{"title":"Octavio Paz","description":"\u003cp\u003eOctavio Paz (1914–1998) was a Mexican poet, essayist and diplomat, awarded the Nobel Prize in Literature in 1990. His engagement with visual art was sustained and serious: he wrote on Marcel Duchamp, on Surrealism, and on Henri Michaux, whose work he had addressed as early as 1960. Between 1962 and 1968 he served as Mexico’s ambassador to India, an experience that transformed his thinking about time, language and the sacred. He resigned in protest after the Tlatelolco massacre and returned to Paris, where \u003cem\u003eLadera Este\u003c\/em\u003e and \u003cem\u003eConjunciones y disyunciones\u003c\/em\u003e appeared in 1969–70.\u003c\/p\u003e\u003cp\u003eHis contribution to \u003cem\u003eArt Tantrique\u003c\/em\u003e at Le Point Cardinal in 1970 drew on this immersion in Indian thought. The exhibition, organised with editor Ravi Kumar, presented manuscript pages and yantras rather than contemporary paintings, and Paz’s text situated tantric geometry within a broader argument about the body, language and the limits of Western abstraction.\u003c\/p\u003e\u003cp\u003eThe printed matter gathered here documents the intersection of his literary and visual thinking.\u003c\/p\u003e","products":[{"product_id":"michaux-paz-melikian-art-tantrique-le-point-cardinal-paris-1970","title":"HENRI MICHAUX \/ OCTAVIO PAZ \/ ASADULLAH SOUREN MELIKIAN-CHIRVANI — Art Tantrique, Le Point Cardinal, Paris, 1970","description":"\u003cp\u003eOriginal exhibition invitation for \u003cem\u003eArt Tantrique\u003c\/em\u003e, held at Le Point Cardinal, Paris, 17 February through the end of March 1970. The show was organised with Paris-based editor Ravi Kumar and presented manuscript pages and yantras — coded ritual diagrams, some dating to the seventeenth century — rather than contemporary paintings. Jean Hugues’s rue Jacob gallery was a meeting place for poets, publishers and artists including Max Ernst, Wifredo Lam, Victor Brauner and Henri Michaux.\u003c\/p\u003e\u003cp\u003eThe contributors arrived with receipts. Michaux had travelled through Asia in 1930–31 and spent decades transforming ink into invented alphabets hovering between writing and image. Octavio Paz had already written about Michaux in 1960; by 1970 he had returned from six years as Mexico’s ambassador to India, resigned in protest after the Tlatelolco massacre, and published \u003cem\u003eLadera Este\u003c\/em\u003e and \u003cem\u003eConjunciones y disyunciones\u003c\/em\u003e. Art historian Souren Melikian-Chirvani supplied the essential corrective: tantric geometry was not simply abstraction ahead of its time. Its forms followed a canon and carried meanings understood by initiates — very different from the individual autonomy claimed by European abstraction.\u003c\/p\u003e\u003cp\u003eThat distinction had consequences. Paris-based Indian painter Akkitham Narayanan encountered the exhibition and later described it as helping him imagine a third route between European modernism and inherited Indian forms, just as Neo-Tantra was beginning to emerge in India.\u003c\/p\u003e\u003cp\u003eFour-page folded invitation. Black printing on orange card stock. 12 × 15 cm closed; 24 × 15 cm open. Labyrinthine tantric cover image with script-like inscription; restrained serif typography within.\u003c\/p\u003e\u003cp\u003eCondition: Very good, bright and clean, with light handling and minor edge and fold wear.\u003c\/p\u003e","brand":"Le Point Cardinal","offers":[{"title":"Default Title","offer_id":54254355153234,"sku":"MICHAUX-LPC-INV-1970","price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Michaux_Henri.Showinvite_ArtTantrique_MICHAUXHenri_PAZOctavio_MELIKIANAssadullahSouren.1970.jpg?v=1786637544"}],"url":"https:\/\/thenewrare.com\/collections\/octavio-paz.oembed","provider":"The New Rare","version":"1.0","type":"link"}