of Paris with radiating boulevards, a single realistic eye with lashes montaged at centre.</image:caption>
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      <image:title>Hans Bellmer — Les mains immobiles / Galerie Suzanne Visat New Year Card, Paris, 1972</image:title>
      <image:caption>Original 1972 Hans Bellmer New Year postcard, Galerie Suzanne Visat, Paris — recto reproducing Bellmer&apos;s Les mains immobiles, 1971: dark-ground photographic image of a bronze sculpture showing a crouching figure with multiple articulated mechanical arms and hands, cast by Ateliers Godard in an edition of 21, height 28 cm. Surface rubbing and scuffing consistent with postal handling.</image:caption>
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      <image:title>Hans Bellmer — CNAC Exhibition Invitation, Centre national d’art contemporain, Paris, 1971–72</image:title>
      <image:caption>Original 1971 Hans Bellmer exhibition invitation card, Centre national d&apos;art contemporain (CNAC), Paris — recto printed in white and black on pink-to-cream gradient card stock; CNAC in large white serif type at top; text reading le centre national d&apos;art contemporain 11 rue berryer paris 8 / présente / du 30 novembre 1971 au 17 janvier 1972 / bellmer in large bold black type / ouvert tous les jours sauf le mardi de 12 h à 19 h entrée 3 f / vernissage le mardi 30 novembre 1971 de 18 h à 20 h.</image:caption>
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      <image:caption>Original 1968 Hans Bellmer exhibition catalogue, Svensk-Franska Konstgalleriet, Stockholm — cover reproducing a Bellmer line drawing of a female figure tightly bound and folded, contour lines describing compressed flesh and limbs in a crouching posture; HANS BELLMER in spaced serif capitals below; SVENSK-FRANSKA / KONSTGALLERIET in two lines at foot.</image:caption>
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      <image:title>Ne travaillez jamais — Exhibition Invitation, 22 rue Visconti, Paris, 2024</image:title>
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      <image:caption>Original 2014 Tomma Abts exhibition invitation card, David Zwirner, New York — recto reproducing a detail from Untitled, 2013, coloured pencil and pencil on paper: intersecting diagonal bands in yellow, black, green, red, and blue forming a precise geometric spatial construction on white ground</image:caption>
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      <image:title>Adel Abdessemed — Rio, David Zwirner, New York, 2009</image:title>
      <image:caption>Original 2009 Adel Abdessemed Rio exhibition invitation card, David Zwirner, New York — recto reproducing a detail from Lincoln, 2009, C-print, 50 × 68½ inches: colour photograph of the artist reclining across a seated white sculptural figure based on the Lincoln Memorial, shot on a New York street corner in winter light with bare trees, yellow taxis, and urban buildings visible in background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bernard-aubertin-le-feu-de-la-couleur-espace-de-lart-concret-1994</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Aubertin_Bernard._Show_invite_le_feu_de_la_couleur_the_fire_of_colour_._1994.jpg?v=1780030286</image:loc>
      <image:title>Bernard Aubertin — Le feu de la couleur, Espace de l’Art Concret, Château de Mouans, 1994</image:title>
      <image:caption>Reverse of 1994 Bernard Aubertin Le feu de la couleur exhibition invitation card, Espace de l&apos;Art Concret, Mouans-Sartoux — verso printed entirely in red on cream stock with the name Bernard Aubertin repeated in dense rows across the full surface of the card, functioning as typographic monochrome; name becomes pattern, artist becomes surface.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bernard-aubertin-rebus-galleria-florence-1977</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Aubertin_Bernard._Show_invite._1977.jpg?v=1780031876</image:loc>
      <image:title>Bernard Aubertin — Rebus Galleria d’Arte Contemporanea, Florence, 1977</image:title>
      <image:caption>Original 1977 Bernard Aubertin exhibition invitation card, Rebus Galleria d&apos;Arte Contemporanea, Florence — recto printed entirely in red on textured cream handmade-style paper; horizontal format; REBUS galleria d&apos;arte contemporanea in mixed serif and sans-serif type at top; VENERDÌ 16 DICEMBRE 1977 – ORE 21,30; Mostra personale di in italic; BERNARD AUBERTIN in large spaced capitals; SARÀ PRESENTE L&apos;ARTISTA · CATALOGO IN GALLERIA; address 50129 FIRENZE – Via della Fortezza, 9/r – Telef. 496.701 at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/francis-bacon-the-human-body-exhibition-guide-hayward-gallery-1998</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bacon_Francis._The_Human_Body_exhibition_invite._1998_front.jpg?v=1780037522</image:loc>
      <image:title>Francis Bacon: The Human Body — Exhibition Guide, Hayward Gallery, London, 1998</image:title>
      <image:caption>Original 1998 Francis Bacon: The Human Body exhibition guide, Hayward Gallery, London — front cover in large bold serif and light grey typography on off-white stock; Hayward Gallery in small sans-serif at upper left; FRANCIS BACON in large black serif capitals; THE HUMAN BODY in large light grey serif capitals below; no imagery; typography functions as cover image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/enki-bilal-inbox-fondazione-giorgio-cini-venice-2015</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bilal_Enki._Show_invite_Fondazione_Giorgio_Cini._2015_front_1048afbc-b5b7-4150-9021-11e6d703159c.jpg?v=1780039026</image:loc>
      <image:title>Enki Bilal — Inbox, Fondazione Giorgio Cini, Venice, 2015</image:title>
      <image:caption>Original 2015 Enki Bilal Inbox exhibition postcard, Fondazione Giorgio Cini, Venice — recto reproducing a detail from Inbox: two spectral faces rendered in Bilal&apos;s characteristic blue-grey science-fiction palette, faces upturned and partially dissolved, a thin vertical pale form dividing the composition; acrylic on canvas; figures suspended between painting, cinema still, and hallucinated image against a dark blue-grey ground</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-algeria-french-edition-dtv-paris-1988</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_Kathy._Algeria_French_translation_._1988_front.jpg?v=1780129370</image:loc>
      <image:title>Kathy Acker — Algeria (French edition), Le Dernier Terrain Vague / DTV, Paris, 1988</image:title>
      <image:caption>Front cover of 1988 Kathy Acker Algeria French edition, Le Dernier Terrain Vague / DTV Compact Livre, Paris — full-bleed image by Kiki Picasso: saturated composite of fragmented urban photography, abstracted figures, and colour fields in yellow, green, orange, and blue; Kathy Acker in black diagonal type at lower left; ALGERIA in large bold black capitals; DTV logo at upper right; cover design functioning as graphic assault and media noise.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-great-expectations-1982</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_-Kathy.-Great-Expectations.-1982--cover.jpg?v=1780249277</image:loc>
      <image:title>Kathy Acker — Great Expectations (1982)</image:title>
      <image:caption>Original 1982 Kathy Acker Great Expectations paperback, Open Book Publications, San Francisco. Front cover with title in bold serif type above a black-and-white woodcut illustration of a hunched long-haired figure leaning over a bed with a cane. Printed wrappers with toning and wear to spine.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-hannibal-lecter-my-father-1991</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_-Kathy.-Hannibal-Lecter_-My-Father-cover.jpg?v=1780250309</image:loc>
      <image:title>Kathy Acker — Hannibal Lecter, My Father (1991)</image:title>
      <image:caption>Original 1991 Kathy Acker Hannibal Lecter, My Father paperback, Semiotext(e) Native Agents Series, New York. Front cover in vivid pink with repeating text pattern in lighter pink forming the background, overlaid with bold black title lettering and author name. Printed wrappers in good condition with minor shelf wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/kathy-acker-adult-life-toulouse-lautrec-1978</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Acker_Kathy._The_Adult_Life_of_Toulouse_Lautrec_by_Henri_Toulouse_Lautrec._1978_front.jpg?v=1780251415</image:loc>
      <image:title>Kathy Acker — The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec (1978)</image:title>
      <image:caption>Original 1978 Kathy Acker The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec paperback, TVRT Press and Printed Matter, New York. Front cover with black-and-white photographic image of two pairs of legs, one in stockings raised in the air, the other bare and low. Title in lowercase serif type: all she wants is love... Publisher imprints PM and TVRT Press at foot with ISBN 0-931106-21-4. Original price $4.50 at top left. Covers with age toning and surface wear.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/acne-paper-14-manhattan-portraits-winter-2012</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/ACNE-PAPER-_14-W-2012--cover.jpg?v=1780267570</image:loc>
      <image:title>Acne Paper No. 14 — Manhattan Portraits, Winter 2012</image:title>
      <image:caption>Original 2012 Acne Paper No. 14 magazine, Manhattan Portraits issue, Acne Studios, Winter 2012. Cover showing Brigitte Lacombe&apos;s portrait of Mikhail Baryshnikov against a dark background, with the Acne Paper logotype in large serif type at the foot of the page.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/barney-matthew-supercontemporary-electa-2007</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Barney_-Matthew.-Supercontemporary-1-cover_574aed61-6864-40e3-9d8b-30471109e73a.jpg?v=1780292483</image:loc>
      <image:title>Matthew Barney — Supercontemporary, Electa, Milan, 2007</image:title>
      <image:caption>Original 2007 Matthew Barney Supercontemporary exhibition publication, Electa, Milan. Cover showing Barney in prosthetic makeup with pointed ears and pale skin, wearing a white suit jacket, set against a blue tartan background, with the title in magenta type and series name in a red vertical band.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bell-irwin-wheeler-tate-gallery-london-1970</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/BELL_Larry._IRWIN_Robert._WHEELER_Doug._The_Tate_Gallery_5-31_May_1970_front.jpg?v=1780291411</image:loc>
      <image:title>Larry Bell / Robert Irwin / Doug Wheeler — Tate Gallery, London, 1970</image:title>
      <image:caption>Original 1970 Larry Bell, Robert Irwin, Doug Wheeler exhibition catalogue, Tate Gallery, London, 5–31 May 1970. Plain pale yellow square-format cover, unprinted, with visible age toning and light surface wear consistent with period exhibition material.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bronson-gale-performance-by-artists-art-metropole-1979</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bronson-_-AA-and-Gale_-Peggy-Performance-by-Artists--cover.jpg?v=1780293477</image:loc>
      <image:title>AA Bronson &amp; Peggy Gale, eds. — Performance by Artists</image:title>
      <image:caption>Original 1979 AA Bronson and Peggy Gale, eds., Performance by Artists, Art Metropole, Toronto. Softcover with white ground and bold black title typography, &apos;Performance by Artists&apos; in large sans-serif type, editors&apos; names below, Art Metropole imprint at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/burroughs-william-arcade-1-william-burroughs-special-1964</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Burroughs_-William.-Arcade-_1--1964---William-Burroughs-Special_front_cover.jpg?v=1780295503</image:loc>
      <image:title>William S. Burroughs — Arcade No. 1: William Burroughs Special</image:title>
      <image:caption>Original 1964 Arcade No. 1, William Burroughs Special, Dodo/Arcade, London. Cover showing large bold &apos;5d&apos; numeral in black on cream ground with &apos;arcade&apos; in script below, a blue starburst label reading &apos;William Burroughs Special&apos; across the centre, and a red price roundel showing &apos;2/6&apos;. Age toning and light soiling consistent with period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/burroughs-william-white-subway-aloes-books-1973</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Burroughs_-William.-White-Subway.-1973.jpg?v=1780297748</image:loc>
      <image:title>William S. Burroughs  — White Subway  —  Aloes Books, London, 1973</image:title>
      <image:caption>Original 1973 William S. Burroughs White Subway, Aloes Books, London, first edition. Photo-illustrated softcover showing a collaged black-and-white street photograph: a building facade with a partially visible sign reading &apos;ATORS&apos; at upper left, a bare winter tree at centre, and a figure walking on the pavement below, with &apos;WHITE SUBWAY&apos; and &apos;william burroughs&apos; in white type overlaid on the image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cahun-deren-sherman-inverted-odysseys-mit-press-1999</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cahun_Claude._Deren_Maya._Sherman_Cindy._Inverted_Odysseys._1999.jpg?v=1780301582</image:loc>
      <image:title>Inverted Odysseys — Claude Cahun / Maya Deren / Cindy Sherman</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/callahan-harry-museum-of-modern-art-new-york-1967</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Callahan_-Harry.-1967-Museum-of-Modern-Art-Exhibition-Catalogue-cover.jpg?v=1780302735</image:loc>
      <image:title>Harry Callahan — Museum of Modern Art, New York, 1967</image:title>
      <image:caption>Original 1967 Harry Callahan exhibition catalogue, Museum of Modern Art, New York. Cream softcover with a black-and-white photograph of a standing female figure seen from behind, torso bare, seated on a stool before a window with venetian blinds, interior domestic space visible around her. &apos;HARRY CALLAHAN&apos; in sans-serif type below the image.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/bosser-daniel-philippe-thomas-declines-his-identity-occasional-papers-2015</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Bosser_Daniel._Philippe_Thomas_declines_his_identity._2015_front.jpg?v=1780303759</image:loc>
      <image:title>Daniel Bosser — Philippe Thomas Declines His Identity</image:title>
      <image:caption>Original 2015 Daniel Bosser, Philippe Thomas Declines His Identity, Occasional Papers, London. Cream textured softcover with &apos;DANIEL BOSSER&apos; in small spaced serif capitals at top, &apos;PHILIPPE THOMAS / DECLINES HIS IDENTITY&apos; in larger spaced serif type at centre, and a black-and-white photograph below showing Philippe Thomas seated at a table, holding up a document, wearing a black top, expression direct and slightly confrontational. &apos;Occasional Papers&apos; in italic type at foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/carpenter-thomas-insights-galerie-claire-burrus-paris-1990</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Carpenter_Laura_Carpenter-Thomas_Philippe._Insights._1990_front.jpg?v=1780304774</image:loc>
      <image:title>Laura Carpenter / Philippe Thomas — Insights</image:title>
      <image:caption>Original 1990 Laura Carpenter / Philippe Thomas, Insights, Galerie Claire Burrus, Paris. Softcover with a close-up black-and-white photograph of a curved shadow cast across a pale textured surface, suggesting a body or sculptural form. &apos;INSIGHTS&apos; in spaced white serif capitals at upper centre, &apos;LAURA CARPENTER&apos; in smaller spaced white serif type at lower centre. Light surface wear and minor corner softening consistent with period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/lovecat-model-fanzine-issue-3-art-issue-2012</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Chenoa_Prince_Jacob_Dekat._Lovecat_The_Model_Fanzine_Issue_3_The_Art_Issue._2012.jpg?v=1780305133</image:loc>
      <image:title>Lovecat: The Model Fanzine, Issue 3 — The Art Issue</image:title>
      <image:caption>Second cover variant of 2012 Lovecat: The Model Fanzine, Issue 3, The Art Issue. Large black-and-white halftone portrait of Andy Warhol with yellow hair and red lips, overlaid with dark green graffiti-style &apos;lovecat&apos; lettering and Mr. Brainwash signature at lower right. Caption reads &apos;ANDY WARHOL BY MR. BRAINWASH / THE ART ISSUE / DON&apos;T PAY ANY ATTENTION TO WHAT THEY WRITE ABOUT YOU. JUST MEASURE IT IN INCHES.&apos; Contributors listed: Raphael Mazzucco, Anja Konstantinova, Chuck Close, Raica Oliveira.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/cossery-albert-men-god-forgot-city-lights-1968</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Cossery_Albert._Men_God_Forgot._1968_cover.jpg?v=1780305971</image:loc>
      <image:title>Albert Cossery — Men God Forgot</image:title>
      <image:caption>Original 1968 Albert Cossery, Men God Forgot, City Lights Books, San Francisco, second printing. Cream softcover with &apos;men God forgot&apos; in large bold lowercase serif type at top and &apos;cossery&apos; at foot, with a black-and-white close-up photograph of a young man&apos;s face — dark eyes, strong features, slightly downward gaze — filling the lower two-thirds of the cover. Age toning, light rubbing, and edge wear consistent with period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/doty-robert-extraordinary-realities-whitney-museum-1973</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Doty_-Robert.-Extraordinary-realities-Catalogue-to-the-exhibition-1973---1974.-cover.jpg?v=1780306731</image:loc>
      <image:title>Extraordinary Realities — Robert Doty, Whitney Museum of American Art, 1973</image:title>
      <image:caption>Original 1973 Robert Doty, Extraordinary Realities, Whitney Museum of American Art, New York. Square softcover divided horizontally into two equal bands — upper half in warm amber-orange, lower half in deep cobalt blue — with &apos;EXTRAORDINARY&apos; in white outlined rounded sans-serif type on the orange field and &apos;REALITIES&apos; in the same type on the blue field. Spine wear, edge rubbing, and corner creasing consistent with period.&quot;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/goldin-nan-biesenthal-document-journal-saint-laurent-2017</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Goldin_Nan._Biesenthal._2017_back.jpg?v=1780327217</image:loc>
      <image:title>Nan Goldin — Biesenthal, Document Journal / Saint Laurent, 2017</image:title>
      <image:caption>Original 2017 Nan Goldin, Biesenthal, Document Journal in collaboration with Saint Laurent. Cover showing a colour photograph of a partially visible female figure at right — bare torso, sequined mini skirt, holding a cigarette — against a large dark wall with warm ambient light at upper left. No title text on cover; image bleeds to edges.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/felix-gonzalez-torres-hirshhorn-museum-sculpture-garden-washington-dc-1994</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Gonzalez-Torres_Felix._Hirshborne_Museum_and_Sculpture_museum_Washington_DC._1994_front.jpg?v=1780347716</image:loc>
      <image:title>Félix González-Torres — Hirshhorn Museum and Sculpture Garden, Washington D.C., 1994</image:title>
      <image:caption>Félix González-Torres exhibition catalogue with a dark green abstract cover image resembling a cosmic field or atmospheric surface. Soft-focus light effects and deep green tonal variations create a minimal, contemplative appearance.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/mark-grotjahn-kh-liquors-karma-new-york-2015</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Grotjahn_Mark._K_H_Liquors._2015_back.jpg?v=1780349871</image:loc>
      <image:title>Mark Grotjahn — K&amp;H Liquors, Karma, New York, 2015</image:title>
      <image:caption>Original 2015 Mark Grotjahn K&amp;H Liquors artist book, Karma, New York. Front cover showing two men standing in a liquor store aisle lined with bottles, with the Karma imprint visible at lower left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/simon-morris-helen-sacoor-bibliomania-1998-1999</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Harrison_Wood._Art_in_Theory_1900-1990._1999_front.jpg?v=1780373004</image:loc>
      <image:title>Simon Morris &amp; Helen Sacoor — Bibliomania 1998–1999, 1999</image:title>
      <image:caption>Stack of art theory books spine-out including Roland Barthes Camera Lucida, Mythologies, Image Music Text, Walter Benjamin Illuminations, Jean Baudrillard America, Douglas Crimp On the Museum&apos;s Ruins, and Mark Dion Natural History and Other Fictions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/products/rebecca-horn-missing-full-moon-artsite-no-22-bath-1989</loc>
    <lastmod>2026-06-04T10:55:30+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Horn_-Rebecca.-Missing-Full-Moon-_Artsite-No.-22_.-1989-1.jpg?v=1780374732</image:loc>
      <image:title>Rebecca Horn — Missing Full Moon [Artsite No. 22], Artsite Gallery, Bath, 1989</image:title>
      <image:caption>Original 1989 Rebecca Horn exhibition catalogue, Missing Full Moon, Artsite Gallery, Bath International Festival. Front cover showing plain olive green with title &apos;Rebecca Horn&apos; in pale sage serif type, centred on an unadorned ground.</image:caption>
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  </url>
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    <changefreq>daily</changefreq>
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      <image:title>Katerina Jebb — Deus ex Machina, Musée Réattu / Skira, 2017</image:title>
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      <image:title>Mike Kelley — Plato&apos;s Cave, Rothko&apos;s Chapel, Lincoln&apos;s Profile (with Sonic Youth) / The Peristaltic Airwaves, Compound Annex, 2012</image:title>
      <image:caption>Mike Kelley Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile (with Sonic Youth) / The Peristaltic Airwaves (2012) double CD in sealed jewel case. Purple-toned cover image featuring cave-like formations with white typography. Published by Compound Annex Records.</image:caption>
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      <image:title>Isa Genzken — Phaidon Contemporary Artists Series, 2006</image:title>
      <image:caption>Original 2006 Isa Genzken monograph, Phaidon Contemporary Artists Series. Front cover showing Rose II, a tall slender steel rose sculpture with a single bud, photographed against a pale sky in front of a modernist glass-and-steel institutional building. Title &apos;ISA GENZKEN&apos; in black sans-serif type upper right, with author names Alex Farquharson, Diedrich Diederichsen, Sabine Breitwieser. Phaidon imprint lower left. Laminated ex-library copy.</image:caption>
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      <image:title>André Kertész — Budapest, Paris, New York, Vintage Galéria, Budapest, 2007</image:title>
      <image:caption>Black-and-white softcover catalogue titled André Kertész. The cover features a blurred self-portrait-like silhouette reflected against a doorway, with the photographer&apos;s name printed across the centre.</image:caption>
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      <image:title>Martin Kippenberger — 67 Improved Papertigers Not Afraid of Repetition, Schirmer/Mosel, 2012</image:title>
      <image:caption>Original 2012 Martin Kippenberger 67 Improved Papertigers Not Afraid of Repetition, Edition Julie Sylvester / Schirmer/Mosel. Front cover showing a colour photograph of a dishevelled hotel room interior: an unmade bed with a gold bedspread, a black office chair, and a portable television on a stand. Title in small serif type upper centre: &apos;Martin Kippenberger / 67 Improved Papertigers / Not Afraid of Repetition&apos;. Publisher imprint &apos;Edition Julie Sylvester / Schirmer/Mosel&apos; lower centre. Cream wrappers.</image:caption>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/files/Klauke_-Jurgen.-Prosecuritas.-1994-1.jpg?v=1780383483</image:loc>
      <image:title>Jürgen Klauke — Prosecuritas, Cantz / Kunsthalle Bielefeld, 1994</image:title>
      <image:caption>Original 1994 Jürgen Klauke Prosecuritas exhibition catalogue. Front cover showing a black-and-white scanned or photocopied image: two small dog silhouettes walk across a pale ground trailing long curved lines, while large dark shadowy forms — a vertical pole left and a crouching figure lower right — dominate the foreground. Title &apos;JÜRGEN KLAUKE »PROSECURITAS«&apos; in small spaced sans-serif type upper centre. Square format, cloth-bound hardcover with clear plastic dust jacket.</image:caption>
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    <changefreq>daily</changefreq>
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      <image:title>Yves Klein — Quelques Klein… de la collection Jean-Paul Ledeur, Pierre Bergé &amp; Associés, 2005</image:title>
      <image:caption>Original 2005 Yves Klein auction catalogue, Pierre Bergé &amp; Associés, Drouot Richelieu, Paris. Front cover showing a colour photograph of La Vénus d&apos;Alexandrie, a headless female torso sculpture coated in International Klein Blue (IKB), against a white ground. Title text in red and black: &apos;Vente Art Moderne / Art Contemporain / Quelques Klein... / de la collection Jean-Paul Ledeur / Le gardien du bleu&apos;. Pierre Bergé &amp; Associés imprint upper centre with associate names. Drouot Richelieu, Paris. Vendredi 25 no</image:caption>
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      <image:title>In Deed: Certificates of Authenticity in Art, ed. Hapgood &amp; Lauf, ROMA Publications, 2011</image:title>
      <image:caption>Original 2011 In Deed: Certificates of Authenticity in Art catalogue, ed. Hapgood &amp; Lauf. Salmon-pink cover with title in bold black serif type left, artist list right. Spine repeating &apos;deed&apos; in red.</image:caption>
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      <image:title>Élisabeth Lebovici — The Name of Philippe Thomas, Sternberg Press / Kunsthalle Bern, 2008</image:title>
      <image:caption>Original 2008 Élisabeth Lebovici The Name of Philippe Thomas, Sternberg Press / Kunsthalle Bern. Front cover on cream ground with title and author in small green serif type centre: &apos;ELISABETH LEBOVICI / The Name / of Philippe Thomas&apos;. Publisher imprints &apos;SternbergPress&apos; and &apos;KUNSTHALLE BERN&apos; in green lower left. Sealed in original clear shrink wrap.</image:caption>
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  </url>
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