{"title":"Rachel Lachowicz","description":"\u003cp\u003eRachel Lachowicz (b. 1964, San Francisco) is an artist whose practice engages with feminist critique, the body, and the authority of Minimalist and Conceptualist form. Working primarily in sculpture and installation, she is known for remaking canonical works of male Minimalism — including pieces by Carl Andre, Donald Judd, and Robert Morris — using lipstick, eyeshadow, and other cosmetic materials, redirecting their formal language through bodily and gendered reference.\u003c\/p\u003e\u003cp\u003eLachowicz has exhibited at Shoshana Wayne Gallery, Santa Monica; the Museum of Contemporary Art, Los Angeles; and internationally. Her work emerged in the context of 1990s feminist art practice in Los Angeles.\u003c\/p\u003e\u003cp\u003eThis collection gathers exhibition invitations, catalogues, and printed matter relating to Lachowicz’s practice.\u003c\/p\u003e","products":[{"product_id":"rachel-lachowicz-yoko-ono-shoshana-wayne-gallery-santa-monica-1996","title":"Rachel Lachowicz \/ Yoko Ono — Shoshana Wayne Gallery, 1996","description":"\u003cp\u003eShoshana Wayne Gallery, Bergamot Station, Santa Monica, 1996\u003cbr\u003eOriginal exhibition announcement card\u003cbr\u003e15 × 10 cm\u003cbr\u003eOffset print on cream card stock; printed recto, blank verso\u003cbr\u003eMain Gallery: Rachel Lachowicz\u003cbr\u003eWest Gallery: Yoko Ono — \u003cem\u003eWishing Tree\u003c\/em\u003e\u003cbr\u003eExhibition dates: April 13 – May 18, 1996\u003cbr\u003eOpening reception: Saturday, April 13, 5–8 PM\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light age toning, minor handling marks and faint edge\/corner wear consistent with period gallery ephemera.\u003c\/p\u003e\u003cp\u003eOriginal 1996 exhibition announcement card for a two-part programme at Shoshana Wayne Gallery, Bergamot Station: Rachel Lachowicz in the Main Gallery and Yoko Ono’s \u003cem\u003eWishing Tree\u003c\/em\u003e in the West Gallery. The Santa Monica presentation is noted as the first exhibited version of Ono’s \u003cem\u003eWishing Tree\u003c\/em\u003e, making this a modest but significant document in the early public history of one of her central participatory works.\u003c\/p\u003e\u003cp\u003eThe pairing records a specific mid-1990s Los Angeles moment. Lachowicz’s work was closely associated with feminist critique, reworking the authority of Minimalism and male art-historical form through cosmetics and bodily materials. Ono’s \u003cem\u003eWishing Tree\u003c\/em\u003e extended her long-standing instruction-based practice into a social, participatory structure: the viewer’s written wish became part of the work.\u003c\/p\u003e\u003cp\u003eThe card itself remains spare and administrative: centred type, cream stock, no image, blank reverse. It does not reproduce the artwork. It marks its placement.\u003c\/p\u003e\u003cp\u003eA small printed support for feminist critique, Fluxus afterlife, and participatory instruction entering 1990s gallery circulation.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price. Ships protected in archival sleeve with rigid backing.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53459413795154,"sku":"RL-YO-SWG-1996","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Lachowicz_Rachel_and_Ono_Yoko._Shoshana_Wayne_Gallery_invite_card._1996_front.jpg?v=1778904766"}],"url":"https:\/\/thenewrare.com\/collections\/rachel-lachowicz.oembed","provider":"The New Rare","version":"1.0","type":"link"}