{"title":"Rob Wynne","description":"\u003cp\u003eRob Wynne (born 1950) is an American artist based in New York whose practice encompasses painting, photograms, poured mirrored-glass text works, embroidery and artist books, developed across five decades from roots in Mail Art and the New York Correspondence School. Associated with the informal networks around Ray Johnson in the 1970s, Wynne built a body of work that foregrounds language, desire and the materiality of surfaces, working against the grain of dominant movements while maintaining a consistent presence in American art. His work is held in public collections including MoMA, the Whitney Museum, Centre Pompidou and the Bibliothèque nationale de France.\u003c\/p\u003e","products":[{"product_id":"rob-wynne-radiant-darkness-galerie-mitterrand-paris-2023","title":"ROB WYNNE, Radiant Darkness, Galerie Mitterrand, Paris, 2023","description":"\u003cp\u003eOffset-printed invitation card issued for \u003cem\u003eRadiant Darkness\u003c\/em\u003e, Rob Wynne's exhibition at Galerie Mitterrand, Paris, 7 January–4 March 2023. The recto reproduces \u003cem\u003eI Wish I Was You\u003c\/em\u003e (2005), photogram, 50.8 × 40.6 cm — white liquid-form lettering on a black ground. The verso carries exhibition dates, vernissage information and gallery details.\u003c\/p\u003e\u003cp\u003eWynne's earliest working context was Mail Art. He met Ray Johnson, founder of the New York Correspondence School, in the 1970s, and later recalled that Johnson introduced him to working with typewriters and Western Union; the two developed what Wynne described as an epistolary relationship. Language travelling through the post sits at the beginning of his practice, well before the poured mirrored-glass text works he is now best known for.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRadiant Darkness\u003c\/em\u003e gathered around fifty works spanning five decades — portraits, landscapes, photograms, embroidered clothing and natural-history material — and was reviewed in \u003cem\u003eThe Art Newspaper\u003c\/em\u003e in relation to art history's minor, less orthodox avant-gardes. The same year, Craig Starr Gallery in New York mounted \u003cem\u003eAFTERGLOW\u003c\/em\u003e alongside the publication of \u003cem\u003eObstacle Illusion\u003c\/em\u003e, Wynne's first comprehensive monograph. Together, 2023 reads less as a retrospective endpoint than an active reassessment of a fifty-year practice already represented in collections including MoMA, the Whitney, Centre Pompidou and the Bibliothèque nationale de France.\u003c\/p\u003e\u003cp\u003eThe invitation compresses that eclecticism to one black field and one phrase. \u003cem\u003eI Wish I Was You\u003c\/em\u003e begins as a photogram addressed to an unspecified recipient. Printed on an invitation, it takes on a second function: an object meant to reach an actual addressee. Wynne began with language travelling through the post. Fifty years later, the work returns to circulation as an invitation.\u003c\/p\u003e\u003cp\u003e15 × 21 cm. Condition: very good, with light handling and edge wear consistent with distribution. Verso clean.\u003c\/p\u003e","brand":"Galerie Mitterrand","offers":[{"title":"Default Title","offer_id":54460784738642,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Wynne_Rob.Showinvite_RadiantDarkness_.2023.jpg?v=1788115102"}],"url":"https:\/\/thenewrare.com\/collections\/rob-wynne.oembed","provider":"The New Rare","version":"1.0","type":"link"}