{"title":"Herbert Spencer","description":"\u003cp\u003eHerbert Spencer (1924–2002) was a British graphic designer, typographer and writer, best known as the founder and editor of \u003cem\u003eTypographica\u003c\/em\u003e (1949–1967), the influential journal of typography and visual communication that helped introduce Continental modernist graphic design to British audiences. A significant figure in postwar British design, Spencer taught at the Royal College of Art and was elected a Royal Designer for Industry. His book designs and exhibition catalogues applied rigorous typographic intelligence to institutional publishing, including his design of the Bill Brandt retrospective catalogue for the Arts Council of Great Britain and Hayward Gallery, 1970.\u003c\/p\u003e","products":[{"product_id":"bill-brandt-photographs-hayward-gallery-london-1970","title":"BILL BRANDT, Photographs, Hayward Gallery, London, 1970","description":"\u003cp\u003eExhibition catalogue published by the Arts Council of Great Britain for \u003cem\u003eBill Brandt: Photographs\u003c\/em\u003e, held at the Hayward Gallery, London, 30 April–31 May 1970. Foreword by Robin Campbell, Director of Art at the Arts Council; text by Aaron Scharf. Catalogue design by Herbert Spencer, founder and editor of \u003cem\u003eTypographica\u003c\/em\u003e and one of the central figures of postwar British graphic design.\u003c\/p\u003e\u003cp\u003eStaple-bound, offset printed throughout in black and white. 16 pp., 21 × 24 cm, with 12 full-page black-and-white plates.\u003c\/p\u003e\u003cp\u003eProduced for the London presentation of the Bill Brandt exhibition organised by the Museum of Modern Art, New York. John Szarkowski's 1969 MoMA exhibition presented 123 photographs spanning three decades of Brandt's work and was his first major one-person museum exhibition in the United States. The Hayward catalogue lists 125 works, followed by the exhibition's onward British tour. Whether this reflects two additional works, a different count of the same material, or a revised selection for London isn't established by the catalogue alone.\u003c\/p\u003e\u003cp\u003eThe publication itself is unusually economical. Photographs appear with little more than catalogue numbers, sending the reader back to a densely set checklist: image and administrative record kept deliberately separate.\u003c\/p\u003e\u003cp\u003eThe checklist contains the better detail. Almost the entire exhibition was lent directly by Brandt, with only the starred works identified as coming from the collection of the Museum of Modern Art, New York. Brandt therefore appears not simply as the subject of the retrospective but as the principal physical source from which it was assembled. Again and again, the lender resolves to the same name: Bill Brandt. A small administrative line that quietly describes the material conditions behind a major retrospective.\u003c\/p\u003e\u003cp\u003eCondition: Good to very good. Light surface rubbing and handling marks to the black covers, minor edge wear and gentle age toning; internally clean.\u003c\/p\u003e","brand":"Arts Council of Great Britain","offers":[{"title":"Default Title","offer_id":54513499144530,"sku":"TNR-2026-0635","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Brandt_Bill.Showcatalogue_1970organisedbyMOMA_attheHaywardGallery_London.1970.jpg?v=1788401762"}],"url":"https:\/\/thenewrare.com\/collections\/herbert-spencer.oembed","provider":"The New Rare","version":"1.0","type":"link"}