{"title":"Anthony McCall","description":"\u003cp\u003eAnthony McCall (b. 1946, London) is a British artist best known for his solid light films — immersive installations in which projected beams of light become three-dimensional sculptural forms in darkened, haze-filled spaces. His landmark work \u003cem\u003eLine Describing a Cone\u003c\/em\u003e (1973) established a new category of cinematic experience, one in which the beam itself — rather than the projected image — becomes the subject.\u003c\/p\u003e\u003cp\u003eMcCall studied at Ravensbourne College of Art and relocated to New York in 1973, where he became associated with the downtown avant-garde. After a hiatus from art-making, he returned to the solid light works in the early 2000s, incorporating digital projection and developing new large-scale installations for institutions worldwide. His work has been exhibited at Tate Modern, the Museum of Modern Art (MoMA), the Centre Georges Pompidou, and the Serpentine Gallery, among others.\u003c\/p\u003e\u003cp\u003eThe New Rare holds printed matter and exhibition ephemera related to Anthony McCall, including publications and documents from group exhibitions in which his work has featured.\u003c\/p\u003e","products":[{"product_id":"international-local-a-che-punto-sei-where-are-you-standing-venice-2026","title":"International Local (Sarah Charlesworth, Joseph Kosuth, Anthony McCall) — A che punto sei? \/ Where Are You Standing?, Venice, 2026","description":"\u003cp\u003eOffset-printed exhibition poster, 2026. After the original 1976 Venice Biennale work. Lia Rumma \/ Venice presentation context.\u003c\/p\u003e\u003cp\u003eCondition: good; visible handling wear, soft creasing and light edge and corner wear. Presents well.\u003c\/p\u003e\u003cp\u003ePoster re-presenting \u003cem\u003eA che punto sei? \/ Where Are You Standing?\u003c\/em\u003e, originally produced in 1976 for the 37th Venice Biennale by International Local — the collective name used by Sarah Charlesworth, Joseph Kosuth and Anthony McCall.\u003c\/p\u003e\u003cp\u003eThe work takes the form of a map, but the route is social rather than geographic. Visitors are asked to locate their position within the machinery of the Biennale: producer, intermediary, consumer, professional, public, insider, outsider. The exhibition is presented as a system of access, language, labour and cultural hierarchy. Three paths are proposed: Percorso 1 for art-world professionals (critics, curators, dealers, artists); Percorso 2 for artists, filmmakers, architects, dancers, photographers, writers, designers, musicians; Percorso 3 for the public. The maze in the centre of the sheet is the Biennale itself.\u003c\/p\u003e\u003cp\u003eIts return in 2026 places a 1970s conceptual poster back into circulation at the exact site of its original problem: Venice as exhibition, marketplace, international stage and maze. A printed work made to question orientation becomes orientation again.\u003c\/p\u003e","brand":"The New Rare","offers":[{"title":"Default Title","offer_id":53969411309906,"sku":"INTLOCAL-VENICE-POST-2026","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Kosuth_Joseph._Exhibition_poster_-_A_CHE_PUNTO_SEI_Where_are_you_at_._2026_520b05ee-96c0-41a3-a734-bedc876b1e3b.jpg?v=1783670655"}],"url":"https:\/\/thenewrare.com\/collections\/anthony-mccall.oembed","provider":"The New Rare","version":"1.0","type":"link"}