{"title":"Richard Prince","description":"\u003cp\u003eWorks by Richard Prince — American artist celebrated for his appropriation-based practice across painting, photography, and printed matter. A central figure in Pictures Generation, known for rephotography, joke paintings, and his ongoing engagement with mass media, celebrity, and image culture.\u003c\/p\u003e","products":[{"product_id":"richard-prince-de-kooning-gagosian-gallery-paris-2011","title":"Richard Prince — de Kooning, Gagosian Gallery, Paris, 2011","description":"\u003cp\u003eFolded exhibition invitation for Richard Prince's \u003cem\u003ede Kooning\u003c\/em\u003e exhibition at Gagosian Gallery, Paris, held 30 March–21 May 2011. Opening reception: Tuesday 29 March, 5–8 pm.\u003c\/p\u003e\u003cp\u003eOversized card, printed in colour on card stock and folded once, with a full image spread across the interior and exhibition details set on a vertical white panel.\u003c\/p\u003e\u003cp\u003eThe front presents a cropped reproduction from Prince's de Kooning series against a warm peach ground, already staging the collision the works depend on: quotation, distortion, repainting, and the unstable return of a canonical image through another artist's hand. Opened out, the card expands into a near full-bleed detail, intensifying the abrasive facture and unstable figuration associated with the series. The reverse is nearly blank, carrying only the work caption in small type: \u003cem\u003eUntitled (de Kooning)\u003c\/em\u003e, 2009, inkjet and acrylic on canvas.\u003c\/p\u003e\u003cp\u003eWhat circulates here is not only an announcement but a compressed statement of method. Prince's de Kooning paintings rework Willem de Kooning's already volatile women into a second-order image economy of reproduction, collage, and repainting. In invitation form, that logic becomes especially clear: the card itself operates through cropping, folding, enlargement, and redistribution. A work about appropriation is encountered through another act of appropriation.\u003c\/p\u003e\u003cp\u003eFor The New Rare, this is where the object settles. Not simply gallery ephemera, but a small printed mechanism through which authorship, citation, and display are restaged. The folded card holds exhibition, argument, and residue in one support.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e light handling wear and minor corner and edge rubbing visible from age and storage; structurally sound and clean overall.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 21 × 25.5 cm folded; 25.5 × 37 cm unfolded.\u003c\/p\u003e\u003cp\u003ePrice includes shipping and handling.\u003c\/p\u003e","brand":"Gagosian Gallery","offers":[{"title":"Default Title","offer_id":53185586790738,"sku":null,"price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Richard_Prince_2011_0001.jpg?v=1776061946"},{"product_id":"new-observations-nos-50-51-84","title":"New Observations — Nos. 50, 51 \u0026 84","description":"\u003cp\u003eNew York, 1987 \/ c. early 1990s\u003cbr\u003eMagazine issues\u003cbr\u003eOffset print on paper\u003cbr\u003eApprox. 27 × 21 cm each\u003c\/p\u003e\u003cp\u003eThree issues of \u003cem\u003eNew Observations\u003c\/em\u003e, a New York–based magazine operating at the intersection of art, criticism, and theory during the late 1980s moment when image culture, appropriation, and postmodern discourse converged into a shared field.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIssue 50 — Sculpture and Paradise\u003c\/strong\u003e (guest edited by Alain Kirili) assembles a cross-section of sculptural thinking alongside figures such as Louise Bourgeois, Julia Kristeva, and Stephen Westfall — positioning sculpture not as medium but as a conceptual condition moving between language, body, and form.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIssue 51 — Radical Consumption and the New Poverty\u003c\/strong\u003e (guest edited by Collins \u0026amp; Milazzo) shifts toward the economies of images and objects, with contributions from a dense network of artists including Jeff Koons, Haim Steinbach, Peter Halley, Ashley Bickerton, Allan McCollum, and John Dogg — the latter functioning as the shared alias of Richard Prince and Colin de Land, inserting authorship itself into the field of exchange.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIssue 84 — Alchemy\u003c\/strong\u003e extends this logic into a more diffuse, quasi-symbolic register, bringing together names such as Marcel Duchamp, Joseph Beuys, Sigmar Polke, and Gordon Matta-Clark under a thematic structure that reads less as editorial coherence and more as an accumulation of references — material, conceptual, and historical.\u003c\/p\u003e\u003cp\u003eAcross the three, the publication operates as a site of alignment rather than documentation: artists, critics, and positions are placed in proximity, indexed, and circulated. The magazine becomes a container for overlapping authorial identities, where contribution and citation blur into one another.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good to very good. General age toning, light surface wear, and handling marks consistent with periodical use and storage.\u003c\/p\u003e\u003cp\u003eSold as a group. Original period items. Shipping and handling included in listed price. Ships protected.\u003c\/p\u003e","brand":"The New Rare","offers":[{"title":"Default Title","offer_id":53288792424786,"sku":"NEW-OBS-50-51-84","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/New-Observations-magazine-005.jpg?v=1777178675"},{"product_id":"richard-prince-new-portraits-gagosian-gallery-2014","title":"Richard Prince — New Portraits, Gagosian Gallery, 2014","description":"\u003cp data-start=\"589\" data-end=\"805\"\u003e\u003cstrong data-start=\"589\" data-end=\"607\"\u003eRichard Prince\u003c\/strong\u003e\u003cbr data-start=\"607\" data-end=\"610\"\u003e\u003cstrong data-start=\"610\" data-end=\"627\"\u003eNew Portraits\u003c\/strong\u003e\u003cbr data-start=\"627\" data-end=\"630\"\u003eGagosian Gallery, New York, 2014\u003cbr data-start=\"662\" data-end=\"665\"\u003e72-page exhibition booklet \/ catalogue\u003cbr data-start=\"703\" data-end=\"706\"\u003eEdition of 500\u003cbr data-start=\"720\" data-end=\"723\"\u003e6 × 8 inches\u003cbr data-start=\"735\" data-end=\"738\"\u003eStaple-bound booklet, offset printed\u003cbr data-start=\"774\" data-end=\"777\"\u003e\u003cstrong data-start=\"777\" data-end=\"805\"\u003e£295 — shipping included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"807\" data-end=\"981\"\u003eOriginal booklet issued for Richard Prince’s \u003cem data-start=\"852\" data-end=\"867\"\u003eNew Portraits\u003c\/em\u003e, the 2014 exhibition of Instagram-sourced images enlarged as inkjet-on-canvas works with Prince’s added comments.\u003c\/p\u003e\n\u003cp data-start=\"983\" data-end=\"1203\"\u003eThe booklet repeats the structure of the feed: handle, image, likes, caption, comment. A social image is moved into the gallery, then returned to paper as catalogue. The object records this transfer without resolving it.\u003c\/p\u003e\n\u003cp data-start=\"1205\" data-end=\"1490\"\u003eThe series remains tied to questions of authorship, permission, display, celebrity, and legal afterlife. Donald Graham’s \u003cem data-start=\"1326\" data-end=\"1355\"\u003eRastafarian Smoking a Joint\u003c\/em\u003e, reproduced through the \u003cem data-start=\"1380\" data-end=\"1395\"\u003eNew Portraits\u003c\/em\u003e project, later became part of the litigation around Prince’s use of Instagram-sourced imagery.\u003c\/p\u003e\n\u003cp data-start=\"1492\" data-end=\"1645\"\u003eCondition: very good, with a noticeable bump\/crease to the top right corner, visible on the cover and some pages. Light handling wear consistent with storage.\u003c\/p\u003e\n\u003cp data-start=\"1647\" data-end=\"1741\"\u003eImage, caption, comment, claim.\u003cbr data-start=\"1678\" data-end=\"1681\"\u003eThe feed becomes exhibition.\u003cbr data-start=\"1709\" data-end=\"1712\"\u003eThe exhibition becomes paper.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53317011636562,"sku":"RP-NP-GAG-2014","price":295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard.-New-Portraits_-2014-1-cover.jpg?v=1777493215"},{"product_id":"richard-prince-the-girl-next-door","title":"Richard Prince — The Girl Next Door","description":"\u003cp\u003eSoftcover artist book\u003cbr\u003e72 pp.\u003cbr\u003e15 × 22 cm\u003cbr\u003eColour offset printing\u003cbr\u003eText in English\u003cbr\u003eOriginal publisher's shrinkwrap intact\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed \/ unread. Light shelf wear visible to shrinkwrap, with minor pulling and creasing to plastic at edges and corners. Book appears clean and unopened beneath wrap.\u003c\/p\u003e\u003cp\u003ePublished by Hatje Cantz with the MAK Center for Art and Architecture, Los Angeles, \u003cem\u003eThe Girl Next Door\u003c\/em\u003e sits within Richard Prince's long use of vernacular American imagery: houses, roads, bodies, cars, basketball hoops, suburban edges, and the charged neutrality of looking. Issued in 2000, the book belongs to the period in which Prince's photographic language had already moved from appropriation into a broader archive of American surfaces, habits, and poses. MACBA records the publication as a 2000 monograph measuring 22 × 15.1 cm; other book records list it as a 72-page Hatje Cantz publication.\u003c\/p\u003e\u003cp\u003eThis copy remains in its original shrinkwrap. The object is still suspended between book and commodity: visible, titled, sealed, withheld.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price. Ships carefully packed with tracked delivery.\u003c\/p\u003e","brand":"The New Rare","offers":[{"title":"Default Title","offer_id":53366912745810,"sku":null,"price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/0277ACCC-2BE1-4B20-A53D-DCA638DD2ED9_0c0a854f-dbbf-4164-a737-6f6babcf4f7a.jpg?v=1778237646"},{"product_id":"richard-prince-douglas-blair-turnbaugh-collection-1977-1988","title":"Richard Prince — The Douglas Blair Turnbaugh Collection (1977–1988)","description":"\u003cp\u003eEdward Cella Art \u0026amp; Architecture, Los Angeles, 2016\u003c\/p\u003e\u003cp\u003eExhibition catalogue\u003cbr\u003e22.6 × 15.1 cm\u003cbr\u003e48 pp.\u003cbr\u003eOffset-printed pictorial wrappers\u003cbr\u003eBlack-and-white illustrations\u003cbr\u003eEdition of 1,000\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage \/ used condition. Light handling wear, soft rubbing and minor surface marking to wrappers. Interior clean overall, binding intact.\u003c\/p\u003e\u003cp\u003ePublished on the occasion of \u003cem\u003eRichard Prince: The Douglas Blair Turnbaugh Collection (1977–1988)\u003c\/em\u003e at Edward Cella Art \u0026amp; Architecture, Los Angeles, 11 June–30 July 2016. The catalogue documents material from the private archive of Douglas Blair Turnbaugh, an early friend, collector, and supporter of Prince. The exhibition gathered artworks, letters, exhibition announcements, publications, postcards, photographs, altered ephemera, and related objects from the artist's formative years.\u003c\/p\u003e\u003cp\u003eA catalogue of secondary material around an artist whose work depends on secondary material. Prince's practice is built through existing images, jokes, advertisements, printed matter, cultural debris, and shifts of authorship. Here the surrounding paper becomes the subject: the letter, the invitation, the checklist, the matchbook, the jacket, the early publication.\u003c\/p\u003e\u003cp\u003eThe book records the period in which Prince's work moved through Artists Space, Metro Pictures, the Pictures Generation, SoHo, East Village networks, and early European exhibition circulation. It is not a retrospective of finished works so much as an inventory of formation.\u003c\/p\u003e\u003cp\u003eAn artist's career, seen through retained paper.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price. Ships flat \/ protected.\u003c\/p\u003e","brand":"Edward Cella Art \u0026 Architecture","offers":[{"title":"Default Title","offer_id":53386196713810,"sku":"RP-DBT-ECAA-2016","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard-.-THE-DOUGLAS-BLAIR-TURNBAUGH-COLLECTION-_1977-1988_.-2016--cover_7736879e-4dc1-47a7-ba07-594ea867f60c.jpg?v=1778472545"},{"product_id":"richard-prince-purple-20-years-the-richard-prince-purple-book-2012","title":"Richard Prince — Purple 20 Years: The Richard Prince Purple Book","description":"\u003cp\u003ePurple Institute, Paris, 2012\u003c\/p\u003e\u003cp\u003eSpecial edition produced for \u003cem\u003ePurple Fashion\u003c\/em\u003e no. 18\u003cbr\u003ePublished for the 20th anniversary of Purple magazine\u003cbr\u003e78 pp.\u003cbr\u003eSoftcover\u003cbr\u003ePictorial paper wrappers\u003cbr\u003eApprox. 28 × 20.5 cm \/ 11 × 8 in.\u003cbr\u003eColour and black-and-white reproductions throughout\u003cbr\u003eText and image work by Richard Prince\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine. Negligible bumping to front wrapper. Light handling wear only. Clean internally.\u003c\/p\u003e\u003cp\u003eSpecial edition made by Richard Prince for \u003cem\u003ePurple Fashion\u003c\/em\u003e no. 18, marking twenty years of Purple magazine. The publication brings together fragments of Prince's “Bird Talk” texts with collages made from celebrity headshots, film stills, promotional photographs, album material, and other collected image debris.\u003c\/p\u003e\u003cp\u003eA fashion magazine supplement as artist book.\u003cbr\u003eA Richard Prince object routed through Purple.\u003cbr\u003eCelebrity material, handwritten captions, rhetorical questions, commercial images, and borrowed surfaces.\u003c\/p\u003e\u003cp\u003eThe book sits close to Prince’s long use of existing cultural material: publicity photographs, entertainment residue, fan-image circulation, soft celebrity, advertising language, and the unstable line between collecting and authorship. The source image remains visible. The gesture is in the re-captioning, grouping, and return to circulation.\u003c\/p\u003e\u003cp\u003eHere, Purple is not only publisher but frame. Fashion magazine, artist book, anniversary object, and promotional support occupy the same printed form. Prince’s image-world is placed inside another image-world, then released as a magazine-adjacent edition.\u003c\/p\u003e\u003cp\u003eA secondary object made from secondary images.\u003cbr\u003eThe found photograph becomes layout.\u003cbr\u003eThe caption becomes authorship.\u003cbr\u003eThe magazine becomes support.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price.\u003c\/p\u003e","brand":"Purple Institute","offers":[{"title":"Default Title","offer_id":53390010220882,"sku":"RP-P20-PUR-2012","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard.-purple-20-years-the-richard-prince-purple-book.-2012--cover.jpg?v=1778489164"},{"product_id":"richard-prince-menthol-wars-printed-matter-2009","title":"Richard Prince — Menthol Wars","description":"\u003cp\u003ePrinted Matter, New York, 2009\u003cbr\u003eFacsimile reprint of the 1980 artist’s book\u003cbr\u003eStaple-bound wrappers\u003cbr\u003e22 pp.\u003cbr\u003e14.1 × 21.3 cm\u003cbr\u003eBlack-and-white offset printing\u003cbr\u003eEdition of 2,000\u003cbr\u003eUnsigned facsimile reprint\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light handling and minor surface wear to wrappers, faint rubbing to black cover, clean interior, staples intact.\u003c\/p\u003e\u003cp\u003eOriginally published in October 1980 to coincide with a Richard Prince window installation at \u003ca href=\"https:\/\/www.printedmatter.org\"\u003ePrinted Matter\u003c\/a\u003e’s original 7 Lispenard Street location, \u003cem\u003eMenthol Wars\u003c\/em\u003e belongs to Prince’s early sequence of narrative artist books, alongside \u003cem\u003eWar Pictures\u003c\/em\u003e and \u003cem\u003eMenthol Pictures\u003c\/em\u003e. Printed Matter reissued this facsimile in 2009 for \u003cem\u003eRichard Prince: Calling All Readers\u003c\/em\u003e, curated by John McWhinnie at the New York Art Book Fair.\u003c\/p\u003e\u003cp\u003eThe book sits before the more stabilised image of Prince as the artist of cowboys, jokes, nurses, and rephotographed American desire. Here the material is thinner and stranger: short texts, names, overheard voices, social drift, cigarettes, style, movies, records, and conversational fragments. The book form functions less as catalogue than as distribution system — a cheap printed support for fiction, pose, and borrowed atmosphere.\u003c\/p\u003e\u003cp\u003eAs a facsimile, the 2009 edition is also a second object: not the scarce 1980 original, but its controlled return through Printed Matter. A re-entry of early Prince into the artist-book market, produced through the same institution that first held the window installation. The copy becomes a readable substitute, a later administrative version of an early downtown object.\u003c\/p\u003e\u003cp\u003eOriginal period content, later institutional reprint.\u003cbr\u003eA minor book object from Prince’s pre-market vocabulary.\u003c\/p\u003e\u003cp\u003eShipping and handling included in listed price. Ships flat \/ protected.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53401122242898,"sku":"RP-MW-PM-2009","price":385.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard-.-MENTHOL-WARS.-2009-1-front-cover_cc6fe57d-23b4-4f37-b4e8-558b3c420b4c.jpg?v=1778554046"},{"product_id":"richard-prince-new-portraits-blum-poe-2016","title":"Richard Prince — New Portraits","description":"\u003cp\u003eBlum \u0026amp; Poe, Los Angeles \/ New York \/ Tokyo, 2016\u003cbr\u003eScrew-bound acrylic hardcover\u003cbr\u003e64 pp.\u003cbr\u003e26 × 33 cm\u003cbr\u003eColour offset printing\u003cbr\u003eEdition of 1,000\u003cbr\u003eISBN: 978-0-9861128-4-3\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light surface scratching, rubbing, and handling marks to acrylic covers, consistent with the material. Interior clean. Original Japanese bookseller sticker (Komiyama Tokyo) to front cover. Screw binding intact.\u003c\/p\u003e\u003cp\u003ePublished by Blum \u0026amp; Poe in 2016, following Richard Prince’s \u003cem\u003eNew Portraits\u003c\/em\u003e exhibition at Blum \u0026amp; Poe Tokyo, 3 April–30 May 2015. The book holds installation views, reproductions from the \u003cem\u003eNew Portraits\u003c\/em\u003e series, and Prince’s ‘Bird Talk’ text in Japanese and English.\u003c\/p\u003e\u003cp\u003eA book made after the feed had already been enlarged, printed, exhibited, argued over, and returned to print. Instagram appears here not as platform but as support. The portrait is no longer a post, not exactly a painting, not simply a reproduction. It has passed through several systems of authorisation and arrives as a bound object.\u003c\/p\u003e\u003cp\u003eThe acrylic covers extend the logic of display. Transparent, reflective, protective, and slightly industrial, they make the catalogue behave closer to a case file or portable vitrine.\u003c\/p\u003e\u003cp\u003eWithin Prince’s longer practice of appropriation, joke transfer, advertising extraction, and re-captioned American image culture, \u003cem\u003eNew Portraits\u003c\/em\u003e marks the point where social media becomes both source and surface. Authorship is not removed; it is displaced, commented on, enlarged, litigated, and reissued. The catalogue remains as residue of that passage.\u003c\/p\u003e\u003cp\u003eOriginal period publication.\u003cbr\u003eShipping and handling included in the listed price.\u003c\/p\u003e","brand":"Blum \u0026 Poe","offers":[{"title":"Default Title","offer_id":53425817813330,"sku":"RP-NP-BP-2016","price":595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard.-New-Portraits.-2016-cover.jpg?v=1778690133"},{"product_id":"richard-prince-early-photographs-1977-1979-skarstedt-2001","title":"Richard Prince — Early Photographs 1977–1979","description":"\u003cp\u003eSkarstedt Fine Art, New York, 2001\u003cbr\u003eHardcover\u003cbr\u003e46–47 pp.\u003cbr\u003e20.3 × 30.5 cm\u003cbr\u003eColour offset printing\u003cbr\u003eText in English\u003cbr\u003eIncludes writing by Richard Prince taken from \u003cem\u003eWhy I Go to the Movies Alone\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light shelf wear to grey boards, faint surface rubbing and minor corner\/edge wear. Interior clean, with strong colour plates.\u003c\/p\u003e\u003cp\u003ePublished by Skarstedt Fine Art on the occasion of Richard Prince’s 2001 exhibition \u003cem\u003ePhotographs 1977–1979\u003c\/em\u003e. The exhibition gathered the early re-photographic works that established Prince’s long engagement with authorship, originality, advertising, and the borrowed image.\u003c\/p\u003e\u003cp\u003eThe book is restrained and object-like: grey hardcover boards, pale blue title typography, wide white margins, and captioned colour plates. Cigarettes, jewellery, couples, interiors, and commercial surfaces appear as already-circulated images, removed from their first use and placed back into view. The publication keeps that operation quiet. Advertisement becomes photograph. Photograph becomes inventory. Inventory becomes book.\u003c\/p\u003e\u003cp\u003eA compact record from the early-2000s consolidation of Prince’s late-1970s photographic language. Published in limited quantity by Skarstedt Fine Art.\u003c\/p\u003e\u003cp\u003eOriginal period publication.\u003cbr\u003eShipping and handling included in the listed price.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53426283872594,"sku":"RP-EP-SKA-2001","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard-Early-Photographs-1977-1979-cover.jpg?v=1778698843"},{"product_id":"richard-prince-spiritual-america-guggenheim-2007","title":"Richard Prince — Spiritual America","description":"\u003cp\u003eSolomon R. Guggenheim Museum, New York, 2007\u003cbr\u003eExhibition announcement postcard\u003cbr\u003e15 × 10.5 cm\u003cbr\u003eOffset-printed card; colour image to recto, exhibition details and postal layout to verso\u003cbr\u003eExhibition dates: 28 September 2007 – 9 January 2008\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light handling wear and faint surface marks consistent with printed exhibition ephemera.\u003c\/p\u003e\u003cp\u003eOriginal postcard issued for \u003cem\u003eRichard Prince: Spiritual America\u003c\/em\u003e at the Solomon R. Guggenheim Museum, New York. The exhibition was Prince’s first comprehensive retrospective since 1992 and brought together photography, painting, sculpture, and works on paper across the Cowboys, Jokes, Girlfriends, Nurses, Hoods, and related series.\u003c\/p\u003e\u003cp\u003eThe recto reproduces one of Prince’s nurse images: a pulp-fiction figure isolated, masked, and reprocessed through the museum postcard. The card functions as a small institutional relay for a practice built around repetition, appropriation, American image culture, and the conversion of already-circulating material into art. Prince’s Nurse paintings began in 2002, using enlarged pulp medical-romance covers, overpainting, and surgical masks to turn the nurse figure into something both seductive and threatening.\u003c\/p\u003e\u003cp\u003eA minor Guggenheim support object.\u003cbr\u003eImage, title, museum, sponsor, address field.\u003cbr\u003eA work about circulation returned to circulation as card.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price. Ships flat with protective backing.\u003c\/p\u003e","brand":"Guggenheim Museum","offers":[{"title":"Default Title","offer_id":53441647771986,"sku":"RP-SA-GUG-2007","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard.-_Spiritual-America_-exhibition-announcement.-2007-front_e91007a2-0963-454b-9a4f-6800aba8a8f0.jpg?v=1778786721"},{"product_id":"richard-prince-the-masochist-7-ratstar-shoot-the-lobster-2020","title":"Richard Prince — The Masochist #7","description":"\u003cp\u003eRATSTAR \/ Shoot the Lobster, Brooklyn \/ New York, 2020\u003cbr\u003eFirst edition artists’ book \/ zine\u003cbr\u003eStaple-bound softcover\u003cbr\u003e36 pp.\u003cbr\u003e28 × 21 cm\u003cbr\u003eBlack-and-white photocopy-style reproductions of drawings\u003cbr\u003eEdited by David Rimanelli\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light handling wear to covers and edges, minor surface marks consistent with the format.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe Masochist #7\u003c\/em\u003e presents a group of Richard Prince drawings in a deliberately reduced, low-production format. The booklet sits closer to zine, studio photocopy, or provisional drawing packet than conventional exhibition catalogue. Its crude figures, notebook edges, visible reproduction grain, and stapled construction place the work against the polished surface of Prince’s more familiar appropriated media images.\u003c\/p\u003e\u003cp\u003ePrince’s practice has long moved between found image, joke, celebrity, advertising, and self-authored interruption. Here the gesture appears almost anti-monumental: drawings that look immediate, juvenile, and unstable are routed through a modest printed support. The title introduces a darker register, while the images remain blunt, cartoon-like, and unresolved.\u003c\/p\u003e\u003cp\u003eA small-format publication from Prince’s late-period printed output. The book functions as an accessible carrier for drawings, but also as a deliberately plain object within a larger practice built around authorship, reproduction, circulation, and value.\u003c\/p\u003e\u003cp\u003eOriginal period item.\u003cbr\u003eShipping and handling included in the listed price. Ships protected.\u003c\/p\u003e","brand":"RATSTAR \/ Shoot the Lobster","offers":[{"title":"Default Title","offer_id":53445467078994,"sku":"RP-TM7-STL-2020","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Prince_-Richard.-Masochist-_7.-2020-cover.jpg?v=1778823410"}],"url":"https:\/\/thenewrare.com\/collections\/richard-prince.oembed","provider":"The New Rare","version":"1.0","type":"link"}