{"title":"Peter Doig","description":"\u003cp\u003ePeter Doig (b. 1959, Edinburgh) is among the most significant painters working today. His practice draws on photographic sources — snapshots, film stills, postcards, album sleeves, travel brochures — as material that determines and destabilises the painted image. Cabins, forests, lakes, snow, reflections, and half-remembered figures recur across canvases that hold landscape as psychological support rather than stable view. The painting arrives through reproduction, then departs from it.\u003c\/p\u003e\u003cp\u003eDoig has moved between Scotland, Trinidad, Canada, and London. His work has been exhibited at Tate Britain, the Museum of Modern Art, the Musée d'Art Moderne de la Ville de Paris, and major institutions across Europe and North America. His market position consolidated significantly through the 2000s and 2010s.\u003c\/p\u003e\u003cp\u003eThis collection gathers exhibition catalogues, publications, and printed matter relating to Doig's practice — institutional documents, early-career ephemera, and printed supports from across his exhibition history.\u003c\/p\u003e","products":[{"product_id":"peter-doig-the-arts-club-of-chicago-2003","title":"Peter Doig — The Arts Club of Chicago, 2003","description":"\u003cp\u003eTexts by Kathy S. Cottong and Jennifer Higgie\u003cbr\u003e\u003ca href=\"https:\/\/www.artsclubchicago.org\"\u003eThe Arts Club of Chicago\u003c\/a\u003e, 2003\u003cbr\u003eFirst edition\u003cbr\u003eSoftcover\u003cbr\u003e32 pp.\u003cbr\u003eApprox. 20 × 14 cm\u003cbr\u003e21 illustrations, 13 in colour\u003cbr\u003eIncludes exhibition history and selected bibliography\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine internally; clean copy. Light handling, rubbing, faint surface marks, and minor edge wear to wrappers, visible on the muted green and brown cover stock.\u003c\/p\u003e\u003cp\u003ePublished on the occasion of Peter Doig at \u003ca href=\"https:\/\/www.artsclubchicago.org\"\u003eThe Arts Club of Chicago\u003c\/a\u003e, 27 January–12 April 2003. The exhibition brought together large-scale oil paintings from the previous decade with works on paper. Cabins, forests, lakes, snow, reflections, and half-remembered figures: landscape held as psychological support rather than stable view. The Arts Club described the work as moving between “fiction and truth, depiction and invention, representation and abstraction.”\u003c\/p\u003e\u003cp\u003eThe catalogue records a moment in Doig’s early-2000s circulation, before the later consolidation of his market position. By 2003 the language was already established: photographic sources, film stills, postcards, travel brochures, album sleeves. Images determining and destabilising the painted image. The painting arrives through reproduction, then departs from it.\u003c\/p\u003e\u003cp\u003eDoig was moving between London, Canada, and Trinidad. The institution was Chicago. The object remains modest: a restrained two-colour wrapper, small typography, a muted administrative surface.\u003c\/p\u003e\u003cp\u003eA small institutional document attached to a painter whose work would soon occupy a different scale of attention.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price. Ships protected.\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53400068325714,"sku":"PD-ACC-CHI-2003","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Doig_-Peter.-The-Arts-Club-of-Chicago_-2003-cover.jpg?v=1778552170"}],"url":"https:\/\/thenewrare.com\/collections\/peter-doig.oembed","provider":"The New Rare","version":"1.0","type":"link"}