{"title":"Adam Jankowski","description":"\u003cp\u003eAdam Jankowski (born 1948, Gdańsk) is an Austrian painter based in Hamburg. He grew up in Gdańsk and Warsaw, moved with his family to Vienna in 1961, and studied in Vienna and then at the Hochschule für bildende Künste Hamburg under Almir Mavignier. His early work grew out of the movement of 1968, and in 1979 he co-founded the Freie Vereinigung Bildender Künstler Hamburg. From 1987 he was professor of painting at the Hochschule für Gestaltung Offenbach. His painting has long dealt with landscape in the age of digital images.\u003c\/p\u003e\u003cp\u003eThe archive holds the catalogue of \u003cem\u003e12 Achtundsechziger '86\u003c\/em\u003e (Kunsthaus Hamburg, 1986), an exhibition of twelve artists shaped by the revolt of 1968, in which he took part.\u003c\/p\u003e","products":[{"product_id":"12-achtundsechziger-86-kunsthaus-hamburg-1986","title":"KP Brehmer, Klaus Geldmacher, Dieter Glasmacher et al.: 12 Achtundsechziger ’86, Verlag Michael Kellner \/ Kunsthaus Hamburg, 1986","description":"\u003cp\u003eGerman text. ISBN 978-3-922035-87-9.\u003c\/p\u003e\u003cp\u003ePublished for an exhibition at Kunsthaus Hamburg, 30 October–30 November 1986. Conceived as a pilot project toward a wider account of the artistic revolt associated with 1968, the catalogue brings together twelve artists — KP Brehmer, Dagmar Fedderke, Klaus Geldmacher, Dieter Glasmacher, Constantin Hahm, Jochen Hiltmann, Adam Jankowski, Hilmar Liptow, Wolfgang Oppermann, Dieter Rühmann, Wolfgang Schröder and Charly Wüllner — whose practices developed through political graphics, photography, installation, autobiography and work made for public circulation.\u003c\/p\u003e\u003cp\u003eKP Brehmer is the catalogue’s most internationally established figure. Associated with Capitalist Realism, he transformed maps, colour charts, statistics and mass-media imagery into forms of political analysis. Klaus Geldmacher exhibited with Francesco Mariotti at documenta 4 in 1968; Dieter Glasmacher brought together painting, graphic production, public action and countercultural image-making. The less widely circulated artists are not incidental: together they recover a Hamburg network in which political graphics, autobiography, installation and alternative cultural production remained connected.\u003c\/p\u003e\u003cp\u003ePublished eighteen years after 1968, the catalogue records the moment when revolt began to be organised as exhibition history. Its halftone crowd photograph is overprinted with twelve individual names: collective political identity converted into a list, an institutional programme and a printed object.\u003c\/p\u003e\u003cp\u003eSecurely packed; tracked UK and international shipping available.\u003c\/p\u003e","brand":"Verlag Michael Kellner","offers":[{"title":"Default Title","offer_id":54116400529746,"sku":"TNR-2026-0461","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0991\/5636\/1554\/files\/Osten-Sacken_Petravonder.12_68ers_86Pilotprojectforacomprehensiveconceptofthe_68artrevoltKunsthausHamburg.1986.jpg?v=1785204856"}],"url":"https:\/\/thenewrare.com\/collections\/adam-jankowski.oembed","provider":"The New Rare","version":"1.0","type":"link"}