{"title":"Clive Barker","description":"\u003cp\u003eClive Barker (1940–2017) was a British Pop artist known for his chrome-plated sculptures of everyday objects — helmets, heads, mouths, boots, and tools transformed into polished, uncanny forms. His work sits within British Pop while remaining closely tied to found objects, casting, surface, and the transformation of functional forms into sculpture.\u003c\/p\u003e\u003cp\u003eThis collection brings together exhibition ephemera, catalogues, and printed matter produced in connection with Barker's exhibitions and projects — rare documents from Anthony d'Offay, Waddell Gallery, and other institutional presentations.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eExhibition catalogues and gallery publications\u003c\/li\u003e\n\u003cli\u003ePrinted matter from British Pop presentations\u003c\/li\u003e\n\u003cli\u003eRare and out-of-print Clive Barker publications\u003c\/li\u003e\n\u003c\/ul\u003e","products":[{"product_id":"clive-barker-heads-and-chariots-anthony-doffay-1974","title":"Clive Barker — Heads and Chariots, Anthony d'Offay, London, 1974","description":"\u003cp\u003e\u003cstrong\u003eClive Barker — Heads and Chariots\u003c\/strong\u003e\u003cbr\u003eAnthony d'Offay, London, 1974\u003cbr\u003eEssay by Roland Penrose\u003cbr\u003eExhibition catalogue\u003cbr\u003eSoftcover, square format, [20pp], 6 × 6 inches\u003cbr\u003eIllustrated with tipped-in black-and-white photographic plates\u003c\/p\u003e\u003cp\u003ePublished on the occasion of \u003cem\u003eClive Barker: Heads and Chariots\u003c\/em\u003e, held at Anthony d'Offay, London, 1–26 July 1974.\u003c\/p\u003e\u003cp\u003eSmall square exhibition catalogue for Barker's 1974 presentation of heads, helmets, and chariot forms. The publication includes an essay by Roland Penrose and tipped-in black-and-white photographic plates of Barker's chrome-like sculptural objects.\u003c\/p\u003e\u003cp\u003eBarker's work sits within British Pop while remaining closely tied to found objects, casting, surface, disguise, and the transformation of functional forms into sculpture. Helmets, heads, mouths, vehicles, and industrial shapes appear as polished supports: part object, part relic, part prop.\u003c\/p\u003e\u003cp\u003eA retained 1970s exhibition catalogue from Anthony d'Offay, with strong links to British Pop, post-Duchampian sculpture, and the object as remade image.\u003c\/p\u003e\u003cp\u003eCondition: good vintage condition. Age toning, light surface wear, softened corners, and handling marks throughout. The marks remain part of the record: evidence of circulation, storage, handling, and transfer.\u003c\/p\u003e\u003cp\u003eShipping and handling included in the listed price.\u003c\/p\u003e","brand":"Anthony d'Offay","offers":[{"title":"Default Title","offer_id":53686369747282,"sku":"BARKER-DOFFAY-CAT-1974","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Barker_Clive._Heads_and_Chariots_1_to_26_July_1974._Barker_Clive._Essay_by_Roland_Penrose_c1c0a74e-7178-4aed-840b-6b41ce6644b2.jpg?v=1780971448"}],"url":"https:\/\/thenewrare.com\/collections\/clive-barker.oembed","provider":"The New Rare","version":"1.0","type":"link"}