{"title":"Terry Winters","description":"\u003cp\u003eTerry Winters (born 1949, Brooklyn) studied at Pratt Institute and emerged in the early 1980s as one of the more distinctive painters of his generation. His work draws on natural systems — seeds, cells, spores, geological formations, neural networks — translating biological and mathematical structures into densely worked surfaces that resist easy classification. Painting, drawing and printmaking have run in parallel throughout his career, each informing the others.\u003c\/p\u003e\u003cp\u003eHis collaboration with Aldo Crommelynck in Paris in 1990–91 produced \u003cem\u003eField Notes\u003c\/em\u003e, a portfolio of 25 etchings that entered the collections of the Met, Tate, New York Public Library and Detroit Institute of Arts. His 1991 mid-career retrospective at MOCA Los Angeles travelled to the Whitney in 1992. He has been represented by Matthew Marks Gallery and his work is held in major public collections internationally.\u003c\/p\u003e\u003cp\u003eThe printed matter gathered here documents a practice in which the catalogue, the portfolio and the artist’s book have consistently been treated as serious objects in their own right.\u003c\/p\u003e","products":[{"product_id":"terry-winters-field-notes-pace-prints-new-york-1992","title":"TERRY WINTERS — Field Notes, Pace Prints, New York, 1992","description":"\u003cp\u003eCatalogue published by Pace Prints, New York, 1992, to accompany \u003cem\u003eField Notes\u003c\/em\u003e, a portfolio of 25 etchings made in collaboration with master printer Aldo Crommelynck. The plates were produced in Paris in 1990–91 — Winters and Crommelynck’s second collaboration — using the full intaglio range: etching, aquatint, open-bite, spitbite and sugarlift. Seeds, cells, shells and anatomical diagrams loosen progressively into abstraction, as if natural history had developed a nervous system.\u003c\/p\u003e\u003cp\u003eThe catalogue appeared in the same year as Winters’s mid-career retrospective, which had opened at MOCA Los Angeles in 1991 and travelled to the Whitney in 1992. Staple-bound softcover, 26 pages with 25 numbered plates, 15 × 20.5 cm. Textured charcoal wrappers printed in silver. Black-and-white illustrations throughout, moving from faint clinical lines to Crommelynck’s deep mineral blacks.\u003c\/p\u003e\u003cp\u003eThe complete \u003cem\u003eField Notes\u003c\/em\u003e portfolio subsequently entered the collections of the Met, Tate, New York Public Library and Detroit Institute of Arts. This is the catalogue — the beautifully reduced record of the moment Winters’s private morphology met museum scale.\u003c\/p\u003e\u003cp\u003eCondition: Very good vintage condition, with gentle page toning and minimal edge wear.\u003c\/p\u003e","brand":"Pace Prints","offers":[{"title":"Default Title","offer_id":54249975316818,"sku":"WINTERS-PACE-CAT-1992","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/WintersTerry.FieldNotes.1992.jpg?v=1786609870"}],"url":"https:\/\/thenewrare.com\/collections\/terry-winters.oembed","provider":"The New Rare","version":"1.0","type":"link"}