{"title":"Feminist Art \u0026 Theory","description":"\u003cp\u003eA gathering of publications, revues, and printed matter organised around feminist thought, feminist art practice, and the critical reframing of gender within art history and theory.\u003c\/p\u003e\u003cp\u003eThe objects here move between positions: manifestos and journals, exhibition catalogues and artists' books, theoretical texts and visual documents. Some were produced within explicitly feminist movements; others approach the question of the feminine obliquely — through Surrealism, psychoanalysis, body politics, or institutional critique.\u003c\/p\u003e\u003cp\u003eWhat connects them is not a single argument but a shared pressure: the insistence that the feminine figure, the woman artist, and the structures that have contained or projected both, are subjects worth returning to.\u003c\/p\u003e\u003cp\u003eBrowse the collection at The New Rare.\u003c\/p\u003e","products":[{"product_id":"obliques-la-femme-surrealiste-no-14-15-editions-borderie-1977","title":"Obliques — La Femme Surréaliste, No. 14–15, Éditions Borderie, 1977","description":"\u003cp\u003e\u003cstrong\u003eObliques — La Femme Surréaliste\u003c\/strong\u003e\u003cbr\u003eNuméro 14–15\u003cbr\u003eÉditions Borderie, Paris, 1977\u003c\/p\u003e\u003cp\u003eJournal \/ revue\u003cbr\u003eOffset print on textured card wraps\u003cbr\u003eApprox. 300+ pages\u003cbr\u003e21 × 21 cm\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e French\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good. Light edge wear, minor creasing to covers, handling marks consistent with age. Interior clean.\u003c\/p\u003e\u003cp\u003eDouble issue of \u003cem\u003eObliques\u003c\/em\u003e dedicated to the figure of the surrealist woman, assembled as a dense, near-dictionary structure of texts, images, citations, and reproductions. Published in French only.\u003c\/p\u003e\u003cp\u003eEdited by Roger Borderie and Michel Camus, the volume moves between historical Surrealist positions and later critical readings, holding canonical and marginal voices in the same field. Writers, translators, and interlocutors circulate rather than resolve.\u003c\/p\u003e\u003cp\u003eJane Graverol's \u003cem\u003eL'Esprit saint\u003c\/em\u003e (1962) is positioned on the cover as both image and entry point: a bird suspended within a rock formation that reads as a torso. The body appears as landscape, then as symbol, then as frame.\u003c\/p\u003e\u003cp\u003eInside, the issue accumulates: Bellmer, Zürn, Artaud, Sade, Kafka, Genet. The feminine figure is treated less as subject than as structure — myth, projection, conduit, refusal. Text and image repeat this instability: diagrammatic drawings, photographic fragments, archival reproductions, and critical passages sit without hierarchy.\u003c\/p\u003e\u003cp\u003ePaul Buck's presence operates within this system as translation and relay — rendering Zürn and adjacent texts across languages, extending the publication outward into an Anglo-French exchange rather than fixing it within a single context.\u003c\/p\u003e\u003cp\u003eThe result is not a single argument but a field of references — Surrealism read through accumulation, displacement, and return.\u003c\/p\u003e\u003cp\u003eOriginal period item. Shipping included (UK).\u003c\/p\u003e","brand":"THE NEW RARE","offers":[{"title":"Default Title","offer_id":53301717991762,"sku":"OBL-1415-1977","price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Raymond-_-Others-Borderie.-La-femme-surrealiste.-N_-14-15-de-la-revue-_Obliques_85be1e14-ffdf-4173-b16d-08275ec17457.jpg?v=1777360381"}],"url":"https:\/\/thenewrare.com\/collections\/feminist-art-and-theory.oembed","provider":"The New Rare","version":"1.0","type":"link"}