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  <url>
    <loc>https://thenewrare.com/blogs/journal/matthew-peers-wishing-wells</loc>
    <lastmod>2026-04-09T12:03:59+01:00</lastmod>
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      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Matthew_Peers-4_6e1129cd-e454-41c7-a27c-030b3217cccc.jpg?v=1775732639</image:loc>
      <image:title>Matthew Peers: Wishing Wells</image:title>
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  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/the-readymade-and-the-rest-of-us</loc>
    <lastmod>2026-04-09T12:21:47+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Philippe_Thomas_Photo_01_14f78612-2c65-484d-9da0-8ee1cbf0af7a.jpg?v=1775733707</image:loc>
      <image:title>The Readymade and the Rest of Us</image:title>
      <image:caption>Philippe Thomas, readymades belong to everyone®, 1987. Promotional announcement featuring a shelf of art history books — Futurism, Pop Art, Warhol, Beuys, Cubism, Broodthaers, Duchamp</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/the-card-that-travelled-charles-ross-point-source-star-space-1977</loc>
    <lastmod>2026-04-09T11:53:31+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Charles_Ross_0001_e4f6b547-52e8-40d3-ad44-4ec3d6dc9aee.jpg?v=1775732011</image:loc>
      <image:title>The Card That Travelled: Charles Ross, Point Source / Star Space, 1977</image:title>
      <image:caption>Charles Ross, Point Source / Star Space, John Weber &amp; Susan Caldwell Gallery, New York, 1977. Recto: speckled cream card with yellow diagonal band, white point-source circle at centre, gallery details below.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/leopoldo-maler-mortal-issues-whitechapel-1976</loc>
    <lastmod>2026-08-21T20:26:35+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Leopold_Maler_1976_0001_fb8bf1c7-10fd-42ca-b945-f2caee744891.jpg?v=1787340395</image:loc>
      <image:title>Object Record: Leopoldo Maler — Mortal Issues: A Sanctuary with Flames &amp; Figures, Whitechapel Art Gallery, 1976</image:title>
      <image:caption>Leopoldo Maler — Mortal Issues: A Sanctuary with Flames &amp; Figures. Exhibition publication cover, Whitechapel Art Gallery, London, 1976.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/william-popel-some-things-you-can-do-with-blackness-2005</loc>
    <lastmod>2026-08-21T20:26:02+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Pope.L_William._Some_things_you_can_do_with_blackness_1adec5ea-2d20-4568-a76d-0093c6763c23.jpg?v=1787340362</image:loc>
      <image:title>William Pope.L, some things you can do with blackness… (Kenny Schachter Rove, London, 2005)</image:title>
      <image:caption>William Pope.L — some things you can do with blackness…, Kenny Schachter Rove, London, 2005. Front cover.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/richard-prince-douglas-blair-turnbaugh-archive-as-object</loc>
    <lastmod>2026-08-21T20:25:22+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Prince_-Richard-.-THE-DOUGLAS-BLAIR-TURNBAUGH-COLLECTION-_1977-1988_.-2016--cover_47494a4c-f2d5-4d7d-9c60-7742eb71bd7d.jpg?v=1787340322</image:loc>
      <image:title>Richard Prince, Douglas Blair Turnbaugh, and the Archive as Object</image:title>
      <image:caption>Richard Prince: The Douglas Blair Turnbaugh Collection (1977–1988), catalogue cover, Edward Cella Art &amp; Architecture, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/the-new-rare-summer-2026</loc>
    <lastmod>2026-06-17T15:04:11+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/chequers_12331_0d514e4c-e309-4077-b4a5-425609a49461.jpg?v=1781705051</image:loc>
      <image:title>THE NEW RARE — SUMMER 2026</image:title>
      <image:caption>Installation view, THE NEW RARE EDITIONS, 2026. Full-width pine modular wall structure spanning the room; fluorescent tube overhead; worn wooden floorboards; door and electrical panel visible at left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/a-work-small-enough-to-send</loc>
    <lastmod>2026-08-27T05:55:34+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Chadwick_-Helen.-Enfleshings-I-1989--Printed-1994_-Tate_01d28d39-a39c-424f-9a1a-1d223a63d4a7.jpg?v=1787806534</image:loc>
      <image:title>A Work Small Enough to Send</image:title>
      <image:caption>Front of 1994 Tate postcard reproducing Helen Chadwick Enfleshings I, 1989</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/jack-smith-padronismo-di-pastacrosta-galleria-lattico-rome-1975</loc>
    <lastmod>2026-06-29T17:55:39+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Jack_Smith_008_d326ddb0-6c26-40a7-951e-5d96c24cb638.jpg?v=1782752139</image:loc>
      <image:title>Jack Smith — Padronismo di Pastacrosta, Galleria L’Attico, Rome, 1975</image:title>
      <image:caption>1975 Jack Smith, Padronismo di Pastacrosta, slideshow poster, Galleria L&apos;Attico, Rome. Offset lithograph, 35 × 48.5 cm. Central stamp-removal incision visible.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/re-circulation-001-womens-images-of-men-ica-london-1980</loc>
    <lastmod>2026-08-18T08:21:10+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/ICA._Women_s_Images_of_Men_ICA._1980._Elisabeth_Frink_Four_Heads_1976_ac60c5dd-8f90-45ab-9deb-86d865bbf07e.jpg?v=1787037670</image:loc>
      <image:title>RE: CIRCULATION 001 — Women&apos;s Images of Men, ICA, London, 1980</image:title>
      <image:caption>Elisabeth Frink, Four Heads, 1976, reproduced in Women&apos;s Images of Men, ICA, London, 1980</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/sean-landers-sic-the-artwork-enters-the-bookstore</loc>
    <lastmod>2026-08-20T10:13:03+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Landers_Sean._sic_001_b7fc27fe-8119-4d71-89f7-9abb94704250.jpg?v=1787217183</image:loc>
      <image:title>THE ARTWORK ENTERS THE BOOKSTORE</image:title>
      <image:caption>Sean Landers, [sic], Riverhead Books, New York, 1995 — front cover</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/the-new-rare-at-glue-book-fair-2026</loc>
    <lastmod>2026-10-19T18:06:09+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Glue_flyer_ICA_Fair_480_px_02_5f0ab979-cdc4-48b7-a796-289d5f0bcdf6.jpg?v=1792429569</image:loc>
      <image:title>THE NEW RARE AT GLUE BOOK FAIR 2026</image:title>
      <image:caption>GLUE Book Fair poster, ICA London, 12–13 September 2026, with pink lettering listing exhibitors including The New Rare</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/recirculation-004-a-different-feminism</loc>
    <lastmod>2026-09-22T11:31:00+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Suzanne_Bartsch_nd_01_8acd0dde-8222-4d3f-9e1a-4e8dac76803e.jpg?v=1790073060</image:loc>
      <image:title>LYDIA LUNCH, JUSTICE HOWARD, KATHY ACKER, SUSANNE BARTSCH | RE:CIRCULATION 003 | A DIFFERENT FEMINISM</image:title>
      <image:caption>Susanne Bartsch, Our Church Halloween invitation, Avalon, New York, 2006, illustrated recto with chained figure in flames</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/recirculation-004-suzan-frecon-and-blinky-palermo</loc>
    <lastmod>2026-09-22T11:13:45+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Frecon_Susan.CatalogueofPaintings.1999_ca73ecf3-b431-4ab7-ab3e-51730012ddd3.jpg?v=1790072025</image:loc>
      <image:title>Suzan Frecon and Blinky Palermo | RE:CIRCULATION 004 | New York 1974–1976</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/recirculation-005-video-artists-abject-art</loc>
    <lastmod>2026-09-22T11:06:36+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/eu1weiotahosbyup1i97jnbrm0sb_24afbca1-c09f-458d-b324-f9a9cffba628.jpg?v=1790071596</image:loc>
      <image:title>Cindy Sherman, Mike Kelley, Kiki Smith | RE:CIRCULATION 005 — The Video Artists of Abject Art</image:title>
      <image:caption>Abject Art: Repulsion and Desire in American Art, Whitney Museum of American Art, 1993, front cover showing Robert Gober severed leg sculpture</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/recirculation-006-the-fourth-man-goes-solo</loc>
    <lastmod>2026-09-22T11:01:43+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/ALTERED_SUBJECTS_PHOTOGRAPHY-009_05321473-4bea-478f-9377-7fd34fc43f97.jpg?v=1790071303</image:loc>
      <image:title>RICHARD PRINCE | RE:CIRCULATION 006 — The Fourth Man Goes Solo</image:title>
      <image:caption>Richard Prince, Four Men Facing Right, 1979, man in three-piece suit beside boat, Ektacolor photograph reproduced in Altered Subjects catalogue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/recirculation-007-how-things-enter-history</loc>
    <lastmod>2026-09-22T11:04:42+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/ornwa6oj32gisdqkfrrppx3o5mpa_745621ac-c0c6-445b-9e0f-3aba98203657.jpg?v=1790071482</image:loc>
      <image:title>THOMAS RUFF, FRANCIS PICABIA, DUANE MICHALS, REBECCA HORN  | RE:Circulation No. 007 — How Things Enter History</image:title>
      <image:caption>Francis Picabia, 5 Dada Mécanique, Galleria Schwarz Milano, 1964, front cover: geometric machine drawing in black and orange with artist&apos;s signature</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/re-circulation-008-complicit-but-uncredited</loc>
    <lastmod>2026-10-13T11:14:19+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/BUTT_Magazine_20_jpg.png?v=1791886417</image:loc>
      <image:title>Mike Kelley,Tony Arefin, Gert Jonkers, Jop van Bennekom | RE:CIRCULATION No. 008 | Complicit But Uncredited</image:title>
      <image:caption>Gert Jonkers and Jop van Bennekom, BUTT Magazine, Nos. 20, 23–29, eight front covers, Amsterdam, 2007–2011</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/re-circulation-009-found-prayer-card</loc>
    <lastmod>2026-10-18T06:30:17+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/Genesis_Breyer_P-Orridge_A22_GALLERY_Invitation_2003_Signed_01_journal.png?v=1791886188</image:loc>
      <image:title>BREYER P-ORRIDGE | RE:CIRCULATION No. 009 | Found Prayer Card</image:title>
      <image:caption>Genesis Breyer P-Orridge, signed A22 Gallery invitation showing an altered Sacred Heart image with a blue ink signature.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://thenewrare.com/blogs/journal/david-wojnarowicz-frieze-london-2026-the-mount-and-the-mask</loc>
    <lastmod>2026-10-17T10:13:57+01:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/0991/5636/1554/articles/David_Wojnarowicz_eyeglasses_photograph_Frieze_London_2026_lead_image_jpg.png?v=1792228334</image:loc>
      <image:title>DAVID WOJNAROWICZ | Frieze London 2026 | The Mount and the Mask</image:title>
      <image:caption>David Wojnarowicz, Untitled (Arthur Rimbaud in Paris): man in Rimbaud mask holds burning paper before the Eiffel Tower</image:caption>
    </image:image>
  </url>
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