{"title":"Gerd Winner","description":"\u003cp\u003eGerd Winner (born 1936, Brunswick) studied in Berlin and London before settling in England, where he developed a practice centred on the photographic screenprint. Working through the 1960s and 1970s, he translated the surfaces of urban infrastructure — lorries, docks, road markings, industrial machinery, municipal signage — into large-scale prints of considerable formal precision. His work belongs to a European tradition of photomechanical printmaking that ran parallel to, and sometimes intersected with, British Pop.\u003c\/p\u003e\u003cp\u003eWinner exhibited widely in Germany and the UK, and his prints entered significant public and private collections on both sides of the North Sea. His collaboration with Joe Tilson at Haus am Waldsee in 1970 remains one of the more instructive pairings of the period: two artists using the same medium to very different ends.\u003c\/p\u003e\u003cp\u003eThe printed matter gathered here documents a practice that has received less sustained critical attention than it warrants.\u003c\/p\u003e","products":[{"product_id":"tilson-winner-siebdruck-workshop-haus-am-waldsee-berlin-1970","title":"JOE TILSON \/ GERD WINNER — Siebdruck + Workshop, Haus am Waldsee, Berlin, 1970","description":"\u003cp\u003eExhibition catalogue published for the joint show of Joe Tilson and Gerd Winner at Haus am Waldsee, Berlin, 31 October–29 November 1970. Softcover with black card covers and a narrow red cloth spine, 36 pages, 20 × 18.5 cm. Contains a foreword by Pat Gilmour and Thomas Kempas, an introduction to screenprinting, artist biographies and exhibition histories, and 16 illustrations including two screenprints. German language.\u003c\/p\u003e\u003cp\u003eThe book has the authority of a workshop manual. Inside, Rolls-Royces, refuse trucks, road markings and political halftones briefly occupy the same industrial register. At the turn of the 1970s, Tilson was moving beyond the metropolitan polish of British Pop toward politics, landscape and myth. Winner, a German artist working closely with London’s urban machinery, translated lorries, docks and municipal systems into sharply controlled photographic screenprints. Here, their practices meet just before pulling decisively apart.\u003c\/p\u003e\u003cp\u003eCondition: Good vintage condition, with light handling wear consistent with age.\u003c\/p\u003e","brand":"Haus am Waldsee","offers":[{"title":"Default Title","offer_id":54249802727762,"sku":"TILSON-WINNER-WALDSEE-CAT-1970","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Tilson_Joe.Winner_Gerd.Showcatalogue.1976.jpg?v=1786608646"}],"url":"https:\/\/thenewrare.com\/collections\/gerd-winner.oembed","provider":"The New Rare","version":"1.0","type":"link"}