{"title":"Tracey Emin","description":"\u003cp\u003eExhibition catalogues, monographs, and printed matter connected to the work of Tracey Emin.\u003c\/p\u003e\u003cp\u003eEmin's practice moves between drawing, textile, neon, photography, and autobiography — forms that treat the personal as both subject and structure. The publications gathered here document that practice across its institutional appearances: gallery catalogues, artist books, and printed ephemera that carry the work into a secondary circulation.\u003c\/p\u003e\u003cp\u003eBrowse the collection at The New Rare.\u003c\/p\u003e","products":[{"product_id":"tracey-emin-i-need-art-like-i-need-god-jay-jopling-1998","title":"Tracey Emin — I Need Art Like I Need God, Jay Jopling \/ London, 1998","description":"\u003cp\u003e\u003cstrong\u003eTracey Emin — I Need Art Like I Need God\u003c\/strong\u003e\u003cbr\u003eJay Jopling \/ London, 1998\u003cbr\u003ePublished for \u003cem\u003eTracey Emin: I Need Art Like I Need God\u003c\/em\u003e, South London Gallery, 16 April–18 May 1997\u003c\/p\u003e\u003cp\u003eSoftcover exhibition monograph with stiff glossy wraps\u003cbr\u003e73 pp., colour plates\u003cbr\u003e30 × 21 cm \/ large quarto\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good overall. Light rubbing, handling marks, faint surface wear to glossy covers, minor edge\/corner wear, original rear price\/barcode sticker present. Interior clean and bright.\u003c\/p\u003e\u003cp\u003ePrinted support for an exhibition already moving beyond exhibition status.\u003c\/p\u003e\u003cp\u003eBefore \u003cem\u003eMy Bed\u003c\/em\u003e became the public shorthand, this book fixes an earlier arrangement: body, room, handwriting, photograph, confession, object. The cover stages the artist from behind, inside the workspace, already converted into image and signature. The back cover reduces the body further: four small vertical fragments set into a field of turquoise, with the shop label still attached.\u003c\/p\u003e\u003cp\u003eInside, the sequence continues as document and display. Clothes, blankets, studio floor, handwritten notes, framed fragments, street images, hotel paper. Nothing is outside the work once it enters the catalogue. Biography becomes layout. Intimacy becomes plate. Evidence becomes style.\u003c\/p\u003e\u003cp\u003eThe book does not explain Emin. It files her.\u003c\/p\u003e\u003cp\u003eA catalogue as exhibition residue.\u003cbr\u003eA self-portrait routed through paper.\u003cbr\u003eAn object from the construction of a public name.\u003c\/p\u003e\u003cp\u003eShipping included in the listed price.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53318458736978,"sku":"TE-INALIG-1998","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Emin_-Tracey.--I-Need-Art-Like-I-Need-God-cover.jpg?v=1777513928"},{"product_id":"tracey-emin-flux-magazine-the-all-seeing-i-postcard-1999","title":"Tracey Emin — FLUX Magazine ‘The All Seeing I’ Postcard","description":"\u003cp\u003eFLUX Magazine, Manchester, c. 1999\u003cbr\u003ePromotional postcard\u003cbr\u003e10.5 × 15 cm\u003cbr\u003eOffset print on card\u003cbr\u003eBlack-and-white Tracey Emin cover image to recto with red FLUX masthead and typography; printed postcard verso with FLUX Magazine address, Manchester\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light surface wear, faint handling marks, minor corner softness and age-related paper toning consistent with period ephemera.\u003c\/p\u003e\u003cp\u003ePromotional postcard issued by FLUX Magazine, a British style, culture, fashion, music, and art publication based in Manchester. The recto reproduces a stark cover image of Tracey Emin with the feature title ‘The All Seeing I \/ Paper Recordings’. The cover also places Emin within a late-1990s cultural field that includes Leftfield, Le Tone, \u003cem\u003eThe Blair Witch Project\u003c\/em\u003e, and \u003cem\u003eReal Goodfellas\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eTracey Emin emerged in the 1990s as one of the defining figures associated with the Young British Artists. Her work brought autobiography, confession, sexuality, grief, and public exposure into the centre of contemporary British art. By the time of this FLUX feature, Emin had already made works such as \u003cem\u003eEveryone I Have Ever Slept With 1963–1995\u003c\/em\u003e and was close to the wider public attention surrounding \u003cem\u003eMy Bed\u003c\/em\u003e and the Turner Prize.\u003c\/p\u003e\u003cp\u003eA small printed support from the period in which Emin’s image moved between art, media, celebrity, and confession. Magazine cover becomes postcard. Artist becomes circulation. The face is retained as both portrait and promotional device.\u003c\/p\u003e\u003cp\u003eOriginal period item.\u003cbr\u003eShipping and handling included in the listed price. Ships flat, protected.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53442447835474,"sku":"TE-FLUX-ASI-1999","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Emin_-Tracey.-_The-all-seeing-I-paper-recordings_-Flux-magazine-postcard.-Mid-2000s-front.jpg?v=1778795822"}],"url":"https:\/\/thenewrare.com\/collections\/tracey-emin.oembed","provider":"The New Rare","version":"1.0","type":"link"}