{"title":"André Villers","description":"\u003cp\u003eAndré Villers (1930–2016) was a French photographer best known for his sustained collaboration with Pablo Picasso, whom he first met in Vallauris in 1953. Picasso taught Villers photography and the two worked together extensively over the following decades, producing photographic portraits, photomontages and the \u003cem\u003eDiurnes\u003c\/em\u003e series (1962), made by cutting stencils from Picasso’s drawings and printing them directly onto photographic paper. Villers’ portraits of Picasso—including the 1959 image of Picasso in Gary Cooper’s cowboy hat and revolver—became among the most widely reproduced images of the artist, and continued to circulate as source material in subsequent artistic practice.\u003c\/p\u003e","products":[{"product_id":"alex-israel-la-californie-almine-rech-paris-2023","title":"ALEX ISRAEL, LA Californie, Almine Rech, Paris, 2023","description":"\u003cp\u003eAlex Israel\u003cbr\u003eLA Californie\u003cbr\u003eAlmine Rech, Paris Matignon, 2023\u003cbr\u003eExhibition invitation · 14.5 × 19 cm\u003cbr\u003eOffset-printed card stock, recto and verso\u003cbr\u003e15 October–10 November 2023\u003c\/p\u003e\u003cp\u003eThe recto reproduces André Villers’ 1959 photograph \u003cem\u003ePortrait of Picasso with Gary Cooper’s hat and gun\u003c\/em\u003e — Picasso in striped shirt, cowboy hat and revolver. The verso carries the exhibition title and details in large condensed typography. The photograph was a primary source for \u003cem\u003eLA Californie\u003c\/em\u003e, including Israel’s large-scale \u003cem\u003eSelf Portrait (After André Villers…)\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eLA Californie\u003c\/em\u003e was Israel’s fifth solo exhibition with Almine Rech in Paris. Taking Picasso’s Cannes villa La Californie as its starting point, Israel connected Picasso’s carefully constructed public image with his own longstanding interest in Hollywood, celebrity, props and the performance of the artist as cultural figure. Historical objects, movie props and Israel’s paintings were deliberately placed together, blurring distinctions between artwork, artifact and artifice.\u003c\/p\u003e\u003cp\u003eAs printed matter, the invitation condenses that logic particularly well: an already iconic photograph of Picasso is recirculated to announce an exhibition in which Israel uses Picasso to examine the manufacture of artistic identity. Image becomes source, source becomes advertisement, advertisement becomes retained object.\u003c\/p\u003e\u003chr\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good; light handling and minor surface and edge wear consistent with use. Please refer to photographs.\u003c\/p\u003e","brand":"Almine Rech","offers":[{"title":"Default Title","offer_id":54750940987730,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Israel_Alex.Showinvite_LACalifornie_.2023.jpg?v=1789590844"}],"url":"https:\/\/thenewrare.com\/collections\/andre-villers.oembed","provider":"The New Rare","version":"1.0","type":"link"}