{"title":"Women Artists","description":"\u003cp\u003eExhibition ephemera, artist cards, and printed matter relating to women artists. Original objects from The New Rare.\u003c\/p\u003e","products":[{"product_id":"katharina-sieverding-portuguese-language-artist-card-c-1973","title":"Katharina Sieverding — Portuguese-Language Artist Card, c. 1973","description":"\u003cp\u003eLikely issued in connection with \u003cem\u003eFotolinguagem\u003c\/em\u003e, Museu de Arte Moderna do Rio de Janeiro \/ Museu de Arte Moderna de São Paulo, Brazil\u003cbr\u003e15.5 × 10.5 cm\u003cbr\u003eOffset-printed card on light stock; black-and-white image to recto; Portuguese biographical text and exhibition history to verso\u003cbr\u003eCondition: very good; light handling wear, faint corner softening, minor age toning consistent with period paper ephemera\u003c\/p\u003e\u003cp\u003eA small distribution object from an early international point in Katharina Sieverding’s career. Neither a standard invitation nor a later museum survey card, it operates more narrowly: image, biography, exhibition history, circulation. The Portuguese text is the key detail. Sieverding was not Portuguese but German, and the language situates the card within her Brazilian context in 1973, when she was included in \u003cem\u003eFotolinguagem\u003c\/em\u003e, organized by Iole de Freitas and shown at MAM Rio and MAM São Paulo.\u003c\/p\u003e\u003cp\u003eThe object is most compelling at that level. A Düsseldorf-based artist associated with the post-Beuys field of photography, self-staging, and identity construction enters another institutional system through translation. The card reduces that movement to its necessary parts: a portrait, a list, a place of residence, a sequence of appearances. Administrative, almost neutral, but exact. It carries the artist as information.\u003c\/p\u003e\u003cp\u003eBefore the later retrospective framing of Sieverding’s practice, there is this lighter support structure: printed matter designed for passage, classification, and local legibility. Not quite ephemera in the casual sense, more a small paper relay between artist and institution. A concise record of entry.\u003c\/p\u003e","brand":"The New Rare","offers":[{"title":"Default Title","offer_id":53227654218066,"sku":"KS-PTCARD-1973-EC","price":160.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Katharina_Sieverding_0001.jpg?v=1776426758"},{"product_id":"esther-hess-energie-et-vent-1985","title":"Esther Hess — Énergie et Vent, 1985","description":"\u003cp\u003eOriginal exhibition invitation card for Esther Hess’s \u003cem\u003eénergie et vent\u003c\/em\u003e, site-art présent, Paris\u003cbr\u003e21 × 10.5 cm\u003cbr\u003eOffset invitation card, printed recto only\u003cbr\u003eVenue: site-art présent, 10 rue Coquillière, 75001 Paris\u003cbr\u003eDate: 5 February–15 March 1985\u003cbr\u003eCondition: very good vintage condition; light age toning and minor surface wear; blank verso\u003c\/p\u003e\u003cp\u003ePrinted support for an exhibition organized around energy, wind, and invisible movement. Title, venue, date, image. The circular form functions as object, diagram, and sign at once. Not a record after the event so much as one of the forms through which the exhibition entered circulation.\u003c\/p\u003e\u003cp\u003eA small Paris document from the mid-1980s where sculpture is displaced toward field, force, and transmission.\u003c\/p\u003e","brand":"The New Rare","offers":[{"title":"Default Title","offer_id":53229836599634,"sku":"EH-ENERGIE-1985-INV","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Esther_Hess_001.jpg?v=1776446061"},{"product_id":"tracey-emin-i-need-art-like-i-need-god-jay-jopling-1998","title":"Tracey Emin — I Need Art Like I Need God, Jay Jopling \/ London, 1998","description":"\u003cp\u003e\u003cstrong\u003eTracey Emin — I Need Art Like I Need God\u003c\/strong\u003e\u003cbr\u003eJay Jopling \/ London, 1998\u003cbr\u003ePublished for \u003cem\u003eTracey Emin: I Need Art Like I Need God\u003c\/em\u003e, South London Gallery, 16 April–18 May 1997\u003c\/p\u003e\u003cp\u003eSoftcover exhibition monograph with stiff glossy wraps\u003cbr\u003e73 pp., colour plates\u003cbr\u003e30 × 21 cm \/ large quarto\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good overall. Light rubbing, handling marks, faint surface wear to glossy covers, minor edge\/corner wear, original rear price\/barcode sticker present. Interior clean and bright.\u003c\/p\u003e\u003cp\u003ePrinted support for an exhibition already moving beyond exhibition status.\u003c\/p\u003e\u003cp\u003eBefore \u003cem\u003eMy Bed\u003c\/em\u003e became the public shorthand, this book fixes an earlier arrangement: body, room, handwriting, photograph, confession, object. The cover stages the artist from behind, inside the workspace, already converted into image and signature. The back cover reduces the body further: four small vertical fragments set into a field of turquoise, with the shop label still attached.\u003c\/p\u003e\u003cp\u003eInside, the sequence continues as document and display. Clothes, blankets, studio floor, handwritten notes, framed fragments, street images, hotel paper. Nothing is outside the work once it enters the catalogue. Biography becomes layout. Intimacy becomes plate. Evidence becomes style.\u003c\/p\u003e\u003cp\u003eThe book does not explain Emin. It files her.\u003c\/p\u003e\u003cp\u003eA catalogue as exhibition residue.\u003cbr\u003eA self-portrait routed through paper.\u003cbr\u003eAn object from the construction of a public name.\u003c\/p\u003e\u003cp\u003eShipping included in the listed price.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53318458736978,"sku":"TE-INALIG-1998","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Emin_-Tracey.--I-Need-Art-Like-I-Need-God-cover.jpg?v=1777513928"},{"product_id":"anthea-alley-exhibition-card-annely-juda-fine-art-1974","title":"Anthea Alley — Exhibition Card, Annely Juda Fine Art, London, 1974","description":"\u003cp\u003eOriginal exhibition invitation \/ catalogue card\u003cbr\u003eAnnely Juda Fine Art, 11 Tottenham Mews, London\u003cbr\u003e25 January – 16 February 1974\u003c\/p\u003e\u003cp\u003e16.5 × 21.5 cm\u003c\/p\u003e\u003cp\u003eOffset-printed card with black-and-white photographic portrait to recto and exhibition\/biographical details to verso. Photograph by J. S. \/ Jorge Lewinski.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e good vintage condition. Surface rubbing, light creasing, softened corners, handling marks, and age toning. The marks remain part of the record: evidence of circulation, storage, handling, and transfer. A gallery announcement retained long enough to change status.\u003c\/p\u003e\u003cp\u003eAnthea Alley moved from painting toward welded metal sculpture in the late 1950s and 1960s. Her work belongs to a post-war British sculptural field in which industrial material, teaching, public collections, and gallery visibility became part of the work's wider structure.\u003c\/p\u003e\u003cp\u003eThis card records a 1974 exhibition at Annely Juda Fine Art, before the gallery's later Cork Street history. Image to one side, biography and exhibition data to the other. The artist is shown with the sculpture; the sculpture is reduced to photographic evidence; the exhibition is reduced to a portable printed support.\u003c\/p\u003e\u003cp\u003eNot an Artist Placement Group object, but adjacent to a broader British context of art, labour, material systems, and institutional circulation.\u003c\/p\u003e\u003cp\u003eRetained exhibition material linking artist, sculpture, gallery, photographer, address, and date.\u003c\/p\u003e\u003cp\u003eA precise fragment in a larger map.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price. Original period item.\u003c\/p\u003e","brand":"The New Rare","offers":[{"title":"Default Title","offer_id":53587671482706,"sku":"ALLEY-AJFA-INV-1974","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Alley_Athea._Show_invite_Annely_Juda_Fine_Art._1974.jpg?v=1779939314"},{"product_id":"tomma-abts-exhibition-invitation-david-zwirner-new-york-2014","title":"Tomma Abts — Exhibition Invitation, David Zwirner, New York, 2014","description":"\u003cp\u003eExhibition invitation card\u003cbr\u003eDavid Zwirner, 519 West 19th Street, New York, NY 10011\u003cbr\u003e10 September – 25 October 2014\u003c\/p\u003e\u003cp\u003eOffset-printed square card; colour image detail to recto; exhibition text to verso\u003cbr\u003e20.5 × 20.5 cm\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e very good; light surface rubbing, faint handling marks, minor age toning.\u003c\/p\u003e\u003cp\u003eOriginal invitation card issued for Tomma Abts at David Zwirner, New York. The card reproduces a detail from \u003cem\u003eUntitled\u003c\/em\u003e, 2013 — colored pencil and pencil on paper, 33¼ × 23⅞ inches — compressing Abts’s precise spatial constructions into a portable printed support.\u003c\/p\u003e\u003cp\u003eIssued during a significant mid-career moment following Abts’s 2006 Turner Prize win, and concurrent with her \u003cem\u003eMainly Drawings\u003c\/em\u003e presentation at the Aspen Art Museum. The object sits between gallery announcement and reduced exhibition fragment: drawing translated into crop, crop translated into circulation material.\u003c\/p\u003e\u003cp\u003eTypical of David Zwirner’s restrained printed matter from the period — minimal typography, generous white space, administrative clarity. A retained document from the circulation system surrounding contemporary abstraction in the 2010s.\u003c\/p\u003e\u003cp\u003eShipping and handling included.\u003c\/p\u003e","brand":"The New Rare","offers":[{"title":"Default Title","offer_id":53594280558930,"sku":"ABTS-ZWIRNER-INV-2014","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Abts_-Tomma.-David-Zwirner-show-invite.-2014-front.jpg?v=1780006003"}],"url":"https:\/\/thenewrare.com\/collections\/women-artists.oembed","provider":"The New Rare","version":"1.0","type":"link"}